Pradabagshawty – “Home Invasions” review

This is the debut mixtape from Columbia, South Carolina born albeit Atlanta, Georgia up-&-comer Pradabagshawty. Introducing himself in the spring of 2023 off Bloxk Addiktion, his popularity within the plugg subgenre of trap continued to grow last year by putting out 3 more EPs in 1 Love as well as his Cegular Records/Sony Music debut 10 Freak Ho’s of course debut Forever & After. His newest EP B What You B only 3 months after inking the Sony deal has quickly become the most popular entry of his catalog so far, returning a few months later to put out Home Invasions.

“She Tinder” kicks off the tape with a plugg instrumental from Dstarkel talking about being in love with his girl as much as he is with the kush whereas “Good Morning” continues to bring a mellow flare to the table referencing the greatest basketball player of all-time Michael Jordan. “Hands Up” feels more like a YounnMoh cut since Pradabag barely has any presence flexing over synthesizers about the bitch he just fucked while “Sweater Weather” refuses to snitch after landing in court unlike Akon.

As for “Hop Aht”, we have Pradabag over some quirky synth leads & hi-hats talking about popping out of the ride with the sticks on him leading into “Showered Up” keeps the plugg vibes going using the backdoor on any opp leaving them for death. “Lucky Charm” heads for a cloudier approach advising anyone who wants to fuck with him to go fuck themselves, but then “Duck” produced by WhyCeg talks about making people hide when he pulls out the Glock.

“3am Lobby” begins the final leg of the tape on a lo-fi trap note boasting that nobody’s doing it like him & riding around with guns on him while “Ruthless” talks about taking issue to people crossing over his squad showing them absolutely no mercy. ImSoMarcus takes up “Too Much” hanging with the slimes instead of lames & after “Shooting Star” lets off rounds at a cop car, “Do Re Mi” wraps it up letting the chopper sing some more.

Other than not being so sure why he takes a backseat in performing every time letting the features take up a good chunk of the tracks they’re on, Home Invasions takes Pradabagshawty even higher as an up-&-coming plugg artist maintaining the quality production of the EP that got me into him back in February breaking down more stories of his life being a gangsta trying to make it out of the trenches.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Naomi Sharon – “The Only Love We Know” review

Rotterdam, Zuid-Holland, Netherlands singer/songwriter Naomi Sharon with a brand new EP. Starting in 2018 with her debut single “Breeze”, she would go on to release 4 more singles until Toronto, Ontario, Canada superstar Drake signed her to OVO Sound for an impressive debut Obsidian giving a refreshing take on the way the label delivers alternative R&B going beyond that in favor of neo-soul, afrobeats, afro house, downtempo, sophisti-pop, deep house, ambient pop & smooth soul. Year & half later, Naomi’s back to address The Only Love We Know.

“Bittersweet” is a passionate intro asking if her & her partner can simply be while “Can We Do This Over?” works in elements of smooth soul, sophisti-pop, downtempo, contemporary R&B & neo-soul asking for a redo since she doesn’t want closure. “Calm Waters” finds her wishing on a star pleading to be in the presence of her romantic interest again while “Soft Like Dawn” sings about things not feeling sane when you’re unsure & drifting away.

The song “Feels Like Home” portrays herself as a woman who deserves better despite sharing in her current relationship & the title track produced the EP’s executive producer Jordan Ullman of Majid Jordan closes out the transformative successor to Obsidian showing some gospel influences reflecting on the time she spent with her ex-husband Jamie Sun.

Aiming to exceed the high expectations her debut had set, Naomi easily clears the new Drake & PARTYNEXTDOOR collab album $ome $exy $ongs 4 U and Roy Wood$’ most recent EP Dark Nights diving into the emotional complexity of moving on from experiences that no longer serve your happiness. Jordan’s honest chemistry with OVO’s First Lady crafts a solid base of intricate sophisti-pop, alternative R&B, downtempo, neo-soul & adult contemporary for a journey through the beautiful, the broken & everything in between.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

