Ankhlejohn – “The Michelin Man” review

Washington, D.C. emcee/producer Ankhlejohn teaming with Cookin’ Soul for his 7th mixtape. Breaking out off his Big Ghost Ltd.-produced sophomore effort Van Ghost, he’s given the underground a total of 6 full-length studio albums as well as 27 EPs & his last 6 tapes in almost a decade. Other favorites of mine in his discography include the Navy Blue-produced As Above, So Below & the Rome Streetz collaborative effort effort Genesis 1:27. I was however interested in hearing The Michelin Man after his verse on Gangrene’s comeback effort Heads I Win, Tails You Lose.

“Landlord Member” sets the tone by hooking up this gospel sample to talk about being the kind of father that actually lives with his children whereas “Rump with Me” takes the boom bap route instrumentally asking if anyone out there wants smoke with him. “The Hell Pit” goes drumless talking about everyone already knowing the deal with him for these past several years leading into “Lance Vance” featuring Premo Rice praising God for keeping their affairs in order.

As for “Deuteronomy 28”, we have Cookin’ Soul continuing to strip the drums once again making way for Ankhlejohn feeling like Onyx telling everyone to do the knowledge just before “Seed of Chucky” featuring Tony Shhnow marks the soulful collaboration I never thought I needed to hear. “Sturgeon Eggs” returns to the boom bap putting his street life on full display lyrically while “Halfway” featuring Mike Shabb sees the 2 leaving y’all shot in the mouth.

“Riga Mortis” officially starts the final moments of The Michelin Man referencing WWE Hall of Famer, former 6-time WWE Champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 5-time WWE Tag Team Champion & NWA World Tag Team Champion Stone Cold Steve Austin following the premiere of Endeavor-owned TKO Group Holdings division WWE’s new developmental brand Evolve revived by EVOLVE Wrestling’s original founder Gabe Sapolsky showcasing talent under the WWE ID (Independent Development) program on tubi yesterday prior to “Feel the Breeze” finishing us off on a jazzier note making his mother proud with his words.

Some of LORDY’s output in the past 7 years has been hit-or-miss & heads I know who’ve been following him for the same amount of time as me have agreed on that when engaging in conversations of his discography, but The Michelin Man easily sticks out as Anhklejohn’s finest offering of the 2020s elevating Cookin’ Soul’s production run that began last year & the D.C. artist’s finest performances in a while.

Score: 4.5/5

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Reason – “I Love You Again” review

This is the 5th mixtape from Carson, California rapper Reason. After releasing his first 4 tapes, Top Dawg Entertainment signed him in the middle of 2018 by reissuing the one that landed him the contract in the first place: There You Have It. However, his official full-length debut album New Beginnings received more mixed reception when it came out the fall where COVID had the whole world shut down & Anthony “Top Dawg” Tiffith’s son Moosa subsequently got into a heated exchange of words with Reason the week Porches dropped saying former employee & pgLang co-founder Dave Free regrets even signing him in the first place. Understandably, he left TDE & is returning to his independent roots by telling the game I Love You Again in light of starting his own label Do More Records.

“Fly Away” is this 1 minute drumless intro tackling the theme of escapism whereas “MY Own” featuring Junii takes the trap route instrumentally talking about keeping your head up whilst treading them waters. “Stuck on Moments” featuring Kota the Friend goes for a summery vibe to the beat taking a road different from the proper trail just before “Fleece” hooks up these pianos & hi-hats showing off his young ghetto n***a status.

The soul-trap hybrid on “Not What You Think” featuring Bas crosses the halfway mark of I Love You Again nicely turning all of their demons into meanings but after the “Do More with Thoughts & Ideas” interlude, Ben Reilly joins Reason for “100” going off the top together that is until “Hol’ That” featuring Coyote & Ransom reveals to be the most fun collab here. The final song “Cross the Waters” ahead of the “I Really Do Love You Memoir” outro wraps it up with him & Hit-Boy sharing a moment on the mic together over a Supah Mario instrumental.

