KanKan – “F.E.B. (FUK EVRY BDY)” review

Finally getting the 3rd studio LP from Dallas, Texas recording artist & producer KanKan. Emerging in 2019 as a member of Slayworld & by landing production credits for a wide range of artists from Summrs to even Little Pimp, he’s also dropped an eponymous debut mixtape as well as 21 EPs & a couple full-lengths. Although it’s already been a few years since we last heard from Kan, he’s returning over 25 months following his sophomore effort Way2Geeked by releasing F.E.B. (FUK EVRY BDY) only less than 24 hours since it was even announced.

“Fuk What U Sayin’” begins the comeback with a plugg instrumental talking about the old version of him being history whereas “Make No Sense” flexes that he counts racks & hits the border immediately after. “All Typa Shit” has one of my favorite beats on the entire album talking about luxurious materials just before the exuberant “Thru da Storm” floors it when everyone chooses to take off.

As for “Redeye Flight”, we have Kan talking about spraying mags & having a brand new stash while “Group Home” boasts that he counts new money on a daily basis like it’s some kind of cycle. “3Skii” goes for a more sinister atmosphere carrying ice around his neck & his cup after being away for so long while “Overtime” tells the coach to put him in the game since it’s going past regulation.

“Told” continues to finish up the first half of F.E.B. (FUK EVRY BDY) with some synthesizers talking about him keeping everything P while “Fuk How They Feel” accidentally spills lean all over his Rick Owens jeans, raising his prices as a result of the whole mishap. “It Get Scary” talks about having absolutely 0 love for the other side leading into “Yellow Taped” boasting that he & his friends have made millions with one another.

Moving on from there, “Real Solja” talks about only poppin’ out for a check & whacking artists instead of trying to collaborate with them while “Wet ‘Em Up” flexes that he’s so high in the sky the point where he’s gonna have to need a parachute. “BMG (Long Live Scooter)” gives his flowers to the late Young Scooter who tragically lost his life on his birthday this spring while “Ain’t No Turnin’ Back” refuses to waste any more of his time.

“Can’t Wait Up” talks about his big dog status with new money coming at an impressively consistent rate while the pluggnb-driven “Bringin’ Me Back” tackles the concept of drug addiction, always relapsing whenever he attempts at kickin’ the habit. “Can’t Go Back” finds himself unwilling to climb back at the top since it can be lonely at times while “So Many Nights” talks about having dreams of his death.

The song “Outta Town” gets ready to conclude F.E.B. (FUK EVRY BDY) by leaving the city with a freak hoe getting geeked up with one another while “All Black” talks about his outfit preferences treating the Wock like it’s some kind of trophy. “RR P.R.E.” featuring Summrs however reunites both Slayworld alumni to finish things off calling for all their homies who’re locked behind bars at the moment slidin’ to the function with black trucks & masks up.

Some of you may remember me condemning the series of transphobic disses Dave Blunts hurled towards KanKan’s way during the same weekend as the Endeavor-owned TKO Group Holdings division WWE’s WrestleMania XLI when You Can’t Say That was released & to the surprise of absolutely nobody, F.E.B. (FUK EVRY BDY) clears it by taking it back to the prominently heavy plugg leanings of self-titled down to it’s secondary influences of cloud rap & trap.

Score: 4/5

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Autumn! – “Rolling Stone” review

Lafayette, Louisiana rapper, singer/songwriter & producer Autumn! starting the 4th quarter of 2025 with his 6th LP. Gaining traction off all 19 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 3 years ago with his sophomore effort Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick delivered a sequel to Solitary last spring, You Never Was Mine in the summer & ##B4B2MR in the winter. After going Back 2 My Roots this spring, he’s taking on the persona of a Rolling Stone.

The self-produced “Hermes Carpet!” opens with a pluggnb intro telling his ex that her new man can’t ever take his spot whereas “Keys to the Benz!” psychedelically talks about trying to see what’s going through his lover’s mind. “Eddie Wuncler!” gives off a bit of a drum & bass vibe venting over a woman trying to get with him prior until the confidentially tropical “Trip to the Islands!” talks about never getting back what was stolen from him.

