The Game – “Every Movie Needs a Trailer” review

Compton, California emcee, songwriter, actor & professional attention whore The Game linking up with Mike & Keys for his 16th mixtape. Originally taken under the wing of JT the Bigga Figga. His 2002 debut mixtape You Know What It Is would catch the attention of Dr. Dre & 50 Cent. Both of whom signed Game to a joint venture to their individually respective labels Aftermath Entertainment & G-Unit Records, distributed by Interscope Records. With their help, his debut album The Documentary the following year would go on to become a West Coast essential. However, a falling out between Game & 50 just months after the album’s release would result in Game moving over to Geffen Records to complete his 5-album contract. His next 4 albums Dr.’s Advocate, LAX, The RE.D. (RE-Dedication) Album & Je5us PiecE all showed that Game didn’t need Dre or 50 to make quality music. Once fulfilling his major label obligations, he went the independent route by founding his own label Numinati Records & showcasing the artists with a compilation entitled Blood Moon: Year of the Wolf in 2014. Game then put out an overloaded yet decent sequel to his debut with The Documentary 2+2.5 the next year as well as his previous album 1992 the year after & Born 2 Rap on his 40th birthday. Hit-Boy helped him come out of “retirement” again with the more consistent Drillmatic: Heart vs. Mind, although it was DONDA levels of bloated. In preparation of The Documentary III after siding with Drake in his beef with Kendrick Lamar, I was hoping Every Movie Needs a Trailer wouldn’t carry over any of that corny “Freeway’s Revenge” energy.

After the chopped & screwed “Silver Lining” intro, the first song “Caviar x Cartier” begins with a jazz rap opener talking about how you can turn around & lose it all today whereas “Can I” passionately gives us a look at the way he writes his rhymes over a soulful instrumental. “Chrome Hearts” works in some sampling to talk about him rather being feared than loved leading into “Amerikkka’s Nightmare” addressing people praying on his downfall.

“🤡🤡” takes 2 & a half minutes to poke fun at all the cornballs who ain’t poppin’ like they thought they’d be just before the sample drill/chipmunk soul fusion “Good Enough” speaks of the thin line between fatherhood & his neighborhood. “Quarter Zips x Matcha” kinda has some jazzier undertones to the beat cautioning that this real life with him instead of some corny Druski shit while “Rotation” co-produced by Jason Martin formerly known as Problem ends the 1st half with a club-oriented pop rap joint.

To begin the 2nd act, “The Coast Guard” talks about breaking down anybody who speaks ill of the Bloods calling back to Game’s origins with the infamous street gang while “Head of State” soulfully lets the world know what he’d do if he was president. “The Assassination of Candace Owens” heads towards chipmunk soul turf instrumentally talking about how people would rather be lied to & live in a fantasy world while “Left Out” experiments with an industrial hip hop sound basically giving a middle finger to everything.

“Blood Tears” featuring Mozzy jazzily talks about keeping their experienced pain to themselves while “So Contagious” offers food for thought to digest. “Just Like Me” soulfully shouts out those who made it out the trenches similarly to him prior to O.T. Genasis ruining “Scheme” despite “New York, New York” by Kurupt being flipped. “Livin’” finishes up sampling “Ain’t It Fun”by Paramore for an outro dedicated to the west coast while “Whatever” starts the deluxe run talking about being at the end with other artists over a crooning boom bap beat.

Kinda disappointing 21 Savage only does the hook for “Real N****s” cautioning that the authentic artists are gonna become extinct sooner than later while “2nd Hand Smoke” soulfully tells the Crips & Bloods who’re still living to get on down. Swizz Beatz producing “Art Basel” wasn’t too bad aggressively making a Mona Lisa outta jaw jackers while “Steffon Digg Her Out” takes a more soulfully sexual approach thematically referencing the New England Patriots WR of the same name.

“Favorite” combines the classic west coast hip hop feeling with trap wanting the woman he’s seeing to stop picking faves while “Tricks” tells the story of an encounter he had with some bitch from his dreams. “Brick by Brick” featuring Benny the Butcher & Conway the Machine brings the trio together over a symphonic boom bap instrumental talking about pushing kilos & taking no Ls or shorts while “You’s a Virgin” featuring Boosie Badazz angrily claps back at the so called killers for not living up to their rep.

Game asks all of his sons & daughters to take a drink out of “Something in the Water” over a sample representing his hometown of the CPT while “Dead Hermes” soulfully asks what more is there for him to say since not much has changed for him as far has he’s concerned. The final bonus track “It Feels Like Heaven” featuring Dom Kennedy officially caps off Every Movie Needs a Trailer with a laidback Jake One beat dismissing those tryna play with them when the ball’s flat.

