The Serial Killers are a west coast supergroup consisting of B-Real, Demrick & Xzibit. Joining forces on Halloween 2013 by dropping an eponymous debut mixtape under Open Bar Entertainment, they would go on to follow it up a couple years later with The Murder Show & followed it up with the Day of the Dead extended play. Their debut album Summer of Sam would come out in the fall of 2020 despite its title getting more political than the trio’s earlier output, reuniting to have Scoop DeVille produce the sophomore effort.

“SK Anthem” sets the tone with this grisly boom bap intro spitting the kind of raps that’ll make you wanna punch someone in the face whereas the title track aggressively talks about the trio building a circle of trust together. “Call the Cops” gives off an old school hardcore vibe dropping bars that’ll make people snitch to the Feds leading into the horn-infused “Fired Up” advising against people trying their luck because each of them being vexed.

Moving on from there, “Levels” talks about improving oneself if anybody’s striving to reach the top just before “Hand Grenade” goes full rap rock so they can end the 1st leg boasting that they can walk through Hellfire & communicate with the dead. “High Energy” continues the 2nd leg of the album talking about life being this much of a trip & time being money while “Anarchy” encourages those listening to start promoting the strength we have instead of that other bullshit.

“Slippin’” nears This Thing of Ours’ conclusion incorporating some strings talking about keeping an eye out for the other side & not letting them catch you fuckin’ up while “By Any Means” speaks of constantly staying more solid than the concrete & representing the west coast. “We’re the Killers” finishes up the album with this ghostly boom bap outro talking about fearing no man & the lyricism of each member proving to be more deadly than fentanyl.

Summer of Sam to me was a lot enjoyable than The Murder Show or Day of the Dead were, but the Serial Killers return a little over halfway through the 2020s with Scoop DeVille behind the boards to make This Thing of Ours the greatest LP of their entire existence. Scoop’s production hits harder top to bottom as opposed to the predecessor having a couple lackluster moments instrumentally & I like that they refrained from having any guest appearances to focus more on their synergies.

Score: 4/5

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