“Rebound!” reaches the halfway point of the album with an ambient plugg direction discussing champagne being the only kind of pain he knows while “Tired of Running!” talks about wanting to make this chick his. “Caught in Your Storm!” describes the certain type of fire in his partner’s eyes on the pluggnb tip while “Waiting for Love!” promises to rob anyone who fuck with his romantic interest over a vocal sample.

The song “Private Locations” begins to wrap up Rolling Stone’s final moments with Wick talking about going from filling out job applications almost a decade ago to becoming a rockstar meeting with hoes discreetly while “When You Left! / 1 Way! 3” finishes twinuzis’ 2nd full-length of 2025 in the form of a 2-parter thanking the ex that inspired him to make the biggest song of his career, which the 2nd half is the trilogy chapter of.

“No More Talking!” starts the deluxe run with a psychedelic plugg beat making it clear that some of the money he be making isn’t all clean while “Get Out the Way!” shares that very same advice to anybody in his face who’s broke. The rage-inducing “Canon Event!” talks about being in the fast lane & after “Better Off Alone!” admits he was lost for a second, “Finally Rich!” finds himself unable to resist flexing on his competition.

We get some synthesizers during “No Breaks!” talking about being under the impression at a hoe made a wish in the shooting star a.k.a. his Wraith while “Critical!” explaining that this paper is all he’s getting as of late. “Chopsticks!” warns that he carries 2 Glocks on him as if he’s Mad Max & the final bonus track “Devil in Miami!” talks about praying for a woman who met Lucifer himself in the 305.

Standing beside Back 2 My Roots in terms of being the greatest material Autumn! has made since signing to 10K Projects regardless of the latter from this spring feeling repetitive to others, his production on this one primarily focuses on the styles of pop rap as well as trap & alternative R&B rather than maintaining the plugg/pluggnb origins he returned to 6 months ago giving a glimpse of where he’s at in his career almost heading into 2026.

Score: 4/5

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Yeat – “Dangerous Summer” review

Portland, Oregon rapper Yeat elusively announcing his 7th EP earlier this week & it’s finally here. Emerging in 2018 off his debut EP Deep Blue $trips, he’s been dominating the mainstream since 2021 whether it be him dropping several projects or receiving cosigns from the likes of Drake & Earl Sweatshirt. He eventually signed to Geffen Records, who backed his sophomore effort albeit major label debut 2 Alivë & it’s companionable deluxe EP Gëek Pack shortly after. Coming off his 5th mixtape Lyfë a few summers ago alongside Aftërlyfe & the experimental Capitol Records debut 2093, he went back to his roots to rep the Lyfëstyle & has returned 10 months later for a Dangerous Summer.

“Put It Ong” produced by BNYX of Working on Dying hops over a vocal sample with some synthesizers & hi-hats flexing that he can make $1M in a week tops whereas “Loco” travels towards a rage-inducing direction thanks to Synthetic of Internet Money Records admitting that the money got him going insane. “Loose Leaf” finds himself talking about a woman who loves percs & pearls leading into “Oh I Did” featuring NGeeYL finds the pair refusing to even waste a minute.

Meanwhile on “Comë n Go”, we have Yeat over some quirky synths to tell a bitch to come out & show him exactly how thankful she is that he showed her his Lyfestylë just before “[ADL IS COMING]” preludes the man’s upcoming 6th LP A Dangerous Lyfë. “I’m Yeat” was a fun west coast trap/rage single talking about the kind of guy he is while “M.F.U. (Middle Fingers Up)” featuring SahBabii finds the pair breaking down the way they live until the end.

“2Tone” featuring Don Toliver starts the last leg of Dangerous Summer going back-&-forth with one another over a futuristic beat thanking God for the times they used to pray for coming to fruition while “Fly Nitë” featuring FKA twigs serves as a duet wanting to proven why they shouldn’t leave each others’ sides tonight. Last but not least, “Growing Pains” finishes up the EP by talking about feeling as if he’s going insane.