Putting aside his bullshit defense of R. Kelly & Puff Daddy a.k.a. P. Diddy or Diddy at a private birthday celebration last weekend especially with The Reckoning documentary coming out on Netflix merely a few days ago, I have to admit that Every Movie Needs a Trailer was more of a stronger listen than Drillmatic: Heart vs. Mind was a few summers previously. Obviously there’s a lot less filler on here compared The Game’s last full-length, but he only brings a couple guests on board to flow over Mike & Keys’ production mostly well.

Score: 4.5/5

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Lefty Gunplay – “I Told You So” review

Lefty Gunplay is a 29 year old rapper from Baldwin Park, California who began his music career in 2023 after a prison stint. He has since dropped 6 full-lengths & an EP, including an outro on “tv off” from Kendrick Lamar’s 6th album GNX around this time 12 months ago. Can’t Get Right produced by Jason Martin formerly known as Problem would become his most celebrated work this spring, coming off Ghetto Heisman‘s mixed reception to have Jason produce his 2nd EP alongside Mike & Keys.

“C-Murder Flow” opens with a homage to the wrongfully incarcerated member of TRU himself almost 2 weeks after No Limit Records smoked Cash Money Records at the Verzuz occurring at ComplexCon whereas Jiggy works in a vocal sample so he can talk about nobody being in his division. “Califa” featuring MC Davo & pfacebabyy finds the trio decently flexing that they’re catching fades throughout the city leading into “M.W.A. (Mexican With an Attitude)” eerily talking about being Hispanic & having an N.W.A mindset.

The song “She Fell in Love with an Ese” beginning the final leg of I Told You So asking if there’s a single person out in the streets who can outrun his gun while “Story of My Life” featuring Coyote, Cricket, Jason Martin & pfacebabyyy gets together over some horns so they can talk about being in the position of making their own rules. The title track ends the EP in the most appropriate way imaginable from the summery guitar instrumental to the lyrics promising that he wouldn’t break his lovers’ heart.

Ghetto Heisman earlier this fall was a little disappointing compared to Can’t Get Right mainly because the production & guests simultaneously felt all over the place in terms of consistency, not quite reaching the bar of WC’s sophomore effort of the same name under Def Jam Recordings over 2 decades earlier. Now regarding I Told You So, it comes off to me as an amalgamation of Ghetto Heisman‘s inconsistencies & Can’t Get Right‘s refinement of Lefty Gunplay’s whole entire Chicano/west coast style.

Score: 3/5

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Jason Martin – “Mafia Cafe” review

Here is the 5th EP from Compton, California emcee, songwriter & producer Jason Martin. Originally known as Problem, he would go on to release over a dozen mixtapes as well as 4 full-length studio albums & 4 EPs. Can’t forget to mention both collaborative efforts DJ Quik, the first being Rosecrans back in 2017 & the follow-up Chupacabra days before Kendrick Lamar’s now historic 1-off Pop Out concert at the Kia Forum. 52 weeks since Repack produced by Mike & Keys, they’re heading to the Mafia Cafe merely 6 weeks following A Hit Dog Gon Holla.

“I Can’t Tell” sets the tone with a drumlessly jazzy instrumental reversing his opposition’s plays whereas “When Will They Learn?” & after “Check It Out” skit embraces a chipmunk soul vibe talking about being in Jamaica backflipping off yachts. “Expensive Rentals” brings back the jazz reminding that Coffee & Kush are great for the mental just before the soulful “Choices” hones in on Jason’s storytelling abilities, portraying a conversation taking place over the phone.

We get some jazzy horns during “Black Entertainment” breaking down the industry as a whole leading into “Cafalonia” drumlessly wittily talks about sipping a latte smoother than Sade’s music. “Pity the Fools” soulfully references WWE Hall of Famer Mr. T & after the hilarious “Akademiks Finally Says Something Worth Listening To” skit, “Tricky Times” jazzily speaks of some harsh realities despite the fact that he got to “Stay Fresh Through It All”.

Not even a couple months since A Hit Dog Gonna Holla & the 3rd extended play from Jason Martin within an entire year quickly surpasses the one that recently came out earlier this fall. Mike & Keys’ production on this one is more sample heavy than it was last time, chopping up records from the jazz & soul genres to provide Jason more than enough space for him to step up his pen-game.

