Tag: Jane Remover

Jane Remover – “♡” review

This is the 5th EP from Newark, New Jersey musician Jane Remover. Known for pioneering the Dariacore microgenre, they made their breakout debut in the fall of 2021 with Frailty under deadAir Records & it wasn’t until exactly 24 months later when former BROCKHAMPTON leader Kevin Abstract called Jane Remover’s sophomore effort Census Designated his favorite album of that year where I personally got introduced to their music. Revengeseekerz came out in April to widespread acclaim, returning 8 months later with ♡.

“Magic I Want U” begins with an alternative R&B, glitch pop, breakbeat, Atlanta bass, alternative rock & digital cumbia loving the way this guy uses his hands & words whereas “So What?” was notably sampled throughout “All4U”, which was the stunning closer off Danny Brown’s latest album Stardust last month additionally interpolating their own singles “JRJRJR” & “Turn Up or Die” respectively.

To finish the 1st half, “Music Baby” contains probably the most repetitive songwriting structure throughout the entire extended play giving a fuck less of what people think of them while “Flash on the Pan” blends alternative R&B, emo rap, sexy drill, indie rock, shoegaze & dream pop basically remixing a cover they did of one of my personal favorite Britney Spears tracks “Hold It Against Me” back when I was in my final year of middle school.

“How to Teleport” starts the final moments of ♡with an extended version of a digital cumbia b-side to “Magic I Want U” pleading to not be awoken from this dream they’re experiencing because they can’t fall back in the fountain of youth again while the closer “Dream Sequence” & the b-side to “Flash in the Pan” covers “Aberdeen Dream Sequence”, which is widely considered to be the greatest slacker rock/slowcore singles that Jane Remover has ever made under the venturing moniker.

Serving as a prelude to their upcoming 4th album next year, Jane Remover compiles a brand new EP consisting of 3 covers & 3 newly recorded songs focusing more around alternative R&B as well as glitch pop & alt-pop as opposed to Revengeseekerz’ heavy digicore/EDM sound earlier this spring even if some of the material predates Jane’s biggest high in their career yet. The secondary influences within the production get shaken up in favor of alternative rock, breakbeat, sexy drill, east coast club, Atlanta bass, digital cumbia, emo rap, shoegaze & dream pop teasing another exciting artistic reinvention.

Score: 4.5/5

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Jane Remover – “Revengeseekerz” review

Jane Remover is a 21 year old musician from Newark, New Jersey known for pioneering the Dariacore microgenre. They made their breakout debut in the fall of 2021 with Frailty under deadAir Records & it wasn’t until exactly 24 months later when former BROCKHAMPTON leader Kevin Abstract called Jane Remover’s sophomore effort Census Designated his favorite album of that year where I personally got introduced to their music. Continuing the bi-yearly release cycle, their 3rd album has finally arrived after high anticipation.

“Twice Removed” begins with this digicore intro explaining that 2022 feels like a million years ago to them by now & shit getting old to them so quickly whereas the EDM-driven “Psychoboost” featuring Danny Brown finds the 2 talking about both of them feeling as if they’re a part of each other. “Star People” blends hyperpop & trap so they can ask if you’re either their bestie or their enemy prior to the chaotically noisy “Experimental Skin” talking about seeing no evil.

Moving on from there, “angels in camo” returns for more of a digicore vibe trading names with demons & refusing to let the creeps win just before “Dreamflasher” takes the sound of the previous cut & meshing it with EDM asking God to save them since they’re so turnt at the current moment. “Turn Up or Die” brings a glitchier flare to the table giving this bitch a proper sendoff by blowing his head off while “Dancing with Your Eyes Closed” perfectly showcases fusing hyperpop, electropop, digicore, bass house, future bass, electro hop, electroclash, Dariacore & rage influences.

“Fadeoutz” talks about feeling the same affection the standard popstar receives & likening fast love to fast drugs while “Professional Vengeance” balances digicore & pop punk returning from California with a bag 10x the price of what they were sold. “Dark Night Castle” admits to feeling like they don’t deserve the business prior to the outstanding digicore, rage, experimental hip hop, industrial hip hop, dark plugg & emo rap closer “JRJRJR”.

There are artists in the digicore scene I’ve given props to like Bear1boss or che & Polo Perks no question, except Jane Remover reclaims the sound that made them popular on the occasion of presenting the most flawless listening experience I’ve had in 2025 as of right now & a landmark in that style. The glitchcore aesthetics get uniquely branched out to the likes of experimental hip hop, electronic dance music, rage, hyperpop, hard dance, bass house, industrial hip hop, hardcore EDM, dark plugg, emo rap, electropop, future bass, electro hop, electroclash & of course Dariacore seamlessly.

Score: 5/5

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