André 3000 – “7 Piano Sketches” review

Brand new surprise 3rd EP from Atlanta, Georgia emcee, singer/songwriter, producer, actor & the Prince of hip hop André 3000. Coming up as 1/2 of the greatest hip hop duo of all-time OutKast with Big Boi whom he met at Lenox Square Mall when they were both 16, they were also a part of the Dungeon Family collective & released some of my favorite music EVER! This includes ATLiens, Aquemini, Stankonia & Speakerboxxx / The Love Below. The 2nd disc of which was basically the closest thing we got to a solo album from 3 Stacks up to this point. However after what would eventually be their final album Idlewild serving as a soundtrack to the movie of the same name, they would focus on their solo careers. Francis the Savannah Chitlin’ Pimp mostly notably putting out 3 full-length LPs of his own as well as an eponymous EP as Big Grams & an eponymous debut album as Big Sleepover too. André 3000 however stuck to doing features & pursuing an acting career, putting out an avant-garde jazz EP on Mother’s Day 2018 called Look Ma No Hands & signing to Epic Records for the new age ambient-driven solo debut New Blue Sun to critical acclaim. Moving Day was a fine collection of 2 outtakes from the New Blue Sun sessions & has laid out 7 Piano Sketches out of nowhere.

“Bluffing in the Snow” was a great intro to the EP showing off his keyboardist abilities for 3 minutes whereas “& Then One Day You’ll…” works in some more cumbersome tone to the notes he’s playing further assuming “die” to be the missing word in the title of the composition prior to the 34 second “When You’re a Ant & You Wake Up in an Awesome Mood About to Drive Your Son to School Only to Discover You Left the Lights on in the Car Last Night, So Your Battery is Drained” interlude.

The name “Hotel Lobby Pianos” goes for that exact vibe feeling like I’m walking into Circa Resort & Casino or any other high quality resort on the verge of checking in just before “Blueberry Mansions” turns it up on the luxuriousness for almost a couple minutes. “Off Rhythm Laughter” lives up to its name playing the piano overlapping a laughing sample that’s not on rhythm. “I Spend All Day Waiting for the Night” finishes by adding some drums in the fold for a climatic closer that I can hear at the end of a show or a movie.

Not too shocked to see people complaining about him doing anything except dropping a whole hip hop album but like I said when I reviewed New Blue Sun: André 3000 is literally one of those guys who can do just about anything & can find a way to pull it off. Instead of him using woodwinds like he did on that LP & the previous EP Moving Day, he’s playing the piano with hints of spoken word because of every track starting with the track number & title being said out loud for an easy listening experience.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Roy Wood$ – “Dark Nights” review

This is the 5th EP from Brampton, Ontario, Canada rapper & singer/songwriter Roy Wood$. Signing to Drake‘s very own OVO Sound a decade ago already, he has since gone on to release a total of 3 full-length studio LPs & 4 EPs, with the most notable of the handful being the 2015 debut EP Exis & of course the debut album Walking at Dawn the following winter. Rolling Stone back in December felt like a bunch of uninspired Weeknd runoff & is looking to take us on a journey through the Dark Nights nearly 2 months since Drizzy followed the current 4-time WWE Women’s Tag Team Champion Liv Morgan on social media regardless of her on-screen relationship with the newest WWE Intercontinental Champion Dominik Mysterio.

“So Obvious” begins by talking about clearly seeing this woman in pain advising her to lay her problems out in front of him whereas “Stay with Me” after a brief interlude asks for his lover not to leave him & asking what he has to do for their love. “Whatchu Mean” comes off as another Weeknd bite addressing an individual who has no love for themselves just before “What I Used to Get Into” produced by Drumma Boy talks about being different as of late.

To start the 2nd half, “Like You” embraces an alternative R&B vibe continue to copy The Weeknd singing that he’s as fucked up as his romantic interest is while “You” asks how did he ever let this relationship go wrong. “Disrespectful” speaks on a woman who’s constantly talking over him & “Tell Me What I’m Living For” responds by saying respect isn’t hard to show.

Roy initially saying that Dark Nights was gonna mark a return had me hoping that he would improve from the lackluster reception his most recent output has been receiving, but it’s still the same ol’ generic alternative R&B & pop rap we’ve been getting from him in who knows how long at this point. I understand the situations of betrayal he’s been through are very much real, the execution of it is what leaves little to be desired.