After the “I Still Love You Memoir” interlude, “Count It Up” gets on a soulful trap note taking happiness over money & fame while “Tears Over Rose Petals” featuring Cozz cumbersomely talks about wanting people to feel the words they’re speaking instead of simply listening. “On Site NE” hooks up a vocal sample & some finger snaps saying he needs his paper pronto & after the “Spin the Block Memoir” interlude, “I Hate You. I Love You.” dustily breaks down his love/hate relationship with the game.

Once the final bonus track “Home to Me” featuring Chris Patrick excluding the “Support Ya Ppls” outro finishes the deluxe run with a pop rap joint feeling safe around the love of their lives, I wanted to take an opportunity to discuss both “The Dead Apple” & “New York Crash” since both of them were released in the midst of Ray Vaughn & Joey Bada$$’ series of friendly competition disses. The first is a 2-parter replying to a jab Joey threw during “The Finals” & the other finds himself tempted carrying a .40 on him at all times.

Sitting in the weight of reflection, contemplation & healing, one of the industry’s most compelling young voices renowned for his gift for narrative & storytelling prowess makes his highly anticipated return as he embarks on creating his own path & proves that his star is as bright as ever now that’s independent free to drop whenever he wants as opposed to a major label holding his creativity hostage.

Score: 3.5/5

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Westside Gunn – “Hitler Wears Hermes XII” review

Buffalo, New York emcee, songwriter, entrepreneur, curator & now professional wrestling promoter after forming the 4th Rope independent circuit promotion Westside Gunn continuing the Hitler Wears Hermes series with his 12th mixtape & the 12th installment overall. Proving his legend status & that he’s to be a force to be reckoned with all in nearly a decade whether it be running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele. Initially set to come last month, the 12th chapter is here ahead of joint pay-per-view between 4th Rope & Game Changer Wrestling (GCW) called For the Culture taking place in Las Vegas during the same weekend as WWE’s WrestleMania XLI live on the Comcast Corporation subsidiary NBCUniversal streaming service peacock.

After the “Michelle World” intro, the first song “Boswell” featuring Estee Nack & Stove God Cook$ is this 5-minute boom bap opener dropping hardcore lyricism including a reference to the current ROH World Tag Team Champion & ROH World 6-Man Tag Team Champion Dustin Rhodes leading The Sons of Texas faction in AEW/ROH over a sample provided by Denny LaFlare whereas “Adam Page” featuring Stove God named after the former AEW World Champion, AEW World Tag Team Champion & 2-time ROH World 6-Man Tag Team Champion who became more over after his feud with former AEW World Champion, AEW World Tag Team Champion, CZW World Heavyweight Champion, CZW Wired TV Champion, 3-time DEFY World Champion, DEFY Tag Team Champion, Evolve Champion, MLW World Heavyweight Champion & NXT North American Champion Swerve Strickland talks about being crazy rich these days.

“Veert” by Estee Nack & Stove hops over a drumless piano instrumental from Daringer to showcase their skills the soulful “055” demands you praise West & Stove. “Health Science” featuring Brother Tom Sos that the homie CG slickly laced lets off shots to the head as if it’s personal leading into Brother Tom Sos sticking around for “Gumbo Yaya” having somewhat over a funkier vibe to the beat talking about them living it & having it for a grip. “East Miami” featuring Estee Nack strips the drums again to portray the gangsta lifestyle for 4 & a half minutes just before “Bury Me with a Stove” featuring Estee Nack gives their flowers to former 4-time WWE world champion, WWE United States Champion & CWA Heavyweight Champion Sid Eudy.

The only single “Outlander” finds Rick Hyde’s son & Benny the Butcher’s nephew Myles behind the boards interestingly hitting the backend of the 12th installment of the Hitler Wears Hermes saga referencing the late WWE Hall of Famer, former WWE Intercontinental Champion, 3-time WWE United States Champion, WWE Tag Team Champion & 2-time WCW World Television Champion “Rowdy” Roddy Piper showing some jazzier influences this time around prior to the drumless “Dump World” featuring Stove God Cook$ taking shots at those who failed at throwing dirt on their names.

