Nas – “King’s Disease” review

This is the 12th full-length album from Queensbridge icon Nas. A man who really doesn’t need an introduction at this point because of the fact that his first 2 albums illmatic & It Was Written are widely acknowledged as some of the greatest in hip hop history. Other high points in Escobar’s discography include stillmatic, The Lost Tapes, God’s Son & Life is Good. Then after a 6-year hiatus, Nas returned in 2018 with the Kanye West-produced NASIR & then with The Lost Tapes II last summer. Both which received polarizing responses, but I felt like they were fine additions to his catalogue. However after leaving Def Jam Recordings & to celebrate his newfound independence, Nas is teaming up with California producer Hit-Boy for King’s Disease.

Things start off with the title track, where Nas talks about how he’s gracefully aging over an angelic beat. The next song “Blue Benz” ponders the value & worth of the stuff we buy over a lavish instrumental co-produced by Rogét Chahayed while the track “Car #85” fondly reminisces on his younger days over a calming boom bap beat. The song “Ultra Black” is a full blown Black Lives Matter theme with an instrumental kin to Life is Good & even though I appreciate the call for more black CEOs on the track “27 Summers”, it just sounds unfinished to me.

The song “Replace Me” with Big Sean sees the 2 getting flirtatious over a lush beat while the track “‘Til the War is Won” with Lil Durk finds both of them talking about single mothers over an atmospheric instrumental. The song “All Bad” with Anderson .Paak sees the 2 talking about their significant others doing them dirty over a piano instrumental with a funky ass rhythm to it while “The Definition” dives into the meaning of the album’s title & I love the uplifting feel to the production.

The track “Full Circle” is an immaculate Firm reunion down to the eargasmic beat that G. Ry co-produced & the Dr. Dre outro while the song “10 Points” talks about the meaning of being a king over a jazzy beat & the drums just hit so hard, that they’re bound to blow some speakers out. “The Cure” has the most dynamic instrumental of the entire album as Nas pays tribute to Kobe Bryant & Nipsey Hu$$le, but then the closer “Spicy” with A$AP Ferg & Fivio Foreign finds the 3 bragging over a trap beat that has a bit of a luxurious feel to it.

Not only is this better than the last 2 albums Nas has put out, but I’ll even go as far to say that this is honestly what the 2008 untitled album should’ve been. Nas’ gets on his pro-black shit which is perfect given everything that’s been going on this year & Hit-Boy nails it behind on the boards.

Score: 4/5

Dave East – “Survival” review

Dave East is a 31 year old rapper from Harlem, New York who first caught my attention as a part of the 2016 XXL Freshman Class. This earned him a contract with Mass Appeal Records/Def Jam Recordings & now after 3 years of mixtapes leading up, Dave is finally fulfilling fans’ hopes for his full-length debut.

The opener “They Wanna Kill You” talks about being glad that he never got shelved over a bland Swizz Beatz instrumental then the next song “Penthouse” talks about making it over an uneventful beat. The track “Godfather IV” with Nas sees the 2 trading verses over a classy DJ Green Lantern instrumental while the song “Need a Sign” talks about people acting cool with him now that Dave’s famous over a somber instrumental from araabMUZIK.

The track “On My Way 2 School” reflects on his time in school over a moody instrumental while the song “17” looks back at his adolescence over a woozy trap beat from Timbaland. The track “Mama I Made It” needs no further explanation over an orchestral instrumental while the song “OG” with Rick Ross gets sensual over a luxurious instrumental.

The track “What’s Goin’ On?” with Fabolous sees the 2 spitting charismatic bars over a synth-funk instrumental while the song “Baby” talks about his ride or die woman over a soul sample-inflicted trap beat. The track “Alone” is a trite reiteration of JoDeCi’s “Feenin’” while the song “Everyday” with Gunna sees the 2 talking about their new lifestyles over a dime a dozen trap beat.

The track “Devil Eyes” with E-40 & Mozzy sees the 3 talks about the life in the streets over a grim instrumental while the song “Night Shift” with Lil Baby sees the 2 flexing over a vibrant Murda Beatz instrumental. The track “Wanna Be a G” with Max B finds the 2 talking about a kid who wants to gangbang over slow yet rhythmic instrumental while the song “Me & Mines” talks a homie of his over a jazzy beat.

