Raekwon – “The Emperor’s New Clothes” review

Raekwon is a 55 year old MC from Staten Island, New York known for being a member of the almighty Wu-Tang Clan. His solo debut Only Built 4 Cuban Linx… & it’s sequel are both some of the most beloved albums in all of hip hop, with the overlooked Shaolin vs. Wu-Tang falling right behind them. I.M.M.O.B.I.L.A.R.I.T.Y. (I Move More Officially By Implementing Loyalty And Respect In The Youth) as well as The Lex Diamond Story & The Wild all left people divided for their own different reasons & of course F.I.L.A. (Fly International Luxurious Art) being the worst in his discography. Signing a new distribution with Mass Appeal Records however, the Ice H20 Records founder continues the Legend Has It series with his 8th album.

After the intro, the first song “Bear Hill” opens with a bit of a lounge vibe getting bricks from Hitsville as well as staying fresh & crisp for more money whereas “Pomogranite” featuring Carlton Fisk & Inspectah Deck finds the trio over a boom bap instrumental talking about Dons never bowing. After the “Veterans Only Billionaire Rehab” skit, “Wild Corsicans” featuring Griselda blends chipmunk soul & boom bap together to discuss lives being lost because they ain’t moving right while “1 Life” produced by the J.U.S.T.I.C.E League talks about hip hop being exploited for profit.

“Open Doors” following the “Barbershop Bullies” skit works in some horns dedicating itself to the type of people who be blowing their nose in the flyers horns just before Swizz Beatz pulls from orchestral music during “600 School” featuring Ghostface Killah & Method Man bringing the trio together to get on some gangsta shit. “The Guy That Plans It” returns to the boom bap with an interesting Marvin Gaye sample talking about Rae preferring to be revered than be feared at the beginning & the end, but then “Da Heavies” moderately throws it back to the Lex Diamond era.

After the “Officer Full Beard” skit, “The Omerta” featuring Nas finds the pair over a Nottz beat talking about being examples of who they said they were while “Get Outta Here” featuring Ghostface Killah soulfully breaking down the billionaire lifestyle. After the “Sober Dose” skit, “Debra Night Wine” featuring Marsha Ambrosius opens up about a woman who ended up playing him while “Mac & Lobster” featuring Ghostface Killah finishes The Emperor’s New Clothesexplaining that nobody want it with them & having big plans being dreamt of.

Pushing the Legend Has It saga forward, the Chef’s official Mass Appeal debut makes us wait a little longer for Only Built 4 Cuban Linx… III by pushing the message of valuing truth over trends & blocking trends from controlling your authenticity. It’s more polished than his most recently material with the production being the strongest since Shaolin vs. Wu-Tang & a majority of the guests are more well picked out than The Wild was enhancing the aggressive wordplay use to get it’s theme across.

Score: 3.5/5

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Wu-Tang Clan – “Black Samson, The Bastard Swordsmen” review

The Wu-Tang Clan are the greatest hip hop group of all-time from Staten Island, New York consisting of one of my top 10 producers the RZA, the GZA, Inspectah Deck, U-God, Ghostface Killah, Method Man, Raekwon, Masta Killa, Cappadonna, the late Ol’ Dirty Bastard & their deejay Mathematics. Originally a trio under the All in Together Now moniker, their 1993 debut Enter the Wu-Tang (36 Chambers) became an east coast hip hop landmark & their 1997 sophomore effort Wu-Tang Forever is the greatest double disc hip hop album ever. The W was significantly less polished than most of what came of that era in the Clan & Iron Flag divisively revisited old sounds. 8 Diagrams stirred more controversy due to RZA embracing a experimental, orchestral & more universal production style with A Better Tomorrow during my senior year of high school being regarded as their worst even if “Pioneer the Frontier” has always stood out to me personally. Mathematics would fully produce The Saga Continues… & is doing so again for the Wu’s 8th album preluding their upcoming farewell tour. Not even gonna waste my breath on Once Upon a Time in Shaolin.

After the “Sucker Free City” intro, the first song “Mandigo” is this boom bap opener with 4 of the 9 remaining swordsmen talking about their style taking a strong back & total breath control whereas “Roar of a Lion (The Lion’s Pit)” by RZA & U-God featuring Kool G Rap finds the trio giving middle fingers to all their enemies. “Claudine” by Ghostface Killah & Method Man featuring Nicole Bus crosses over hip hop & soul trying to fight for love while “Shaolin vs. Lama” by Inspectah Deck & Raekwon talks about holding your head.

“Executioners from Shaolin” keeps it rolling by sinisterly cautioning that nobody want smoke with them in a battle just before “Cleopatra Jones” by Masta Killa & Raekwon sees the pair breaking down the affection each of them have a woman who goes by that name. “Warriors 2, Cooley High” by Method Man featuring Benny the Butcher absolutely delivers as a big fan of both Wu-Tang & Griselda just before “Let’s Do It Again” by RZA following his role as Bobby in the A24 Films surrealist comedy drama Problemista featuring RJ Payne, Willie the Kid& 38 Spesh talks about getting stronger as life becomes more difficult.

Cappadonna, Masta Killa & U-God all link on up “Dolomite” for another hardcore boom bap track justifiably boasting that you can’t tell ‘em shit since they’ve been around longer than the 80s crack epidemic & going deep enough in the projects where no one else can go, but then the “Trouble Man” outro shows off Kameron Corvet’s skills through a brief verse. “Charleston Blue, Legend of a Fighter” by Cappadonna featuring KXNG CROOKED officially ends the album with the latter talking about fatherhood & Cappa penning an open letter to his mother while the bonus track “Sinners (Mo’ Better Blues)” by the Def Squad was a cool reunion minus Redman.