Whether we get A Dangerous Lyfë by the end of 2025 or at some point the following year, Yeat reunites with BNYX for a 34 minute precursor that’s less 1-dimensional regarding the production & bringing a menacing demeanor with only less than a couple months until fall begins. In terms of consistency from the guests, the last 2 features at the backend of it suit the vibes the Lyfestyle Corporation founder was going for.

Score: 4/5

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Autumn! – “Back 2 My Roots!” review

This is the 5th studio LP from Lafayette, Louisiana rapper, singer/songwriter & producer Autumn!. Gaining traction off all 19 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Recordsright following the Not Much Left EP, he made his major label debut nearly 3 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick delivered a sequel to Solitary last spring, You Never Was Mine in the summer & ##B4B2MR in the winter. To end the 1st quarter of 2025, it’s time for him to go Back 2 My Roots.

“Replica!” sets the tone of what’s to come excellently with the self-produced plugg instrumental talking about the only thing he copies is Margiela whereas “Brainrot!” named after a term I feel like out-of-touch people use to call dank memes rocks Balmain showing respect to the late Lil Keed. “Passenger Princess!” keeps the plugg vibes going for a love song about his glock leading into “Sunburn!” sampling “Plastic 100°C” by Sampha & shouting out Summrs only having Burberry material on his end.

As for both “Something New!” & “Laws of Power!”, we have Autumn! taking a couple ##B4B2MR highlights & placing them on the final version of the album just before “Upper Echelon!” maintains the plugg sound talking about seeing the limelight. “Louie V Everything!” featuring Summrs on the remix expresses their love for Louis Vuitton referencing the Rockstar Games-owned Grand Theft Auto V protagonist Trevor Philips, but then “1 Way 2!” throws it back to the Antagonist! sequel aesthetically.

“Still the Same 3!” continues a trilogy that began with his breakout single stuck in a place he wants to forget while “Both Ways!” talks about his hoes being bisexual. “Did It Again!” a lot like “Something New!” & “Laws of Power!” reappears after being on ##B4B2MR while “Count It Faster!” talks about stacking his racks up. “Free Promo!” flexes his brother moving in slow-mo because of the lean while “Stuck in a Loop!” admits to the way he feels at times. “When I Pray” finishes Back 2 My Roots waking up with money on his mind.

##B4B2MR promisingly had many including myself thinking that Back 2 My Roots would be a return to form for him considering the mixed reception of You Never Was Mine almost 9 months ago & I personally would tell you that it’s the most I’ve enjoyed his music since Golden Child 3! exactly 3 years to the day it dropped. It’s primarily self-produced other than a couple tracks delving back into the plugg sound that made him blow up & he’s more focused than some of his recent output.

Score: 4/5

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Autumn! – “##B4B2MR” review

Louisiana rapper, singer/songwriter & producer Autumn! preluding Back 2 My Roots with his 19th EP. Gaining traction off all 18 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick just delivered a sequel to Solitary in the spring & You Never Was Mine over the summer, but is surprise-dropping ##B4B2MR ahead of the main course.

“Something New!” starts with a psychedelic, self-produced plugg intro talking about not doing any 9-5s since his money be ridin’ tryna show his girl some new shit while “Laws of Power!” works in some synthesizers to talk about 10 rules that he lives by daily. “Both Ways!” heads for a cloudy trap direction instrumentally likening his hoes to Cullinan doors since they’re bisexual flexing that he’s still talkin’ hot & “Did It Again!” finishes the EP by keeping it atmospheric promising that this is only the beginning for him.

Wick’s last couple offerings Solitary 2 & You Was Never Mine were both welcomed to mixed feedback having less of a plugg emphasis to them focusing more on pop rap, trap & Chicago drill containing highlights that demonstrate his artistic range. However considering Back 2 My Roots’ title & the prominent plugg direction he goes for on this prelude, these are huge indications that Autumn!’s next body of work will mark a return to form to the sound that blew him up.

