Mooch is a 29 year old MC from Rochester, New York most notable for being a part of Da Cloth. He came onto my radar just last year when he dropped 3 solo albums & then a collab effort with Rigz but after a 4 month delay, Mooch is enlisting Thank5th for his 4th full-length album.
The album kicks off with “Puro”, where Mooch talks over being the illest over a luxurious piano instrumental. The next song “Slap” talks about fucking someone up over a gully instrumental while the track “Hard Knock” with Rigz sees the 2 talking about growing up in NY over chipmunked-vocal sample. The song “Grab da Work” talks about hustling over a grim instrumental & after the “Pandemic Coke” skit, the track “Microwave” reunites with Rigz to continue the themes of drug dealing over a soulful beat.
The song “Going Back to Cali” talks about hoping he never relapses over a dramatic instrumental while the track “Care Less talks about being him over a melancholic beat. The song “I Need You” talks about romance over a lush boom bap instrumental while the penultimate track “Tuesday” with Rob Gates & Rome Streetz finds the trio talking about the reckless shit they do over a ghostly beat. The album ends with “Cure”, where Mooch compares his music to an antidote over a lavish instrumental.
Dude’s one of my favorites members of Da Cloth & this new album was well worth waiting a few months for. I wish it was a bit longer, but Thank5th’s production is on point & Mooch continues to reveal himself as one of the illest lyricists that the Big Apple has to offer today.
Da Cloth is a hip hop outfit from Rochester, New York consisting of Mooch, Rigz, M.A.V., Rob Gates, Times Change, Illanoise, Symph & Speed. They first started making noise in the underground in 2016 when the group put out The Fixtape & then Broad Day Kidnaps the following year, but their profile grew as each member starting putting out projects of their own. Whether that be Mooch’s Boss Sauce, Rigz’ Roach Gutta Slums, M.A.V.’s Hoodlum, Rob Gates’ Rob Like Get Robbed as well as their respective collab albums The Only Way Out & The Dark Side of Nature (the latter of the 2 both feature Big Ghost Ltd. production front to back). But to continue their prolific year, everyone’s getting back together for another collective mixtape.
The tape starts off with “Last Dose”, where Da Cloth paint some vivid street imagery about over a deadly instrumental. The next song “Count Us In” is a Mooch solo cut about how his crew is gonna be winning over a boom bap beat while the track “Back Door” talks about the block being hot over an eerie instrumental. The song “Ask Me Why” opens about the ugly shit they’ve been through over an weepy loop provided by Nicholas Craven & after the “Hardest Out” skit, the track “When the Studio Talked Back” sees Rigz going solo to demonically attack wack rappers over an gritty boom bap from Chup.
The song “Shake ‘Em” gets violent over a chilling sample while “Speaker of the House” sees M.A.V. on his own talking about turning nothing into everything over an instrumental with a depressing atmosphere to it. The song “All About the Money” lyrically needs no further explanation with spine-tingling beat from Eto while the track “Role Models” celebrates their success over a boom bap beat with a killer guitar passage throughout.
The song “Hobbies” is a Rob Gates solo cut about busting his gun for fun over a grim instrumental from V Don while the track “Too Much” with Tekk 9 talks about there being enough nonsense & bullshit over a beat with a somewhat whimsical feel to it. The song “31 to 62” gets on their hustling shit over an electrifying instrumental while the track “Stretched” gets back with Tekk 9 once again to call out the rats over a boom bap beat with a bleak piano loop.
The closer “Ready” shows how ambitious they are over a rock-flavored instrumental while the first bonus track “Da Big Fish” talks about being top dogs over a desolate beat. The other bonus cut “Made Me What I Am” then discuses how they became the men they are today over some icy keyboards.
We all know Griselda have been the current Kings of New York for quite some time now but if you ask me, Da Cloth is right behind them. Each member continues to stand out in their own unique way & given how much all 8 of them have evolved in the last 3-4 years, hearing the crew together again in full effect has made them stronger than ever before.
This is the brand new collaborative album between New York emcees Mooch & Rigz. Who’ve been doing songs together on various projects for a few years now, but are now teaming with Big Ghost Ltd. to take it to the next level.
After the “Stuck” intro, we get into the first song “77B Savage”. Where Mooch & Rigz vividly detail life in the hood over an eerie boom bap beat. The track “3am” with M.A.V. sees the 3 describing what goes on in the late night hours over a spine-chilling instrumental while the song “Re-Up” talks about selling drugs over a boom bap beat with some twinkling keys & an orchestral sample to add the grittiness. The track “Custom Shit” lyrically speaks for itself over a psychedelic guitar lead while the song “We Took Ya Licks” gets violent over a funky bass-line & the drum playing on here is epic.
The track “Summer School” reflects on everyone who doubted them as kids over a jazzy instrumental while the song “Another Day” is somewhat reminiscent of the classic Biggie joint “Everyday Struggle”. The track “Deadbents” talks about how the duo met over some a boom bap beat with some icy keyboards while the song “Sleep wit It” gets mafioso over a grim instrumental. The track “Fall Outs” talks about learning from your mistakes over a gloomy instrumental while the song “Tit for Tat” with Tekk9 sees the 3 talking about trouble with the law from their own perspectives over a cold-blooded beat. The album then ends with “Flag Day”, which is a decent posse cut backed with a triumphant-sounding instrumental.
Personally, this is Mooch & Rigz’ best work to date. The natural chemistry between the 2 is showcased fantastically & the production that Big Ghost Ltd. brings to the table enhances their lyricism to the point where the album plays out like a movie. Really looking forward to where they’re gonna take things in 2020.