Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 6” review

Atlanta, Georgia emcee/producer Tha God Fahim continuing the Dumpathon with his 52nd EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. That said: He’s been on a CRAZY ass run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. We got a 2nd AND a 3rd installment to Tha Myth Who Never Quit until starting the Dump Gawd: Hyperbolic Time Chamber Rap saga that spawned a 2nd, 3rd, 4th & 5th entry in only a few months. 48 hours after the last one, Dump Gawd: Hyperbolic Time Chamber Rap 6 has arrived.

“Symptoms” fuses jazz rap & chipmunk soul together calling his rhymes magnificently significant whereas “Disconnection” soulfully talks about never recovering by any chance on God’s green Earth from this knuckle sandwich he’s on the verge of giving y’all. “Korin” brings in these horns boasting that no one is surpassing him lyrically while the crooning “Over 9000” homages the iconic Dragon Ball Z line delivered by Vegeta.

The song “Crusher” hooks up a sample-heavy boom bap instrumental referring to himself as a phenomenal occurrence with no explanation while the soulful “Destruction Achieved” promises to hit the stage with the same machete that Jason Voorhees carries on him. “Tha Invitation” finishes with more sampling on top of him talking about getting his next belt & never taking a vacation since the Supreme Dump Goat is taking off.

Nearly every Hyperbolic Time Chamber Rap EP we’ve gotten since November all have vaguely similar redeemable qualities & the latest here takes it even further. The hardcore hip hop vibes they’re known for are still prevalent so are the jazz rap, chipmunk soul, boom bap & drumless undertones that both of them have pulled influence from during the course of their careers except they occasionally experiment with vaporwave at 1 point.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 5” review

This is the 51st EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. That said: He’s been on a CRAZY ass run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Continuing the Dump Gawd: Hyperbolic Time Chamber Rap saga that later had a 2nd & 3rd installment, he’s returning 2 months after the predecessor for Dump Gawd: Hyperbolic Time Chamber Rap 5.

“Crimes Against Humanity” references the current UFC Middleweight Champion Dricus du Plessis of the Endeavor-owned TKO Group Holdings division over a spacious boom bap instrumental to get us started whereas “Hakai” soulfully talks about him meeting the requirements to become a titan. “Mass Gainer” keeps the chipmunk soul vibes going unable to put it any plainer than him continuing to gain mass while “Mirko” talks about so many people nowadays hiding their foul smells.

To kick off the other half, “Radioactive” keeps chopping up the soul samples always knowing that he was fortune’s favorite leading into “Remote Location” maintaining a chipmunk soul edge talking about how you can’t come back once you cross the line with him. “SSDG” makes a reference to WWE Hall of Famer, former WWE Champion & 2-time WWE Intercontinental Champion The Ultimate Warrior prior to “Wayne Towers” ending with a drumless closer dumpin’ like it’s a meteor shower.

These past 10 weeks staying locked in was really what Fahim needed after dropping the previous entries in the series all within the end of 2024 other than the 4th one coming out a little after a week into 2025 & I’m genuinely not trying to sound like a broken record here, but Dump Gawd: Hyperbolic Time Chamber Rap 5 could be the new best in the saga. Nicholas Craven’s brings an influx of samples to the table & the Dump Gawd goes fully automatic on the mic.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 4” review

Remember when I said Tha God Fahim & one of the best producers of this decade Nicholas Craven wrapped up the Hyperbolic Time Chamber Rap trilogy couple weeks ago? They’re picking up where they felt off on Fahim’s 50th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. That said: He’s been on a CRAZY ass run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Continuing the Dump Gawd: Hyperbolic Time Chamber Rap saga that later had a 2nd & 3rd installment of their own however, Dump Gawd: Hyperbolic Time Chamber Rap 4 is now upon us.

“GFY” is this sample-driven opener flexing that he fathered some of these styles in the underground with a resume that very much checks out whereas the soulful “Got Game” reminding everyone that it’s about what you bring to the table. “I Don’t Care” hooks up some strings so he can call himself the final boss of rap & the classy “Muscle Mass” talks about seeing people do a whole switch.

The song “Plot Armor” gets the other half of the EP going for a soulful boom bap route instrumentally referring to himself as a metric ton being compared to grams while “Questions & Answers” keeps the kicks & snares in tact to talk about his colossal posture sampling soul music once more. “Righteous Skills” wraps up Dump Gawd: Hyperbolic Time Chamber Rap 4 with a jazzier sound flexing that he’s turned negatives to positive many times in his career.