7 & a half years since The Saga Continues…, the Clan homages the blaxploitation & martial arts genres of films that shaped them 5 decades ago. I appreciate that all 9 members were able to contribute lyrically testing each other’s swords unlike U-God being the only absentee on the predecessor & some of the finest in the underground today joining them felt like a rewarding passing-of-the-torch moment. 1 final noteworthy mention has to be Mathematics displaying his growth & development as a producer with the selection of beats he’s arranged.

Score: 3.5/5

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Wu-Tang Clan – “Of Mics & Men” soundtrack review

The Wu-Tang Clan. What can be said now about the iconic New York hip hop outfit that hasn’t been said already? From their iconic first 2 albums Enter the Wu-Tang (36 Chambers) & Wu-Tang Forever to the countless classic solo debuts like Only Built 4 Cuban Linx… & Supreme Clientele, they’ve always been rightfully regarded as the greatest hip hop outfit of all-time. Last time we heard from them collectively in an album capacity was in 2014 with A Better Tomorrow & with a SHOWTIME documentary being recently released, they’re coming together with the help of Nas’ Mass Appeal Records to deliver the soundtrack for it.

The soundtrack kicks off with “On That Shit Again”, where Ghostface Killah & RZA sound vengeful over a piano & some drums. The next song “Seen a Lot of Things” with Ghost & Raekwon pretty much speaks for itself over a prominent electric guitar & after the “Project Kids” skit, we go into the RZA solo cut “Do the Same as My Brother Do”. Where the Abbott kicks some knowledge over a punchy yet orchestral beat. After the “Yo is you Cheo?” skit & before the “1 Rhyme” outro, the final song of the EP is the title track. Where RZA gets with Cappadonna & Masta Killa boast over some prominent drums.

As much as I loved the documentary, this was a decent soundtrack. Most of the performances are fantastic don’t get me wrong, but it sounds like the Clan could’ve fully fleshed it out.

Score: 3/5

Wu-Tang Clan – “The Saga Continues” review


When it seemed like 2014’s A Better Tomorrow would be the almighty Wu-Tang Clan’s final group album, they’re now returning with their 7th official full-length album (excluding the single-copy of Once Upon a Time in Shaolin) & they have enlisted Wu-Elements member Mathematics to produce it in it’s entirety. After a 91 second instrumental intro with a spoken word sample & then an actual spoken monologue from the Clan’s de facto leader RZA, we are then treated to the album’s first song “Lesson Learn’d”. Here, Inspectah Deck teams up with Redman to remind you that they never play around over a hard hitting boom bap instrumental & I also didn’t mind Deck’s jab at the Once Upon a Time in Shaolin purchaser Martin Shkreli near the end of his verse, given that he’s an evil culture vulture. The track “Fast & Furious” is pretty much Raekwon & Hue Hef getting mafioso over a menacing instrumental & while Hue was just ok, Rae definitely made up for it. After a short instrumental interlude that takes it back the group’s early days with a Kung Fu sample, we are then lead into the next song If Time’s Money (Fly Navigation). It’s pretty much a Method Man solo cut, but he makes up for his last album The Meth Lab by hopping on an instrumental you can really kick back to & spitting a long yet charismatic verse.

The track “Frozen” may have a lazy hook as it recycles a couple Rae & Ghostface Killah lines from “4 Horsemen”, but the verses from Meth about pushing the limit as well as the vivid storytelling from Killah Priest & the lethally angry Chris Rivers make up for it some keys along with a bass guitar & a regular guitar. After a 45 second skit with a soulful instrumental in the background, we then get into the next song “Pearl Harbor”. Here, the late Sean Price gets with Meth & RZA to confrontationally spit bars like being the greatest & telling your crew to wear shorts with an image of you on it over some gritty horns as well as some keys & an organ. I also love how RZA brings back his Bobby Digital alter ego during his verse & the one line he makes midway through his part about how he can turn Lady Gaga heterosexual again was pretty hilarious. The track “People Say” sees Deck, Meth, Rae & Masta Killa linking back up with Redman alongside to get braggadocious over a very soulful boom bap beat. “Family” is a 1 minute skit containing a sample of a mother talking about family (hence the title) & the next song “Why Why Why” is basically a conscious RZA solo cut over some funky bass & some decently sung vocals from Swnkah.

The track “G’d Up” is basically Meth & R-Mean talking about being just that & the beat is pretty luscious, but the Mzee Jones hook sounds like a cut-rate T-Pain. The song “If What You Say Is True” sees Cappadonna along with GZA & Masta Killa getting with Streetlife to spit some abrasive battle rhymes over some sinister horns. The “skit” Saga is less of a skit & more of RZA spitting about haters not wanting the Clan grow & even a cool reference to the Flint water crisis over some beautiful strings. The 91 second “Hood Go Bang!” has a decent Redman hook, but then lone verse that Method Man delivers nearly has the same rhyme scheme throughout that it’s crazy. The final song in the track listing is “My Only One”, where Cappa along with The Abbott & Tony Starks rap about their boos over a grimy instrumental. The next 2 tracks are just a 2 minute interlude with a funky instrumental & long spoken word sample & then a 45 second monologued outro from the RZA over the same instrumental as the one in the intro.

At the end of the day, this was a lot more consistent than the last few group albums. It feels more like a compilation considering the fact that there’s only 1 or 2 group members on a number of tracks & U-God not being on it at all, but everyone including almost all the features go & Mathematics probably made it the Clan’s most well produced album since The W

Score: 4/5