Score: 2/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Whyceg – “Cegregation” review

Atlanta, Georgia producer, audio engineer & recording artist Whyceg releasing his sophomore effort under his Sony Music imprint Cegular Records. Properly introducing himself to the underground in the summer of 2022 off his debut EP Grey Areas alongside the superior follow-up Cegular over a year later & of course the debut mixtape Yin & Yang a couple months later, his full-length studio debut Ceg Year would arrive in the previous February, signing both Babystaydown & Pradabagshawty to Cegular afterwards with each of them becoming successful in their own unique ways this past fall. Unlike their mentor’s previous solo efforts however, he chooses to take a backseat vocally approaching Cegregation & a list of guest performers to do what they do best over his production.

“Go Far” by 2sdxrt3all begins with a plugg intro talking about being disappointed by people tearing his heart in half whenever he shows them love whereas “Creep” by B6 decently blends gangsta rap lyrics & a dark plugg instrumental together for a passable single if you’re a fan of those styles. “In the Blind” by FBLMANNY talks about others hating to play a game they don’t want him to win leading into a personal favorite of mine “Old Lady Purse” by RRoxket co-produced by Goxan admitting to getting nervous around the feds.

Big Yavo gets a song of his own with the pluggy “Yay Ball” pulling out a stick & he’s not referring to chicken when he says that just before “Jetson” by Lil Tony fuses these trippy synthesizers & hi-hats shouting out one of the 2020s’ most popular trap beatsmiths: JetsonMade. “Dominoes” by Lazer Dim 700 & 2sdxrt3all finds the 2 teaming up for a dark plugg track cautioning to not choke if you don’t want smoke while “No Mental” by Yhapojj talks about giving a fuck less regarding his haters.

“IRL” by Lil Dre6o reaches the halfway point of Cegregation poking fun at people who be actin’ hard on the Meta Platforms-owned Instagram only to be scared shitless of him when running into each other while “Dead Ppl” by NDO D & Pradabagshawty kicks off the 2nd act on some dark plugg shit once again talking about smelling corpses near them, the latter having the strongest verse compared to the other. “Need Shells” by iam3hard moves forward continuing to mesh themes of the gangsta lifestyle & plugg instrumentation looking to reload his guns with more ammo while “Claim You Rich” by Jripey takes jabs at anybody who says they’re wealthier than they really are.

Zone1eriic takes the mic during “Clock It” & once another highlight “Undercover” by Babystaydown takes 111 seconds so he can talk about the woman he’s seeing possibly being the one yet simultaneously feeling like he can’t trust her for whatever reason he’s still trying to figure out, 2sdxrt3all returns 1 last time so he can make a sequel to “Crazy Dxrt3all Flow” off his 2nd EP Stop Holdin’ Nuts that recaptures everything that made the original version of it so special.

“OhYeah” by Rx Yp uses a flow reminiscent of Lucki’s using the gat to make muhfuckas dance like it’s the music video to “Thriller” by the late King of Pop himself Michael Jackon while “TF You Goin’?” by luhbrod7 promises to never leave his Heat similarly to how LeBron James did. Ending the album on a high note, “Riches” by diamond* clarifies to his girlfriend that he handles mafia business making others go missing.

I’d recommend checking out the Cegular EP for those curious of Whyceg’s abilities as a rapper, but I’d still take it over Cegregation for the finest entry in his discography so far & it has me hoping I’ll enjoy the next time the CEO of Cegular Records decides to let other artists rock his signature plugg sound throughout the duration of an entire LP a lot more than the averageness of this. This guy’s amongst my favorites in the plugg/dark plugg subgenres of trap & he really has something special going for his imprint, my main criticism with the album’s that the guest-list feels inconsistent.

Score: 2.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

RRoxket – “Rixhie Rixh 2” review

Atlanta, Georgia rapper RRoxket returning with his 3rd mixtape. Emerging in 2022 off his debut EP Rixhie Rixh & the full-length debut album R.I.P. RRoxket, he would go on to drop 3 more EPs Happy Birthday RRoxket as well as RRoxket Valentine and Red M&M ahead of his debut tape Red Ranger that was preluded by his last EP High School Flunky. He put out a fun self-titled efforton Black Friday after officially signing to Sony Music & is returning to the essence of Rixhie Rixh.