Many people regard the original Hyperbolic Time Chamber Rap trilogy to be mid, but he’s continuing the saga by ending 2024 strong & coming in 2025 even stronger since it’s general sound is more very compared to its predecessors. Nicholas Craven’s sample-heavy production draws inspiration from boom bap to drumless, chipmunk soul & jazz rap dumpin’ lyrical heat for 17 minutes.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 3” review

Tha 70 Tape Legend himself Tha God Fahim getting back with Nicholas Craven for his 49th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. That said: dude has been on a CRAZY ass run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. We got a 2nd AND a 3rd installment of Tha Myth Who Never Quit couple months ago but coming off Dump Gawd: Hyperbolic Time Chamber Rap & the sequel, it’s time to close out the trilogy.

“The Intent of Vengeance” kicks off Hyperbolic Time Chamber Rap 3 with a soulful boom bap instrumental talking about having to get right because shit could possibly change tonight whereas “Bullet Proof Confidence” works in some keys, kicks & snares flexing that his self-assurance is indestructible. The piano sample on “Senzu” feels reminiscent to “On My Block” by Scarface to talk about him still having it lyrically just before “Not for Sale” wants to know if you’re a foe or friend to him.

Getting the other half going, “Heavy Handed” brings a soulfully dusty flare back to the table comparing his longevity to current Los Angeles Lakers player LeBron James while “Kumite” Keeps it in the basement instrumentally promising to waste y’all like it’s Grand Theft Auto. “Makankosappo” ruggedly promised to take everyone’s words regarding him & making them eat ‘em at the end leading into “A Step Further” closing it out telling everyone to be good sports watching him making half court shots.

Ending his 2024 with a bang, the Dump Gawd teases big things coming down the pipe throughout 2025 by completing another trilogy of projects with one of the greatest producers of this current decade firstly. Nicholas Craven’s production carries on the boom bap emphasis both prior installments of the Hyperbolic Time Chamber Rap series had put on themselves 6-7 weeks ago & Fahim outdoes himself from a lyrical standpoint.

Score: 4.5/5

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Trapmat Savior – “1st Coming” review

This is the official proper full-length debut studio album from Montréal, Québec, Canada emcee Trapmat Savior. Emerging a couple years ago off his solo debut EP To Riches & Peace along with DozaTrap’s eponymous debut EP, he would later follow it up in September by releasing a couple more EPs Kirby & I Could Tell only a week apart. I however was unfamiliar with his music until a few weeks ago when it was announced that both Nicholas Craven & Mike Shabb were producing 1st Coming in it’s entirety since many probably know by now that I’ve been a fan of both those guys for a few years at this point.

“Had 2” is this drumless jazzy opener that Nicholas Craven laced flexing that he’s been a top dog for quite some time now whereas “Backpacking” hops over a bare soul sample talking about keeping it real & not backstabbing him. “30 Under 30” has more of a laidback approach assuring that he can’t be stopped from the dream he’s chasing while the classy boom bap joint “Batman” talks about everything coming naturally.

Meanwhile on “Scraping”, we have Trapmat over a vocal flip admitting he’s often been thinking of a certain individual in his life that he doesn’t speak to as he used to just before the soulful “December 26th” likening the first time he saw a brick to being magic. “Same Day” hooks up a heavenly Mike Shabb beat always making it back every time he took a risk, but then “Tags” strips the drums again to get those snakes out of his grass.

“Born 2 Win” maintains a soulfully drumless sound pushing towards the conclusion of his debut talking about being destined to catch Ws steadily while the song “Fair Game” is the official closer hops over pianos boasting that he’s ahead of everyone. The bonus track “LV” finishes the LP with a spacious backdrop & 808s brushing off a bitch being mad at him because of him never having to owe.

Not gonna beat around the bush by coming clean that I has never heard of Trapmat Savior up until 1st Coming was initially announced a couple weeks ago & if you’re in that same boat, you’re gonna want to peep it. Nicholas Craven & Mike Shabb’s production during the 27 minute listening experience clears his earlier material & the Montréal emcee levels up his pen-game significantly.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 2” review

Tha God Fahim enlisting Nicholas Craven for his 48th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & more recently Machine Gun Vocabulary produced by Cartune Beatz. 5 years since Tha Myth Who Never Quit, we got a 2nd AND a 3rd installment last month. Coming off Dump Gawd: Hyperbolic Time Chamber Rap from last weekend, they’re dropping a sequel.

“Tha Unfathomable Horror” is this soulful intro promising that your wounds won’t ever heal & that he’s forever ill whereas “Shogun Jump” takes more of a chilled albeit hardcore route instrumentally talking about his legacy being set in stone calling himself the golden goose the litter. “Planetary Exploration” hooks up a prominent piano sample likening his raps to war & proclaiming himself as a scholar for dollars while “Planet Vegeta” keeps the keys in tact to talk about the game being watered down.

