Coast Contra – “In Case You Forgot” review

Coast Contra is a jazz rap/trap group from Los Angeles, California consisting of RioLoz, Eric Jamal & Ras Kass’ twin children Taj Austin & Ras Austin. Their debut album Apt. 505 in the spring of 2022 received significant acclaim & their debut EP The Old Way the next fall, coming off being featured on Masta Ace & Talib Kweli’s latest albums Richmond Hill & The Confidence of Knowing respectively followed by the Austin twins’ appearance on Kamasi Washington’s 5th album Fearless Movement a year ago by teaming up with Toronto, Ontario, Canada producer Marco Polo for their 2nd EP.

“Mountain Climbers” begins with this jazzy boom bap intro wanting everyone who’s working all day to know that their time is on the way & to keep climbing making way for “‘08 Obama” co-signed by one of my top 10 producers of all-time Ye formerly known as Kanye West to work in a soul sample referencing WWE Hall of Famer, former 3-time WWE world champion, 3-time WWE United States Champion, 2-time WWE Intercontinental Champion, 9-time WWE tag team champion, 8-time WWE Cruiserweight Champion & アイアンマンヘビーメタル級王座 Rey Mysterio who’s said to face 4-time WWE tag team champion Chad Gable at WrestleMania XLI this spring.

The first half of the EP ends with “Shanghai Tower” gets romantic over a luxurious boom bap instrumental prior to setting out to make it right with their partners on “Been a Minute” backed by strings, kicks & snares. “Sunday Regulars” realizes obedience bringing a gospel/boom bap twist & the dusty, piano-driven title track wraps up Coast Contra’s finest work as a group with that shit you can’t fuck with.

These guys’ rise to notability has served as a breath of fresh air to hip hop fans due to the raw talent, complex lyricism, camaraderie & infectious personalities of all 4 members celebrating a decade together with the project that I’ve always wanted Coast Contra to make capitalizing on what makes the group so special. Marco Polo’s production strongly caters to boom bap, jazz rap & samples of gospel & soul music perfectly backing the quartet in reminding everyone who they are.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Masta Ace – “Richmond Hill” review

Brooklyn, New York emcee, songwriter, producer & record executive Masta Ace back with Toronto, Ontario, Canada beatsmith Marco Polo for his 9th full-length LP albeit their 2nd together. Breaking out in the late 80s as a member of the Juice Crew collective, his solo debut Take a Look Around became a Cold Chillin’ Records gem, the next couple SlaughtaHouse & Sittin’ on Chromewere accompanied by Masta Ace Incorporated, the Interscope Records-backed Disposable Arts is a classic concept album about enrolling in after realizing how bad the situation in Brooklyn is, his M3 Records debut A Long Hot Summer is another conceptual piece except this one’s about venturing through his hometown before going out on tour with Fats as his unofficial manager, MA_Doom: Son of Yvonne was basically him freestyling over the Special Herbs beats paying tribute to his mom & The Falling Season focused more on his high school years. However with the 5 year anniversary of A Breukelen Story produced by Marco Polo passing by this fall serving as a near-perfect love letter to the planet, Ace is taking it to Richmond Hill for the sequel.

After the “December 26” skit, the first song “Brooklyn Heights” is a boom bap opener with Ace telling y’all where he’s broadcasting from whereas “Certified” featuring Coast Contra takes a funkier approach instrumentally talking about their respective certification in the rap game. After the “Cartunes” skit, “Hero” featuring Inspectah Deck brings back the kicks & snares in full effect likening themselves to vigilantes just before “Life Music” featuring Speech & Stricklin’ finds the trio in their grown man bag over a dusty yet atmospheric beat.

“Below the Clouds” featuring Blu ruggedly advises to get your head out the clouds & after the “St. Roberts” skit, “Heat of the Moment” is an acoustic/boom bap hybrid continuing to provide wisdom such as making your decisions clear since they don’t want to understand what they fear. “Jordan Theory” mixes synths with kicks & snares explaining that you have to give up your soul to cross this bridge, but then “Money Problems” featuring Che Noir gives off an orchestral boom bap flare tackling financial issues.

After the “Scarborough” skit, “P.P.E.” takes it back to the basement talking about junkies & pushers being everywhere while “Outside In” featuring C-Red & E Smitty has to be one of the weaker tracks on here respectfully as we’re being treated to a piano-driven love ballad. “Connections” shows passionate hunger by keeping his status high until he’s satisfied over a sample-heavy boom bap beat while the jazzy “Plant Based” talks about how he’s been eating better these days. After “December 25” skit, “All I Want” featuring Wordsworth following the by wanting freedom for Christmas while the bonus track “Al Dente” asks when will we realize we’re equal.

Much like how A Breukelen Story was mainly inspired by Ace’s upbringings, this time we’re being treated to a conceptual album based on Marco Polo’s childhood growing up in the titular neighborhood in Ontario & one that reaches the bar that was set by it’s predecessor over 5 years ago. They take the issues of the day head-on with clarity so Ace can use his decades-worth of rapping experience to slice through the producer’s warm soul samples & crisp percussion.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Torae – “Midnight Run” review

Torae is a 46 year old MC from Coney Island, New York emerging in 2008 off his debut mixtape Daily Conversation & the follow-up Allow Me to Reintroduce Myself. Fast-forward to the next spring/summer, he enlisted Toronto, Ontario, Canada beatsmith Marco Polo for his next 2 tapes Armed & Dangerous and Double Barrel before preluding his full-length debut For the Record on Valentine’s Day 2011 by releasing the debut EP Heart Failure. For the Record would come that fall & a 2nd EP Off the Record consisting of outtakes from that debut LP arrived about 9 or 10 months later. Torae then put out his 5th mixtape Admission of Guilt a week before spring & eventually released his sophomore effort Entitled when 2016 started. He’s been pretty much doing features since then, but is re-emerging with Marco Polo returning behind the boards to unleash the 3rd album in his discography.

“Reloaded” is a grimy boom bap opener looking to aim at your spot whereas “The Return” works in an orchestral sample as well as some kicks & snares talking about being back up in this bitch after 7 & a half long years. “Makin’ Up” takes the soulful route asking if you rockin’ that ill shit just before “Oh No” flips “Remember(Walking In The Sand)” by The Shangri-Las a thousand times better than TikTok did talking about how he can’t be fucked with lyrically.

Meanwhile, “Grey Sheep” is another rugged boom bap talking about being here for the cash money & to last leading into “Life Behind Bars” shoots for a tender approach atmospherically talking about his personal experiences of what it was like for him to be incarcerated. “Mardi Gras” blends more horns, kicks & snare so than describe the way they mob the streets, but then “Rap Shit” is another sample-based boom bap cut talking about taking this seriously.

I think the gospel flip on the penultimate track “Days of Your Lifetime” is pretty dope as are the subject matter revolving around the fact that the days that we live don’t even compare to his on any circumstances whatsoever & “More Danger” is an incredibly raw closer paying homage to one of my all-time favorite KRS-One cuts ”Rappaz R.N. Dainja”.

As someone who got into Torae during my freshman of high school when For the Record came out & enjoyed that album as much as I did Double Barrel, I’m very happy to hear that he & Marco reunited here because this could very well be better than the body of work they did together 14 years ago. The signature boom bap production from the Toronto maestro & hardcore lyricism from the Coney Island wordsmith have always sounded great together, but they elevate it here over a decade later.


Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!