Hitler Wears Hermes XI last Devil’s Night was a huge indication that the infamous series can carry on right when everyone initially thought Hitler Wears Hermes X would be the end of it & if anything, Hitler Wears Hermes XII feels more like a sequel to Peace FLYGOD other than both of Brother Tom Sos’ appearances primarily because of Estee Nack & Stove God Cook$ being featured all over it like they were on Peace FLYGOD in addition to the strong production during the 43 & a half minutes.

Score: 3.5/5

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Luhh Dyl – “Intrude” review

Luhh Dyl is a 21 year old recording artist from Detroit, Michigan who began to gain traction in the city putting out his debut EP The Ticket in the summer of 2023. It caught the attention of 300 Entertainment, who signed Dyl for his next EP Cart Music birthing his own subgenre of Detroit trap on his debut for the label. Only 7 months later, he’s looking to pick up right where he left off on his debut mixtape with half of the features getting the best of me in checking it out.

The sampling throughout “Chosen” caught my attention to open the tape thanking God for all his trials & tribulations while “Chance” hooks up this trap instrumental with some strings woven in talking about people hating him for never conforming. “Ski” jazzily flexes that everyone else has no other choice to watch him out here & having it better now ahead of the Detroit trap joint “Not a Rapper” talking about everyone else being actors compared to him.

“Be Foreal” shows off the way he be turning up & boasting they couldn’t rap like him if they even were him blending Detroit trap & jazz rap leading into “Fuck 12” featuring Tee Grizzley giving a finger to the feds. “Slow Down” featuring Veeze brings these synths in the fold chopping up the opps’ bodies as if they’re Ted Bundy while “R.I.P. Gang” ahead of the underwhelming collab “Get Loose” featuring Lil Lik remembers everyone in his life who’re in prison or no longer with us.

I found it cool that “Kimbo Slice” takes it’s name after the late Cage Fury Fighting Championships (CFFC) fighter who temporarily fought in the UFC division of the Endeavor-owned TKO Group Holdings planning to start Zuffa Boxing with تركي آل الشيخ for Canelo Álvarez vs. Terence Crawford on Netflix in September prior to the “Penny Pinchin’” remix featuring Sada Baby referencing the current 2-time WWE Intercontinental Champion Bron Breakker, who was also a former 2-time NXT Champion & a former NXT Tag Team Champion. “Sign NDA’s” featuring Lil Darius suggests they could’ve been with Druski, which is odd because his behavior at Diddy parties have recently been coming into question.

Loe Shimmy appears on the closer “Get Low” serving as another mediocre collaboration flexing that their chains he shining like chandelier just before “Done Smokin’” starts the deluxe run by talking about the only time people hating you is when you do something they can’t. Nino Paid’s appearance on “You Ready” is another guest spot that I can personally do without up until Baby Money making up for it with his “Fire Eyes” verse, but then final bonus track “10:20 in N.Y.” finishes by trapping in the City of Dreams.

The inventor of cart music showcases the breadth of his artistry during the course of Intrude’s runtime & regardless of me finding myself feeling sorta on the fence with it, there’s more positives for me to say about the mixtape than there are negatives. A notable criticism being only half of the guests delivering fiery performances, with the positives including a hint of unpredictability that you don’t get from other Detroit trap acts when unpacking Dyl’s own lyrics & the production.

Score: 3/5

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Xavier Anthony – “The XA Tape” review

Xavier Anthony is a clothing brand established in 2014 in Little Rock, Arkansas & currently based out of Atlanta, Georgia captivated by vision & gaining popularity by selling high quality garments adorned with the easily recognizable signature glasses & eye logos. Numerous up-&-coming artists in the plugg & rage subgenres of trap music have been endorsing the brand as & they’ve ultimately decided to get a bunch of them together for a compilation mixtape & suggestively the first in a new series.