Score: 3.5/5

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Yeat – “Lyfestylë” review

This is the 5th studio album from Portland rapper Yeat. Coming up in 2018 off his debut EP Deep Blue $trips, he would followed up with 2 mixtapes & 3 more EPs before beginning to dominate the mainstream in 2021 whether it be him dropping a total of 4 projects (2 mixtapes, an EP & a full-length debut) or cosigns from the likes of Drake & Earl Sweatshirt. He eventually signed to Geffen Records, who backed his sophomore effort albeit major label debut 2 Alivë a little over a year ago & then a deluxe EP Gëek Pack shortly after. Coming off his 5th mixtape Lyfë couple summers ago alongside Aftërlyfe & the experimental 2093, he’s back to rep the Lyfestylë.

“Geek Timë” is this rage-inducing opener with Yeat boasting that he hits with the 10 instead of the 5 whereas “STFU” takes the Memphis route instrumentally sampling “Test My Nutz” by 2 Low Key to talk about being outside with the rag. “They Tell Më” heads back towards a hypertrap direction even though it’s one of the more repetitive moments lyrically, but then “Heard of Më” maintains a rage vibe altogether thanks to both Internet Money Records in-house producer Synthetic as well as venny talking about being geeked up like a God.

Moving on from there, “Speedball” sticks to the signature sound that many have come to know him for gettin’ this motherfuckin’ bag carryin’ a Glock by side in the process leading into “U Don’t Know” keeping the rage beats going leaving everyone who eventually tried him dead. “Orchestratë” has these prominent horn sections throughout that I found myself enjoying running it back up every weekend just before the sinister “Bë Quiet” featuring Kodak Black talks about being way too rich.

“The Costës” continues the dense, buzzing synth work with repetitive chord progressions & melodic synth leads wantin’ to know what y’all need so he can do the opposite while “Go2Work” featuring Summrs finds both SlayWorld members over a hypertrap instrumental comparing themselves to demons lurking during the evening. “Gone 4 a Min” suggests that maybe he’s bad for his own good throwing it back to Ye or the Nazi formerly known as Kanye West’s 4th album 808s & Heartbreak with the beat while the synth-driven “Forever Again” asks a dead man walking if he remembers him.

As for “On 1”, we have Yeat turning the rage back up shrugging off the lyfestylë is what others wants to be instead of them thinking they actually be living it out here while “Flytroop” maintains a hypertrap aesthetic dissing Lil88. The bassy “Eliminatë” talks about not needing a lamp or light since he already knows where the fuck he’s at while “Lying 5 Fun” flexes that he’s on a new level as further justified by 2093 & everyone else thinking he was done hooking up more synthesizers & hi-hats.

“New High” featuring Don Toliver psychedelically finds the pair dropping braggadocio while the synth-trap crossover “So What” admits to being fried. The title track featuring Lil Durk energetically sees both of them rockin’ out while “God Talkin’ Shhh” addresses everyone who thought of him as a pilgrim. “Lyfë Party” asks shawty if she’s being real on top of promising shit hasn’t changed & “Fatë” ends with him ridin’ with the windows down in this bitch.

Starting the deluxe run, “Project Lyfestylë” is this siren-heavy dedication to his Field Trip Recordings & Capitol Records imprint Lyfestyle Corporation while “For Lyfë” asks if anyone would want to do this with him for the rest of their lives. “Night Come” talks about feelin’ himself since he’s high as Hell at the moment & wanting to know why you so basic over more synths & hi-hats while the raging “5Brazy” featuring Quavo on the remix interpolates “TURNMËUP” spazzing out.

“Barbarian” futuristically dares y’all to come out & fool his squad with all them sticks they’re carrying while the blaring “Gravëyard” talks about Lyfestyle party wanting everyone to come on in & bring a friend. “Gonë” sticks to his hypertrap guns suggesting that he could be trippin’ while “Style Lyfë” showing off his flytroop status once more. The final bonus track “Back Thën” ends the deluxe complexed between not wanting to be alone & those who won’t leave him alone.

