Jerry – “No Receipt” review

New Jersey emcee, singer/songwriter, producer & music video director Jerry following up his stylistic departure of a sophomore effort lovemesooner by releasing his 4th mixtape 6 months later. You may know him for coming up as 1/2 of the duo MellowHype alongside Left Brain in the mid/late 2000s under the original moniker Hodgy Beats prior to helping I Smell Panties, Casey Veggies & The Jet Age of Tomorrow form the impactful albeit now defunct alternative hip hop collective Odd Future. He was also the first person in the Wolf Gang to put out a solo effort, dropping his debut mixtape The Dena Tape only 9 months after the crew put out their 1st tape as a unit The Odd Future Tape. Higashi Miyagi would go on to expand his solo discography with 2 more mixtapes & 3 EPs prior to his full-length debut Fireplace: TheNotTheOtherSide a day before my 20th birthday which to this day, I still think it’s possibly the most criminally overlooked offering that we’ve gotten since OF’s disbandment due to how much growth was shown on that album. Entitled was a solid comeback EP a couple years ago experimenting with contemporary R&B on top of a predominant west coast trap sound, lovemesooner was ok aside from moments that felt like a Frank Ocean bite & remained optimistic ahead of No Receipt.

I found the acoustic instrumental throughout “Resist Facts” to be pretty rapping about a woman who is so focused on him that he needs the analytics & “Of the Feeling” keeps things stripped-back instrumentally expressing his desire for wealth. The acoustics get blended with synthesizers for “Logic Lacks” asking if you feel like it ain’t yours to keep or it not being the time to speak just before the briefly minimal “What Truth’s Revealing” starts singing about a woman who called him a bad influence.

“Perform in Pattern” keeps the bare guitars rapping that he ain’t gonna be begging please if he gets down on 1 knee referencing marriage proposal leading into “Mars Saturn” hopping on a boat in the evening maintaining hope that he stays on & being the vehicle that drives his girl nuts. “Jupiter Returns” acoustically keeps it rolling telling his lover he loves her smile & the time they spend, but then once again stripped back “2 the Tavern” sings about wanting to party & bullshit.

Moving on from there, “You’d Rather” hops over summery guitar passages to rap that he’s having the dream of his dreams while the acoustic “Hype Die Down” sings about mixing addiction & obsession in a bowl of emptiness. “Nervous System” maintains the stripped-back vibes discussing a vampire while “Lie Down” acoustically asks his lover to give him what he can’t give to her in return.

“Wind Down” minimally pushes towards the final moments of No Receipt to talk about feeling colossally great hoping to teach all the lessons he ain’t even learned while the song “Like You’re” acoustically sings about being treated as if he’s garbage. The final track & subsequently closer “Tied Down” rounds out the 31 minute listening experience having an epiphany that he’s a fool for love.

lovemesooner was a decent attempt at singer/songwriter & indie folk with additional elements of west coast hip hop, emo rap & contemporary folk as is No Receipt although to a lesser extent. I respect that Jerry’s matured so much since the Odd Future era & I don’t have that many issues with his songwriting. The biggest problems I have with this tape are the repetitive production & most importantly, the Frank Ocean pastiche from last time carrying over.

Score: 2.5/5

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Tanna Leone – “Mixtape” review

Here we have the debut mixtape from Los Angeles, California up-&-comer Tanna Leone. Emerging under the original moniker Noviiimber & later Baby Santana ahead of settling down with his current name, he first made his footing in the late 2010s by releasing a total of 5 EPs until Kendrick Lamar signed him to a joint deal with pgLang & Def Jam Recordings. Tanna’s debut album Sleepy Soldier was released to mixed reception & his set during the Mr. Morale Tour was certainly captivating, so I was interested in hearing Mixtape ahead of upcoming sophomore effort Beware the Giant Killers.

“Role Model” is a psychedelic opener to the tape explaining that he ain’t the type of person others should be looking up to whereas “Psychosurf” takes the synth-trap route instrumentally getting on his emo alien shit. “Beloved” blends trap, a hint of rock & pop rap addressing a woman that he needs every day of his life prior to “Drop Dead Gorgeous” turning the psychedelia up addressing a woman he knows to follow his voice & block out the noises.

