Mr. Hyde is a 44 year old MC from Queens, New York who came up alongside his Gruesome Twosome cohort & longtime friend/collaborator Necro ever since the death rap inventor conceived Psycho+Logical-Records. After years of being featured on numerous albums from the label, Hyde finally got to shine on his own in the summer of ‘04 with his classic full-length debut Barn of the Naked Dead. He has since gone on to release 4 more albums on his own since then, with the last one being The Boogeyman’s Real in the fall of 2019. But given that it’s been a little over a year since Bonnie & Hyde put out their eponymous debut, it’s fitting for Hyde drop a debut EP on Friday the 13th.
“Don’t Forget My Number” is a demonic boom bap opener spitting the wicked shit whereas “Beast Bars” works in a guitar & some dusty drums talking about how hot his bars are. “Dipped in Death” shoots for a more unsettling atmosphere thanks to Cotardz for Hyde to deliver some brutal death rap while the track “Filthy Beasts” with G-Mo Skee declares themselves as such over an organ-laced instrumental. The final song “Nightbreed” ends the EP by ominously comparing himself to that or a monster & “Putrid Decay” is just a 34 second outro.
Much like Bonnie & Hyde’s self-titled debut from a little over a year ago, We’re the Nightbreed is definitely one of the better projects that Mr. Hyde has put out in recent years. Now I’m not saying he ever lost his step lyrically because he sounds as grisly than ever on this EP, but the production choices are progressively improving & that’s what I like to hear.
Bonnie & Hyde are an East Coast duo consisting of death rap veteran Mr. Hyde & his wife Cherie Rain. The couple have been making joints with one another dating back to Hyde’s 3rd album If It Bleeds We Can Kill It back in 2012 but almost a decade later, they’re coming together for a full-length debut.
After the “Killer Couple” intro, the first song “Epic Pursuit (Bonnie & Hyde Theme)” details being chased by the cops over a boom bap beat with some strings buried in the background while the track “Death is Coming” gets on his death rap shit over a Satanic instrumental from Cherie Rain herself. The song “Darkness” talks about the owners of the night arriving over a boom bap beat with some eerie piano embellishments while the track “Poison Fate” spits some battle bars over a perilous instrumental.
The song “Funky Fresh Face Melt” with Celph Titled finds the trio getting homicidal over a grim beat from Little Vic & after the “Kid Joe Forever” interlude, the following track is a NASTY conclusion to the “Street Veteran” saga that started on Psycho+Logical-Records’ 2003 showcase compilation Brutality. The song “Superhuman” talks about being a monster over a rock boom bap fusion & then the closer “Repent the Devil’s Thirsty” comes through with some street poetry over a minimal beat.
The duo really play off one another very well & as a result of that, I personally think this is some of the best material either one of they’ve have ever done. Hyde’s lyrical skills are just as brutal as they were on his iconic 2004 debut album Barn of the Naked Dead, Cherie is a beautiful singer & her sample free compositions are astonishing.
Necro is a 42 year old rapper & producer from Brooklyn, New York who started out playing in a death metal band called Injustice in 1987 with his older brother Ill Bill. He then transitioned over into hip hop the following year after being inspired by Bill & both have made quite the names for themselves in the underground. Especially with classics like Gory Days, The Pre-Fix for Death, the self-titled Circle of Tyrants album, What’s Wrong with Bill? & The Hour of Reprisal just to name a few. But at the beginning of the decade, they began distancing themselves from each other with Bill regularly putting out music under his own name as well as with La Coka Nostra. Necro on the other hand has been pretty quiet with the exceptions of his 2010 album Die!, his Murder Murder Kill Kill EP, a handful of singles & a criminally underrated slept-on collab album with the legendary Kool G Rap under the name The Godfathers. However, he’s now making his full comeback with his 7th full-length album.
After the intro, we go into the first song “Murder Obscene”. Here, Necro spits his signature death bars over a gloomy boom bap beat. After the “H.N.A. (Head Neck Apartheid)” prelude, we go into the actual song with the same name. Where Necro spits more clever murder bars over a spacious boom bap beat. The track “My Precious” brags about his rapping skills over an ominous instrumental with a killer guitar riff during the hook while the song “Know Con-Science” returns to the witty yet filthy lyricism over a boom bap beat with a sinister piano lead. After the “W.T.W.C.T. (What’s This World Coming To?)” prelude, we go into the actual song with the same name. The hook is kinda annoying, but the soul sample is a nice touch & Necro’s confrontational lyricism suits it pretty well.
The track “Deaded” compares himself to Michael Myers over a boom bap beat with some sinister strings while the song “Caught Up!” talks about how violent he is over a punchy beat with some Halloween-esque bells. “The Love & Terror Cult” tells his competition to step back over a boom bap beat with some somber piano chords while the song “Party Killer” gets raunchy over an electro instrumental. The title track cleverly describes his disgusting antics over an eerie beat while the song “Gat O’ 9 Tales” is filled with battle bars over an instrumental with a prominent piano lead & a beautiful soul sample during the hook.
After the prelude to “The Master of Ruckus”, we go into the actual song with the same name. Here, Necro talks about killing you when you’re sleeping over a boom bap beat with a funky bass-line. The track “Grave Ol World” goes back to the raunchiness over a symphonic beat while “The Stories of the Almost Dead” vividly describes the protagonist’s life of crime over another boom bap beat with a piano lead & soul sample for the hook. And before things end off with the outro, the final song “The Dawn of a Dead Day” goes back to taking aim at his competition over a beat inspired by a blaxpoitation film.
I was wondering if Necro would ever drop an album again, but this is a strong comeback for him. Despite the lack of features & the song preludes bogging it down, Necro continues to prove that he’s one of the best producers that the underground has to offer with soundscapes on here being darker than ever & his horrorcore lyricism being as creative as it’s been in the past.