2093 marked a stylistic departure from Yeat since he took on more of a industrially experimental hip hop sound in comparison to rage & if you were disappointed in that previous LP even if I think it’s the best thing he’s ever done, you’ll probably find yourself preferring Lyfestylë. The production mainly returns to the hypertrap sound that made the Portland star a household name with additional elements of pop rap & experimental hip hop showing off a handful of new obsessions whether it be telling lies, gazing with wonderment at lights, threatening to cut people’s heads off like the Red Queen.

Score: 3.5/5

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Summrs – “Nightfall” review

Lafayette, Louisiana recording artist Summrs once again preluding his upcoming 10th album Tale of da Raven with his 16th EP & the 2nd of the year following B4daRaven. Starting out as a member of the Goonie-founded Slayworld collective, his presence has been known predominantly in the plugg scene by constantly dropping projects whether it be his last EP What We Have or even the Fallen Raven LP, both of which I highly recommend listening to if you wanna get into his music. Stuck in My Ways & Ghost were cool, but Rino brought back the plugg elements that Ghost lacked on the official What We Have sequel What We Didn’t Have last September & was curious of what direction Nightfall would take.

“Bentley Mulsanne” starts the final EP ahead of the next LP boasting that he’s at the top of the food chain over a futuristic trap instrumental whereas “F.W.W.Y.N. (Fuck Wrong With Y’all N****s?)” brings a cavernous trap beat to the table talking about never catching him slip. The hollowly produced “Phantom Musik” confesses he still doin’ things wrong thinking everything was right while the vibrantly catchy “F.O.B. (Family Oriented Business)” produced by Synthetic of Internet Money Records discusses coming for his. “Marble Floors” was a great trap/regalia crossover & the outro is a rage-inducing anthem for his fans.

B4daRaven had more of a prominent pluggnb/pop rap sound with cloud rap undertones in comparison to What We Didn’t Have astoundingly returning to Rino’s plugg roots, but the overall vibe on Nightfall generally leans more toward straight forward trap in comparison although you do get hints of cloud rap along with regalia & even rage. That tells me all of these sounds are gonna come together into 1 by the time Summrs himself feels ready to tell the Tale of da Raven sooner rather than later.

Score: 3.5/5

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Autumn! – “You Never Was Mine” review

Here we have the 18th EP from Louisiana rapper, singer/songwriter & producer Autumn!. Gaining traction off all 17 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick just delivered a sequel to Solitary in the spring & is back for You Never Was Mine.

“Now They Shocked!” is a vibrant plugg opener telling y’all to best believe whereas “F My Wrist!” keeps working synthesizers & hi-hats talking about what happens when your pockets start getting heftier. “Take Her Phone!” takes the cloudier route instrumentally brushing off the bullshit & going in at those who thought it was over for him, but then the synth-driven “Force His Hand!” addresses everyone that lost their minds.

The rage-inducing “Scammers Jackboys Robbers!” rounds out the first half of the EP discussing the type of people he hangs around while the beat on “Rose Gold Patek!” kinda gives me Detroit trap vibes showing off his new luxury watch you can’t find anywhere else. “Passionfruit Lemonade!” talks about being rich forever over synths & hi-hats just before the piano/trap hybrid “How You Mad!” shows off 30 bitches in his crib.

“Undercover!” nears the conclusion of You Never Was Mine blending a psychedelic loop with his-hats bragging that he made a total of $200K in only the span of 11 days & finally, “Backcourt!” officially ends the 2nd EP that Wick’s given us this year talking about knowing someone that chose the wrong side asking God for only bad bitches & fast cars explaining that at least he got his bread up regardless if he might not be happy yet at this point in his life.

What was supposed to be R5 and Pretty Girls & Fast Cars wound up becoming the first installment of a trilogy that makes me curious as to where he’ll go from here on the other 2 installments later once that time comes. His production maintains the trap/pop rap sounds of Solitary 2 except Autumn!’s swapping out the Chicago drill undertones of that previous EP in favor of rage & pairing it with additional elements of plugg.