The woozy trap vibes on “Sound of Pain” are nice talking about the difficulty of being excited when that’s not how he feels at all thinking the world wanted a new artist that kept it real when he signed to pgLang just before the dejecting “Mr. Melancholy” discusses the incapability of feeling what he does. “Romanticize” has to be one of the weaker moments here once again rehashing the themes of love over a spacious trap beat, but then “Situationship” cloudily discusses smoking & drinking.

“Oh Shit” get on the boom bap tip coming to the realization that he’s human after all while “Bus Fare” has a slower trap flare to the instrumental dedicating this one for all the people that save money so they can hitch a bus ride. “555” nears the conclusion of the tape with a soul sample passionately going off the top for 101 seconds & “Warning Signs” officially closes the shop with an empowering ballad showing off his singing chops.

Sleepy Soldier gave Kendrick’s audience a glimpse of what Tanna can offer in the realms of west coast trap, alternative R&B & pop rap despite it‘s weak spots and Mixtape returns to every single one of those styles refining them ahead of Beware the Giant Killers other than additionally incorporating elements of boom bap as well as cloud rap & psychedelia.

Score: 3.5/5

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Wiz Khalifa – “Wiz Owens” review

Pittsburgh, Pennsylvania rapper, singer/songwriter, actor & entrepreneur Wiz Khalifa preluding Kush & OJ 2 with his 22nd mixtape named after California fashion designer Rick Owens’ main line. Following his first 2 albums Show & Prove and Deal or No Deal as well as his 8th & 9th mixtapes Kush & OJ and Cabin Fever respectively, his Atlantic Records-backed 3rd album Rollin’ Papers established him as a star & stoner’s icon as did the Mac + Devin Go to High School film & soundtrack. Taylor Allderdice would also receive acclaim, although a lot of what he’s released since has been hit or miss with the biggest hits being Fly Times: The Good Fly Young & the Stoner’s Night collab tape with Taylor Gang Records signee & Three 6 Mafia co-founder Juicy J from a couple years back.

“Jet Lag” starts off with a jazzy beat, a flow similar to Max B talking about wanting the whole stash instead of going 50/50 & even a missed opportunity of not putting Curren$y on it whereas “Crispy T” featuring Sosamann & produced by Sledgren who did most of Wiz Owens takes the futuristic west coast route instrumentally in the vein of Larry June flexing his pack too loud getting everyone lifted. The “Uhh!” adlibs at the beginning of “Yellow Diamonds” & really throughout the tape feel bitten from No Limit Records’ heyday in the late 90s promising that he’ll show y’all too it that is until “1200 to Smoke” delves further into that west coast sound getting on his stoner shit.

Young Deji & 24hrs join Wiz for the final verse & the hook of “Gym Getting Fine” respectively blending luxurious trap & pop rap in a tacky fashion outside of an A24 Films reference leading into “Early Mimosas” giving off a summertime vibe unsure that he can trust this bad bitch he knows. “Innit” throws it back to “Like a Movie” from Deal or No Deal with the sax sample at the start assuring going trap again to end the first half of Wiz Owens talk about everything in his life being good at this point especially if the weed’s lit, but then “Movie Role” laces his vocals in monotonous auto-tune over synths flexing that this be his actual life.

“When I Was Young” gives off a cavernous trap flare to the beat finding out in his youth that you have to stick to your plan if you even got one while “On Bro” draws inspiration from Three 6 Mafia with it’s instrumental being fried like France & eyes like Japan. “PTSD” is a jazz trap fusion talking about people wanting him to come back when he hardly left while “Dream About You” reuses Ice Spice’s flow sampling “Complicated” by Nivea. “Smoke Break” ends luxuriously welcoming y’all to the private yacht club.

Unfortunately as much as I love Sledgren as a producer & the fact that he did 10 of the 13 tracks on Wiz Owens is amazing, the tape unfortunately gets dragged down by bad mixing as well as only a few underwhelming guests & even the performances from Wiz himself feel flat a lot of the times. Kush & OJ next to Taylor Allderdice are the best tapes in his discography, so I really hope he comes correct with Kush & OJ 2 since the original is held to such a a high standard in his discography.

