Tag: Nicholas Craven

Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 15 (Final Explosion)” review

This is the 25th studio LP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. I don’t even have to mention the Dump Gawd: Hyperbolic Time Chamber Rap saga since we’re already 14 entries deep & the 15th one looks to serve as the “season finale”.

“D.Y.O.G. (Dig Your Own Grave)” featuring Jay NiCE was a soulful boom bap intro produced by Nicholas Craven breaking down what it’ll be like in a rap battle against them whereas the self-produced “Order of Pain” ruggedly talks about leaving y’all slumped with the Mossberg pump. “It’s Darkness” goes for a drumless chipmunk soul vibe running hunting bags up top rank with the heavy artillery prior to “Flame Weaver” talks about his name being solidified in stone.

As for “Another Meal”, we have Fahim over a bare organ instrumental hittin’ spears harder than 2-time WWE Intercontinental Champion as well as 2-time NXT Champion & NXT Tag Team Champion Bron Breakker did to iShowSpeed at the Rumble just before the crooning “Don’t Blink” featuring Jay NiCE references 2-time WWE Hall of Famer, former 16-time WWE world champion, WWE Intercontinental Champion, 6-time WWE United States Champion, 6-time WWE tag team champion & 9-time NWA World’s Heavyweight Champion Ric Flair.

“Dead Giveaway” continues the soulful sampling techniques boasting his whole library collection of raw raps & throwing the moon at the last person who wanted to battle him, but then “Break Records” featuring Jay NiCE strips the drums completely for a hardcore chipmunk soul talking about their extraordinary lyricism. Jay NiCE sticks around on “Plant Seed” discussing revenge feeling better than forgiveness to them “Perfect Attendance” featuring Jay NiCE speaks of keeping full clips in the mag.

To get the 3rd & final act of the “season finale” going, “Precise Planning” keeps it drumless weeding out the fake until they get sent to their graves while “Keep Dat” makes MCs catch more shells than the bottom of the sea. “Solid Granite” brings a woodwind into the fold talking about having more guns than Gaston Glock advising to take heed to his warnings & “Bone Cracker” featuring Jay NiCE ends the album blowing .45 ACP mags to make their haters’ comrades sit down.

Said Final Explosion of the inaugural Dump Gawd: Hyperbolic Time Chamber Rap season diverts from the norms of it’s predecessors by having Fahim himself producing almost half of it with the rest being left to Craven as opposed to the others being solely produced by the latter, expanding into a full-length body of work unlike the other 14 entries being EPs & finally 35% of the rhyming throwing it back to his chemistry with Jay NiCE during the 12th chapter capitalizing on the improved schemes of the more recent installments.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 14” review

Atlanta, Georgia emcee/producer Tha God Fahim releasing his 62nd EP over a week since the last one. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Continuing the Dump Gawd: Hyperbolic Time Chamber Rap Rap saga, the dumpathon finds no end in sight with the 14th installment.

“Post Apocalyptic” sets off the EP with a laidback boom bap instrumentally talking about the state of the world especially with everything that happened in the Middle East last weekend whereas “No Traffic” heads for a chipmunk soul direction boasting that he’s in his own different lane when he’s not entirely wrong. “Warmonger” hooks up a drumless guitar instrumental to talk about living life like a gladiator while “The Work of 1,000” soulfully uses the element of surprise to fight his mental struggles.

Ru$h teams up with Fahim on “Megamen” like he did over a week ago for “Twisted Metal” letting it be known that there ain’t no 2nd chances when they make advancements to their styles leading into the atmospherically dusty “Olympic Weightlifters” talking about keeping a pump on him & looking to fulfill his destiny since this is our only opportunity alive. “Versace N Pepper Steak” rounds out the EP by hopping over a funk sample paying homage to the recently departed Sly Stone.

Noticeably less jazzier than the EP we got from him 8 days ago, Dump Gawd: Hyperbolic Time Chamber Rap 14 continues the historically unstoppable run Fahim & Craven have been on together since last fall. The latter’s production carries over the chipmunk soul, boom bap & drumless sounds that a vast majority of the series has been praised for from the get-go & Breadrick Douglas’ lyrics cut deeper than a samurai sword.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 13” review

Another EP from Atlanta, Georgia emcee/producer Tha God Fahim & the 2nd in less than a week, marking the 61st in his discography. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive output that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been releasing amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. He just had Drega33 produce Lethal Weapon 3 this past Friday & returning with the 13th entry in the Dump Gawd: Hyperbolic Time Chamber Rap saga.

