Homixide Gang – “5TH AMNDMNT” review

Atlanta duo the Homixide Gang consisting of Homixide Beno! & Homixide Meechie are back with their debut mixtape. Beginning to turn heads a couple years ago after dropping their debut EP Snotty World, that led to trap trailblazer/rage pioneer Playboi Carti making them the 3rd act to sign to his Interscope Records imprint Opium Records following Ken Carson & Destroy Lonely respectively. Homixide Lifestyle was a solid debut & Snot or Notreceived mixed responses this past spring, but are celebrating the Halloween season by unleashing 5th AMNDMNT.

“Gunz in Soho” is a rage-inducing opener talking about walking around the titular neighborhood in Manhattan with heaters on them whereas “LexLuger” gives off a grimly approach instrumentally explaining that they do what they want by breaking the rules. “B5” goes right back into hypertrap territory describing the fast lives that they just so happen to live, but then “NiNO 5ROWN” stands as a highlight from F1LTHY’s dark synth-based production to the reference made towards the titular New Jack City character.

Problem Child 5’s appearance on the cloudy trap joint “MW5” is ok to me & calling out those who wanted smoke with them until they ratted just before “FroZone” brings back the rage beats reminding exactly what’s gon’ happen when you play with the shits on their watch. “What It Is?!” was a perfect choice for a single as they hop over a tight trap instrumental from Pi’erre Bourne talking about people that cap in their raps, but then “5onjour” dives back into their hypertrap vibe hooking up with Paris chicks.

“Hom3 Invasion” has these wavy synth patterns throughout so the Homixide Gang can chase the paper while “5rew” brings in a psychedelic beat from F1LTHY boasting that they be drippin’ in fashion with others knowing how Homixide does it. “Roundz” blends these fuzzy synths with hi-hats telling all the fuck boys to come play with them while “DesignerDRÜGZ” experiments a bit giving plugg a shot to show off the work both of them be putting in.

Meanwhile, “Road Rage” explains that the Homixide Gang don’t necessarily fuck with messy bitches pulling from trap metal a bit musically while “Left Hand” incorporates these glamorous synthesizers throughout challenging anyone to come grab everything from them. “RckstarB!tch” comes through with a chilled out dedication to all the women that engage within the rockstar lifestyle while “25/8” is a 94 second rage cut turning 24/7 up to 11.

“AddXcts” draws near the end of the tape by fusing elements of metal music with trap once more making it clear that they got habits while the penultimate track “E.U.” gives off a spacier flare to the rage beat looking to run it up. “HXG Bizness” couldn’t have ended the tape any better from the gorgeously bouncy trap instrumental so the Gang can clarify what their business is exactly.

Snot or Not still has it’s highlights even though I still don’t listen to it as much as I do with their debut, yet I feel like this mixtape is the best thing that Homixide has done in 2023 out of both projects they’ve given us in the last 6 months. The tape has a rougher vibe to it as Beno! & Meechie continue to expand on their niche hypertrap sound.

Score: 3.5/5

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Ken Carson – “A Great Chaos” review

Ken Carson is a 23 year old recording artist from Atlanta, Georgia breaking out in the SoundCloud scene & becoming a protege of local trailblazer Playboi Carti as one of the first artists to sign to the latter’s newly founded Opium label. He’s would go on to drop a total of 5 EPs prior to his full-length debut Project X couple summers back & coming off the mature sophomore effort X over a year ago already which Anthony Fantano infamously gave a 0. However to commemorate Friday the 13th being in October this year, Ken’s unleashing his 3rd full-length LP.

“green room” is a rage-inducing highlight produced by F1LTHY to start everything off calling out half of these motherfuckers out here that ain’t never seen shit whereas “jennifer’s body” talking about his bitch being a hottie interpolating “Good Riddance” by Green Day over some hi-hats & fuzzy synths. “fighting my demons” keeps it rolling with a hypertrap, cloudy 2-parter smokin’ on kush & looking to triumph mentally, but then “singapore” featuring Destroy Lonely keeps the rage beats in tact flexing in the titular country.

