ShittyBoyz – “Trifecta 2” review

The ShittyBoyz are a trio from Detroit, Michigan consisting of BabyTron alongside Stanwill & T.R. Dee. Since putting out their debut mixtape 3-Peat in the summer of 2019, they would take the motor city by storm & following it up with another tape & 2 full-lengths with the last one being Trifecta during the first quarter of the year. But now with the PunchGod himself Babytron landing a spot on this year’s XXL Freshman Class & his performance at the Gathering of the Juggalos this weekend along with the rap metal band Motown Rage fronted by his father Mr. Sadistic (who were also once signed to Psychopathic Records in the late 2000s), the Boyz are back in town for album #3.

“Win or Lose” is an atmospheric hyphy opener talking about how you either take Ws or Ls in life leading into Tae Retro tagging along for “Zeke & Luther” to stay on the grind over a quasi-tropical beat. “WWE” works in some hi-hats & horns to show off some clever wrestling wordplay whereas “V8’s & V12’s” has a more West Coast flare to it cautioning that you may catch them speeding.

Meanwhile on “Senzu Bean”, what’ve the ShittyBoyz over a symphonic trap instrumental calling out some shooters who said they’d pop them similar to the object in Dragon Ball Z that recoups a fighter’s strength & help them recover from incredibly from severe injuries just before “Video Games” samples a wide range of classic from San Andreas to the startup sound of a GameCube to flaunt their lifestyles. “Lion-Hearted” incorporates a muffled sample & hi-hats so then can ball, but then “Going Hyphy” is self-explanatory as far as sound goes except the braggadocious lyricism.

“Slam Dunk Contestants” weaves some keyboards into the fold comparing themselves to the Avengers while the TRL-assisted “Turnt Shit 2” is a decent sequel to a loosie the quartet put out couple years back. “Cheers B!tch” revives the Hi-NRG sound with a chilling switch-up during the last 50 seconds talking about having double cups while the song “Getaway” is a jazz/trap hybrid boasting yet again.

The penultimate track “Most Wanted” mixes some guitar plucks, trumpets, synths & hi-hats together confessing that they feel like they’re on the run with “GGG” finishing off the album with another Hi-NRG hit talking about punching shit online similar to that of Gennady Golovkin.

I’ve made it pretty clear that the ShittyBoyz & Babyface Ray both have Detroit in a chokehold at the moment & Trifecta 2 is just another example of that. The bars that they come up together never fail to grab me in an amusing way & with the production continuing to redefine the group by going with completely different sounds.

Score 3.5/5

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Babytron – “Megatron” review

This is the 6th mixtape from Detroit rapper Babytron. Coming up as a member of the trio ShittyBoyz along with his childhood friends Stanwill & TR Dee, he’s also branched out on impressive solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. However, it seems like last year was probably his biggest year yet landing interviews ranging from No Jumper to even Rolling Stone or the release of Luka Trončić last summer prior to signing with EMPIRE Distribution later that same month & then Bin Reaper 2: The 2nd Coming back in the tail-end of October. But to follow all that success up, he’s kicking off his 2022 run with Megatron.

“Letter to Cornelius” starts out the tape mixing jazz & trap to spit braggadocio whereas “Manute Bol” works in some strings to talk about being paid similar to that of the late NBA player of the same name. “Peachtree” goes into a cloudier direction letting muthafuckas know that no one can beat him, but then “Cobra Kai” works in a danceable groove to talk about some late night shit.

Meanwhile on “Beyond Turnt”, we have Babytron continuing to flex accompanied by some strings leading into “Huge Lifestyle 2” is a mediocre sequel to a loosie that GTP Daidoe put out a little over a year back. “Area 51” has an appropriately spacious atmosphere to it talking about being an alien just before “Mr. Do the Dash” brings a weepy violin loop into the mix declaring himself as such.

“Extra Butter” has a dope ass funk sample dissing his competition while “Crocs & Wock” takes things into a more electro-direction to ball. “BMF” of course flips the 50 Cent single “Wish Me Luck” paying tribute to Big Meech’s operation of the same name prior to DaBoii tagging along for the hyphy-laced “Chess Players” to talk about their reckless gangster mentalities.

Following that, “6 Star Wanted Level” comes through with some insane beat switches for each verse saying he lives a GTA life while “Mainstream Tron” has a more playful tone talking about all the success he’s been seeing as of late. “Hustle Junkie” is basically him admitting that he’s addicted to grindin’ with an exotic sample woven in while “God Tier” goes into soulful territory talking about being his own boss.

“December 1st” flips the Sue Ann Carwell joint “I’ll Give You Love” to declare himself a living legend while “Hold Up, Wait!” returns to a more symphonic sound talking about being too high. “RIP Virgil” experiments with disco paying homage to the late Off-White founder of the same name while “Stupid” finds Babytron displaying a decent back & forth chemistry with Glockboyz Teejaee over a violin instrumental.