“Render Punishment” is this piano-boom bap intro talking about gaining a piece of mind surviving in these current times of protest in Los Angeles whereas the soulful “Twisted Metal” featuring Ru$h homages the video game franchise TV adaption with it’s upcoming 2nd season on the Comcast Corporation subsidiary NBCUniversal-owned peacock & the franchise’s mascot being played by former AEW World Champion & 2-time AEW TNT Champion Samoa Joe of the current AEW World Trios Champions The Opps.

The drums get stripped on “Hold the Throne” catching bodies in the studios & feeling ungodly maintaining a chipmunk soul vibe just before “Smoke in Mirrors” continues the drumless sampling to talk about profit being essential to his mental being. “Brand New” hooks ups a crooning sample chop looking to boomerang interest in his opps leading into the jazzy “It’s Automatic” boasting about his raps being cinematic.

“I’m Leavin with Sum” lastly wraps up the EP leveling up his rhyme schemes a couple notches notable when starts by referencing being wittier than Michael Scofield from Prison Break on the Fox Corporation’s flagship property & leavin’ enemies with their throats slit during the final seconds giving the wisdom of preferring a 9-5 instead of going broke. Couldn’t forget to mention the spoken word outro where he touches on always getting to himself something.

Dump Gawd: Hyperbolic Time Chamber Rap 13 is a lot like the predecessor in terms of the jazzy, boom bap & drumless production except it’s not another Jay NiCE collaborative effort & maybe the most I’ve enjoyed an EP in the series since Dump Gawd: Hyperbolic Time Chamber Rap 10 because of the performances Fahim handles by himself for most of it. Wouldn’t surprise me if he does a collab EP with Ru$h because I’d actually welcome it if that is in fact planned at any point.

Score: 4.5/5

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Jay NiCE & Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 12” review

This is the 2nd collaborative EP between Atlanta, Georgia emcee Jay NiCE alongside local Dump Gawd himself Tha God Fahim. Both of whom have worked with each other countless times in the past several years, teaming up for the collab album Strictly 4 My D.U.M.P.E.R.Z. during the spring of 2018 & the Bloodspiller EP around Halloween time 2 & a half years ago. Jay was on half of Dump Gawd: Hyperbolic Time Chamber Rap 11 last month hours prior of the Endeavor-owned TKO Group Holdings division WWE acquiring Lucha Libre AAA Worldwide (AAA) from the Peña–Roldán family at the start of WrestleMania XLI weekend in response their Tony Khan-owned competitors All Elite Wrestling (AEW) & Ring of Honor Wrestling (ROH) both being involved with this year’s annual Consejo Mundial de Lucha Libre (CMLL), 新日本プロレス (NJPW) & Revolution Pro Wrestling (RPW) co-promoted event Fantastica Mania on June 20 held at La Catedral de la Lucha Libre Arena México. Little did we know they would make the 12th entry of the saga a full collaborative effort between the pair with Nicholas Craven on production.

“Ultimate Spider” was a drumless 3-minute hardcore intro referencing Dr. Octopus from The Walt Disney Company subsidiary Marvel-owned Spider-Man franchise whereas “Tha Uppercut” continues the strip the drums even more including a line referring to the Discovery Global subsidiary Cartoon Network-owned PowerPuff Girls franchise. 

The only Fahim solo cut “Nickleplated Temptations” doesn’t miss by any means soulfully showing off his quintessential pen while “Tha Company” dustily mentions Eric Cartman from the timeless Paramount Skydance Corporation-owned Comedy Central series South Park ahead of the upcoming 27th season finally premiering in July.

“Black Mamba” if you couldn’t tell by the name homages the late Los Angeles Lakers icon & my 2nd favorite basketball player of all-time Kobe Bryant behind Michael Jordan while maintaining a boom bap vibe leading into the darker “Embers” makes the world burn with their respective outlooks on rap & lastly “Alarm” finishing by hopping over horns taking more jabs at their opposition.

Strictly 4 My D.U.M.P.E.R.Z. & Bloodspiller both have their individual standouts such as “B2G$” & “Rock Lava” respectively, but Dump Gawd: Hyperbolic Time Chamber Rap 12 leans heavier between Jay & Fahim’s chemistry as the predecessor last month teased that ends with what’s my new favorite collaborative effort of the 3 they’ve done. Craven’s production draws from drumless, boom bap & chipmunk soul for both Atlanta spotters to lay out hardcore lyricism for approximately 14 minutes.

Score: 4/5

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Jimmie D – “Good Music Hypnotizes” review

This is the sophomore effort from Montréal, Québec, Canada rapper Jimmie D. Coming up off the Trout & Brussels Sprouts EP, he would later go on to put out a full-length debut alongside a mixtape & 3 more EPs all in almost a decade. A notable collaborator of his as of late would be one of my favorite producers of this current decade decade Nicholas Craven, who has decided to full produce Good Music Hypnotizes to the peaking interest of many, including myself personally.