“XA Belt” by 10kDunkin opens the tape by jumping over a cloudy trap instrumental from SOULJASPIRITS not wanting to talk since he’s been on his payment whereas “Call the Trøøps” by Diorvsyou works in some synths & hi-hats suggesting everyone watches out with the amount of bitches he has. “Favorite!” by Zaan brings a self-produced plugg vibe to the table talking about his preferences in weed strains being blue & pink runtz while “Blood In, Blood Out” by Sk8star & Tezzus hooks up these luxurious piano chords that Rio Leyva brings to the table making no time for lies.

Rollinthrax gets his own song on “Certified Hood Classic” promising that he’ll be Rich indefinitely on top of the all black fits getting old to him just before “Decarnin” by southsidesilhouette talks about having swag all the way down to his socks & dissing those envious of him. “Spray Down” by billi0n & Tezzus goes for a psychedelic approach to the beat matching it with aggressive performances but after the “Drip Me Out” skit, “Ø” by southsidesilhouette talks putting hoes in anything without worrying of the price.

“4:59pm” by tana splits itself into 2 halves thanks to WhyCeg & Ayelavish! so he can breakdown the lifestyle he lives while “Star in the Building” by Reezy X & Rollinthrax keeps the synthesizers in tact pointing out that they ain’t ever see the shit that everyone be cappin’ about in their raps. “Head @!!” by diamond* & Tezzus likening themselves as a duo to the current 3-time TNA World Tag Team Champions & the inaugural 4th Rope World Tag Team Champions The Hardy Boyz or WWE Hall of Famers D-Generation X. “Dølla” by Diorvsyou & southsidesilhouette gets on the plugg tip again giving their partners whatever they ask while the rage-inducing “XA Inna X8” by ladé wants everyone to move out his way.

EA TJ & Lil Righteous get together for “Double Down” looking to fuck up the whole entire block while “Rules of Survival” by Diorvsyou, Reezy X & Sk8star finds the trio talking about them making the shit they do look easy waking up in the morning only to feel the fuck up. “Still on Asher” by 1100 Phats gives off these Detroit trap undertones that I admire wearing out the merch that XA gave him airin’ out all the opps while “50 Staterz” by Boofinese & billi0n rides around in a Bentley & advising not to talk crazy

“27 Klub” by Tezzus hits the backend of The XA Tape with him atmospherically shrugging off all these bitches coming up to him who think they’re special when he doesn’t whatsoever while “Onnat!” by Diorvsyou & Yung Fazo produced by Cxdy of Internet Money Records & Vanguard Music Group assuring that their lives aren’t boring over coming home from tour & putting their women in foreign whips. “XA” by tana & Tezzus wraps it all up with the pair talking about their girlfriends tryna argue with them when they could be saving their energy for something better.

Having previously reviewed most of the artists on project or seeing them perform live like Diorvsyou, Rollin’ Thrax, Sk8star, aouthsidesilhouette, tana & most recently Yung Fazo fresh off his sophomore effort Zo was more than enough for me to invest my time & interest in The XA Tape & it’s a fun collection of tracks built around the modern sounds of trap music showcasing a consistent list of future stars in the Atlanta hip hop scene.

Score: 3.5/5

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Ralfy the Plug – “Grandmaster Ralfy 2” review

Los Angeles, California rapper Ralfy the Plug making his 11th mixtape a sequel to his previous one last Halloween. A member of the Stinc Team & the brother of the late nervous music pioneer Drakeo the Ruler, his discography includes a total of 5 albums as well as his last 11 tapes & a handful of collaborative projects with my favorites ranging from A Cold Day in Hell to Pastor Ralfy 2 & Old Ralfy vs. New Ralfy. It’s been a couple months after the 3-year anniversary of his brother’s murder & he’s looking to further continue the Grandmaster Ralfy saga.

“Options” begins with a piano & hi-hats talking about him & money going together promising to kill anyone who tries him whereas “Inevitable” takes a nervous route instrumentally guaranteeing he’ll stack his chips up. “Type Shit” admits to his brother’s death being worse than my 2nd favorite basketball player of all-time Kobe Bryant’s working in some sampling & a bass-line just before “I Understand It Now” points out that everyone hates you when you’re doin’ somethin’ right.