Score: 1.5/5

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Denzel Curry – “King of the Mischievous South 2: Ultraground” review

Floridian emcee Denzel Curry gearing up for his upcoming 6th album by releasing his 5th mixtape ahead of it. Coming up as a member of the SpaceGhostPurrp-founded Raider Klan a little over a decade ago. He then left in 2013 & has seen quite the success on his own off projects like Nostalgia 64, 32 Zel (Planet Shrooms), imperial, TA13OO, Zuu & the Kenny Beats-produced UNLOCKED. Melt My Eyez, See Your Future went on to become his most mature & acclaimed body of work to date & I had no problem in him making Ultraground a sequel to his best mixtape King of the Mischievous South.

After the intro, the first song “Ultra Shxt” featuring Key Nyata is a Memphis inspired opener with both of them talking about never folding whereas “Set It” featuring Maxo Kream has an eerie trap direction that Oogie Mane of Working on Dying goes for telling everyone to run it right there. “Hot One” by The Scythe produced by FNZ mixes Memphis rap & trillwave together making money from the comfort of their sofas just before “Black Flag” featuring That Mexican O.T. continues to pull inspiration from the Memphis scene smoking on bitter motherfuckers & calling it sour.

After the “Headcrack” interlude, “G’z Up” featuring Mike Dimes & 2 Chainz has more of a symphonic trap flare to the beat refusing to hear shit until they get paid leading into the bombastic “Sked” featuring Kenny Mason & Project Pat following the “Lunatic” interlude explaining they’re about family, God, business & bread over a Charlie Heat instrumental. After the “Choose Wisely” interlude, “Cole Pimp” featuring Juicy J luxuriously paints themselves as big players while “Wishlist” featuring Armani White charmingly shows the lames how to do this.

“Hit the Floor” featuring Ski Mask the Slump God nears the end of the tape on some rage shit courtesy of ilykimchi dropping bodies 1-by-1 & the final song “Hoodlumz” featuring A$AP Rocky & PlayThatBoiZay ahead of the outro officially wraps up King of the Mischievous South 2: Ultraground with 1 last cloudy Memphis joint & all 3 of them painting images of the lifestyles that each one of themselves live. “Act a Damn Fool” featuring Duke Deuce & Slim Guerilla is a decently trippy start to the deluxe run wylin’ out while “Got Me Geeked” makes up for it from the Powers Pleasant instrumental to the carefree lyricism.

Key Nyata & Sauce Walka join Denzel on “P.O.P. (Paper Over Pussy)” heads for a smooth trap direction prioritizing money instead of bitches while the cloudy “Anotha Late Night” featuring 454 finds both of them teaming up to talk about shawties wanting to test the pimp in them. The final bonus track “Still in the Paint” featuring Bktherula & Lazer Dim 700 samples the iconic Waka Flocka Flame single “Hard in da Paint” capturing the raw energy & reality of life in the streets by conveying themes of loyalty, resilience & authenticity.

Everything that made King of the Mischievous South my favorite tape that Zel has offered us yet has been brought to a whole new level over a decade after a predecessor. He went harder on the features than he did on his mature magnum opus 2 & a half years ago, the reference points from which he draws has expanded significantly. He still has a hypnotic ear even though no longer cakes his music in warped cassette grime, it’s just that he’s seeing Memphis with new eyes now that he’s older & has a decade of experimentation under his belt.

Score: 4.5/5

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Babytron & Certified Trapper – “Mario & Luigi” review

This is a brand new collaborative mixtape from Detroit, Michigan trap sensation Babytron as well as Milwaukee, Wisconsin lowend rapper/producer Certified Trapper. One of whom rose to stardom in the late 2010s as a member of the ShittyBoyz & the other has been gaining popularity of his own landing a major label deal with Columbia Records. Both are managed by The Hip Hop Lab Records founder Lando Bando, so in that sense I can see why he brought them together for Mario & Luigi.

“iGlocks” starts with both of them over a Detroit trap instrumental telling you that shit’s bout to get intense when it’s really anything but referencing NXT commentator, 2-time WWE Hall of Famer, 6-time WWE world champion, 4-time WWE United States Champion, 14-time WWE tag team champion, 2-time WWE Hardcore Champion, RoW Tag Team Champion & TNA World Tag Team Champion Booker T whereas “Saucony” works in some interesting synth melodies with hi-hats further displaying a back-&-forth chemistry further revealing Tron to be the most interesting of the 2. “Rulebreakers” produced by Certified Trapper himself takes the lowend route so they can boast their mob ties leading into the murderous Detroit trap joint “Psychopaths” showing their psychotic tendencies.

