Scum – “Nobody Spared” review

Denver, Colorado emcee & Lyrikal Snuff Productionz founder Scum back for his 17th LP. Starting as a member of an experimental grind/noise band called Down Syndrome about 3 decades ago, his solo debut Enter the Asylum arrived in the winter of 2003 & he’s outdone himself plenty of times since. Case in point: The Gorefather, Out with the Old & Bad Uncle fully produced by Chapter 17/Psychopathic Records in-house producer Devereaux. I also found myself enjoying the Dyin’ World Chroniclez trilogy, coming off Anti-Human & IOUz to make sure there’s Nobody Spared.

“On God” kicks things off with this 92 second trap metal intro talking about giving a fuck less if people get offended by him & his style of music whereas “Mass Murder” featuring Řezník finds the pair joining forces for a bilingual horrorcore anthem with a JP tha Hustler instrumental that has a boom bap quality to it. “Moovbaak” produced by Gibby Stites continues from there apocalyptically sending that very advise to anyone who’s in his way prior to “1 by 1” featuring King Gordy gets right back to the wicked shit.

Moving on from there, “The Final Straw” furiously talks about leaving a muhfucka face down if 1 more thing in his life goes wrong while “Chainsaw Gandhi” spends 101 seconds dropping horrorcore lyricism over an organ-inflicted beat. “Type O Fuck” featuring Bloody Ruckus & Donnie Menace finds the trio testing the world to really let them see what they’re really about while “T.M.K.Y. (They Might Kill You)” cautions what happens when you push someone too hard.

Chapter 17 Records signee & LSP alumni Darby O’Trill joins Scum for “Stop Playin’” telling everyone to quit fuckin’ around incorporating some secondary influences of trap metal in the picture while “Definition of Wrong” grimly talks about what he considers the meaning of incorrect hooking up these suspenseful piano chords. “Bleed Out” speeds up his flow so he can keep it wicked leading into “What Would Jesus Do?” grimly talks about the son of god having love for all the victims that’re being slaughtered.

“Like You” featuring RazoR has Sin Rip & Tha Roka both joining their mentor in discussing some people being better off dead while “Drugs” talks about the fact that more people in this country have lost their lives to opioid addictions more than gun violence in recent memory. “Hole in Your Neck” featuring Madopelli has Ant Dog & M.A.D accompanying the man who gave them a deal instrumentally going for a boom bap vibe while “Better” suggests it’s best he aims far until pulling the trigger of of shotgun.

Meanwhile on “Enjoy the Horrors”, we have Scum over another trap beat hoping that people enjoy the wickedness he was meant to please the underground with preceding “Point of No Return” by Devil’s Trident ruggedly talking about burning bridges without having any fear. “Drip, Drip, Drip” starts the deluxe run with a symphonic instrumental talking about blood dripping off the blade of his weapon while “Left Alone” featuring A.Z. the Fallen links up to explain that they’re better off on their own.

“Last Confession” finds himself asking what the fuck’s wrong with him while “They Don’t Want None” featuring Gibby Stites & Zak Pacillo returns to the boom bap talking about no one wanting any sort of smoke with them. “N.H.N.H. (No Help No Hope)” makes the clear distinction that one’s helpless if there isn’t anyone to assist them while “Nightmerica” featuring Mikahl Lawless & Skeezus talks about this being a nightmare one can’t wake up from.

There’s a heavy rap metal groove to “Originalz” looking to smash skulls with a spiked bat while “So Tired” featuring RG Stoner talks about being sick of giving in unprovoked. “Dig Deeper” throws shots at the people hating on his name while “Empty Shell” featuring metroGHOST talks about the other versions of them being dead for some time. “Living in a Nightmare” bombastically observes the world burning & the final bonus track “Death Choice” talks about having no fear of being incorrect.

This dude’s been experimenting with bars, dark humor, lyrical hip hop, personal songs & mental health anthems after bringing us the Gore Hop we’ve come to know The Gorefather for going on damn near 3 decades at this point & Nobody Spared takes it right back to his roots with some of the angriest, darkest & most violent material Scum’s recorded in a some time. I’d be remised if I didn’t mention the 2nd disc touching base regarding more introspective subject other than a couple occasional moments where he delves into butchery.