“Notre Dame” stripped the drums to start off the album talking about having a couple close ones although he doesn’t trust anybody whereas “The Gout” featuring Tha God Fahim keeps it drumless doing this for the love instead of clout. “2 Sides” featuring Raz Fresco brings a soulful boom bap flare to the table talking about striving to win while “High Winds” featuring Koncept Jack$on boasts that they have more flow than excessive winds.

Meanwhile on “Porzingis”, we have Jimmie going for a chipmunk soul vibe lifting shit with scales as if he’s a python just before “Fallen” soulfully talks about feeling as if his people are cursed. “Commonwealth” featuring Sonnyjim continues the high quality sampling airing out everyone who’s never put in a long day’s worth of work, but then “Dead Cat Bounce” talks running shit for decades like a dictator.

“Spring” appropriately hits the backend of Good Music Hypnotizes with a drumless chipmunk soul cut in time for the current season we’re in the midst of until late next month while “Laser Focused” hooks up some cool jazz undertones feeling more concentrated than ever. “Digital Minds” featuring Juug Soe closes the LP with some horns liking themselves to art dealers the way they paint pictures.

Mainly hearing him on guest appearances spread throughout other artists’ projects, Good Music Hypnotizes has officially surpassed Good Man in being the most important offering in Jimmie’s discography because of the drumless sound he’s known for getting enhanced by Nicholas Craven & of course the local Montréal performer on the mic stepping up his pen-game.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 11” review

Atlanta, Georgia emcee/producer Tha God Fahim continuing to dump with his 59th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Dump Gawd: Hyperbolic Time Chamber Rap 10 came out a few days ago & the saga is continuing with an 11th installment merely hours before Night 1 of the Endeavor-owned TKO Group Holdings division WWE’s marquee event WrestleMania begins & after WWE CCO Triple H, former 4-time WWE women’s champion Michelle McCool, former 5-time WWE United States Champion Lex Luger, former WWE Tag Team Champions The Natural Disasters, The Ugandan Giant Kamala, Dory Funk Sr. & former WWE Champion Ivan Koloff all got inducted to the WWE Hall of Fame overnight.

“Make Better” is this chipmunk soul intro talking about taking the good & the bad to make improvements on top of flexing the unprecedented run he’s been on whereas “Guardian of Styles” featuring Jay NiCE keeps it drumless to call themselves the keepers of the technique. “Hungry 4 da Market” takes the boom bap route instrumentally likening his fighting style to the iconic Chuck Norris while “Motion” jazzily strips the drums again talking about having movement.

Jay NiCE returns for “No Days Without Dumpin’” getting back on the chipmunk soul vibe again so they can discuss not taking any days off in 2025 dumpin’ on the daily while “What Im Dishin’” featuring Jay NiCE talks about serving nothing but absolute heat on their ends references Homelander from The Boys on the Amazon-owned Prime Video. “Tha Lawbringing Revolver” finishes the EP with 1 more drumless track wanting to live comfortably & fleeing the country after concluding the saga 89 entries from now.

Given that I’ve been highly favorable towards the entire Dump Gawd: Hyperbolic Time Chamber Rap saga up until this point, it might come as a surprise to many to hear me call this the weakest installment of the series so far although it’s still very much enjoyable. Nicholas Craven’s production here prominently centered around the drumless style on here & I appreciate hearing Jay NiCE on nearly half of it, but I hope to see more guests down the line as opposed to solely him or Big Cheeko.

Score: 3.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 10” review

This is the 58th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. We just got Lethal Weapon 2 over a week ago & Dump Gawd: Hyperbolic Time Chamber Rap 10 has arrived after a week-long delay.

“Rapid Succession” featuring Jay NiCE is this chipmunk soul intro talking about being in a space where everyone around them is eating whereas “Tha Highest Caliber” likens every word he says to a bullet & wack MCs becoming a part of his highlight footage. “Massive Proportions” brings the crooning soul samples back in the fold references Groot from the Guardians of the Galaxy owned by The Walt Disney Company subsidiary Marvel just before the orchestral “Rejuvenation” talks about making up for the slackin’

The song “Lord of Rhyme” gets the 2nd leg of Dump Gawd: Hyperbolic Time Chamber Rap 10 going by shining sublimely & categorizing the techniques he demonstrates as flawless leading into “Flow Sick No Vaccine” making his competition malfunction because of the destruction & corruption he brings forth. “Dark Dojo” gets back on the chipmunk soul tip 1 last time to talk about the pen being forbidden in addition to breaking down why he walks the lonely path he takes.

