Stanwill – “Stan Always Will” review

Detroit, Michigan rapper Stanwill starting the new month with his 4th studio LP. Coming up as 1/3 of the ShittyBoyz with Babytron & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he eventually branched out on his own during the COVID-19 pandemic off the debut EP $camwill as well as it’s successor Gifted & the debut mixtape Van Gundy. He also went Full Auto for his 3rd EP & 4ever $hittin’ after Still $hittin’ celebrated it’s 1-year anniversary last weekend trying out new sounds, he’s clarifying that Stan Always Will.

“No Lol” comes out the gate referencing current AEW performer & commentator as well as former 7-time WWE world champion, 11-time WWE Tag Team Champion, WWE Intercontinental Champion, WWE United States Champion & 3-time WWE Hardcore Champion Paul Wight whereas “Power” talks about not being as sweet as some think he is. “Spring Fling” keeps it in the Detroit trap style instrumentally describing a girl he met named Summer while “4th Dimension” produced by Danny G treats beef like a shish kebab.

As for “Rocky Road”, we have Stan talking about taking the dirt path & coming out icier than he ever was leading into “Lime Light” featuring Nasaan uniting both of them so they can trade verses with each other talking about hittin’ muhfuckas with the fire soon as they catch ‘em. “50 Shots” throws in a cool bar referring to the Amazon-owned Fire TV Sticks turning any television set into a smart TV just before “Kung Pao” discusses having to do no talking & let the guns fire off.

“Kelly Olynyk” has a grittier Detroit trap flare to the beat comparing himself to the New Orleans Pelicans player of the same name prior to TR Dee joining Stan on “Pushing Daisies” to talk about the paper giving them butterflies soon as they see it cruising in a 45 except they feel like they pushin’ 80. “Run & Gun” boasts that his stash is 3x the size of whatever yours is providing the soundtrack for those who be spinning the block while “Rock Lee” featuring T Bone drops people similarly to the Naruto character.

The classy sample during “Bora Bora” was pleasant to the ears telling his girl that it’s normal for his competition to be punching under their weight in a battle with him while “Villain Arc” talks about people getting him in a time where he bounces back from a tragic event in his life. “Voila” likens the way he lives now to BMF co-founder Big Meech keeping only the pros in his mind these days while “Recipe” featuring Babyfxce E claps back at people claiming that have the sauce taking it up a notch.

“Cuban Links” continues the 2nd half of Stan Always Will airing people out quicker than the greatest basketball player of all-time Michael Jordan while “GG” humorously suggests that he injures bitches the way he be smashin’ ‘em. “Mucinex” shows a bit of a Mobb influence calling anyone stupid to get in an altercation with the Dog $hit Militia while “Ding Dong” by the Dookie Brothers references former ECW World Heavyweight Champion, ECW World Television Champion, IWGPタッグ王座, WCW Hardcore Champion & 2-time WCW World Tag Team Champion Bam Bam Bigelow.

The song “Powerball” reaches the album’s final moments feeling like the Warner Bros. subsidiary DC Entertainment-owned Superman ahead of the DC Universe media franchise & shared universe beginning in a couple months while “2 Easy” talks about jackin’ people in the face wearing the honorary WWE Hardcore Champion Travis Scott’s line of shoes. “By Any Means” finishes us off by hoping he runs into his enemies & cutting off people who ain’t did shit for him.

53 weeks since the most versatile body of work in Stan’s solo discography & he takes it back to a prominent Detroit trap style for this one spitting rapid fire verses on nearly every song in addition to him bringing on a more consistent guest list that delivers less misses than hits steadily keeping up with his pen. Whether he’s by himself or accompanied by either one or both of his ShittyBoyz cohorts, Stan Always Will deliver & come correct in terms of leveling up in terms of making the most exciting music in his style.