Ralfy portrays himself as a pimp on “Long Live the Mac” maintaining a nervous edge & likening his style of mackin’ to that of a coach while “Bikini Bottom” boasts his jewelry & coupe suggesting every rapper who’s still broke for a decade later needs to get a new hobby. “Simpsons” named after the longest running animated series on the Fox Corporation’s flagship property copyrighted by The Walt Disney Company reflects on him beatin’ a life sentence aspiring to be rich some day, prior to “Paw Patrol 2” continuing where the Pastor Ralfy 2 highlight left off talking about being a dog.

“Los Angeles, CA” continues the traffic music vibes representing his hometown cautioning that it can get janky out there while “Always Hating” wants to know why people are downplaying him since life’s going great for him & he’s still grinding as opposed to everyone thinking he made it already. “The Difference” observes his legitimacy compared to these lame frauds not making a dime while “Side Hustle” focuses on his mission of reaching the top.

The closer “Legal Money” hits the backend of Grandmaster Ralfy 2 by unloading a whole verse on top of a vocal sample advising that the first step in succeeding is to have a vision & goin’ against him being the end of you while the bonus track “40 with a Beam” ends the tape talking about his heart being cold in addition to letting it be known that you don’t get no award out here for keepin’ it real & praying all his demons go straight back to Hell.

Pastor Ralfy 2 & Old Ralfy vs. New Ralfy have both become my favorite entries in his discography thus far & Grandmaster Ralfy 2 surpasses it’s predecessor from over 3 months ago. You’ll probably already know what you’re getting yourself into terms of overall sound since the artists in the nervous subgenre of ratchet music tend to stick with that distinct style top-to-bottom, but Ralfy’s performances on the sequel are more enjoyable to me.

Score: 3.5/5

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YoungThreat – “It Gets Greater Later” review

Here we have the 4th mixtape from up-&-coming Los Angeles, California emcee YoungThreat. Emerging in 2019 off his debut tape Chucks Laced, he wouldn’t return until the fall of 2022 with his previous tape Still in the Trenches in addition to It Was Never Going to Be Easy & the 83 Ways Out EP. Coming off his appearance on the title track off Kendrick Lamar’s surprise 6th album GNX last month however, he’s remaining confident that It Gets Greater Later by putting out a new project with only less than a week away from Christmas.

“Road Runner” starts the tape by mixing west coast hip hop & trap into 1 talking about being addicted to running the streets whereas “Headtaps” takes a calmer trap route instrumentally bustin’ scripts as if he’s looking for his meds. “Gallery” maintains the west coast trap vibes calling out those mad at him & walking out with charged up batteries just before “‘91 Premium” taking real bulky squabbling anytime anywhere over a sample & some 808s.

Meanwhile on “Big Bad Wolf”, we have YoungThreat aggressively discussing his lone wolf status in addition to dissing everyone out here who be actin’ like hoes & blowing shit since they ain’t make any bricks leading into “Belt 2 Ass” talking about moving as if he’s a part of the military & not rushing greatness. “Dot” admits that he felt like he hasn’t changed until the Kendrick collab while “Ina Set” talks always aiming above the neck & that resulting in headshots.

“They Woke” blends chipmunk soul & trap flexing that he rose from the concrete cement while the ominous “Can’t Let Go” talks about hittin’ blocks like they raidin’ them. “AI” wants to know why everyone can’t see his time being now while “Demon” talks about not affording to lose another gun suggesting that everyone wants to see a darker side to him. “Late Night” properly finishes It Gets Greater Later by clarifying that keeping it real is in his blood & refusing to let these rodents breathe.

Every feature on GNX had their own unique qualities to them & given that I wasn’t too big on the new Siete7x mixtape Stucc in the Hole when he initially dropped it a couple weeks ago, I happen to find myself gravitating towards It Gets Greater Later in the sense that it’s the best body of work from the up-&-comers who got their biggest breakthrough a month ago. The west coast trap production is darker than the previously mentioned tape from earlier this month & I like that YoungThreat refrained from overloading it with guests.