Craven recently took to Twitter a day or 2 ago hinting that we could potentially get 90 more installments in the Dump Gawd: Hyperbolic Time Chamber Rap saga & since all 10 that’ve seen the light of day maintain a specific level of quality, I wouldn’t mind it at this point. I’m happy that they pushed this back a whole weekend so the proper adjustments could be made whether it be the production showing influences of drumless, chipmunk soul & jazz rap or Fahim focusing on his pen a bit more slowly bringing guests on the mic with him.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 9” review

Atlanta, Georgia emcee/producer Tha God Fahim returning after a week to drop his 56th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. A Dumpathon began exactly 2 weeks ago Thursday & the Dump Gawd: Hyperbolic Time Chamber Rap saga lives on with its 9th entry.

“Fuckin’ Mics Up” breaks the doors down with this boom bap intro referring to his rapping abilities as a different form of telepathic communication whereas “Tha Bane of Unrighteousness” works in a video game sample to talk about everyone knowing he’s the nicest & having a piece of mind being priceless. “Tha Extortion of Gauntlet” promises to make tragic endings become the start of a new age while “True Champ” soulfully talks about making people catch bullets as if it’s the NFL.

The song “Gold Panning” hooks up these prominent piano chords making it clear to everybody what kind of timing he’s been on & comparing this rap shit to diamond mining just before the jazzy “Unlimited Dump” sees him carrying more glocks on him than RoboCop as well as being in the midst of a paper chase. “Hado” finishes up the EP with a horn flip holding weapons in his luggage so he can solve conflict with an iron fist.

Exactly a whole week since Dump Gawd: Hyperbolic Time Chamber Rap 8 came out, Fahim’s 6th EP in couple weeks & the 11th project he’s done with Nicholas Craven since October continues the monumental run they’ve been on for 5 months already. The latter’s production bounces between boom bap, chipmunk soul & jazz rap noticeably lacking the drumless undertones of the last 2 installments dumpin’ lyrical pressure for 16 & a half minutes.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 8” review

This is the 55th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. A Dumpathon began last Thursday & his putting together his 5th EP in the week with Dump Gawd: Hyperbolic Time Chamber Rap 8.

“Blk Luster S” jazzily begins by boasting the fact he dropping music more than singlehanded record labels & going beyond the standard whereas “KaioX10” soulfully talks about the flow being inhumane & being one of the greatest with the pen. “Malfunction” maintains a chipmunk soul vibe making everyone break down & not work properly prior to “Saiyan Blood” hooking up an orchestral flip taking shots at the bitter.

Getting the 2nd half of the EP going, “Tha Heart’s Darkness” returns to more of a chipmunk soul sound promising it won’t end well for any challenger whenever he raises the excalibur while “Special Benefits” has these prominent saxophones making premises diminish with fatalities Mortal Kombat style. “Tha Way” featuring Big Cheeko lastly strips the drums so both of them can talk about aiming for the stars.

We needed a change of pace from the Dump Gawd: Hyperbolic Time Chamber Rap saga like Lethal Weapon since we’ve been getting the first 6 installments for several months, but both parties keep everything that makes this series so great in the picture much like they did 24 hours ago. Nicholas Craven blends hardcore hip hop, drumless chipmunk soul, boom bap & jazz rap seamlessly for 15 & a half minutes on top of Fahim performing better.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 7” review

Here we have the 54th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced produced by Cartune Beatz. Coming off Lethal Weapon the other day, Dump Gawd: Hyperbolic Time Chamber Rap 7 is keeping the Dumpathon alive.

“From the Void” is this soulful intro likening people fucking with the Dump Gawd to gambling whereas “Falsified Documents” hooks up this string sample talking about being an envelope pusher & a master cooker at the same time. “Simple Math” takes the chipmunk soul route telling everyone to keep a positive attitude just before “Real Gainz” smacks the evil out of demons’ mouths giving consequences to those who go against the brotherhood.

The song “Strategic Plans” works in some crooning vocal sampling comparing his squad to the Avengers owned by The Walt Disney Company subsidiary Marvel while “Not tha Only One” maintains the chipmunk soul vibes talking about life being a lonely one sometimes. “Fallen from Grace” ends the EP with these pianos talking about him always trying to love something.

Lethal Weapon was a solid showcasing of Drega33’s talents behind the boards & Dump Gawd: Hyperbolic Time Chamber Rap 7 takes it back to what makes the series so beloved warming up for Dump Gawd: Hyperbolic Time Chamber Rap 8 tomorrow. Nicholas Craven’s production on this one is more prominently boom bap centered with the elements of chipmunk soul, jazz rap & drumless all revealing themselves at points during the 15 & a half minutes.

Score: 4.5/5

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