Meanwhile, “lose it” goes for a bombastic approach instrumentally confesses that he feels like he’s going to snap at any moment leading into “hardcore” talking about going gore on top of this set of booming sub-bass & hi-hats. “Me n My Kup” gives off a psychedelically vibrant atmosphere making it known he’s the only one up in here with his cup by his side just before the shrilling trap banger “it’s over” talks about his pants falling because of carrying too many racks on him.

Lone returns alongside Lil Uzi Vert for “Like This” jumping over a futuristic instrumental with some hi-hats showing y’all how lit it can get while “succubus” goes for a distorted sound courtesy of a returning F1LTHY behind the boards talking about a bitch he knows that’s going straight to Hell without a doubt in his mind. “Paranoid” featuring Destroy Lonely wipes “singapore” from F1LTHY’s rage beat to discuss the paranoia that both of them face while the glitchy “pots” talks about curving someone’s girl until he saw the way she twerk.

“overtime” continues to scathingly diss those who be frontin’ that they killed people or having swag when they never did over some rattling hi-hats while “vampire hour” takes a cloudier approach sonically dedicating this one to all the vamps that’ve been in the building. “nightcore” perfectly lives up to it’s starting off with a nocturnal trap beat clarifying they ain’t shooting shit like Julius Randle, but the 2nd half has a cavernous tone to the instrumental talking about the way she move.

If you couldn’t already tell by the title of “rockstar lifestyle”, we have Ken giving everyone a look into how he’s living these days promising to never sell his soul whatsoever over a rubbery trap beat prior to the pop rap/rage hybrid “i need u” serving to be a good choice for a single & a closer exhibiting his unrequited love for his girl on top of continuing to brag about his lifestyle for the last time.

I’ve maintained that Lone is the most versatile Opium signing out of the 3 acts that Carti’s taken under his wing, but A Great Chaos happens to be a cut above Project X & X as solid as that previous album was compared to his debut for it’s maturity. The production expands on the signature hypertrap sound that he’s made himself known for & another favorite thing about it for me is the simple fact that it’s significantly more darker than the previous LP was.

Score: 4/5

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Destroy Lonely – “If Looks Could Kill” review

Destroy Lonely is a 21 year old recording artist from Atlanta, Georgia who happens to be the son of former Disturbing tha Peace Records signee I-20. He’s released a total of 9 EPs & 3 mixtapes since originally breaking out through SoundCloud in 2019 prior to Playboi Carti signing Lone to his Interscope Records imprint Opium Records to surprise drop the last tape No Stylist in light of a tour that he co-headlined with fellow label-mate Ken Carson last summer. However, he’s returning nearly 9 months later to drop a full-length debut & one that I hope would make the haters shut up considering that he’s already proven himself to be the most versatile Opium signing to date.

“how u feel?” opens the album with some guitars & hi-hats saying he feels fine other than needing a few more dollar signs whereas the title track follows it up with a cloudy emo rap ballad produced by longtime collaborator Clayco about being a fashion demon. “fly shit” returns to a more trap metal sound so he can flex a bit, but then “which one” shreds some chunkier riffs on top of some hi-hats thanks to Cade trying to figure out who loves him.

Continuing from there with “raver”, we have Lone over more trap metal production so he can go brazy leading into “came in wit” has a bit of a rage vibe to the beat talking about looking like he jumped out the ocean with all of his diamonds. “by the pound” has a more playful sound to it provided by TM88 even though he delivers one of the weaker performances on the album badly impersonating Future just before “all the time” confesses that he feels like he’s lost his mind & the instrumental here gives me an aquatic feeling for whatever reason.

“biggest problem” has a more spacious trap approach to it bragging that he’s riding around with some fly shit while “chris paul” talks about ballin’ out over a booming trap beat. “superstar” returns to atmospheric territory watchin’ the bodies fall from the swag he’s droppin’ while “new new” weaves some synthesizers into the fold talking about being the freshest whenever you compare him to everyone else in the trap scene right now.

Meanwhile, “right now” concludes the first leg of the album taking it returning to trap metal turf telling his girl he’ll get her whatever the fuck it is that she desires & “which way” starts the 2nd half with a ghostly trap beat admitting that he doesn’t have a clear as to which specific what that he’s going. “wagwan” blends some skittering hi-hats & a futuristic backdrop asking what’s up prior to “moment of silence” sampling “Your Skull’s Red” by Team Sleep talking about going harder than everyone else while “brazy girls” is a trap rock hybrid about his women.