Score: 3.5/5

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King of Horriblecore – “The Horrible Chronicles” review

The King of Horriblecore is a 42 year old rapper from San Diego, California who originally came up under the original moniker Big Sherm when his first couple extended plays The Lost Flavors & Nitrous’ Escape Room came out. He would follow it up 12 months later with his full-length studio debut Shermology as well as an eponymous EP last Christmas and finally Horrible & Adorable, finally making his Lyrikal Snuff Productionz debut with his sophomore effort after announcing he had signed to the label at the 26th annual Gathering of the Juggalos.

After the intro, “The Horrible Show” by 3 the Horrible Way opens up with a dark trap intro where the trio’s talking about stomping faces out prior to “3rd Eye” making it clear that his mind’s eye isn’t blind at all. “Night Terrors” instrumentally has more of a sinister trap vibe to it talking about feeling unwanted & praying for 1 good dream while “Every Single Halloween” featuring Mikahl Lawless finds the pair relaxing together watching movies around this time of the year.

“S.A.K. (Saw, Axe, Knife)” featuring Scum & produced by Bake Lo links up so they can talk about using all 3 of those weapons for murder just before “My Past” gets more personal with everyone, giving listeners his backstory & encouraging them not to let our past define who we are today over a boom bap beat. “Forget About Me” ends the 1st half talking about his refusal to trust anyone since they doubted him right out the gate while “Friends” takes shots at the people he once considered allies who’re no longer in his life.

As for “Never”, we have the King of Horriblecore continuing the 2nd leg of his LSP debut talking about always taking Ls & dying rather than living over this funereal beat while “Sweet Villian” returns to the boom bap acknowledging that he’s become a villain to someone he wanted sitting at his table sharing steak. “Murdered My Peers” featuring Bake Lo joins forces to talk about fighting back against all of those calling them talentless hacks while “Growth” topically lets go of all the chains he’s bearing from his past.

“TKO” featuring 216zay talks about punching anyone who speaks ill of them in the face while “Putting Bullshit to Rest” featuring Foty gives a middle finger to those trying to take advantage of them. “Legacy” talks about putting an end to the people who thought he’d be a walking joke while “Ghostwriter” featuring Ice Giant explains why they stroll through the cemetery at night. “Oatmeal Cream Pie” featuring RazoR preceding the “Cookies & Milk” outro ends the album on a sexual note.

Originally hearing this guy when he made a guest appearance on Bake Lo’s 5th album Spirals earlier this spring, the King of Horriblecore’s entire style has been summed up best as the musical equivalent to a campy low-budget horror films with a nerdcore twist to it & The Horrible Chronicles makes it’s case regarding why he joined the LSP roster with an LP that I’d put above everything he’s done previously. The production’s a cut above his earlier output & touches base regarding many things in terms of subject matter ahead of his next EP set to drop in 2027.

Score: 3.5/5

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Madopelli – “The Unkindness” review

Yes, this is the brand new LP & 5th overall from California City horrorcore duo Madopelli. Consisting of M.A.D & Ant Dog, the pair have also gone on to drop a couple of mixtapes & EPs ever since forming in 2016. Their sophomore effort albeit Lyrikal Snuff Productionz debut No Bluffin’ proved itself to be Madopelli’s most refined work to date both lyrically & sonically to the point where they were instantly accepted within the Gorehop realm. The follow-up Stories from the Sanctum later resulted in both members making their LSP debut as solo artists with Sadistic Symphony & M.A.D (Me Against Death), coming off Suffer Not Dishonor to discuss The Unkindness.

After the titular intro, “Repeat It with Me” begins with an aggressive intro representing the squad leading into “Remember That” sends a message to the people acting like they don’t know. “Where We Dwell” featuring Ganjre the Great finds the trio describing this darkness creeping within themselves & after “Wicked Soundz” talks about giving 0 fucks, “Better Dayz” sends positivity towards anyone listening who’s going through something advising to keep their heads up.

