Milano Constantine – “Pay the Ghost” review

This is the 5th full-length album from New York veteran Milano Constantine. Coming up in the early 2000s as a D.I.T.C. affiliate, it wouldn’t be until 2008 when he dropped his debut Sidewalk Stories & returned in 2015 with his debut mixtape The Believers. This was followed up with the Drum Majors-produced sophomore album The Way We Were along with the Oh Jay-produced Attache Case & the Showbiz-produced Boulevard Author, which is some of his best work in my opinion. However, I did enjoy his 2nd EP Eating But Still Hungry quite a bit when it came out a year & a half ago. So when it was announced that the revered underground producer Big Ghost Ltd. was hopping behind the boards for Pay the Ghost following up Milano’s last EP Block Work, anticipation going into it was very high for me personally.

“Church Service” is a bout of an uncanny way to start off the album lettin’ y’all know where you can see ‘em servin’ whereas “Target Practice” sonically feels like something out of a horror flick with Milano talking about painting the whole town red. The title track takes a more cinematic route saying that’s exactly what you gotta do sometimes, but then “Judge Mathis” itself is a piano/boom bap hybrid delivering some grimy criminology rap.

Continuing from there with “Parmigiano”, we have Crimeapple tagging along with Milano on top of some synthesizers & similar drums to the previous cut boasting their skills leading into the futuristic yet raw “Ghost Photo” getting on his gully shit lyrically. “Firewater” returns to the boom bap comparing his dialogue to such while the song “Lose You” dives into soulful turf with it’s sample along with some incredible wordplay referencing the likes of Sam Cooke & Al Green.

The penultimate track “Apex Predator” blends some pianos & synths bragging that he’s on the top of the food chain while Daniel Son & Rigz both come into the picture for “Mental Health”, which is a rugged closer to the album from the rugged beat to the vivid lyricism that all 3 MCs on the mic each have to offer individually.

Compared to the 2 EPs that Milano put out last year, Pay the Ghost is the best thing he’s put out in the 2020s thus far & a new favorite of mine in his ever-growing discography. Lyrically, the murals that Milano describes are extremely intricate & I really admire how Big Ghost decided to pull from both horror & 70s/80s sci-fi movies as far as production goes.

Score: 4/5

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Milano Constantine – “Eating But Still Hungry” review

Milano Constantine is an MC from New York City originally coming up in the early 2000s as a D.I.T.C. affiliate. However, it wouldn’t be until 2015 when he dropped his official debut album The Believers. Since then, Milano had built up an impressive solo catalogue by putting out a total of 4 albums & an EP. But coming fresh off his collab album with Body Bag Ben entitled Write It In Blood, the East Coast vet is tapping in Showbiz for his 2nd EP.


“Cavili Champ” is a great way to kick the whole thing off with it’s blaxploitation-like instrumental as well as Milano’s bars about “only giving soul music like Donny Hath”, but then the next song “Bank Stopper” incorporates some horns into the beat as he proclaims his magnificence. The track “Come On” goes into detail about the streets not playing fair on top of a heavenly vocal loop whereas “Gin Rummy” contains a triumphant beat & delving into why it ain’t it safe to play in the streets.


The song “Broadway Joe” reminisces about the material he’s killed over some horns & a guitar while “Night & Day” incorporates a classy instrumental as Milano gloats. The penultimate track “On My Father” is an impassioned anthem about fighting for democracy & then the closer “Save the Children” is a violin-induced banger about doing what he has to for his babies.

In my personal opinion, Eating But Still Hungry is up there with The Way We Were & Boulevard Author for Milano’s magnum opus. He & Showbiz bring the best out of each other by providing some old school, East Coast gang shit in terms of the pen game & overall sound.

Score: 4/5