Score: 3.5/5

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Autumn! – “Solitary 2” review

Lafayette, Louisiana rapper, singer/songwriter & producer Autumn! starting his 2024 by releasing his 20th EP. Gaining traction off all his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Recordsright following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Ahead of Pretty Girls & Fast Cars however, we’re being treated to a Solitary sequel first.

“Where Yo Cash At!” begins the EP on an airy plugg note calling cap over those lying about how much money they really have whereas Not One!” takes the playful trap route instrumentally clarifying that he only fucks hoes as opposed to being in love with them. “Can’t Keep Up!” futuristically gives insight into Twinuzis’ relations & his issues with women only caring about his wealth rather than him, but then “Up to Speed!” kinda has this rage-inducing vibe to the beat talking about needing P’s instead of hoes.

The cloudy, self-produced 2-parter “Richer Man! / Get In Yo Bag!” expressing self-awareness of them being mad ’cause he hates rappin’ & it still made him $1M alongside getting out of your feelings to by stacking your chips while the dynamically atmospheric “Balmain! / Self Healing!” begins with an ode to the French luxury fashion house of the same name & that playing with money is self care for him. “Solitude!” hooks up some synths & hi-hats to overcome his past struggles just before the moody “Don’t Come Around!” explains that she’s just not the one for him.

“What’s the Point!” spaciously begins the final leg of the EP by trying to figure out what the point is of everyone trying to come & test him leading into “Average Night!” going for a subdued plugg sound describing what a regular night is for him at this point. “Uptown Coolin’” finishes Solitary 2 with this cloudy trap teaser to Pretty Girls & Fast Cars talking about the dreams of a young kid who has to use cracked programs to make a vision coming into reality.

Nevertheless of Solitary coming out only 6 months before I started listening & reviewing Wick’s music if I’m being honest with myself, the sequel over here takes everything that made it’s predecessor exciting & taking it to a new level. You still get the cloudy, poppy trap rap from previously with the pluggnb undertones along with him occasionally dabbling in rage for the first time in a couple years considering the last time we heard him in that particular style was Antagonist!.

Score: 3.5/5

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Summrs – “B4daRaven” review

Lafayette, Louisiana recording artist Summrs preluding his upcoming 10th album Tale of da Raven with his 15th EP. Starting out as a member of the Goonie-founded SlayWorld collective, his presence has been known predominantly in the plugg scene by constantly dropping projects whether it be his last EP What We Have or even the Fallen Raven LP, both of which I highly recommend listening to if you wanna get into his music. Stuck in My Ways & Ghost were cool, but Rino brought back the plugg elements that Ghost lacked on the official What We Have sequel What We Didn’t Have last September prior to B4daRaven.

To start the EP, “Curbside at The Ritz” goes pluggnb talking about people throwing apples in the trash if he was passing them out back then whereas “Made Man” works in some heavier synthesizers flexing that he’s a soldier & the man with a plan. “Situationships” has a playfully cloudy tone to it referencing a bunch of women that he was previously with all by name, but then “Sneaky Link / Love That For Us” is this incredibly sequenced 2-parter telling a hoe who think she’s Sexyy Red that they ain’t ever done. The song “Drank n Sex” is this fun ode to lean & intercourse while “In Our Favor” continues the pluggnb vibes pointing out the people that need a savior just before “Brioni Shawl Colla / Catfish” concludes the EP with another 2-parter except he’s really talkin’ on this bitch.

B4DaRaven very much carries on the plugg/pluggnb elements that What We Didn’t Havereturned to after Stuck in My Ways & specifically Ghost lacked in that particular style. If that indicates anything to me, it’s that Tale of da Raven could very much be a spiritual successor to Fallen Raven of sorts. The production during it’s 19 minute duration is consistently chill as the last album was & the performances from Summrs himself are as strongly catchy similarly to the sequel to his best EP. However long the album takes, this prelude off in the meantime will hold off until then no problem.

Score: 4/5

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