The song “Jerry Rice” returns to the jazzy sounds of the opener continuing to diss anyone who thinks they can step up to him while the penultimate track “10 Toes Wherever” samples the classic Nate Dogg/Warren G banger “Nobody Does It Better” to talk about feeling cocky. “The Lost World” ends the tape with multiple beat switches & some incredible charisma in Babytron’s verses.

If you ask me, Megatron serves as yet another reminder as of why Babytron is one of the hottest rappers in the city right now. He continues to bring some exciting new sounds into the Detroit trap scene & his pen-game (most notably the punchlines) continue to level up at an astonishing rate.

Score: 3.5/5

ShittyBoyz – “Trifecta” review

This is the sophomore album from Detroit trio ShittyBoyz. Consisting of BabyTron alongside Stanwill & T.R. Dee, the group dropped off their debut mixtape 3-Peat in the summer of 2019 & quickly became one of the city’s biggest acts in recent memory. Their full-length debut New Year, Same Scams came out 7 months later & the last we heard from them as a unit was almost a year ago with their 2nd tape 4-Peat. However after taking some short time focusing on their solo careers, the Boyz are back in town in the form of Trifecta.

“Red Wings” opens the album with a mystic trap beat talking about shining from out the dark whereas “Gotham City” follows it up with a more darker tone saying they don’t lane switch. “Big 3” takes a more vibrant route to talk about their star power just before “Soul Bleed” mixes chipmunk soul with trap continuing to flex.

Meanwhile on “Taliban Ties”, we have the ShittyBoyz picking up where the previous cut left off sonically talking about their connections to the mob leading into the flute-laced “Visa Magicians” getting back in their scamming bag. “Red Light, Green Light” is pretty much their own take on the Squid Game concept down to the sample, but then the instrumental that “Sly Cooper” brings to the table of course pays homage to one of my favorite video game series growing up talking about taking computer’s from internet thugs & dissing the weirdos with no money.

“Night on Collins Ave” almost has a bit of an orchestral quality to it detailing how it is on the titular street here in Detroit while “Ghetto Elegance” returns to chipmunk soul territory to show off their wealth. “Payday” works in some catchy vocal melodies hanging in the background painting pictures of the lives they live while “TMZ” incorporates a sitar to talk about being married to the paper.

Following that, “Bill Nye” goes into a more synth-heavy direction calling out those who ain’t never chased a bag prior to “Blizzard Mode” throwing some bells in the mix talking about how nothing they achieved was luck. “Triple Dog Dare” comes in with a more entrancing tone challenging a fed after pulling up to right while “Supervillain” sinisterly compares themselves to that of.

The amount of beat switches on “Time Travelin’” are completely fuckin’ insane as they let their competition know they ain’t scared of them while “Rob Dyrdek” addresses their hustle & the backdrop behind the drums is very delicate. “NFL” of course samples the Twilight Trio’s theme tune for the titular company making a bunch of clever sports references while the song “Kung Fu” over a weepy instrumental talking about being bound to blow. The penultimate track “Pedal Pushin’” has some cloudy undertones to the beat talking about pulling up when the money calls & “On 1” ends the album with an opera sample & talking about working magic.

Between this & the new Babyface Ray album Face, I feel like this is gonna be a great year for the city as far as rising talent goes. It’s always amazing to me how each member of the trio stands out in their own way & their style remains unmatched in comparison to some Detroit trap artists painting themselves in a corner stylistically.

Score: 3.5/5

Babytron – “Bin Reaper 2: The 2nd Coming” review

Babytron is a 21 year old rapper from Detroit, Michigan who came up just a few years ago as part of the trio ShittyBoyz along with his childhood friends Stanwill & TR Dee. Along the way, he’s also built up a solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. The kid just dropped Luka Trončić on his birthday over the summer & with Halloween approaching this weekend, he’s celebrating by dropping a sequel to his debut tape Bin Reaper.

“Half-Blood Prince” kicks the tape off by sampling the Harry Potter theme getting on that gangsta shit whereas “Next Level” weaves in a soul sample talking about elevating. “Paul Bearer” works in a flute to get braggadocious, but then “Euro-Stepper” has a more minimalistic sound to it with him going at his competition.

Meanwhile on “Day in Ferndale”, we have Babytron displaying some intriguing storytelling despite it’s weak instrumental just before the bassy “007” talks about creeping up with the strap. “Pissed Off” has a bit of a early-2000’s era Dr. Dre influence to the production declaring himself as a 1-man army leading into Lil Yachty tagging along for “Turtle Pie” to show some amazing chemistry even though it’s criminally short.