To kick off the other half of the EP, “Otha World” soulfully writes tracks of sorrow since he’s borrowing time & staying strong after losing loved ones just before “Onslaught” pulls a bit from orchestral music showing his steadiness with the aim. “Mad Life Menace” gets back on the chipmunk soul tip assuring he’s still a menace on the mic & “Hyperbolic Time Chamber Rap 3” finishes the EP with a jazzy installment of the titular song trilogy.

It wouldn’t even surprise me if Fahim dropped Dump Gawd: Hyperbolic Time Chamber Rap 3 next weekend or the weekend after since he’s dumpin’ nonstop in the last month, but he & Nicholas Craven continue to prove themselves as an unstoppable duo. A lot like the other 3 projects that they’ve put out in the last month, the latter’s production during the 20 minute experience is absolutely flawless & the Dump Gawd goes harder than he did last weekend.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap” review

Nicholas Craven back once again with Tha God Fahim for his 47th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock Kingseries, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & more recently Machine Gun Vocabulary produced by Cartune Beatz. 5 years since Tha Myth Who Never Quit, we got a 2nd AND a 3rd installment last month & they’re maintaining the dumpin’ with Dump Gawd: Hyperbolic Time Chamber Rap.

“Saiyan Pride” is this soulful boom bap intro reminding us of the fact that his catalogue is extensive on top of the mystic energy that he always brings whereas “A Nightmare You Can’t Come Back From” works in a chipmunk soul instrumental asking who’s as dope as him lyrically. “Dump Dynasty” hooks up a guitar sample with more kicks & snares making change by spitting flames prior to “10x Gravity” soulfully talking about his power level unable to be mapped out or calculated.

As for “Tha Riddle of Steel”, we have Fahim over a flute cautioning what will happen if you fuck with the known unknown just before “LSSJ” strips the drums altogether talking about MCs tryna weather the storm. “Hyperbolic Time Chamber Rap 2” is a raw sequel to a Myth Who Never Quit 3 standout leading into “Tha Supreme Kai of Bean Pies” makes MCs meet death sampling soul once more, but then “Repetition” finishes the EP rhymin’ like a brewin’ storm.

Giving a couple weeks for both Tha Myth Who Never Quit 2 & Tha Myth Who Never Quit 3 to breathe, Breadrick Douglas & the greatest hip hop producer from Montréal recapture the same energy of the original “Hyperbolic Time Chamber Rap” track on the last EP & carried it over onto a 20 minute EP of it’s own. Nicholas Craven’s chipmunk soul-heavy boom bap & drumless sound has always brought the best out of the Dump Gawd, except I like this more than Tha Myth Who Never Quit 3 & almost as much as Tha Myth Who Never Quit 2.

Score: 4.5/5

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Tha God Fahim – “Tha Myth Who Never Quit 3” review

Tha God Fahim dumpin’ his 46th EP not even 48 hours after Tha Myth Who Never Quit 2. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & more recently Machine Gun Vocabulary produced by Cartune Beatz. It’s been 5 years since Tha Myth Who Never Quit & to hear a trilogy chapter was coming had me hoping it’d reach the bar that the predecessor from earlier in the week had set.

“Becareful What You Wish For” samples a woodwind to kick off Tha Myth Who Never Quit 3 telling everyone to be careful what they wish for because they just might get it whereas “Hyperbolic Time Chamber Rap” adds another victory to his winning streak over a raw boom bap instrumental. “Genki Dama” soulfully lets it known that the only way to come at him his correct while “Tha Deadzone” works in more kicks & snares making the ground break with his power level.

As for “A Lot on My Mind”, we have Fahim talking about this life shit being something going for a mellow boom bap vibe to the beat just before “100 Proof” drops new school jewels sampling soul music once again. “Absolute” hooks up some crooning vocals going all out & not because he grew up struggling, but then “It Ain’t Free” rawly yet atmospherically creates memories in the form of him dumpin’.

“Tha Legend Continues” pushes towards the final moments of the latest entry in Tha Myth Who Never Quit series crossing over chipmunk soul & boom bap warning that the studio isn’t a safe place whatsoever as soon as he steps in the booth & lastly, “Whippersnapper” finishes Breadrick Douglas’ 2nd body of work this week on the hardcore tip flexing no one can catch up with him & he’s etched in history.

3 albums in a whole month & I came away from Tha Myth Who Never Quit 3 enjoying it almost as much as Tha Myth Who Never Quit 2 since it reached my expectations, maybe a tad bit more since they’re both neck-&-neck for Fahim’s best offering of 2024. Nicholas Craven’s soul-heavy boom bap production matched with the hungry lyricism from the previous chapters are carried over & elevated even further.

