Bilal – “Adjust Brightness” review

Bilal is a 45 year old singer/songwriter & producer from Philadelphia, Pennsylvania emerging as a member of the Soulquarians collective & the Interscope Records-backed full-length debut 1st Born 2nd becoming a neo-soul landmark. He returned nearly a decade later for a sophomore effort Airtight’s Revenge followed by his MNRK Music Group debut A Love Surreal & most importantly, In Another Life produced by Adrian Younge in the summer of 2015 shortly after I graduated high school returning to a high level quality of his debut. Almost another decade later, Bilal’s returning for his 5th album.

The title track produced by Antman Wonder angelically starts off the LP singing about sinking or swimming into the light of day without any other choice whereas “Sunshine” atmospherically gives his flowers to the very person in his life who makes his world bloom. “Evr Chngin Nrml” takes the chill boom bap route instrumentally thanks to Karriem Riggins addressing the fact of life gradually changing as time passes while “The Story” hooks up some synths courtesy of Robert Glasper to sing about life unfolds the answers told & everybody knowing.

“Tell Me” gives off a smooth soul approach to the beat crooning that he’ll chase his love like prey leading into “A2Z” not needing a whole lot other than a simple life in a complex world over warm production. “Lay Around” strips the drums completely singing over a bare loop that he’s in the mood to be relaxing, but then the self-produced “Who R We Now?” groovily pleading that he doesn’t want to be locked out again.

The song “Quantum Universe” begins the encore of Adjust Brightness with another standout that Bilal laced all by himself cavernously calling to give him a holiday once the door’s open while the soothing “Conditional” thanking this woman for giving love based on the recipient meeting certain conditions set by the giver. “Micro Macro” closes up shop with 1 last atmospheric joint that Bilal wound up producing individually assuring after the storm starts again, they’ll build & destroy & build it again.

Deeply inspired by a period of musical & visual experimentation, the results of Bilal’s reemergence makes a bold step forward in his evolving sound continuing to defy genre conventions & highlight his unmatched vocal & musical prowess. It’s an intimately human record that speaks to the heart in an era of cold digital sounds conceptually based around themes of love, warmth & intimacy.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Common – “Let Love” review

Common is a revered Chicago, Illinois emcee who came up with the No I.D. produced albums Can I Borrow a Dollar?, Resurrection & 1 Day It’ll All Make Sense throughout the 90s. He then made his major label debut in 2000 with Like Water for Chocolate, which was followed up with the experimental Electric Circus in 2002. During the mid 2000s, he released a trilogy of albums with Kanye West’s GOOD Music beginning with Be, bridged by Finding Forever & then ending with Universal Mind Control. As for this decade, we saw Com reuniting with No I.D. on The Dreamer/The Believer & Nobody’s Smiling. Then came his last album Black America Again, which was released during the 2016 presidential elections. But with a new memoir out now, the man has seen fit to deliver his 12th album.

The album kicks off with “Good Morning Love”, where Common gets motivational over a smooth beat from Karriem Riggins (who produced almost every track on the album much like Black America Again). The next song “HER Love” pays tribute to hip hop over J Dilla’s “Dillatronic 41” & then after the Dwele interlude, the track “Hercules” talks to the haters over a funky beat. The song “5th Story” with Leikeli47 sees the 2 telling the tragic story of a married couple over an austere instrumental while the track “Forever Your Love” pays tribute to his parents over a meditative boom bap beat.

The song “Leaders (Crib Love)” talks about prevailing over some prominent live drumming while the track “Memories of Home” speaks for itself over a settle instrumental. The song “Show Me That You Love Me” with Jill Scott pays tribute to his daughter over a soothing instrumental while the penultimate track “My Fancy Free Future Love” pays tribute to his soulmate over a jazzy instrumental. The album then ends with “God is Love”, where Common gets spiritual over a piano-inflicted boom bap beat.

While it’s not perfect, it’s still an admirable effort from the man. The production is mostly gorgeous & it suits Common’s heartfelt lyrics pretty well.

Score: 3.5/5

Black Thought – “Streams of Thought” review

Black Thought is a legendary 46 year old MC from Philadelphia, Pennsylvania most notable for being the frontman of The Roots. Fans have been wanting some sort of solo project for a long time now (especially after his iconic Hot 97 freestyle this past winter) & he is now delivering an EP with the help of The Soul Council.

The opener “215” talks about growing up in Philly over an upbeat instrumental & the next track “Black vs. 9th” talks about self-evaluation over some punchy drums. The song “Dostoyevsky” with Rapsody sees the 2 talking about the judicial system over a nice boom bap beat while the penultimate track “Making a Murderer” with Styles P pretty much speaks for itself over a menacing instrumental. This magnum opus then finishes off perfectly with “Thank You”, where Black gets grateful for how his life turned out over a soulful beat.

It’s been long overdue, but we finally got an official solo project from Black Thought & it’s perfect. His lyricism is sharp & intelligent as expected & The Soul Council’s production gives them a flawless backing. I wouldn’t be surprised if we get a follow-up soon given that it’s labeled “Vol. 1”, but I’m all for it

Score: 5/5