“Ghost in Ceiling” gets the 2nd half going asking if everything will be alright in the end because M.A.D & Ant are each at a low point mentally just before “My Way Out” continues from there talking about how they feel like simultaneously dying & climbing further away until they’re undiscoverable. “Whut!” makes it clear that neither one of them have time for nonsense & the final song “Void” preceding the outro angrily concludes The Unkindness people’s hearts growing dark.

It’ll already be a couple years since Madopelli dropped Suffer Not Dishonor within the next few months & in preparation for Team Snuff getting ready for a wave of new music in time for Halloween roughly 4 weeks from now including Scum’s 17th album Nobody Spared in a couple weeks & the sophomore effort from albeit LSP debut from their newest signing the King of Horriblecore sometime afterwards, both of them observe The Unkindness that the world has slowly devolved into with the darkest of the 4 full-lengths they’ve made.

Score: 3.5/5

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Devil’s Trident – Self-Titled review

Devil’s Trident is a supergroup consisting of Lyrikal Snuff Productionz founder Scum from Denver, Colorado as well as Los Angeles, California horrorcore pioneer Insane Poetry & Albuquerque, New Mexico recording artist Smallz 1. All 3 of whom have a history with each other from M.M.M.F.D. to S.O.S., so it was only a matter of time they made their eponymous debut to coincide with the LSP roster performing at the 26th annual Gathering of the Juggalos this weekend coinciding Juggalo Championship Wrestling (JCW)’s 19th annual Bloodymania pay-per-view event later tonight.

“Hard Check” opens up with a synth-driven boom bap beat talking about motherfuckers not knowing shit whereas “Bend the Knee” gives off a g-funk vibe instrumentally demanding the respect they deserve. “Real Nice” finds the trio bloodcurdlingly getting on their Snuff shit promising they’ll carve ya ass up just before “Buried” continues talking about not socializing unless it’s with fans after performances & representing Team Snuff.

The rap rock-tinged “We Are” continues the 2nd half of the LP having all 3 members of Devil’s Trident hellishly proclaiming themselves to be sinners prior to “Omnicide” talking about the destruction of human life as we know it over a string-woven beat. “Bad Seed” shifts towards a trap direction thanks to Gibby Stites discussing the very origin of bad fruit leading into the title track blending horrorcore lyricism with the g-funk sound once again hoping to replace the crucifix.

“Fresh Meat” winds down the last few moments of DT’s self-titled debut talking about the corpses of those who were recently murdered incorporating some distinct bongos & handclaps while “It Could Be You” impressively displays everyone speeding up their flows treading the trap waters once again including more synths. “Killing Spree 2026” appropriately concludes the album with a sequel to when all 3 of them appeared on Butcher Brothaz & one that feels like a full circle moment.

Making a proper introduction on “Devil’s Trident” off M.M.M.F.D.’s most recent album Horrorcore the previous year, it shouldn’t come as a surprise to anyone familiar with the Gore Hop imprint that this day would come & what better than the eve of The Outbreak becoming 2-time JCW World Juggalo Tag Team Champions in addition to a both factions who’ve previously held those very same tag titles the Juggalo World Order (jWo) facing Luciano Family Enterprises in Gore Games.

Score: 3.5/5

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S.O.S. – “Unloved by God, Unwanted by Satan” review

Horrorcore duo S.O.S. consisting of Denver, Colorado emcee & Lyrikal Snuff Productionz founder Scum alongside his New Mexico underwing Smallz 1 reuniting roughy 2 & a half year since their debut with a sophomore effort. Crossing paths with one another dozens of times over a couple decades almost, they would eventually form a group together in 2022 & drop Blame Us at the Gathering of Dreams of that year’s Gathering of the Juggalos festival. They’re looking to start 2026 by taking us through the minds of a pair who’re Unloved by God, Unwanted by Satan & I was anticipating it since I’ve liked their chemistry since initially familiarizing myself with LSP.

“I Found Out” begins tosses the mic back-&-forth with each other over an industrial boom bap fusion talking about being sinners until the end whereas “Look What I Did” continues to trade more wicked bars slaughtering the sheep & tearing their eyelids off. “Hit ‘Em” aggressively talks about unloading full clips at all the detractors & hoping to strike where it really hurts just before “Imbalance” tackles the subject of mental health, speaking of having missing screws in their heads.