“Monkey D. Luffy” has a hypnotic vocal loop buried in the bass comparing himself to the 1 Piece character of the same name while the soulful “It Is What It Is” looks back on not having all the shit he has now. “Pink Runtz” resurrects the hi-nrg vibes of Luka Trončić calling himself the drip god. The flutes on “Monsters & Mobsters” are a nice touch letting cats know beef with them ain’t the best decision whereas “On the Bible” shows off lyrically over an instrumental that sounds straight from a kung fu flick.

Krispylife Kidd comes into the picture for “Tag Team Champs” to deliver a more fleshed out version of “Turtle Pie” leading into the glossy yet romantic “Jesse Owens”. The late night cruiser “How?” calls out his haters as crackheads & the more mellow “Heart Break Kid” spills out some $1M thoughts.

I like how minimal yet detailed “Superstar” sounds addressing his rising fame just before the ShittyBoyz come together for the hi-nrg “Young Goats” talking about being future legends in the making. “Blankman” grimly details living better days as of late & “Pimp My Ride” pays homage to the show that overshadowed Xzibit’s music career down to the sample.

“Green Lantern” takes a funkier approach dissing those faking the funk, but then Helluva provides a techno vibe for “Frankenstein”, which is about how Wockhardt got him moving slow. “Everybody Hates Tron” obviously flips the Everybody Hates Chris theme to shit talk while the bell-heavy “No Jumper” speaks on blowing weed on Adam22’s podcast of the same name.

The penultimate track “Lavar Ball” with RTB MB is another flute-woven cut talks about turning the party up whenever they walk in & to finish the whole tape off, “Sith Lord” flips the iconic Darth Vader theme to basically call himself the rap game equivalent to that of one of the greatest villains ever.

Not a lot of sequel projects in hip hop can live up to the expectations set by the predecessor, but Bin Reaper 2: The 2nd Coming is a solid example of that. It’s a little long-winded running at 27 tracks total, but I genuinely think Babytron’s punchline game is one of the best in the current hip hop landscape & how he along with the rest of the ShittyBoyz break free from how repetitive Detroit trap can be.

Score: 3.5/5

Babytron – “Luka Trončić” review

This is the 4th mixtape from Detroit rapper Babytron, who came up just a few years ago as part of the trio ShittyBoyz along with his childhood friends Stanwill & TR Dee. Along the way, he’s also built up a solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. But to celebrate his 21st birthday, it’s only right for Babytron to drop Luka Trončić.

It’s cool to hear him kick it off with a glossy, rubbery sequel to “Cheat Code” as well as a dancy conclusion of the “Juggalo Messiah” trilogy. Meanwhile on “Blitz”, we get some keyboards as the recently released Peezy tags along to flex whereas “IG Captions” feels like a charming freestyle & the instrumental feels like something out of the 80’s.

“PunchGod 3” if you couldn’t tell by the title showcases his punchline abilities backed by an infectious high-pitched vocal sample & even though Allstar Jr. has one of the weaker features on “Scam Stars”, I do like the piano-inflicted beat quite a bit. We go into a more suspenseful sound on “Golden Ticket” as Babytron compares his rap career to such before sounding off on his wealth on “$1M Thoughts” even though the instrumental is kinda plain.

The song “Where They At?” is more spacier cut where he says he feels like the late Blade Icewood, but then Stanwill & TR Dee unite for the electronic-tinged “Cold World” going at clout chasers. “Cowabunga” mixes some synth-strings & blobby bass for Babytron to start flexing lyrically & not only does he carry that topic onto “The Office”, but the way they sample the actual theme song from The Office is pure brilliance.

“Just In Case” is pretty much his own version of the Jahiem song of the same name while the synths on “Mr. Miyagi” sound off like laser guns as Babytron proclaims he has the magic touch. Since99’s verse on “Mermaid Man & Barnacle Boy” is another weak spot on the album, but I do like how they compare themselves to the SpongeBob duo & actually sample their theme music much like on “The Office”.

The braggadocio continues on the entrancing “Playmaker” while going back to that Bay Area sound for “Game Time”, where Babytron raps about cranking the notch up just to prove a point. I love the haunting synth melodies accompanying the championing lyricism of “MVP Season” but then for the materialistic “$100 Rice Bowl”, the sound is like a cross between 80’s-like synths & hyphy. “Space Jam” has an EDM flare to it sonically as Babytron says he “got a Goon Sqwad like he’s Trick-Trick” while the eerie, bassy “Money Man” flashes his wealth.

The song “Untouchable” has a vintage sample throughout as well as lyrics about being that dude while the penultimate track “Bugs Bunny” is a glistening yet explosive cut about being up now. As for the closer “Early Bird”, there’s a plinky beat & Babytron rapping about how he can’t be fucked with.

Of all the tapes this cat has dropped, Luka Trončić could very well be his best one yet. I think the Hi-RNG undertones in the production is super unique in comparison to the more generic sounds you hear in modern day trap & Babytron’s continues to reveal himself as the most skilled ShittyBoy there is.

Score: 4/5