The Brazy Bunch – “Written n Blood” review

The Brazy Bunch is a duo from Omaha, Nebraska consisting of A-Wax & King Iso. We’ve heard them a couple times throughout the year with songs like “At All” by Taebo the Truth or even “Bag Up” & “Blemish” off of A-Wax’s latest solo projects but after a small debacle revolved around the pair’s full-length debut Written n Blood getting pulled within hours of it’s initial release over the spring due to proper procedures not being followed by Iso’s current contract with Strange Music, they managed to work everything out with Travis O’Guin & officially drop it under the It Goes Up Entertainment subsidiary of the renown Kansas City label.

The acoustic/trap-tinged title track opens things up about how it’s their lives whereas “Ran Up” works in some sirens to speak on being chased by the cops. “Helpless” is a guitar ballad saying that money multiplied their problems just before the spacious materialistic ode “Slimy”.

Meanwhile on “Spain”, we have The Brazy Bunch somberly talking about revisiting the past even though it’s hurtful leading into them telling motherfuckers to get out of their feelings for the misty “Mad For”. The pianos on “Go Brazy” are pretty cool as they come through with a riot starter, but then “Measure It” serves as an ominous coke pusher’s theme surprisingly.

“Tears Dry” has a minimal beat going on about their bitches try’na fix what isn’t broken while “Time” is a much more downtrodden cut detailing going from their harder days to where they are now. “Flooded” continues the darker vibes saying they can’t scrub the blood on their hands whereas “Corrode” is an atmospheric cut about being paranoid that everyone is with the feds.

The keyboard passages on “So Strange” fit well given that they’re telling us that fame came with a cost leading into “Omaha”, which is a decent lil homage to their hometown. The song “Trip” is a cloud rap banger about never wishing jail on their brothers while the penultimate track “Fuck It Up” atmospherically details getting these bitches to trust them again. “Packin’” finally ends things with a foreboding theme about running up checks.

If you’re expecting more of that World War Me shit, then you’re gonna be disappointed. However, I think this is a solid debut nonetheless. King Iso’s production goes into more of that trap shit than he did on the last album & the chemistry with A-Wax is pretty unique as well.

Score: 3.5/5

Saigon – “Pain, Peace & Prosperity” review

Saigon is a 43 year old MC from Brooklyn, New York who broke out in the early 2000s off his debut mixtape Da Yardfather. However, it wouldn’t be until 2011 when he would make his full-length debut by dropping The Greatest Story Never Told under Suburban Noize Records. The album would spawn a sequel to fulfill his contract with the Spade the following year & then a final installment on his own imprint Squid Ink Squad Records in 2014. He returned from a 6 year hiatus last summer by signing to Strange Music’s new subsidiary It Goes Up Entertainment & dropping the STREETRUNNER-produced EP 777: The Resurrection almost right after but here we are 7 months later with Saigon’s 4th full-length album.

After the DJ Kayslay intro, the first song “Head Blown (Vitabudz Theme)” talks about vibing until his head is gone over an instrumental that hawks back to 80s electro while the track “2 for $5” makes multiple comparisons to the titular deal over a bountiful beat. The song “My Gun” talks about being strapped at all times over a boom bap instrumental with some sirens while the track “Blessings” pays tribute to those murdered by the system from Mike Brown to Sandra Bland over a bereft beat.

The song “People Next Door” talks about the person living next to him getting laid down the night before over a cinematic instrumental while the following track is a pointless remix to “Mechanical Animals” off of The Greatest Story Never Told 3: The Troubled Times of Brian Carenard. “The D” with Jay Varcity is a gross, lovey dovey disco tune while the song “Warm Honey” is almost as painful to listen to except the production on this one is more silkier.

The track “U Do Understand That, Right?” With Axel Leon finds the 2 talking about partying all night over a jazz/trap infused beat while the song “We Don’t Need You” talks about cutting off punks in his life over a Satanic instrumental. The track “Same Ol’ Me” talks about how he hasn’t changed after all these years over an inspiriting beat while the song “U Don’t Know Me” is a catchy bop calling out those who think they know everything about him.

The track “Buss It Down” with Bam Vito is a terribly written strip club anthem backed by generic instrumental while “The Streets” talks about how it ain’t no joke in the hood over an organ-laced beat. The track “It Goes Up” with Rough finds the 2 talking about firing at their squad if they take food out their mouths over a boom bap instrumental with some choir vocals while the song “Deeper” with O.T. the Real sees the duo talking about how deep they are over an exultant beat. After the “Saigon Speaks” skit, “The Co-Op Cipher” teams up with Cassidy to get on the battle tip over a sullen instrumental. He also takes the time to announce 2 more albums coming later this year, one produced entirely by Buckwild & the other with Jahlil Beats.

Even though I prefer 777: The Resurrection, I still think this is a solid album. There are joints on here that felt out of place like the “Mechanical Animals” remix & that cringey disco joint, but Saigon can still rip up mics like it was nothing & the production is pretty tight for a good deal of it.

Score: 3.5/5

Saigon – “777: The Resurrection” review

This is the 2nd EP from New York veteran Saigon. Despite being around for 20 years, it wouldn’t be until 2011 when he would make his full-length debut by dropping The Greatest Story Never Told under Suburban Noize Records. The album would spawn a sequel to fulfill his contract on Subnoize the following year & then a final installment on his own imprint Squid Ink Squad Records in 2014. However after a 6 year hiatus & a new deal with Strange Music’s new subsidiary It Goes Up Entertainment, Saigon is enlisting STREETRUNNER for 777: The Resurrection.

The EP starts off with an touching sequel to the 2006 loosie “Pain in My Life” whereas the next song “Promise Ring” is an empowering heart to heart conversation with Saigon’s daughter over a glamorous instrumental. The track “Bullets-19” talks about gun violence over a boom bap beat with a perfectly incorporated sample while the song “Spooky” speaks on the rap game over a nocturnal trap beat.

“The Motherfuckin’ Effect” with Kool G Rap sees the 2 showing off their rapping prowesses over a harmonious loop while the penultimate track “Lil B.I.G.” is wordplay galore over a beat that has a bit of a 9th Wonder feel to it. “The Middle Finger Song” disses to a wide range of people from Saigon’s father to Hot 97’s Ebro Darden backed by a soulful instrumental.

If you wanna hear an East Coast legend make a strong comeback, then you’re gonna love this as much as I do. Not only does Saigon sound refreshed, but the way he brings a unique perspective to all the problems we‘re facing in the world today. As for STREETRUNNER’s production, there are A LOT of soul samples on here & he incorporates them into each song very well.

Score: 4.5/5