“Bad Company” is this plugg-influenced intro referencing Super Bowl LVI champion & current NFL free agent prospect Odell Beckham Jr. whereas “Deuce” goes for a quirkier trap vibe instrumentally assuring everything will be ok the second he wakes up. “Oxycodone” gets back on the plugg tip so he can talk about his addiction to the previously mentioned opioid leading into “Accept” finding him being unable to get this woman off his mind.

Moving on from there, “Kids” shows affection towards both of his daughters & tackles fatherhood in general just before “Balenciaga Fabric” talks about going from the streets to business maintaining a plugg flare to the beat from Hariroc. “Beautiful Dancer” sees him hittin’ up an amigo of his buying whatever he be importin’, but then “RR Shit” goes full-blown rage likening himself to a rockstar since he inked the Sony deal

“Wake Up” goes for a cloudier direction talking about rollin’ another blunt up the second he gets out of bed in the morning while “Sergeant Dip” blends the plugg aesthetics with gangsta rap lyrics. “Never Shook” featuring Lil Tony atmospherically discusses refusing to back down while the pluggy “Field Trip” talks about being willing to bet someone snitched. “Codeine, Percocets, Marijuana” finishes with a single revolving around those 3 substances.

It’s already been 3 years since this guy introduced himself off the original Rixhie Rixh & he takes it up a few levels on the sequel, showing his growth as an artist in that quick span of time. A lot of the same sounds that were all over self-titled like plugg, cloud rap & dark plugg make their way on here except the experimental hip hop undertones get swapped out in favor of rage & the energy of it’s predecessor gets recaptured from a new perspective.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Lil Durk – “Deep Thoughts” review

Chicago, Illinois rapper & Only the Family Entertainment founder Lil Durk finally dropping his 5th studio LP ahead of his murder-for-hire case. Rising to prominence a little over a decade ago off his debut mixtape I’m a Hitta, he would go on to follow this up with Life Ain’t No Joke & the first 2 installments of the Signed to the Streets trilogy until signing to Def Jam Recordings for his full-length debut Remember My Name & the sophomore effort Lil Durk 2X. Since then, Durk has made himself home at Alamo Records by dropping 9 more mixtapes & bounced back from the mixed reception of 7220 in the form of Almost Healed to let off a collection of Deep Thoughts.

“Shaking When I Pray” is this decent cloudy trap intro that Isaiah Valmont of Internet Money Records whipped up talking about people doing anything to go viral these days whereas “Keep on Sippin’” addresses an individual he gave everything to & yet, they still continue to trip out. “They Wanna Be You” featuring Future finds the 2 talking about kids wanting to be exactly like the both of them prior to “Soul Bleed” admits to putting others ahead of his own team as of late.

Lil Baby joins Durk on “1,000 Times” talking about people they used to hang with in the hood leaving them drowning just before “Turn Up a Notch” has one of my favorite instrumentals from Southside & Smatt Sertified clapping back at everyone who counted him out a decade ago. “Vanish Mode” produced by Chopsquad DJ addresses a bitch lying to him about loving him leading into “Monitoring Me” getting in his Chicago drill bag.

“Untouchable” ends the 1st leg by hustling whenever he gets a chance & barely holding his stance as it already is while “Notebook” gives off a laidback trap direction talking about the industry putting him in beefs. “Can’t Hide It” was a decent pop rap single that benny blanco & Cashmere Cat laced together delving into relationships, but then “Wondering Again” ponders if an ex will ever love him once more.

Hunxho appears for the mediocre “Late Checkout” still in disbelief they found love while “Think You Glowed” shuts down a hoe lying to herself that he’s glowing up. The song “Opportunist” remembers his late brother & describes the way he copes with depression while “Alhamdulillah” talks about finally being healed. “Deep Depression” with Metro Boomin’, BoogzDaBeast & FNZ all behind the boards closes the album figuring out why he’s in love with the streets since shit gets ugly.