Things go for a quirky boom bap vibe as S.O.S. explains how life’s “A Joke” that falls on everyone from their own perspectives depending on the way others see it leading into “Kick It” dabbling with trap so they can talk about punting muhfuckas in the dick. “Self Opp” explains they don’t need any enemies due to the fact Scum & Smallz can merely harm their own selves while “Don’t Listen” talks about cancelling out all the wack bullshit cornballs try to send their way.

“It’s a Shame” was a relatable way to get the 2nd half of Unloved by God, Unwanted by Satan going by wishing they could go back & undo all the things they’re ashamed of while “6°” blends some pianos & hi-hats trading gory bars with each other. “Backed into a Corner” angrily compares themselves to hungry wolves over more trap production while the trap metal-inspired “Woosah” dedicates itself to anyone who likes to start mosh pits.

The song “Ikarus Fall” produced by Godsynth winds down the last several minutes of S.O.S.’s 2nd album on some cloudy trap shit talking about Team Snuff being the gang & the rest needing to duck from the Gore Hop family while “U Disgust Me” eerily expresses disparaging feelings they have towards their victims prior to cutting them up. “It Don’t Matter” finishes the full-length with Smallz & Scum over pianos & hi-hats 1 last time talking about nobody caring if one of us dies or falls.

Scum & Smallz 1 elevate themselves throughout S.O.S.’ follow-up to their debut roughly 3 & a half years ago did an exciting job of bringing everything that made their previous collaborations so entertaining & Unloved by God, Unwanted by Satan puts itself right behind Blame Us enhancing all it’s perks. There are no issues with the prominent back-&-forth delivery nor the production, but I wouldn’t mind a feature or 2 whenever the underground’s equivalent to the current AAA Mundial Mixtas Parejas Campeons in the inaugural 2-time WWE Women’s United States Champion Chelsea Green & the current NXT North American Champion Ethan Page decides to make another body of work.

Score: 3.5/5

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Mikahl Lawless – “Cult” review

Here we have the 5th EP from York, Pennsylvania rapper Mikahl Lawless. Introducing himself in the summer of 2019 off his debut EP Pen to Paper, he would go on to follow it up with Overture for the Ill & Broken Hearted as well as 13 & Kisses to Nowhere until Cody Manson made him a member of his Trife Life collective. Cody eventually introduced Mikahl to Scum, impressing The Gorefather enough to give him his own deal with Lyrikal Snuff Productionz & introduce himself as part of the roster on Gangri-La. Commemorating the 1-year anniversary of The Snuff Gremlin later this weekend, he’s ending LSP’s year by releasing Cult.

“Ash” starts with a trap metal intro talking about what‘s left of him being blackened whereas “Cold Snow” blends this cloudy backdrop & live drumming telling how he’s feeling on the inside. “Ghost” reaches the halfway point by throwing it back to LINKIN PARK’s earlier output while the title track embraces a synth-pop vibe singing to bleed out beside him. “Prey” shifts back in nu metal turf comparing himself amongst the hunted & the same can be said regarding the outro “In Absence”, singing about him wishing he found nothing.

Many of the previews sounded nothing like Gangri-La & The Snuff Gremlin whatsoever, which gave me the impression of Mikahl Lawless venturing out artistically throughout the duration of Cult & he does it well enough to the point where I can confidently say that it could be the boldest musical statement he’s ever made. The production’s more versatile exploring trap metal, nu metal & synthpop in addition to the horrorcore lyrics being primarily sung as opposed to rapped.

Score: 4/5

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ILLtemper – “Paxil Rose” review

ILLtemper is a 36 year old MC from Trevose, Pennsylvania establishing himself for over a decade within the underground wicked shit scene by releasing a total of 8 EPs & 10 full-lengths. He’s also notable for being 1/2 of the Even Heathens with King Gordy, who also make up 2/5 of the Wic Kids. For his 11th album however, it marks his debut for Lyrikal Snuff Productionz only a few months after the Heathens made their LSP debut with Handful of Cancel & had me hoping it would become an important statement amongst the rest of his solo output.

