This is the 8th mixtape from Detroit emcee Babytron. Coming up as a member of the trio ShittyBoyz along with his childhood friends Stanwill & TR Dee, he also branched out on impressive solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. But the last couple years was probably his biggest yet landing interviews ranging from No Jumper to even Rolling Stone following the release of Luka Trončić a couple summers prior to signing with EMPIRE Distribution later that same month & then Bin Reaper 2: The 2nd Coming that same fall. But now coming off Megatron last spring & a spot in the 2022 XXL Freshman Class a couple months later, he’s dropping the other half of the final installment of the Bin Reaper trilogy.
“Forever $cams” is a suspenseful hyphy opener with Tron talking about never stopping whereas “Next Level 2” works in multiple beat switches as he welcomes everyone to the next chapter. “Michigan Ave” has a bit of a catchy groove or rhythm to the instrumental advising to meet him on the titular road, but then “#FREEUNKY” comes through with a more uncanny sound courtesy of Detroit trap veteran Helluva shouting out his uncle that’s currently incarcerated.
Meanwhile on “Gimme Dat”, we have Lil Yachty coming into the picture with Babytron for an explosively raw trap hit as they talk about popping out that cut prior to “CatDog” with Babyface Ray finds 2 of the best rappers in Detroit at the moment calling out those who be talking shit online & backing down in person over some triumphant Bay Area inspired production. Cordae tags along for the mellow “Beetleborgs” getting on some category 5 type shit leading into “Mr. Hanky” referring to himself as the shit over a trap instrumental with a menacing loop.
“Remote Control” finds Tron doing his thing with some beat switches sampling shows ranging from Kenan & Kel to Samurai Jack just before “R.I.P. Hutch” with Rico Nasty & Remble has more vibrant tone to it as the trio deliver a party anthem. “Mike Amiri Monster” is a 2-parter with a piano-trap crossover during the first half & some background vocals for the other referring to himself as such while “Golden Child” mixes some hi-hats & saxes talking about feeling like an Egyptian with all the ice he is.
Following that, “Euphoria 2” has a more dramatic approach in terms of sound reminding that tomorrow’s price isn’t the same as today’s whatsoever while “Sunday School” calling out another for having the sauce yet it’s far from marinated over some keyboard melodies mixed with strings & hi-hats. “Dirty Draco” with KanKan keeps the pianos in tact as both artists speak on sipping Faygo & staying strapped while Certified Trapper’s feature on “Zap Zone” is one of the weakest on the tape despite the whistling loop & the claps within the beat & the lyrics talking about having a game to win.
“Ricky Henderson” compares his lil brodie to that of the titular baseball player accompanied by a wavy trap instrumental while “Waffle House” by the ShittyBoyz, Drego & Beno, RMC Mike, Babyfxce E, JHunnit & Prince Jefe is a decent 3 & a half minute Detroit posse cut. “Mainstream Tron 2” has a cloudy aesthetic to it talking about how it’s all rah-rah with the yacht & the Glock.
As for “100 OVR”, the beat blends these strings & bells as Babytron explains that his crew still sin because all dogs go to heaven as well as calling himself a hustle fiend while “Za Morant” returns to a more atmospheric vibe talking about him balling. “You Would’ve Thought” with DaBoii pulls from nu disco as they both flaunt their success to those who didn’t believe in them while “Animorph” gives off a more saddening feel expressing the pain of watching someone he once respected turning into a snake.
The instrumental throughout the “2 Ea$y” is more horn-laced talking about being the early birdie while the penultimate track “Tronalation 28:27” is a synth/hyphy crossover as Tron confesses that he can’t trust what some fraud has to say to him. “I Can’t Call It” with $camaurion” closes out the tape admitting that they don’t know what they be on these days with a thumping bass-line, some chords & hi-hats.
Although I’d still say that Old Testament is my favorite between both parts of the Bin Reaperfinale, that’s not to say New Testament isn’t worth the time of anyone who’s been following him up to this beat Other than it being a little longer than it should’ve, the 2 things that really wowed me the most about it was the fact that the feature-list is more consistent in comparison to Babytron’s past efforts & the insane punchlines that he endlessly comes up with
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