Score: 4/5

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ShittyBoyz – “3 Man Weave” review

Detroit trap trio the ShittyBoyz returning for their 4th album. Consisting of Babytron alongside Stanwill & TR Dee, they emerged off their debut mixtape 3-Peat under the mentorship of Lando Bando in the summer of 2019 taking the motor city by storm & following it up with another tape. They even have 3 full-lengths in Trifecta as well as the the sequel & of course the trilogy chapter. Babytron in particular has been increasingly popular in recent memory from being the son of former Psychopathic Records rap metal band Motown Rage frontman Mr. Sadistic to landing a XXL Freshman Class spot & more recently earning a stellar verse on “Toby” off Eminem’s latest album THE DƎATH OF SLIM SHADY (COUP DE GRÂCE) earlier this summer, they’re releasing 3 Man Weave a day earlier than intended.

“‘07 Bron” is this futuristic Detroit trap opener to the LP that Jakesand cooked up flexing their kick spots jumpin’ like Los Angeles Lakers star LeBron James nearing the end of his first stint with the Cleveland Cavaliers whereas “5 Minutes of Barkin’” featuring Beannskii, Fordio, MJPaid & Prince Jefe moves forward with a full-blown Dog $hit Militia posse cut produced by Drego. “Polynesian” hooks up those dope ass woodwind talking about the bullets spreading similarly to COVID-19 & “Maroon 5” apocalyptically reps the squad they showcased a couple joints earlier.

Tommy G joins the ShittyBoyz for “Big Dawgs” pulling inspiration from the Bay Area instrumentally showing off their statuses on top while “Brand New” works in this alluring vocal sample talking about being a whole new version of themselves with the new ice around their necks. “Ed, Edd n Eddy” pays homage to one of THE greatest Cartoon Network shows of all-time calling themselves hippies & the middle finger being the peace sign prior to the bell-heavy “5 Guys” leaving them where they stand.

“Intercontinental” menacingly talks about having no time to sleep since all that’s on their minds hustling doubling their work & sending bullets like Detroit Lions QB Jared Goff, but then “Last Dragon 2” serves as a sequel to a highlight track off the trio’s debut mixtape 3-Peat. “Live from the Lab” psychedelically represents The Hip Hop Lab Records now backed by EMPIRE Distribution while the synth-Detroit trap crossover “Back 3 Back” talks about going 3-for-3.

Further continuing the 2nd half of 3 Man Weave, we have the ShittyBoyz promising that they’re gonna box on every single threat who comes to them the moment they drop the pin on them while the synth-driven “Project X” referencing the film of the same name saying life’s simply a win or lose deal. “Skippin’ Skates” maintains the Motor City’s unique trap sound having to teach themselves that nothing fair in life while the mobb-influenced “Stilly Willy” stealing bitches looking for winners.

“Suited & Booted” showcases the trio’s back-&-forth chemistry over upbeat 808 percussion to begin 3 Man Weave’s encore while the song “Therapist” further elaborates that ain’t nothing free in life & that you really just have to get it all out of the mud refusing to swap out their sticks over a Danny G beat. The penultimate track “Talkin’ Crazy” by TR Dee brings the bells back being flyer than Jeff Hardy of former 2-time TNA World Tag Team Champions & my personal favorite WWE tag team growing up The Hardy Boyz off the turnbuckle while “T.S.W.N. (That Shit Wasn’t Nothing)” featuring FMB DZ & GlockBoyz TeeJaee brings the quintet together making 20k like it ain’t shit.

Named after a track off the ShittyBoyz’ 2nd mixtape 4-Peat & the first project that I’ve ever reviewed from them, 3 Man Weave further proves that wake makes the trio successful in the Detroit trap scene a little over 5 years in the game is that they use the timeless basketball drill moving up & down the court working together & communicating as demonstrated by their unique ear for production in regards to the signature style they’ve become known for on top of the wittiness each member holds of their own amplifying it as a unit.

Score: 4/5

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Stanwill – “4ever $hittin’” review

This is the 3rd proper solo album from Detroit, Michigan rapper Stanwill. Coming up as 1/3 of the ShittyBoyz with Babytron & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he eventually branched out on his own during the COVID-19 pandemic off the debut EP $camwill as well as it’s successor Gifted & the debut mixtape Van Gundy. He also went Full Auto for his 3rd EP making his full-length debut with Big $hitter followed by the 4th EP Big $hitter: Lost Files & of course the sophomore Still $hittin’ celebrating it’s 1-year anniversary last weekend, it makes sense for him to clarify that he’s 4ever $hittin’.