Score: 3.5/5

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Nettspend – “Badass Fucking Kid” review

Nettspend is a 17 year old rapper & songwriter from Richmond, Virginia notable for being an affiliate of both the Novagang & 1c34 collectives. His debut EP KiCKDOOR was released a year & a half ago to mixed reception, although his subsequent singles have been skyrocketing his popularity in the jerk & lowend subgenres to the point where he landed a record deal with Grade A Productions & Interscope Records for his official debut mixtape with an interesting list of production credits that could make it clear the breakout EP.

“Growing Up” starts the album on some atmospheric trap shit talking about not wanting to grow up although Tyler, The Creator did the concept better on “Parade” off his only mixtape Bastard whereas “Leader” goes for a rage-inducing vibe instrumentally thanks to Kenny Beats & Ok talking about trying new things, which I’m all for. “Project Pat” keeps the hypertrap vibes going paying homage to the titular Hypnotize Camp Posse member & “Tommy” flexes his girl street slimin’.

Moving on from there, “Tyla” maintains the rage beats talking about needing a bitch as lit as the mononymous Queen of Popiano prior to “A$AP” incorporating some pianos & hi-hats making it clear to pull up soon as you can referencing Rocky’s upcoming 4th album Don’t Be Dumb. “Fuck Cancer” talks about being on the run like he’s Foxy Brown & his girl being on the daily grind, but then “Skipping Class” sampling “Genesis” by Grimes cuts straight to the chase that he’s done being bad with this specific person.

“Beach Leak” is another favorite of mine from the drill instrumental from Evilgiane to him likening himself to a Gen Z version of Future while “Shut Up” gets back on the hypertrap tip talking about feeling like it’s a glitch considering how big he is on ‘em & being the shit. “Bird Box” bombastically makes an interesting comparison to the 2018 film that it’s named after while “Drop the Blunt” playfully steadily stays smoking dope.

The song “Perc Soda” begins the encore of Badass Fucking Kid talking about lacing his pop with percocets & he’s the baddest kid of 2024 while the energetic penultimate track “Laughin’” wants to know exactly why these fuckboys be bluffin’ out here. The closer “Say Please” finishes Nettspend’s debut fusing cloud rap & drill talking about how it ain’t his fault he got as much swag as he does.

Announcing his arrival officially, the Virginia up-&-comer hailing from the same city that made Pharrell from the greatest production duo of all-time The Neptunes as told in Piece by Piece a couple months ago showcases his promising future with the production ranging rage to cloud rap, drill & trap in addition to Nettspend giving us a look at who some of his influences are musically.

Score: 3.5/5

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Siete7x – “Stucc in the Hole” review

This is the 2nd mixtape from Compton, California up-&-comer Siete7x. Breaking out in 2019 off his debut mixtape Ccut from a Blue Cloth in the summer & later the full-length debut Compton Soul Child that same winter, he returned last fall off the sophomore effort Long Live My Therapy & recently had a verse on “dodger blue” off Kendrick Lamar’s latest album GNX couple weeks ago. Keeping that same energy, he’s striking while the iron’s hot on Stucc in the Hole.

After the “3704” intro, the first song “Make It Out” starts the mixtape by hopping over a solemn trap instrumental to discuss making it out of the trenches whereas “Feelin’ Me” featuring Bino Rideaux” takes the synth-trap instrumental talking about letting him pick his girl’s brain. “Trynna Make Away” has a bit of a cloudy trap edge as he addresses needing a way just before “Dive In” featuring Kalan.FrFr produced by Blxst fuses pop rap & trap in an enjoyable fashion.

“Make It Right” brings an acoustic trap flare to the table as he does whatever he can to make it up to this woman that he’s been seeing leading into “Anybody” featuring Sietegang Yabbie talking about both of them not simply being any other dudes out here. “Tell Me What You Know” brings back a stripped-back trap vibe wanting this chick to come clean with him regarding everything she knows, but then “Keep Going” featuring Kalan.FrFr playfully talks about the checks being nonstop.