7220 & Almost Healed were both admirably personal with the latter kinda stepping it up in the production department, which led me hoping Deep Thoughts would expand on. Unfortunately for the most part, it turned out to become the same old melodic trap/pop rap that we’ve been getting from him in recent memory. Even with the introspection he brings to the table, the production is a step down from Almost Healed & it kinda feels repetitive.

Score: 2/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

B.G. – “Freedom of Speech” review

B.G. is a 44 year old rapper from New Orleans, Louisiana known for being 1/2 of The B.G.’z with Lil Wayne prior to forming the Hot Boy$ with Juvenile & Turk along with the Cash Money Millionaires supergroup with the Big Tymer$. His first 5 solo albums Chopper City, It’s All on U, It’s All on U 2, my personal favorite Chopper City in the Ghetto & Checkmate all came out on Cash Money Records until he wanted to his own label Chopper City Records. The next 5 Living Legend, Life After Cash Money, The Heart of tha Streetz, Tha Heart of tha Streetz 2: I Am What I Am & Too Hood 2 Be Hollywood would all be distributed by MNRK Music Group aside from Atlantic Records providing further distribution for the latter. He would later spend a little over a decade in prison for 2 counts of being a felon in possession of a firearm & 1 count of conspiracy to obstruct justice, returning after over 15 years for his 11th studio LP.

The title track is a guitar-driven trap intro talking about him only getting greater whereas “Rock-A-Bye-Bye” works in a vocal sample reminding us that those who’re already familiar with him know his story by now. “1st Question” featuring Birdman dabbles with the Detroit trap sound reuniting with his mentor by having the better verse while “Go Live” featuring Boosie Badazz & Juvenile brings the trio together to rep their home state.

“Thank You” profoundly thanks everyone for still standing by him after being incarcerated going through it behind bars just before “Saved My Life” gets on the Detroit trap tip again talking about how trapping is the reason that he’s still alive today. “My Hood” hooks up pianos & hi-hats to clap at all the suckas out here with no style leading into “Live from the Gutta” featuring E-40 finds the duo taking us to the trenches.

Reese Youngn’s hook on “Know Your Worth” is hilariously awful despite the average beat & the genuine message within the lyrics, but then “Been a Dog” featuring Fredo Bang is one of my least favorite collaborations on the entire album. “Real Life” makes up for it with Gizzle solemnly looking back on the way he grew up & refusing to cap as a result while “Get It Poppin’” featuring Finesse2tymes doesn’t really get it poppin’ for me all that much.

“All Nite” shows a more romantic side to the original Hot Boy to begin the final leg of Freedom of Speech keeping this woman in his mind during the evening & giving it to her all day while the song “Real as It Gets” talking about still maintaining his legitimacy even if it was ruled last summer that his future songs have to be approved by the government. “When You Come Home” featuring Fiend jazzily ends with the former No Limit Soldier teaming up with the Cash Money Millionaire.

Starting the deluxe run, “Firebomber” by The B.G.‘z featuring Busta Rhymes makes it a mission to fuck up everything in existence while “Louisianimal” comes through with an anthem to his home state. “Lost Lives” featuring Juvenile warns that no one wants to be in the jungle when it’s war time while “We in Here” takes on a more celebratory attitude. “A Long Time” looks back on his career up to this point & the final bonus track “When I” finishes with a mediocre pop rap joint.

His collaborative mixtape with Gucci Mane called Choppers & Bricks marked the first of 8 projects that the Baby Gangster had written during his time behind bars, except the 2nd albeit his first solo effort in 16 years is a tad more decent in comparison. Other than a few guests faltering with their performances & some of the production being a little spotty, it’s somewhat refreshing to hear him holding down an entire body of work by himself again & am confident he can improve with the other 6 albums he has coming down the pipe. The deluxe however improves upon itself.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

iam3hard – “3x Harder” review

This is the 3rd full-length LP from Atlanta, Georgia rapper iam3hard. Coming up in 2023 off his first couple of extended plays Down 2 Win & The Bandlab Beast, his 3rd EP Dissimilar Prevalence produced by Whyceg succeeding his full-length debut The Bandlab Bandit has become his most celebrated work & the sophomore effort WDF 3HARD followed a couple months later. Before I Sign & Willing to Die For both resulted in 3hard signing to Cegular Records, making his debut for the Sony Music imprint by going 3x Harder.