“goin’ up” dives into more psychedelic waters tackling his continuously rising popularity that is until “passenger” shifts gears with it’s twinkling trap production talking about switching up his swag & smokin’ on Metro Boomin’ every single day. “promo” gives me a bit of a ghostly feeling as far as the beat goes so Destroy can be able to update his swag while “worth it” makes sure every second counts over a trap instrumental with a blobby bass-line

Zodiac & y2tnb keep it rolling on the ultramodern “redlight” keeping an FN under his seat for all the fuckboys while “make sum work” brings back the guitars & hi-hats going berserk. The song “safety” flips Team Sleep yet again except it’s “Blvd. Nights” this time spending more on his protection & well-being while the penultimate track “your eyes” gets more cavernous courtesy of ReidMD talking about seeing himself when looking into the eyes of his raver. “money & sex” with Ken Carson though ends the album with a hypertrap jam talking about the 2 things they love.

“too damn rich” starts the deluxe by rubbing his newfound wealth in people’s faces flipping “Lucid” by slenderbodies while “spillin’” cautioning that this shit can go many ways over a trap beat giving off retro video game feels. “check the fleet” has this grungy guitar riff & hi-hats only focusing on money while “back sippin’” brings in heavier guitar work relapsing on lean. “catch a kill” is a well-structured 2 parter going brazy about his top floor status & “that’s my” concludes the run of bonus tracks with a nocturnal dedication to his ride or die.

A lot of people are probably gonna complain about the 90 minute runtime straight out the gate & I’m well aware that not everyone ends up pulling off that feat, but I think Lone has enough versatility to make it stick the landing & that’s exactly the point he has proven yet again. He continues to expand his sound by dabbling a bit more with dream pop & neo-psychedelia than he’s done in the past & his performances on a good amount of these cuts are pretty fun.

Score: 4/5

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Homixide Gang – “Snot or Not” review

This is the sophomore full-length album from Atlanta duo Homixide Gang. Consisting of Homixide Beno! & Homixide Meechie, they started turning heads a couple years ago after dropping their debut EP Snotty World & that led to trap trailblazer/rage pioneer Playboi Carti making them the 3rd act to sign to his Interscope Records imprint Opium Records following Ken Carson & Destroy Lonely respectively. But coming off their major label debut Homixide Lifestyle over the fall, Beno! & Meechie are now following it up with Snot or Not.

“ADHD” is a rage-inducing opener making it clear that motherfuckers better have they cash whereas “Homixide Language” takes the trap metal route so both of them can talk about how they can’t walk or hold the strap like them. “5!RE” returns to hypertrap turf stepping into the spot with the guys cautioning not to play with the blicks they’re carrying on the side leading into the futuristically bassy “Wants & Needs” asking their lovers what they need.

Moving on from there with “TNT”, we have the Homixide Gang blending trap with rock once more as they discuss letting them choppers ring with their necks on froze & “C4N” is a remarkable Meechie solo cut with an synth-based instrumental from Malay Raw attached to to it talking about coming from stacking bread every single day & even Comme des Garçons. “Snot Sh!t” declares themselves as real pimps & that their opposition hasn’t seen nothing over more rage beats, but then “Dive In” has more cloudier approach talking about not playing with them.

“Uzi Work” bombastically wants to see how the Draco works & that all of their friends are dead even though this ain’t no Lil Uzi Vert type shit while the song “2 da Face” has more luxurious yet vibrant quality to the instrumental reminding that they really about that slime life. The penultimate track “Block Work” speaks on hitting & selling them bricks over more hypertrap production prior to “Flight’s Booked” sending off the album with them describing life touring overseas.

Now I couldn’t tell you if the grooming allegations that recently came out towards Beno! a couple months ago are true or not, but what I can say is that I think those who liked Homixide Lifestyle as much as myself will enjoy Snot or Not on the same caliber if not higher. They’re continuing to expand their rage sound, Meechie interestingly enough outperforms Beno! on a lot of these cuts & I like how they held it down on their own as opposed to the 50/50 guest list from last time.