Lil Bean & Siete team up on “Auntie Baby” warns not to trust any of these lames out here since they stay cappin’ in their music while “Only 1” featuring Lefty Gunplay shows ‘em somethin’ when the beef cracks off. “Up Late” featuring AD finds them tryna touch $1M while “All My Life” featuring Wallie the Sensei talks those envying them because of the cash flow. “Who Can I?” featuring RJmrLA gets on more of a raunchier tip topically & “Real True Story” admitting it’s been hard for him to focus for a couple minutes.

Siete7x’s sophomore tape here comes off the biggest guest appearance of his career applying further pressure out in the streets of Compton telling his story along with hoping to become a leader in his community & uplift the youth. I very much appreciate the entire concept of everyone involved trying to make it out of the hole they’re stuck in, except the features take up roughly half of it with their performances being either hit or miss.

Score: 3/5

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Drakeo the Ruler – “The Undisputed Truth” review

This is the 12th mixtape & 2nd posthumous outing from Los Angeles, California emcee Drakeo the Ruler. A pioneer of the nervous music scene & a member of the Stinc Team, his flow & oddly expressive yet poetic word-choices has led to the Los Angeles Times to call him the most original West Coast stylist in decades. He’d go on to put out his last 11 tapes & a full-length debut until he was stabbed to death in late 2021. A sophomore effort was posthumously released 9 months later & to celebrate what would’ve been his 31st birthday, his estate’s unveiling The Undisputed Truth.

“Perfect Eulogy” gets the tape rollin’ nervously advising to make sure everyone talking loud on his Instagram have their funerals placed out whereas “Diss Me Again” addresses everyone who wanted beef with him. “Bop Bop Bleed ‘Em” featuring Baby Smoove maintains the traffic vibes detailing the gangsta lifestyles they live calling out these lames for askin’ their plugs for the exact price of the dope they be movin’ while “Stalemate” goes for a colder atmosphere referring to himself as a soul snatcher.

We have Mr. Mosely wanting to know exactly what these dudes posting high points in their pictures are gonna do with ‘em on “Instant Jammer” just before “Archie Bunker” keeps it nervous talking about clowns, wanting to be a part of something. “Rerock the Hook” featuring Icewear Vezzo brings the pair together to wreck the chorus & kill it again prior to “Vince McMahon” named after the disgraced TKO Group Holdings co-founder now separated from the next Secretary of Education Linda McMahon likens the rap game to the WWE division of the Endeavor-owned conglomerate in light of TKO board of directors members WWE President Nick Khan alongside TKO President & COO Mark Shapiro both becoming the key figures in moving Monday Night RAW to Netflix next month.

“Stella Got Her Groove Back” continues the 2nd leg of The Undisputed Truth referencing the titular 1998 movie with one of my favorite flows on the entire project while “Not the 1” featuring 03 Greedo samples “Who Shot Me?” by YG teasing a collaborative effort from both artists that they recorded until the Big Bank Budda passed. “No Hard Feelings” featuring his Stinc Team brethren Ketchy the Great & Ralfy the Plug has an icier traffic flare calling themselves trophies while “Play with Your Life” freestyles over “Deal with Us” by Jooba Loc.

The only single “I’m the Reason” actually stands as the final song here since the title track is simply a 75 second outro getting on the dark, sinister & menacing sound that Mr. Pops on My Knots pioneered with heavy sub-basses, simple melodies & slow, sparse & slamming drums with the only thing on his mind being violence on top of being why these cats put diamonds in their Rollies & started making money themselves.

It annoys me when people claim that Kendrick Lamar was “biting” Drakeo the Ruler on “Not Like Us” or his latest album GNX from a little over a week ago not because they were clearly homages, but there’s also no doubt in my mind that Mr. Everything would’ve had a feature on the latter since numerous up-&-coming artists in the nervous scene got their biggest exposure thus far when GNX dropped outta nowhere & Drakeo’s 6th mixtape Cold Devil remains a groundbreaking landmark in the subgenre.

Score: 3.5/5

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