Moving on from there, “Young Fly Muthafuckas” further emphasizes an eerier atmosphere to the beat flexing how young & fly they both are just before “Woulda Coulda Shoulda” jumps over ominous chords so they can portray the gangsta lifestyles. “So the Fuck What?” specializing in talking shit to the point where they need Mentos remaining in the Detroit trap realm, but then “Rescue Mission” returns to the lowend vibes warning to watch your mouth since they pop bitches.

“Blue $trip Bandits” brings a quirkier flare instrumentally thanks to Danny G calling themselves outlaws for the Ben Franks while “Bling Bling” once again goes lowend to be pickin’ plays up. The song “Day w/ TSF” featuring Peso Peso & Sauce Walka menacingly shows off their real g statuses with Tron & Sauce shining the most while “No Cameraman Around” talks about having $100K on them each. “Boogey Woogey Night” ends the tape with the best lowend track & maybe my favorite here.

I’ve given Tron his praise for already being one of the best from Detroit in recent memory, yet I could never get into Certified Trapper since I’ve heard the lowend style done better. Case in point: Polo Perks, AyooLii & Feardonian’s collab album A Dog’s Chance from a few weeks ago. Mario & Luigi on the contrary has some highlights of it’s own except it’s one of the weaker entries in Babytron’s discography. Their sounds mix well, except Certified Trapper himself on the mic feels as if he’s a Great Value version of his contemporary down to the flow.

Score: 1.5/5

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42 Dugg – “4eva Us Neva Them” review

Here we have the 4th mixtape from Detroit rapper & singer/songwriter 42 Dugg. His breakout debut EP 11241 Wayburn in 2018 would catch the attention of both Yo Gotti & Lil Baby, who jointly signed him to their respective labels Collective Music Group & CBFW Records shortly after. Dugg’s profile continued to grow in 2019 when he dropped his debut mixtape Young & Turnt, which was followed up last year by the sequel Young & Turnt 2 & the mature Free Dem Boyz. Now that he’s home from a prison stint, Dugg is making it clear on the 4th of July that it’s 4eva Us Never Them.

The intro is a soulful Detroit trap opener to the tape hanging with the killas whereas “Win wit Us” talks about everyone wanting to catch Ws by his side all of the sudden over a grisly trap beat. “4×4” featuring Meek Mill works in an apocalyptic sample & hi-hats ridin’ whips with engines that supply power to all 4 wheels instead of the usual 2, but then “Fresh From the Feds” takes the atmospheric trap route instrumentally to talk about needing a miracle & being down bad when he was incarcerated.

Rylo Rodriguez joins Dugg for the bell-infused “Case Closed” advising that a killa in their feelings is the summarization of a Drake song just before “Wrong Right” somberly talks about wanting everyone in his squad to live long lives. “N.P.O. (No Panties On)”featuring Sexyy Red brings the 2 together for an energetic sex anthem leading into “If I Can’t” bringing the Detroit trap vibes back into the fold talking about having everything & being gone.

“Megan” featuring Blac Youngsta menacingly boasting the lifestyles that they live while “Org” hooks up some horns & hi-hats to assure that he & his crew are still undefeated. “Catch 1” kinda has this orchestral trap flare to the beat talking about still being bad while the introspective “My Mama” starts the 2nd half of the tape by giving the audience game by telling them what she told & showed him in regards of having only himself & no friends.

EST. G joins Dugg for “Since When” to display a back-&-forth chemistry recapturing the essence of their collab mixtape Last Ones Left from a couple years ago while the menacing Detroit trap cut “Get in Your Bag” tells everybody out there to become 1 with whatever task you are trying to achieve. “BMF” featuring Jeezy is an excellent tribute to the Black Mafia Family especially since the Snowman knows Big Meech himself & the extended version of “Go Again” happens to be better than the original.

“No Love” featuring Lil Baby reunites the pair over a bell-woven trap beat from TM88 calling themselves the mob while “4eva Us” produced by Helluva aggressively details his street mentality. The song “Need You” provides a dejecting tone explaining shit ain’t been the same talks while the penultimate track “Still ‘Bout You” smoothly addressing a woman he cares for. Last but not least, the closer “Real Ones” fittingly ends by promising he ain’t ever going back to prison again.