Score: 4.5/5

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Tha God Fahim – “Tha Myth Who Never Quit 2” review

Tha God Fahim still dumpin’ with his 24th LP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko, Fahim’s last EP Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & more recently Machine Gun Vocabulary produced by Cartune Beatz. Over 5 years after The Myth Who Never Quit however, we’re now getting a sequel.

The title track sets the tone of what’s to come from the boom bap instrumental to the lyrics about leaving muhfuckas in the background whereas “Aspirations” hooks up a calmer beat explaining that the game never changes & stays the same from his experience. “Make Way” takes the soulful boom bap route flexing his genius when it comes to musical arrangements while “Scholar of Penmanship” continues the sampling of soul music to talk about his legendary status.

“Out of Options” works in another vocal flip boasting that he’s in his artistic prime leading into “Return to Fire” strips the drums completely warning that if anyone sends shots his way, he’ll gonna send them right back where they came from. “Max Ammo” returns to the boom bap talking about being reloaded on ammunition while “Poison Arrows” soulfully calls out the people who getting on their fan shit when he drops the manuscript.

The song “If You Don’t Use It, Lose It” gets the encore of Tha Myth Who Never Quit 2 on a symphonically dusty note clarifying that you only make it or get wasted around his parts prior to the intoxicatingly rich “Figure It Out” showing a mature side to the Dump Gawd as he talks seeing things clearer than the way he used to see them in the past. “Tha Choice is Yours” ends the album with 1-more drumless joint hopping over a bare woodwind telling the audience you can choose who you want to be in life.

Less than 2 weeks after Machine Gun Vocabulary dropped, Fahim & Craven link back up for a Tha Myth Who Never Quit follow-up that surpasses the LP we got from the dude earlier in the month. Nicholas Craven’s sample-heavy production maintains the boom bap vibes from the last album with a hint of drumless in the fold & Breadrick Douglas lyrically holding off on letting any guests join him to go harder than he did on Supreme Dump Legend: Soul Cook Saga.

Score: 4.5/5

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Boldy James – “Penalty of Leadership” review

This is the 8th proper full-length LP from Detroit veteran Boldy James. Breaking out in the fall of 2013 off his Alchemist produced debut M.1.C.S. (My 1st Chemistry Set). He would later go on to land a contract with Nas’ independent label Mass Appeal Records for a little while before getting locked up but once Boldy came home, Uncle Al would help get his name back out there once getting out by dropping the Boldface EP around Christmas 2019 & then the sophomore album The Price of Tea in China. This was followed up with the Sterling Toles-produced Manger on McNichols which was as equally fantastic, but the Griselda Records-backed Versace Tape EP was a tad bit disappointing given how rushed it was. Bo Jackson though would become his most critically acclaimed work to date & Super Tecmo Bo was almost as great for an EP. The last I covered Boldy’s music was in 2022 for the well regarded Fair Exchange No Robbery produced by Nicholas Craven & Mr. 10-08 produced by Futurewave respectively. However in light of teasing Penalty of Leadership with Craven over the last couple months, we’re getting it at long last to ring in the new year.

“Formal Invite” is a soulful opener to the album assuring that every wish will be granted whereas “Jack Frost” works in another high-pitched vocal sample talking about being quick to rip the tag off after money being put on your head. “Evil Genius” goes into more synth-heavy direction wishing all the bros were here with him in this moment just before “Murderous Tendencies” says it all conceptually with yet another soul flip.

Continuing from there, “No Pun Intended” shifts into chipmunk soul territory so Bo Jack can talk about feeling like Thanos prior to the lead single “Brand New Chanel Kicks” going drumless making it clear that “this drug zone shit is so for real”. “Straight As” brings back the soulful vibes boasting that he been on his game time shit, but then “Soccer Mom” shooting for a calmer approach instrumentally talking about the 227 Concreatures being the ones.

The song “Early Worms Get Birds” featuring Double D might be the weakest on the album mainly because the latter’s guest appearance is simply alright to me despite the boom bap production & Boldy’s lyrics declaring to be a new sheriff in town in addition to the references of former IWGPヘビー級王座 as well as 10-time WWE world champion & former UFC Heavyweight Champion of both TKO Group Holdings divisions Brock Lesnar & WWE Hall of Famer Junkyard Dog while the chipmunk soul-inflicted penultimate track “Speedy Recovery” advises to sit back & take notes. “All My Tokens” closes Penalty of Leadership by jumping over guitars looking to stack his tokens up.

Fair Exchange No Robbery is one of Boldy’s strongest LPs ever, so I was more excited for this considering that it was literally the very first album that he ever recorded after being released from the hospital due to the car crash he was in & did it ever. He’s pretty much saying what’s on his mind after going through a life-threatening experience & Craven’s sample-heavy production is a step above the last one he did with the Detroit icon.

Score: 4.5/5

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