“Neverland” start off with a bit of a psychedelic plugg vibe talking about being the weatherman whereas “Paramount” named after the Paramount Skydance Corporation works in some pianos to discuss the only thing that he’s really concerned of is the paper. “Standing Ovation” takes the spacious trap route instrumentally thanks to Danny G & Jakesand talking about playing the dirtiest game while the synthesizer infused “Live & Learn” humorously boasting that his wrist 41 & the cougar bitch he bagged being 42 providing the clique scoring 2 pointer.

Tay B joins Stan for “Be Fr” gives off a suspense-raising Detroit trap flare to the beat talking about both of them always keepin’ it 100 leading into “Cockadoodledoo” mixing 808s & pianos flexing that he can do this shit in sleep every single day of the week. “Smithereens” brings back the plugg influences that we heard at the very beginning so he can talk about those laughing at his losses cheering for his victories, but then “Sexyy Red” featuring T Bone go back on forth on a Detroit trap instrumental wanting bitches similar to the rising St. Louis trap star.

“Whack-a-Hoe” hooks up these orchestral elements with 808s saying that if the money makes the world go round, then he’s the reason that Earth’s spinning prior to Certified Trapper dropping off the worst feature throughout the entire album on “Brothers” despite the synth-trap beat & the lyricism talking about riding & dying for their brothers. “Make It Last” going for more of an electronic trap approach with the instrumental likening his squad to a marching band with the AR drum attachments while “AR in My Goose” returns to the Detroit trap sound cautioning to duck before he taps you in the head.

My favorite feature on 4ever $hittin’ is easily TR Dee on the luxurious “Simple” talking about how simple this shit really is to them prior to “Bases Loaded” in actually serves as a solid freestyle over the “They Losing Me” by Big Homie Dre Cash beat. “Chop Suey” featuring Drego contains the LP’s 2nd best guest appearance eerily talking about the barking gonna be dead if they end up biting that is until “Ahh Haa” gets back in his Detroit trap shit laughing at one of his brodies shooting an opp.

“Nonstop” kinda has this chill mood to the instrumental refusing to stop since time is money after while the west coast flavored “Los Santos Customs” makes reference of the Grand Theft Auto V & Grand Theft Auto Online vehicle customization & repair shop of the same name. “Crunch Time” couldn’t of been a better choice of a climactic closing track to the album talking about chillin’ with a bitch that don’t know English for so long to the point now where he speaks in Spanish to the plug.

This last handful of solo projects we’ve gotten from Stanwill over the course of these past 3 years have been more moderate compared to Van Gundy, but there’s no debate from my point of view that 4ever $hittin’ is the most that I’ve enjoyed a solo project from him since $camwill when the world was on lockdown. Although only a couple features stood out, I love that he tries out some new sounds albeit primarily sticking to the Detroit trap wheelhouse.

Score: 4/5

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Stanwill – “Unstoppable” review

Detroit, Michigan rapper Stanwill ending his 2023 with his 5th EP. Coming up as 1/3 of the ShittyBoyz with Babytron & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he eventually branched out on his own during the COVID-19 pandemic off the debut EP $camwill as well as it’s successor Gifted & the debut mixtape Van Gundy. He also went Full Auto for his 3rd WP & coming off debut album Big $hitter followed by his last EP Big $hitter: Lost Files & of course the sophomore effort Still $hittin’, he’s feeling Unstoppable.

“Potty Trained” begins with a Detroit trap instrumental talking about the Dog $hit Militia pretending to not know the score whenever they be catching Ws whereas “Super Mario” references former 11-time WWE Tag Team Champions, 2-time TNA World Tag Team Champions, ROH World Tag Team Champions, HOG World Tag Team Champions & ΩCW Tag Team Champions The Hardy Boyz.

Moving on from there, “Ball or Fall” talks about people only being there for you when you’re balling out & then turning their backs as soon as you start falling off while the self-produced “R&B” cautions that he’ll make the chopper sing soon as he catches an opp in his sights. “Hide & Seek” admits to checking his bank account when he gets depressed while “No Cap” makes reference to the Endeavor-owned TKO Group Holdings division WWE.