After the “INTROvert” intro, the 1st song “Stayed the Same” produced by J Reno somberly begins talking about being a lost one who was never found whereas the title track compares himself to Guns N’ Roses frontman Axl Rose except he’s taking antidepressants. “The Used” by the Even Heathens hops over a bluesy boom bap instrumental talking about not ruining other people because you’re a cunt leading into “Pitch Blackness” admits to feeling like everything’s darkening around him.

Stir Crazy jumps behind the boards for the rock/boom bap crossover “Felt” taking a more heartfelt approach to the songwriting telling anyone who thinks he’s stronger than this would be sorely mistaken while “Losers” featuring Jakprogresso talks about always being failures swapping the guitars out for pianos. “Games” brings these Atari-like synthesizers with kicks & snares suggesting that Mario should stop saving the Princess while “Ain’t Right” advises to think twice prior to taking your own life.

“Unease” featuring Killator comes out the gate with a rock sample panicking like they’re looking at the current state of the stock market while “Nice Guy” talks about the nicest people dying alone over another rock/boom bap fusion. “Orange Bottles” heads for a summery trap direction talking about taking paxil anymore & after “In Your Eyes” suggests he should play hardball, “Dear Ronnie” finishes with a tearjerking open letter to himself.

It’s not something that I’ve publicly disclosed, but I personally have been taking Paxil ever since I was in grade school & hearing ILLtemper making a whole entire body of work dedicated to his experiences with it whilst likening himself as a rockstar makes his Lyrikal Snuff Productionz debut arguably the greatest solo effort of his entire discography. The production maintains the consistency of Handful of Cancel & ILLtemper conceptually takes us all on a trip into the world of mental health medications.

Score: 4/5

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Even Heathens – “Handful of Cancel” review

Even Heathens is a horrorcore duo consisting of Pennsylvania emcee ILLtemper & Detroit veteran King Gordy. Forming in 2021 off an eponymous full-length debut & the Horrorcore Stories EP, they would go on to put out a sophomore effort Unpleasant Never Dies & the Odd Gods trilogy until forming the Wic Kids with Donnie Menace & Grewsum respectively last summer. Signing to Lyrikal Snuff Productionz a few months ago for a 2-album deal, the Heathens are ready to make their debut for the label.

The first song “Dig” produced by J Reno after the intro made for a cavernously dark opener talking about not finding what you were hoping for going deep in their minds whereas the guitar/trap crossover “Canceled” addresses the topic of cancel culture, which Cormega called an abused power & he wasn’t wrong. Stir Crazy reunites with the Heavens for a rap rock sequel to “King” bringing that horror music to your speakers while “Choices” talks about choosing 1 of 6,000,000 ways to die.

Insane Poetry joins ILLtemper & Gordy on “You Think?” as a way of responding to those speculate they’re crazy over a boom bap instrumental with some vibraphones just before “Can’t Hide” replaces the vibraphones with pianos to talk about them being unavoidable. “Fear Us” blends boom bap & horrorcore lyricism together explaining why they should be feared while “Grime” featuring Nasaan & Seuss Mace finds the quartet cautioning not to disturb them.

After the shock value “Coby Gets Raped” skit, “Tu Weered” featuring Killator gets the trio together for a trap joint talking about how they’re uncomfortable to be around & the closing track “Lot Lizards” closes the Even Heathens’ debut for LSP with 1 more boom bap track with a bit of a funkier twist to it describing sexual relations with those exact type of women feeling reminiscent of Necro’s sex raps regarding the level of vulgarity.

Only halfway through the decade with 6 LPs & an EP deep, the Heathens introduce themselves as the newest members of Team Snuff by carrying on the Experimental Drugz series with their finest work together so far in addition to raising my expectations for their next offering under the saw & axe. Stir Crazy & J Reno both kill it with their shares of the production & lyrically, both ILLtemper & King Gordy are at their filthiest.