Dugg has always been one of my top 3 favorite CMG signings alongside Mozzy & Glorilla but when it comes to the CBFW roster, not that many of Baby’s artists stood out besides Dugg other than maybe Rylo’s freestyle of the Wale/Bryson Tiller single “Love…(Her Fault)”. 4eva Us Neva Them reinforces all of it from the elevating production to the tight guest-list & Dugg reassuring his status a standout in the Detroit trap scene.

Score: 3.5/5

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Krispylife Kidd – “B.A.G. (Born A Goat)” review

Flint, Michigan rapper Krispylife Kidd continuing to apply pressure by dropping his 14th mixtape. Since 2019, his popularity in the local trap scene has been gradually increasing since 2019 going on to release a total of his previous 13 tapes & 4 EPs all in that span of time. Icewear Vezzo even signed him to Iced Up Records during the pandemic & Lil Yachty had him featured on Michigan Boy Boat. Now I’d start with Krispylife 2 & The Art of Spice Talk trilogy if you wanna dive into Krispylife’s music. He put out his 4th EP Juice in February a few weeks after Vezzo released his Quality Control debut Live from the 6 & is staying in his B.A.G. (Born A Goat).

“Run That Down” begins by jumping over a sinister Detroit trap instrumental celebrating every time an opp gets killed & being all about the spinach like Popeye whereas the piano-driven “‘96 Bulls” featuring Rio da Yung O.G. finds the 2 likening themselves to the Michael Jordan & Scottie Pippen of the subgenre that both artists hold it down for. “Stacks on Stacks” works in a soul sample & upbeat 808 percussion to flex his wealth while “Ain’t Enough” goes for more of a atmospheric trap vibe to the beat talking about not knowing too much.

Babyfxce E, Icewear Vezzo, RMC Mike & YSR Gramzall join Krispy for the dark 2 & a half minute Detroit trap joint “Just Talking” with Vez & Mike’s verses standing out the most amongst the 4 guests personally referencing the greatest WWE superstar ever; Hall of Famer, former 7-time world champion, 7-time tag team champion & WWE Hardcore Champion The Undertaker leading into “Gucci Jogger” hooking up some bells talking about catching him in traffic rocking the titular Italian luxury fashion house. “In the Air” featuring Cash Kidd interestingly fuses jazz music & Detroit trap together talking about being in love with the new Maybach, but then “Fanning” grimly cautions that nobody can duck all these shots he firing.

“Make Me Sick” flexes that he uses Flint water every time he whips up with tense keys & 808s backing him prior to “In That Case” taking another jab at a jazzy Detroit trap hybrid to hit his hood with 100lbs after his first deal. “Scratching Off” featuring AK Bandamont has an apocalyptic flare instrumentally explaining how foul they are while “Sheesh” warns y’all not to make him lose it over bells again. “King Griffeys” advises not to say the wrong shit to piss him off & “Today Was Bool” dissing all the divas.

Juice was a short yet fun bounce back from the moderate reception that 3-Peat & Krispylife 4 Life both received the previous year & B.A.G. (Born A Goat) further hammers home on that. There are more interesting ideas within the production than the EP we got from him 4 months ago (particularly the jazz-inspired cuts), I found roughly 60% of the guests’ performances to be enjoyable & some of Krispy’s lines on here are observingly funnier.

Score: 3.5/5

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Sexyy Red – “In Sexyy We Trust” review

One of the most polarizing, controversial & popular artists in hip hop today Sexyy Red coming straight outta St. Louis, Missouri ringing in Memorial Day Weekend by releasing her 3rd mixtape following her appearance on the WME Group-owned TKO Group Holdings division WWE’s developmental brand NXT. Getting her footing in penning a diss track towards an ex-boyfriend who cheated on her, she subsequently dropped her debut single “1,000 Jugs” in 2018 & eventually her debut mixtape Ghetto Superstar on Christmas Eve 2021 to subpar reception. Last summer however was when she went viral as a result of her gamma.-backed sophomore tape Hood Hottest Princess, which received more mixed responses in the public eye including from myself on the contrary to Anthony Fantano giving it an 8. My interest peaked after learning couple months back that Tay Keith was fully producing her upcoming debut album since he & Sexyy Red have always brought the best out of one another much like Future & Metro Boomin’ since Tay laced some of her biggest hits such as “SkeeYee”, but is preluding it in the form of In Sexyy We Trust.

