KIDS SEE GHOSTS – Self-titled review

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KIDS SEE GHOSTS is a midwest hip hop duo consisting of the renown yet polarizing Chicago, Illinois legend Kanye West & Cleveland, Ohio recording artist KiD CuDi. The 2 have worked with each other numerous times dating back to when Yeezy signed CuDi to his G.O.O.D. Music record label in 2008 & let him co-write 4 songs on 808s & Heartbreak later that same year. KiD CuDi has contributed to every Kanye album since then. More recently the song “Ghost Town” on his latest album ye, which is a prelude track to this album over here. CuDi even released his first 3 albums with G.O.O.D. Music before he left on amicable terms in 2013 to form his Republic Records imprint Wicked Awesome Records. The duo would later have a brief falling out in the fall of 2016, but they would eventually reconcile after the St. Pablo Tour was cancelled due to Kanye‘s hospitalization for stress & exhaustion.

The album opens with “Feel the Love”, which is pretty much being dominated by Pusha T. He definitely goes in, but the gunshot adlibs from Kanye were annoying on first listen as it grew on me over time. I also like the spacey keyboards & the later added drums that come through in the instrumental. The next track “Fire” actually sees the 2 getting together & responding to everyone who criticize them for their failures in the past over some militant drums & an eerie guitar in the background. The song “4th Dimension” has a prominent Louis Prima sample tackling sex in addition to referencing 2-time WWE Hall of Famer, former 16-time WWE world champion, WWE Intercontinental Champion, 6-time WWE United States Champion, 6-time WWE tag team champion & 9-time NWA World’s Heavyweight Champion Ric Flair either. The track “Freee (Ghost Town, Pt. 2)” with a brief Ty$ appearance tells the audience that that’s exactly how they feel right now over a killer guitar, but the way the say the titular word does get old after a while.

The song “Reborn” is easily my favorite one on the entire album. The lyrics are all about moving forward from their pasts & the uplifting instrumental is a serious throwback to CuDi’s 2009 debut album Man on the Moon: The End of Day. The self-produced title track has a surprising yet solid Yasiin Bey hook & the instrumental has an intergalactic atmosphere to it that’s very pretty. Lyrically, KiD CuDi‘s verse about how he can’t be stopped & that he’ll be finding heaven in a matter of time while Kanye’s talks about fame. The album then finishes with “CuDi Montage”, where CuDi tells God to save him & Kanye gets insightfully conscious over a fitting sample of “Burn the Rain” by the late Nirvana frontman Kurt Cobain.

As a whole, I think it’s on the same enjoyability level as ye. The pop rap production is a lot more refined & given the recent hospitalizations of both members, the chemistry between KiD CuDi & Kanye West is stronger than it ever was before.

Score: 4/5

Kanye West – “ye” review

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After going A.W.O.L. ever since his hospitalization in late 2016, the ever so polarizing Kanye West is finally coming out of the shadows to release his 8th full-length album. The opener “I Thought About Killing You” has a beautiful spoken word piece at the beginning about depression & then we get a confident verse over a moody beat, but then it switches into a more trap-like sound as he responds to his haters near the end. The next track “Yikes” talks about drugs over a hard hitting beat Ye made with Mike Dean, Pi’erre Bourne & Apex Martin with a humorous outro about being a bipolar superhero while the song “All Mine” talks about a supermodel thick woman over a bouncy beat. Also, I found the hook on here to be somewhat hilarious.

The track “Wouldn’t Leave” talks about his sensitivity over a beautiful gospel-like beat from ¥$ & I love how he starts it off by responding to his infamous TMZ appearance a couple months ago. The song “No Mistakes” is a response to Drake’s Duppy freestyle with a beautiful sample of the classic Slick Rick jam “Hey Young World” & while the penultimate track “Ghost Town” talks about being loved over a rap rock beat, I wish it was structured better. Then we have the closer “Violent Crimes”, where he talks about his kids over an atmospheric beat. Also, the I like the references to Nicki Minaj & “Monster” halfway through the verse. It makes even more sense that Nicki pops up at the end via cell phone saying the line & that she wants everyone to hear it, but I don’t know about ending the album that way.

Regardless, this is still a fantastic. While he did say it would be only 7 tracks, it’s mostly focused & consistent with vibrant production & honest lyrics

Score: 4/5