“Limo Tint” made for a decent intro talking about always making hits whenever he pops out of the penthouse whereas “Hit Hard” produced by SOULJASPIRITS & Whyceg explaining his preference for using Russian Cream Backwoods rolling papers. “Quit My Job” talks about putting bullets in the houses of anybody speaking ill of his crew just before the plugg-influenced “Slave Whippin’” flexes his cheese & he ain’t referring to the kind used to make fettuccine.

Instrumentally, things take a cloudier turn during “Purple Kool Aid” talking about knocking the toupee off Trump’s head and stilling lean in front of his niece & nephew while “Save da Trench” dark off a dark plugg vibe confessing he signed his deal in the middle of the streets. “Goku” talks about doing a muhfucka like the ドラゴンボール protagonist himself leading into “All Hats” cautioning of him flattening those who try him.

“Chowder” featuring 2sdxrt3all references the main character of the Discovery Global owned Cartoon Network series of the same name in regards to the color of the drank in their cups while “We Dem Ones” talks about his squad being the chosen few & smashing someone who ain’t paying dues. “Glockstar” talks about possibly going out getting chased by the cops like a NASCAR race while “Gnarly” suggests being so real that he has a heart made of emeralds.

The song “2025” starts off 3x Harder’s final moments with a nocturnal plugg beat talking about having the block on lockdown barring anybody from trying to buy it off him while “On Rocks” warns those wanting to run up on his squad that they carry Glocks beside them & will put ‘em 6 feet in the ground if they test ‘em. “Fear God” finishes up 3hard’s debut for Cegular by talking about he ain’t scared of anything unless it’s the higher power above, cherishing the smaller things lately.

Until this point, I’ve considered Dissimilar Prevalence to be the dare plugg gangsta rapper’s most prominent entry of iam3hard’s entire discography & his Cegular Records debut 3x Harder hits a lot heavier than everything else I’ve heard from him previously. The production mostly handled by Whyceg & SOULJASPIRITS feels like a major upgrade compared to 3hard’s earlier albums, the latter of whom makes himself comfortable besides Babystaydown & Pradabagshawty in shaping the local plugg label into something special.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Babystaydown – “Chief 13” review

Here is the 10th EP from Athens, Georgia rapper Babystaydown. Somebody who’s spent the last couple years on SoundCloud with all 9 of his previous EPs under his belt already including PL Top Recruits, 1,350, Drugz Sex & Money and it’s sequel, 17, Genesis, his Cegular Records/Sony Music debut Hate da Way Um Livin, Saint & Pain Before Pleasure. Exactly a week after Pradabagshawty’s brand new EP B What You B, the Cegular crew isn’t wasting any time to drop Chief 13.

“Flyest & Highest” begins by flexing that he’s the dopest & the most stoned out of everyone in his vicinity over a cloudy trap instrumental whereas the pluggier “Perfect Timing” produced by Whyceg & SOULJASPIRITS talks about sending muhfuckas to the sky. “You Don’t Relate” cloudily asks how the fuck someone gonna push down since leaving’s forbidden while “Green Like Neon” featuring Pradabagshawty proves why we need a collab project from them.

Starting the 2nd half of Chief 13, we have Babystaydown going off the top for 2 & a half minutes during the synth-woven “Sun Up” talking about balling in a party with a Glock on him while “It’s Alright” suggests that one better keep their fight instead of going out sad. “Dirt Work” talks about being unconfident even after taking all the drugs he’s been on & “Need You Around” closes with him telling a woman how badly he desires to have her by his side.

Ever since Babystaydown signed to Cegular Records last fall, Whyceg has really done an outstanding job elevating him & Pradabagshawty because they’re already climbing the ranks in terms of becoming one of the most interesting plugg labels out currently. Things in the production department having been progressively strengthening for the Athens artist these past 5 months, which Chief 13 further exemplifies & the hungry gangsta lyrics.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!