The track “Daddy Knows” is a touching tribute to his daughter Kairi with a neo-soul flavored instrumental while the song “What You Mad At?” finds Dave angrily going at his haters over a churchy sample that later switches up into a tense boom bap beat. The penultimate track “On Sight” is a decent club banger & then the closer “The Marathon Continues” of course pays tribute to Nipsey Hu$$le over a boom bap beat with some keys.

As much as I love Dave, this was just decent. He’s definitely still a great lyricist, but it’s longer than it needed to be & a bit too focus-grouped for me. Nonetheless, he’s earned the right to make it as far as he has & I hope the album’s gonna do well on the charts.

Score: 2.5/5

Black Milk – “DiVE” review

Black Milk is a 35 year old rapper, songwriter & producer from Detroit, Michigan that came up as a member of the B.R. Gunna production trio. He eventually went solo in 2005 with Sound of the City, which was followed up in 2007 with Popular Demand. The following year, he would dabble with electronic music on Tronic & would later start incorporating live instrumentation on Album of the Year in 2010. His next album No Poison No Paradise eventually became Black Milk’s darkest work yet & it would see a solid sequel If There’s a Hell Below the year after. We saw a comeback form him last year with the politically charged FEVER & a little over a year later, Black Milk’s delivering a sequel with his 4th EP.

It all starts with “Save Yourself”, where Black Milk talks about friendship over a mellow beat. The next song “Black NASA” talks about self-empowerment over an atmospheric beat while the track “If U Say” talks about staying true to yourself over a meditative beat. The song “Relate (Want 2 Know)” with sees Black Milk & his younger brother Mahd talking about depression over a somber instrumental while the track “Blame” gets romantic over a smooth instrumental.

The song “Swimm” is a meditative cut based around the idiom “sink or swim” while the track right after is an Flying Lotus influenced instrumental piece. The song “Don’t Say” talks about fake love over a druggy beat while the track “Out Loud” serves as a psychedelic instrumental interlude. The penultimate track “Tyme” talks about just that over a glitchy beat & then the EP finishes with the synth heavy “Now Begin” instrumental piece.

While only 35 minutes long, I think it’s a fantastic as FEVER. The lyrics are just as smart as the predecessor & the production is equally soothing.

Score: 4/5

Nas – “The Lost Tapes II” review

Nas. What can be said now about the renown Queensbridge, New York MC that hasn’t been said already? From his first 2 studio albums illmatic & It Was Written to The Lost Tapes & Life is Good, the man has really cemented himself as one of the greatest spitters in all of hip hop. He is fresh off his overhated Kanye West produced comeback NASIR last summer & now, he’s back with the sequel to his iconic rarities compilation.

The comp starts off with “No Bad Energy”, which is of course a positivity anthem with a Swizz Beatz instrumental with some beautiful background vocals. The next track “Vernon Family” talks about being rich over a funky instrumental from Pharrell & despite the decent braggadocio on “Jarreau of Rap”, the jazzy instrumental is absolutely HIDEOUS! The track “Lost” proclaims himself as a prophet over a lavish boom bap beat from Statik Selektah while the song “Tanasia” talks about a woman over this orchestral RZA beat.

The track “Royalty” is a mediocre dedication to this young queen over a decent Hit-Boy beat while the song “Who Are You?” brags over some keyboards. The track “Adult Film” needs no further explanation & the piano instrumental from Swizz Beatz is pretty while the song “War Against Love” is an ode to Africa with a relaxing instrumental.

The track “The Art of It” talks about smoking weed over a funky boom bap beat from Pete Rock while the song “Highly Flavored” talks about his fate & the sample that RZA uses is very creative. The track “Queens Wolf” talks about his evolution over a DJ Toomp instrumental with some prominent keyboards & strings while the song “It Never Ends” talks about ongoing violence in the hood over an ominous piano instrumental from The Alchemist.

The track “You Mean the World to Me” is a corny story about a woman that leaves her partner just to be with Nasir over a Kanye instrumental that samples “Don’t It Make You Feel Good?” by Leroy Hudson while the penultimate song “Queensbridge Politics” pays tribute to Prodigy over a boom bap beat from Pete Rock with some dark piano keys. The album then finishes with Beautiful Life”, where Nas addresses Kelis’ slander towards him over a luxurious No I.D. instrumental.