Score: 4.5/5

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Jason Martin – “A Hit Dog Gonna Holla” review

Compton, California emcee, songwriter & producer Jason Martin reuniting with Mike & Keys for his 4th EP. Originally known as Problem, he would go on to release over a dozen mixtapes as well as 4 full-length studio albums & a couple EPs. I can’t forget to mention both collaborative efforts DJ Quik, the first being Rosecrans back in 2017 & the follow-up Chupacabra days before Kendrick Lamar’s now historic 1-off Pop Out concert at the Kia Forum. Almost a whole year since Repack, they’re reuniting so A Hit Dog Gon Holla.

After the “Guns & Sandwiches” intro, “Let Me Roll My J” chops up a soul sample talking about looking to party until the sunrise whereas “Things You Learn While on the Grind” soulfully reflects on what he’s learned since hustling. “Docusign” gives off a drumless chipmunk soul vibe talking about not tripping over any obstacles while “Flu Game Jordan” continues to strip the drums so he can progress through extortion.

“We Know the Truth” continued with a hazy boom bap route talking about hearing nonstop cap spewing out these muhfuckas mouths while “Tee’d” drumlessly reminds us that everything comes with a fee instead of simply being granted to us. “Laugh Now Laugh Later” talks about how everybody be lying but after the “Goofy” skit, “Thang’s Just Ain’t the Same for Gangsters” calls back to “The Watcher”by Dr. Dre & sends off the EP being “Above the Noise”.

There was a lot of mixed reception towards the Repack last fall because of all the features on it & I’m pretty sure Jason Martin heard those criticisms since he takes up all of A Hit Dog’s Gonna Holla’s vocal performances by himself & results in an extended play that I prefer a lot more than the last 1 we got from him. Mike & Keys’ production returns to a traditional west coast sound coming off Tony Shhnow’s 8th album Self Portrait last month & Jason singlehandedly silences those who thought he had become reliant towards guests.

Score: 4.5/5

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Tony Shhnow – “Self Portrait” review

Here is the 8th studio LP from Atlanta, Georgia plugg pioneer Tony Shhnow. Being introduced to his music after my younger brother J$zpiech showed me his 4th mixtape Black Billionaires Club & the song “Vet” off the full-length debut Da World’s Ours 3, he then continued to turn heads with his 8th mixtape Reflexions to critical acclaim & I honestly wish I covered it considering that some of his best songs are on there like “Finessin’” or “Forgive Don’t Forget”. He would return to his plugg roots on the BeatPluggzproduced Plug Motivation, Love Streak showed a more sensual side to him, Shadowbanned 2 dabbled with new sounds, the self-produced #NoOneElse was a step above Out the Woods & looks to paint a Self Portrait fresh off the 3rd chapter of the Shadowbanned series.

After the “Mr. Shhnow” intro, the first song “I Can’t” produced by Mike & Keys sets up shop with a ratchet instrumental talking about making money from making music & trappin’ whereas “Die 4 Me” poses the question if anyone would still ride for him if life took a turn. “Think Again” talks about there being plenty of people who’d kill for you & spending with your lifespan just before “Beat da Odds” flexes that he stays quiet even if his money don’t.

“Thank God That I’m a Real N***a” obviously gives his praises to the most high that He made the Shhnowman as legitimate as they come & after the “Ion Wanna Talk” skit, “Voicemails” talks about all the O.G.s saluting him like he’s in the service. “Devotion” flexes that he’s on the incline & not fucking with swine despite going H•A•M while “Tush Push” featuring Chrisnxtdoor talks about metaphorically being identical twins with money.

Luh Tyler joins Tony on “Bank Statements” to smoke competition while “Infest” talks about having so much work that he could possibly supervise. “Burnt Out” featuring Marco+ explains that they stay strapped because they don’t know what other people be on & once “Boss Up” dismisses the hate from lames because it’s not worth it, “Understand” ends the Self Portrait with a self-produced throwback to his plugg origins.

Starring the deluxe run, “Cobb to Cabo” talks about seeing past the fake through a blindfold & his bitch snapping harder than Thanos while “D.Y.T.A.M. (Did You Think About Me)?” featuring 03 Greedo poses that very question over some sampling from Bakkwoods. The final bonus track “Certified” however finished with these sinister 808 patterns talking about the inability to take his homies anywhere since they all sell drugs & keep handguns close to them.

Been waiting for Tony Shhnow to drop another album for a while now & Self Portrait will easily go down as some of his best material joining Black Billionaires Club, Reflexions or #NoOneElse as a more recent example. Mike & Keys’ production on almost the entirety of it is easily amongst their most experimentally cutting-edge & the Shhnowman paints a clever image of who he is generally.

