Tag: Mr. Slipz

Verbz – “The Way FWD” review

Croydon, South London, England, United Kingdom emcee Verbz reuniting with Brighton, East Sussex producer Mr. Slipz for his 3rd studio LP. Introducing themselves in 2017 off the full-length debut Lessons of Adolescence, he would later put out the debut mixtape Pathways & make his High Focus Records debut with the sophomore effort Radio Waves during the COVID-19 pandemic. Coming off The Low as well as Where It Started & more recently In Time this past spring, he & Slipz have decided to lead The Way FWD in celebration of the current TNA X Division Champion Leon Slater’s birthday weekend.

The title track opens by hooking up a boom bap instrumental with a string sample talking about facing facts in a matter of time comes whereas “Seen a Lot of Change” featuring Cam Thomas takes the boom bap route reflecting on seeing a lot of things in this game not being what it used to be compared to when they started. “Mémoires de Perte” keeps things dusty talking about the realizations he’s experienced in the midst of life moving rather quickly just before “What You Reckon?” speaks of having nothing to lose & everything to gain.

“Switch Lanes” blends these pianos chords with some kicks & snares talking about him accelerating at a different pace in contrast to everybody else leading into “S.O.T.S.” ruggedly explaining that he ain’t stumbling because it’s only up from hereon out the way he looks at it. “Each Hurdle” featuring Cappo talks about how both of them used to go around in circles & time running out for what it’s worth while “Keep On” dustily remains confident of getting what’s his.

Starting the 3rd & final act, “Got It Myself” shifts towards a spookier boom bap vibe talking about carrying around the ghost of his younger self while “It’s Raining Again” comes through with a downtrodden sequel to “The Rain” off Radio Waves advising the world to stay where it shines. “Turn the Page” maintains the raw instrumentation talking about searching for a better tomorrow & his intuition telling him brighter days are ahead while the outro “Came Close” raises a toast to everything he never did that he was on the verge of doing.

Paying respect to the sample-driven boom bap soundscapes & introspective lyricism that’ve been synonymous with Verbz & Mr. Slipz’ output for almost a decade, The Way FWD basically recapturing the aura of Radio Waves except they’re taking the classic feeling of their earlier material & pushing it forward a month after Sha Samuels became a 2-time RPW British Heavyweight Champion. The production’s a lot rawer than it was 5 years ago & a lot has changed in regards to Verbz’ style of songwriting, prioritizing evolution as we get ready to start the 2nd half of the 2020s in only a few months.

Score: 4/5

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Vitamin G – “Prophet of Doom” review

Here we have the official solo debut album from London, England, United Kingdom emcee Vitamin G. Known for being 1/3 of CMPND alongside Kemastry & Wundrop, he would also comprise 1/2 of the duo Illitamin G with Illiterate & made their debut in the spring of 2019. Establishing himself as an MC of his own in February a couple years later with the Isolean in Quarentation extended play, I was more interested in the fact Mr. Slipz was fully producing Prophet of Doom under High Focus Records.

After the “Wid the Snippets” intro, the title track comes out swinging with a gully boom bap instrumental talking about being an unstoppable force whereas “High Scores” works in a Middle Eastern sample advising to stay conditioned since the place he’s at can make that kind of switch if they wanted to. “Hailstorm” has a cloudier boom bap vibe flexing he only puts his hands together when he sneezes or beatboxes while “5th Dimension” featuring Pique Roscoe joins forces for a decent hardcore hip hop track.

“Never Lost It” brings a somber boom bap vibe to the table talking about how he hasn’t lost a step unless his head’s gone enraged just before the downtrodden “Vulnerable Youngens” featuring Kieran dedicates itself to all the children in the world having it rough in life. “From the Drop” reaches Prophet of Doom’s halfway point talking about making this shit look easy while “Bleeding the Steeze” kicks off the 2nd act dustily boasts he’ll get on the grind despite not being a skater.

Bil Next joins G on “Boiling Point” instrumentally keeping things in the basement & talking about them fitting the description of fulfilling a quota while “Shelly Ann” featuring Tommy Mila & Wates after the “Get to the Shubz” skit brings the trio together to discuss repping their brands. Farma G& Jehst both drop some of my favorite guest verses during “The Internet”, where they talk about being fine where they are presently because they each have everything they need.

“Struggling to Swim” begins Prophet of Doom’s last let coming to terms with everything being what it is whether some pissing in the wind & others sinking into an abyss while the cavernously raw “Not Speaking” talking about being in the corner without saying a word. Possi’o” featuring Axel Holy, Sk!nt, Shogun & Verbz brings the quintet together staying the same as they were when everyone was younger while “The End” concludes by talking about his flammable penmanship.

This guy’s multi-syllable rhyme schemes have always been a distinctive attribute to the warm feedback both of CMPND’s full-lengths received, but I unfortunately found myself a little torn with the Prophet of Doom’s outcome especially considering all 4 singles were highly enjoyable. There are absolutely no issues with Mr. Slipz’ production & the same can be said regarding Vitamin G’s lyrics, I just feel like they went harder with the guests than they should’ve rounding up almost a dozen of them throughout his inaugural LP.

Score: 3/5

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