Score: 4/5

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Brothers of Chaos – Self-Titled review

The Brothers of Chaos are a west coast horrorcore duo from California consisting of San Jose emcee Chuckklez as well as Simi Valley singer/songwriter, rapper, producer, bassist, guitarist, audio engineer & music manager Freakshow. We recently got Chuckklez’ sophomore effort debut Horrors from the Unstable produced by DJ Ill Sprite this past winter, although it marked his debut for Lyrikal Snuff Productionz. However, he’s secured a separate label deal for him & Freakshow to properly introduce themselves to the Gore Hop universe with a debut EP in preparation of an upcoming tour run.

“Chaos” produced by Freakshow begins with a wicked rap rock intro talking about playing with an evil seance whereas “Sick Minds Think Alike” takes the boom bap route thanks to Zombie Aristocrats looking to leave corpses rotting in the sun. “Sonz of Darkness” samples “Fear No Evil” by Gimisum Family & Hollow Poynt displaying a back-&-forth chemistry while “STFU” featuring Bloody Ruckus sends a message to those who don’t know when to shut up. “Wanna Play a Game” references the Saw franchise & “Wicked Days” featuring Madopelli finishes with a west coast horrorcore heater that M.A.D. laced himself.

Chuckklez has already told The Gorefather himself Scum that he’d rather be a solo artist, but he wouldn’t mind being a part of a group depending on the person or people & how connected he is to them. The inaugural extended play from the Brothers of Chaos gives the underground wicked shit scene a glimpse of his magical chemistry with Freakshow, which has me hoping they’ll do an entire album down the line honing in on the standout beats now that the San Jose artist has been having more fun with his partner-in-rhyme than being by himself.

Score: 4/5

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M.M.M.F.D. – “Horrorcore” review

M.M.M.F.D. or Make My Muthafuckin’ Day is a horrorcore superduo consisting of Los Angeles, California wicked shit pioneer Cyco a.k.a. Insane Poetry alongside Denver, Colorado emcee & Lyrikal Snuff Productionz founder Scum. Introducing themselves off Random Acts of Violence as well as Unsubs & Butcher Brothaz, they would later begin the Deadly Drug trilogy with the 1st entry & the sequel Overdoze. Preluding the final chapter, they’re diverting from the concepts of both predecessors on their 6th studio LP.

“Then It Gets All Quiet” kicks it all off with a dark trap instrumental showcasing a back-&-forth deliver from both members suggesting to turn down the sobbing that only they can hear whereas “Monsters Among Us” works in some pianos talking about the inside of a book potentially being worse than it’s cover. “Devil’s Trident” by the trio of same name finds them fucking people up with no mercy prior to “On That Sick Shit” keeps it wicked.

As for “Vengeance”, we have M.M.M.F.D. getting back on a trap vibe to get their revenge just before “Corpse of a Foe” heads for a boom bap direction suggesting that their enemies should’ve never tried to come at them in the beginning. “D.W.T.D (Dance with the Devil)” maintains a dusty edge to the beat telling everyone to observe them & Satans dancing in the pale moonlight, but then “Never Be the Same” talks about your chances of survival changing you forever.

“Brazen Bull” produced by Gibby Stites gets the 2nd half of Horrorcore started with another boom bap instrumental proclaiming that they’ve come to commit torture & the flames being hot while “In & Out” solemnly talks about punchin’ muhfuckas in the face in the middle of stab ‘em. “Soon” promises those being kept to rest will awaken & most will not survive while “Obey” brings a trap flare back to the table wanting a hostage to tell them what they know.

Hitting the final leg of the album, “2 Pumps & a Black Mask” assures they still have the Deadly Drug secured in a black bag & overdosing off the sick while “Let the Beasts Out” unleashes the demons from within to leave their opps hangin’ from a hook. “Head on a Spike” cautions their competition to stay away from them if they know what’s best & the closer “Stampede” puts the final nail in the coffin by talking about seeing only red.

Continuing to celebrate 25 years of Snuff, M.M.M.F.D. comes off this past Easter weekend by delivering what I consider to be the best offering from the LSP camp thus far this year & hope whatever they have planned to drop in 2025 maintains this caliber of gore hop. The production is generally a mix of boom bap & trap except the lyricism from the duo truly is Horrorcore at it’s purest in response to people now watering down the style & trying to pass it off as such.

Score: 4/5

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