Score: 4.5/5

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Jason Martin – “Repack” review

This is the 3rd EP from Compton, California emcee, songwriter & producer Jason Martin. Originally known as Problem, he would go on to release over a dozen mixtapes as well as 4 full-length studio albums & a couple EPs. I can’t forget to mention both collaborative efforts DJ Quik, the first being Rosecrans back in 2017 & the follow-up Chupacabra days before Kendrick Lamar’s now historic 1-off Pop Out concert at the Kia Forum. earlier this summer. However, he’s warming everyone up for the next era by dropping off a Repack.

“Problem” featuring Laila! is a soulful, self-produced Mobb opener referencing the moniker that made a name for Jason whereas “Kill Switch”featuring Daz Dillinger further pulls inspiration from the Bay thanks to Fredwreck talking about their gang ties. “Live It Up” featuring Lil Vada & Sada Baby on the remix maintains a Mobb vibe instrumentally detailing the gangsta lifestyle once more leading into “You Know What It Is” going for a traditional west coast flare to talk about everyone knowing the deal courtesy of Mike & Keys.

As for My Boy”, we have Jason & Glasses Malone coming together to drop braggadocio just before “Poridge” featuring Jay Worthy & Mitchy Slick shows off the rare aura of all 3 of them. “5 Pack” blends g-funk & hyphy talking about being artists being indicted for what they say in their music which I think is wrong, but then “Cookie” turns the bass up refusing to go back-&-forth over a topic of discussion he doesn’t care enough for.

“Come & Shine with Me” featuring RJmrLA playfully encourages everyone to shine with them leading into “Hold Up” featuring LaToiya Williams balancing g-funk & trap to talk about y’all having no more chances. “Actin’ Tuff” featuring Dreebo goes drumless breaking down specific type of bitches & after the “God Knows Best” skit, “Goin’” featuring Lil Neph soulfully finishes by talking about keeping it moving the money flowin’.

Restoring a feeling that’s been missing from California music as a whole 5 months ago, the Repack is completely different since Mike & Keys take the opportunity to help Jason bring together a myriad of west coast sounds old & new with the beats with the guests that join him being a dope mix of mainly west coast veterans and of course a few up-&-comers sprinkled into the equation.

Score: 3.5/5

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Dave East – “APT 6E” review

Harlem, New York emcee Dave East joining forces with Mike & Keys for his 4th LP. Breaking out in 2014 off his 8th mixtape Black Rose, this resulted in the man signing a joint deal with Def Jam Recordings & even Nas’ independently owned Mass Appeal Recordsas well as a spot in the iconic 2016 XXL Freshman Class. However, his full-length debut Survival wouldn’t come out until 3 years later & was very disappointing in the sense that he tried appealing to a more mainstream audience that just didn’t exist. The Harry Fraud produced sophomore effort Hoffa proved to be better as did his final Def Jam offering Fortune Favors the Bold, so I was already intrigued to hear him take it back to his independent roots on APT 6E.

After the intro, the first song “Doin’ Great” starts off with pianos & hi-hats explaining the ways to get out of this life whereas “God Produced It” hooks up a sample-laced trap instrumental talking about telling himself he could do it time & time again. “Snow White” discusses the largest gang takedown in the history of the Queens borough over a psychedelically rattling beat prior to “I.D.R.N. (I Don’t Regret Nothing)” goes into a ratchet direction so he can talk about not regretting anything.

“Me vs. Me” jumps on top of organs & soulful guest vocals from Stacy Barthe making it clear that the toughest fight of his life was within himself just before “This Lifestyle” featuring Kurupt mixes hi-hats & synthesizers as they break down the way they both living currently. “Ballin’” featuring Buddy finds the 2 cloudily smoking good & poppin’ another bottle while “Dangerous Riddim” featuring Shaggy comes through with summertime vibes top to bottom generally.

Stacy returns on the whimsically rugged “So Much Changed” getting on his grown man shit topically, but then “Intervention” talks about going through it over pianos & hi-hats. “Can’t Even Know” hops over a soul sample making it clear that he ain’t concerned unless it’s over the guap & that he has a lot more to learn. “Out the Way” passionately explains his passion outlasted doubters & critics while the final song “I Remember” ahead of the outro ends APT 6E in the form of a profound ballad dedicated to all sorts of people.

Dave’s R&B EP For the Love produced by Scram Jones from the beginning of the year was disappointing as intrigued as I was about the idea going into it from the beginning, but APT 6E finds him reclaiming his independent spirit & has me highly anticipating Hoffa 2 since it was hinted at a while ago. Mike & Keys bring their west coast sound & mix it with Dave’s hardcore East coast lyricism.

Score: 3.5/5

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