After the “Tim Talking” intro, the first song “She’s Back” is this admittedly obnoxious trunk-rattling opener about her return whereas “Boss Me Up” produced by Tay Keith really gets the tape started from the piano-driven instrumental to Sexyy’s boisterous lyrics. “U My Everything” featuring Drake uses the exact same sample Metro Boomin’ used for “BBL DRIZZY BPM 150.mp3” earlier this month further validating Kendrick Lamar’s line on “euphoria” where he said “When I see you stand by Sexyy Red, I believe you see 2 bad bitches” leading into the synth-laced strip club anthem “Ova Bad”.

“Get It Sexyy” was a fun single mixing trap, crunk, Memphis rap & snap together so she can energetically do her dance while “Fake Jammin’” has a rubbery quality to the beat calling out everyone who ain’t jammin’ shit like they say they are. “Outside” hooks up some vibraphones & hi-hats courtesy of Mike WiLL Made-It not shying away from making it clear that she stays out here, but then VonOff1700’s verse on “Sexyy Love Money” is almost as laughable as Drake’s despite the ominous piano chords throughout & the lyrics breaking down everything that Sexyy Red herself loves.

Meanwhile on “Sport”, we have Sexyy talking about killing these hoes over one of the weaker instrumentals on the entire tape even with the weak reference to former NXT North American Champion Bronson Reed that is until “TTG (Go)” bounces back eerily dropping braggadocio. The song “Lick Me” featuring Lil Baby richly talks about cunnilingus while the penultimate track “Awesome Jawsome” turns the bass up a bit more encouraging to shake your dreads between her legs. Funny enough, “It’s My Birthday” ends In Sexyy We Trust with what “Ratchet Happy Birthday” by Drake off Scorpion should’ve been.

People online tend to clown on Fantano for giving Hood Hottest Princess an 8 all these months later & even I myself would tell you that it’s a strong 5 to a light 6 on it’s best day, but I also find it ironic that literally every single redeemable quality he saw in that previous tape is EXACTLY what I see in this new one right here. If you wanna get into Sexyy Red, In Sexyy We Trust completely outshines her earlier work. Once you get past a few underwhelming guest performances, rhetorical production mostly handled by Tay Keith is a lot more detailed than what she’s done before & she can be humorous at times.

Score: 4/5

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Mike Shabb – “Sewaside III” review

Montréal, Québec, Canada emcee, producer & engineer Mike Shabb looking to round out the Sewaside trilogy for his 3rd mixtape. Coming up in the spring of 2018 off his full-length debut Northwave, he would continue to make his presence known by putting out 6 EPs & his last couple of mixtapes before gaining notoriety for engineering Boldy James’ 5th album Fair Exchange No Robberyalong with producing “Switches on Everything” off Hitler Wears Hermes X & enlisting his mentor Nicholas Craven to fully produce his 5th EP Shadow Moses from top to bottom. Mike just put out the Hood Olympics EP last summer & is now assembling an intriguing guest-list for the mostly self-produced Sewaside III.

The intro starts by jumping over a jazzy boom bap expressing his desire for bank money as opposed to a little stack & that he isn’t even in his prime yet whereas “Doghouse” takes an atmospheric turn instrumentally asking who let the dogs out as well as making sure you count up the bread & never leaving out your homies. After the “We Live in Montréal” interlude paying homage to “We Live in Brooklyn” by the great Roy Ayers, the soulful “Grinchy” strips the drums completely spitting that gangsta shit prior to “Autumn & Fall” jazzily stays solid & ready to take over the game.

Ankhlejohn accompanies Mike on “Free Cars” living & dying by the .44 Magnum over a slow albeit jazzy boom bap beat leading into “Ben Wallace” featuring Estee Nack going drumless once again talking about focusing on the gold referencing the titular Detroit Pistons center. “Free YSL” featuring Da$h brings a morbid atmosphere to the instrumental calling for YSL Records to be released from prison, but then “Hurry Up” returns to the boom bap flexing the super fat racks in his back pocket.