Score: 3.5/5

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Homixide Gang – “Homixide Lifestyle” review

The Homixide Gang are a duo from Atlanta, Georgia consisting of Homixide Beno! & Homixide Meechie. They started turning heads a year & a half ago after dropping their debut EP Snotty World, which led to trap trailblazer/rage pioneer Playboi Carti making them the 3rd act to sign to his Interscope Records imprint Opium Records following Ken Carson & Destroy Lonely respectively. Ken showed a more mature side to himself on his sophomore effort X with Lonely revealing himself to be the most versatile Carti protégé yet in the form of HIS full-length debut No Stylist, so it was only a matter of time until Beno! & Meechie stepped up to the plate with a debut album of their own.

“Lifestyle” starts off the album with a chaotic trap instrumental with an amazing vocal sample talking about how nobody can’t copy them whereas “Guitars” works in some synths & hi-hats to slide on the op block. Biggavelli’s verse on “Can’t Go” is a bit underwhelming despite the rage beat & lyrics about being unable to go to the club without the Drac’ leading into “Tatted”, which is a trap/rock fusion showing off the Homixide ink that they got.

Continuing with “5 Ways”, where Beno! & Meechie over some hypertrap production both speak on being the realest leading into “V-Friends” keeping things in rage turf talking about meeting a bitch from out of town that’s fucking their homie on the low. “B.B. (Big Coat Balenci)” has more of synth-trap flare to it detailing the rockstar lifestyle, but then “Lif3” surprisingly fused acoustic with trap talking about going through this pain throughout their entire lives.

Biggavelli returns with Destroy Lonely for “TF!” asking what motherfuckers are gonna say when they pull up with the blick over a rage beat with Lonely’s verse outshining Biggavelli’s while “Notice It” keeps things in hypertrap territory talking about how they really be running shit. “None 2 Some” however laced some hi-hats & synthesizers speaking on going from nobodies to where they are today while “Scale Stretcher” with Biggavelli has a wavy vibe to it talking about moving weight.

Following that, “Tripping” touches on getting to blastin’ & whackin’ in this bitch prior accompanied by a monstrous rage beat prior to Ken Carson coming through with my 2nd favorite feature on the album on “Stunt” getting on the more braggadocious side & the instrumental here is a futuristic groove to it that I really don’t mind. “Drakon!” goes full blown trap metal spitting that gun talk while the song “CV” brings back the rage talking about being on drugs as of late. The penultimate track “Wings” swearing that they don’t give a fuck over an alarmingly blaring beat & the 5unna-assisted Shots Off” rounds it out with some quirky synthesizers as the trio talk about pulling up on the gang in the southside.

I’m well aware of the flack that Opium has been getting recently due to Anthony Fantano’s harsh reviews of both X & No Stylist over the summer, but Homixide Lifestyle is just as solid in my personal opinion. I’ll even say it’s right in the middle behind Lonely & above Ken’s latest efforts. With all respect to the Melon because he’s the one who actually inspired me to write reviews myself to begin with & I’ll die on that hill, Beno! & Meechie both sound 10x hungrier than they did on their debut EP whilst refining their style for a wider audience.

Score: 3.5/5

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Destroy Lonely – “No Stylist” review

This is the 3rd mixtape from Atlanta recording artist Destroy Lonely. The son of former Disturbing tha Peace Records signee I-20, he’s released a total of 6 EPs & 2 mixtapes since originally breaking out through SoundCloud a couple years back & has even signed to Playboi Carti’s very own Interscope Records imprint Opium Records to surprise drop No Stylist in light of his ongoing tour with fellow label-mate Ken Carson.

“JETLGGD” is a futuristic trap opener talking about switching up his swag whereas “BERGDORF” takes a more triumphant route detailing the crazy life that he lives. “<3MYGNG” is a dance/trap hybrid expressing his love for his crew leading into the bassy “VTMNTSCOAT” showing off some new drip over an electronic-flavored instrumental.

The title track works in some retro video game like-synths bragging that he’s fresh as fuck, but then “FAKNGGAS” shoots for a more futuristic aesthetic talking about the wankstas. “SOARIN’” gives off a bassier tone admitting he doesn’t get fly no more just before “TURNINUP” is a colorful trap banger talking about getting lit.

“LNLY” dives into cloudy territory thanks to Clayco going into detail as to why they call him that prior to the rubbery yet atmospheric “PRSSURE” talking about how he knew he was special. “ONTHETABLE” is a bombastic ode to the bread while “SWGSKOOL” samples the Deftones joint “Beauty School” confessing that he done lost his motherfucking mind.