Been a long time waiting on this album & at the end, I think it’s pretty dope. The production is better than half of the albums that they were originally made for & Nas’ pen game overall is a step up from NASIR.

Score: 4/5

Wu-Tang Clan – “Of Mics & Men” soundtrack review

The Wu-Tang Clan. What can be said now about the iconic New York hip hop outfit that hasn’t been said already? From their iconic first 2 albums Enter the Wu-Tang (36 Chambers) & Wu-Tang Forever to the countless classic solo debuts like Only Built 4 Cuban Linx… & Supreme Clientele, they’ve always been rightfully regarded as the greatest hip hop outfit of all-time. Last time we heard from them collectively in an album capacity was in 2014 with A Better Tomorrow & with a SHOWTIME documentary being recently released, they’re coming together with the help of Nas’ Mass Appeal Records to deliver the soundtrack for it.

The soundtrack kicks off with “On That Shit Again”, where Ghostface Killah & RZA sound vengeful over a piano & some drums. The next song “Seen a Lot of Things” with Ghost & Raekwon pretty much speaks for itself over a prominent electric guitar & after the “Project Kids” skit, we go into the RZA solo cut “Do the Same as My Brother Do”. Where the Abbott kicks some knowledge over a punchy yet orchestral beat. After the “Yo is you Cheo?” skit & before the “1 Rhyme” outro, the final song of the EP is the title track. Where RZA gets with Cappadonna & Masta Killa boast over some prominent drums.

As much as I loved the documentary, this was a decent soundtrack. Most of the performances are fantastic don’t get me wrong, but it sounds like the Clan could’ve fully fleshed it out.

Score: 3/5

Nas – “NASIR” review

Despite saying it was done when DJ Khaled gave us a Major 🔑 in the Summer of 2016, the legendary Queensbridge MC Nas is finally coming through with his 11th album & he has enlisted Kanye West to produce it in it’s entirety.

The album begins with “Not for Radio”, where he vents about how he feels like the world is afraid of African American people over some haunting choir vocals. The next track “Cops Shot the Kid” with Kanye sees the 2 talking about police brutality over a perfect sample of the classic Slick Rick tune “Children’s Story” while the song “White Label” is pretty much a humble brag with a beautiful sample. The track “Bonjour” gets romantic over a soulful beat with some strings while the song “Everything” does talk about the current state of the world over some marching drums & a funky bass guitar, the first 2 minutes could’ve been cut off easily. The penultimate track track “Adam & Eve” lyrically reminds me of his Escobar days over some piano keys & then the closer “Simple Things” pretty much speaks for itself over a soulful beat.

As expected, this is tied with Pusha T’s latest album DAYTONA for being my favorite of the 5 albums that Kanye has dropped within the past month. I’m not surprised by the fact that it’s 7 tracks long given the other 3 albums are also in that length & it’s well produced, but Nas’ performances are a bit underwhelming to where hearing him offbeat is distracting.

Score: 3/5

Black Milk – “FEVER” review

A little over 3 years after the release of If There’s a Hell Below renown Detroit producer Black Milk is finally returning with his 7th full-length album. The opener “unVEil” speaks on living for the moment over a luscious neo psychedelic beat & the next track “But I Can Be” gets insightful over a laidback beat. The track “Could It Be” reflects where he started & where he’s at now over a soulful funky boom bap beat while the song “2 Would Try” vents to an unnamed ex-girlfriend over a smooth jazzy instrumental. The track “Laugh Now Cry Later” talks about how Black Milk sees the world differently nowadays over funky boom bap beat with a luring soul sample & the song “True Lies” gets conscious over a mellow funk rock instrumental.

After the “eVE” interlude, we then get into the next song “Drown”. Here, Black Milk touches down on the ghetto life over a settle guitar & bassline. The track “DiVE” is just an instrumental track with a beautiful flute with some laid-back guitar, keyboards & synthesizers during the second half. The song “Foe Friend” vividly tells the story of 2 friends who eventually fall out with each other over mellow beat & the track “Will Remain” gets ambitious over a funky beat. The closer “You Like to Risk It All / Things Will Never Be the Same” may have a mediocre auto-tune hook, but Black Milk’s compelling story suits the beat perfectly.

Personally, this is up with Popular Demand & Tronic for Black Milk’s magnum opus. The production is probably his most organic & the lyrics are lot smarter than ever before

Score: 4/5