“Hey Young World, Pt. II” comes through with a groovy single to the loosie “Hey Young World” that he dropped exclusively on his YouTube channel a year & a half ago assuring that the world is still your while “Milk Crate” featuring Lørd Skø assembles 2 of the underground’s biggest up-&-comers with a jazzy beat accompanying them talking about being them dudes their whole lives. “Julie” slickly reminisces over rainy days & after the melodic “Transmitting Live from the Real World” interlude, “Free Jesus” featuring Navy Blue & produced by Nicholas Craven turns the jazz influences back up talking about Christ being a shooter.

Boldy James links up with Mike on the drumless single “Big Piranhas” likening themselves to larger versions of the omnivorous fish in a small pond while “Free Jazz” lives up to it’s name perfectly fusing hip hop & elements of the titular subgenre of jazz music breaking free from the conventions & patterns of it’s contemporaries through the use of dissonance, atonality & free-flowing rhythmic structures. “Echoes” strips the drums 1-last time in favors of synthesizers talking about still hearing the gunshots ringing out.

Shadow Moses was easily one of the best EPs from last year & if you still haven’t had an opportunity to check Mike out as an MC, I suggest you listen to that & even Sewaside III here since he just gave us what has to be my new favorite installment of the trilogy surpassing Sewaside II from over a couple years ago. The mostly self-produced offering expands on his drumless, jazzy sound bringing a tight list of guests with him to portray life in the Montréal streets.

Score: 4/5

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Moh Baretta – “RE:VAMP” review

This is the 5th mixtape from New York rapper Moh Baretta formerly of the Surf Gang collective. Who has a total of 7 EPs under his belt in addition to the previous 4 mixtapes that he’s already put out, with the standouts being his 4th EP #ThisIsNotADrill & his 2nd mixtape #ThisIsNotADrill2. Few months ago, Moh & Xang linked up for a collaborative EP called Exile & is looking to prelude #ThisIsNotADrill3 by giving us RE:VAMP following his alleged departure from the group as a result of a falling out with Evilgiane.

“Double Down” starts with a piano-trap instrumental warning to not fuck with Moh’s patience guessing that he’s doing well since the fans are saying he’s going places whereas “Slay Night” hooks up a calming vocal sample to talk ablut still being out here chasing dreams. “Expedited” keeps it cloudy explaining they can’t go place-to-place with him now that he’s found his fire just before “Givenchy Jeans” incorporates a psychedelic trap flare to the beat saying you can find him trapping in the streets.

We return to a cloudier sound on “Different World” with Moh talking about starting from the bottom & tearing it up to the top while “2024” looks to run shit up taking the world on at this point only for him to break it down. I love the haunting piano loop throughout the 105 second-long “Tuesday” & even the line towards the end about a dude shooting himself in the foot just like Cheddar Bob did, but then “Sturdy Up” finishes the 1st half of the tape talking about the best way to fight the demons that chase you through the next being to stop & turn around.

“Wilt Chamberlain 2” starts the 2nd leg of RE:VAMP euphorically cautioning whoever watching the throne that he’s getting ready to take the crown letting the bread pile up in the midst of counting it down while “Relinquished” shows them how he does it going for a hazy trap approach instrumentally. The calmly produced “Roxy Pippen” refuses to trip over any of the bullshit because it’s already been written living life with motion as it comes & go while “Lead by the Blind” luxuriously lets him show y’all what it means.

Nearing the end of the tape, “IYKYK ‘Bout Me” hops over pianos & hi-hats heading outside to make this money while the moody “Long as You Get the Message” talks about needing to get it together after seeing someone leaving on a stretcher. “Can’t Look Back” fuses more keys & hi-hats sitting back & rolling an L sometimes as a result of a lot going on up in his head ahead of “Until the Sun” futuristically rounding out RE:VAMP by keeping it real.

From what I understand: The chances of Evilgiane being involved with #ThisIsNotADrill3 are looking unlikely since apparently the reason why Moh Baretta is no longer a member of the Surf Gang is because of a falling out between each other & it’s a shame to hear if that’s the case. Regarding the actual music itself here, Fakekickin helps give him one of the best tapes of his career. Moh’s still very much an undeniably entertaining performer & fk gives consistently strong production in the plugg subgenre with additional elements of cloud rap & dark plugg.

Score: 4/5

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