Following that, the vocal sample throughout “CRYSTLCSTLES” is hypnotic as fuck with Lonely comparing his girl to Alice Glass while “DANGEROUS” brings back the trap/rock combination to detail the side of Atlanta that he’s from. The guitars throughout “MKEITSTOP” are a bit more punk-inspired talking about making it all the way to the top while “ONTHEFLOOR” is cloudy trap rock amalgamation confessing the shit he’s seen at 20 years old.

The song “PASSAROUND” has a more quirkier feel to it talking about his preference to face his hoes while the penultimate track “OTW” rattles off some hi-hats with more mellow backdrop detailing the things that’ve been coming his way lately. “VETERAN” with Ken Carson is a rage-inducing closer as 2 Carti protégés put the lifestyles that they both live on wax.

At the end of my review of Ken’s solid yet overhated sophomore album X, I said that I respectfully think Lonely is the best Opium signee yet & this new tape of his pretty much proves my point. He has more versatility than Ken as proven by the production, his vocal performances & songwriting. Very excited to see them both when they come to town.

Score: 4/5

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Ken Carson – “X” review

This is the sophomore album from Atlanta rapper Ken Carson. Breaking out in the SoundCloud scene & becoming a protege of Playboi Carti as one of the first artists to sign to the latter’s newly founded Opium label, he would go on to drop a total of 5 EPs prior to his full-length debut Project X last summer. But as he & Destroy Lonely gear up to hit the road next month, Ken’s re-emerging in the form of X.

The intro kicks off the album with some Atari-like synths & rattling hi-hats letting y’all know he ain’t stupid whereas “New” works in some rage beats to show off all the shit he has now. “Gems” stays in hypertrap territory talking about his evolution from Teen X to X Man, but then “Nobody” goes into a bassier direction confession all that he really needs is the bread & nothing else.

Meanwhile on “Go”, we have Ken coming through with an energetic ballad about running all your shit up just before Destroy Lonely tags along for the rage-induced “MDMA” flexing their wealth. The title track continues to bury the Teen X persona deeper into the ground over some bombastic production just before “P.D.B.M.H. (Please Don’t Blow My High)” has a more uptempo flare to it asking not to blow his high as the title suggests.

The somewhat tropical vibe of “Money Hunt” is really cool as he expresses his joy of everything in his life going up while the blobby “South Beach” lets everyone know that he’s a real one. “Goin’ Schitz” psychedelically describes a bitch feeling of ecstasy while “Same Thing” has some incredibly dancy grooves to it talking about pulling up on you & your gang.

Following that, “Freestyle 1” dismisses any kind of discussion that doesn’t involve money keeping it in hypertrap turf prior to the F1LTHY-produced “Freestyle 2” perfectly picking up whether the predecessor left off talking about how you shouldn’t have fucked with his crew. “Fuk 12” is a brief yet chaotic middle finger to the feds & Destroy Lonely returns yet again for “Murda Musik”, which goes 10x rawer than “MDMA” was.

The Homixide Gang come into the picture for the quasi-mystic “Delinquent” confessing they get high until they can’t think straight while the song “Get Rich or Die” gives off a futuristically fresh aesthetic to the instrumental talking about talking about going on vacation. The penultimate track “Turn Up” is of course a synth-laced riot starter & “The End” closes out the album with some poppy undertones calling out an ex for being unfaithful.

Project X showed a lot of room for growth in Ken & now that we got X, I think it has to be the one of the best rage albums I’ve heard all year so far right behind Fallen Raven & 2 Alivë of course. The production is a little bit better than the offering we got a few years ago & I’d actually have to say Destroy Lonely is my favorite Opium signee now that he just signed to the label a few months back, but Ken really shows some admirable maturity as well.

Score: 3.5/5

Ken Carson – “Project X” review

Ken Carson is a 21 year old rapper from Atlanta, Georgia breaking out in the SoundCloud scene & becoming a protege of Playboi Carti as one of the first artists to sign to the latter’s newly founded Opium label. But after a total of 5 EPs under his belt, of course Ken had to bring it full circle on this debut album of his.

“Who’s Next?” kicks the album off with an accordion & hi-hats talking about passin’ hoes like tests whereas “Rock n Roll” is a spacious banger about him trippin’. “Party All Day” serves as an uptempo sequel to “Butterfly” just before addressing people switching up on the minimalist “Change”.

Meanwhile with “Run + Ran”, we have a 2-parter about feeling like Pac & stacking bands with the 2nd half being much stronger leading into the bass-heavy stripper theme “Shake”. The kid later reveals that he’s got a lot of hoes on the distorted “Hella” prior to the dramatically threatening “Clutch”.

The song “‘Till I Die” works in some more synths & snares talking about he’ll always be counting racks while the penultimate track “Burnin’ Up” addresses his increasing profile over an instrumental with a bit of an electro flare. Then the album ends with “So What”, which vibrantly details a 1-night stand.

For those who’ve never heard of Ken, I think Project X is a solid place to start off because what he is to Opium is what Gunna was to YSL & by that I mean I think he’s gonna become the label’s biggest signee behind the founder. Some of the production choices could’ve been a little bit better to me, but I do enjoy his youthful enjoy quite a bit.

Score: 3.5/5

Playboi Carti – “Whole Lotta Red” review

This is the highly anticipated sophomore album from Atlanta superstar Playboi Carti. Coming up as an affiliate of the A$AP Mob, he would break out in 2017 off his eponymous 3rd mixtape & then the following year with one of the greatest trap albums of the 2010s: Die Lit. But after countless leaks & rumors, Carti is finishing off this shitty year by releasing Whole Lotta Red.

The album kicks off with “Rockstar Made”, where Carti talks about how it’s never enough over a trap metal beat. The next song “Go2DaMoon” with Kanye West sees the 2 talking over a Wheezy instrumental some prominently dramatic string sections while the track “Stop Breathing” talks about hoes going crazy when he takes his shirt off over a distorted beat. The song “Beno!” talks about over an instrumental with some video game-like synthesizers while the track “JumpOutTheHouse” is a cacophonous moshpit starter down to the Richie Souf beat.

The song “M3tamorphosis” with KiD CuDi finds the 2 talking about how can’t nobody tell you shit over a trippy instrumental with CuDi’s trademark humming being incorporated during the hook while the track “Slay3r” talks about how everything’s good & I almost wanna say the beat kinda has an 80’s new wave feel to it. The song “No Sl33p” talks about dreaming about murder over a synth-heavy instrumental while the track “New Talk” talks about being posted with his brother over a droney beat.

The song “Teen X” with Future sees the 2 talking about being on drugs over a manic instrumental from Maaly Raw while the track “Meh” talks about fucking a bitch up over some keyboards & heavy bass. The song “Vamp Anthem” perfectly lives up to it’s name down to the organ-laced instrumental while the track “New N3on” talks about having swag for days over a more uptempo beat.

The song “Control” talks about this woman driving him insane over an instrumental kin to LUV is Rage or even Lil Uzi Vert vs. the World while the track “Punk Monk” name-drops everyone from Trippie Redd to Lil Tjay over a beat with some synths buried in the bass. The song “On That Time” talks about ridin’ around with a draco over a noisy instrumental while the track “King Vamp” talks about being a dark knight over a frenetic beat.

The song “Place” talks about over a cloudy instrumental from none other than Pi’erre Bourne while the track “Sky” is an intoxicating weed smoking anthem. The song “Over” talks about how “this love don’t feel how it felt when we started” over some infectious synth-melodies while the track “ILoveUIHateU” talks about how “what you don’t know won’t hurt” over a Pi’erre beat that gives me self-titled vibes.

The song “Die4Guy” talks about loyalty over a chaotic instrumental while the penultimate track “Not PLaying” talks about how he ain’t playing games no more over a futuristic beat. The album ends with “F33l Lik3 Dyin’”, where Carti talks about his current well-being over an instrumental sampling “iMi” by Bon Iver & the multiple background vocalists throughout (including Justin Vernon himself) are all breathtaking.

Even though it’s not as fantastic as self-titled or Die Lit, this album was still very much worth the 859 day wait. Some filler cuts are thrown in here & there, but I do appreciate him experimenting a more in comparison to his previous work.

Score: 3.5/5