“Song 7” by the ShittyBoyz, Fordio, J1Hunnit, MJPaid, Prince Jefe & ScrumbleMan nears the conclusion of Unstoppable with a THHL posse cut produced by Danny G & Jakesand while “Impossible” finishes up the EP with Stan talking about the thought of him being stopped becoming an impossibility at this point getting back on track after having to hurdle over some obstacles.

Still $hittin’ was an admirably shortened sequel to Big $hitter in spite of others saying it wasn’t on par, but Unstoppable finishes up Stanwill’s year with an extended play that fans of Detroit trap will probably like as much if not more than the full-length we got from him several months earlier. His labelmates all make stronger guest appearances than Still $hittin’ & the production is what you’d expect out of this style of music.

Score: 3.5/5

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ShittyBoyz – “TRIF3CTA: The Finale” review

This is the 4th full-length album from Detroit trap trio the ShittyBoyz. Consisting of BabyTron alongside Stanwill & TR Dee, they emerged off their debut mixtape 3-Peat under Lando Bando’s own The Hip Hop Lab Records in the summer of 2019 taking the motor city by storm & following it up with another tape & 2 full-lengths with the last ones being Trifecta as well as the the sequel last summer shortly after BabyTron performed at the Gathering of Dreams with his father Mr. Sadistic of former Psychopathic Records rap metal outfit Motown Rage. Over a year later, the Boyz are now looking to close out the trilogy by completing the TRIF3CTA with a finale.

“Perfect 3” starts it all off with some flutes & hi-hats talking about how they really are an immaculate trio together whereas “Boomshakalaka” works in some horns tossing the mic back & forth with each other boasting that they’re the ones. “Triumphs & Trophies” is a 2-minute bell/trap crossover encouraging to let them get the drop, but then “Tronald & Stanley” if you couldn’t tell by the name finds the Dookie Brothers jumping over pianos for a minute & a half saying you can’t see them like 16-time WWE world champion, 4-time WWE tag team champion & 5-time WWE United States Champion John Cena.

Meanwhile, “50 Boyz” gives off a straight forward Detroit trap sound talking about how they be with the fuckery leading into “Fun & Games” gets on their hi-NRG shit betting the’ll put ‘em in the ground if it’s beef for that cheese. “Forever Lit” has a more suspenseful atmosphere declaring that they’ll always be up just before “Fly Life” beautifully kicks the hi-NRG back up going into detail of the fly shit they be doing.

“Mosh Pit” references former 14-time WWE world champion, WWE Hall of Famer, 5-time WWE Intercontinental Champion, 3-time WWE tag team champion & WWE’s current CCO Triple H while “Duck! Duck! Goose!” aggressively cautions not to flex on them because they’ll embarrass you in the process. The synth-laced yet Bay Area inspired “Mood Switch” that Jakesand cooked up points out that they’re still undefeated while “Ball Players” gives off a piano-driven trap vibe chockfull of basketball players wordplay including a bar about Point Grey Pictures founder Seth Rogen, who plays Allen on Invincible.

Moving on from there, “Tip Off” makes me feel like blasting this in the middle of driving downtown making it no secret that they’ve been waiting just to ball while the cloudy “WrestleMania” named after the Endeavor-owned TKO Group Holdings division WWE’s marquee event makes it clear that they ain’t even gonna fight. “Game 7” gets on their back & forth shit for a minute a half over a rowdy beat calling out those in the club who ain’t throwing shit while “Juggernaut” brings back the synthesizers contemplating if this shit for them on the beach as they dancing.

“Sh!tty Pack” featuring BFB da Packman goes into a more sample-based trap direction even though BFB doesn’t do it for me not wasting bullets on their asses while “On Fire” hooks up a shimmery backdrop with hi-hats having more stripes than a referee. “Wembanyama” blends these strings, bass licks letting it be known his cousin in a suit after saying the wrong shit until “Danny & Jake” featuring GrindHard E & YSR Gramz ends the album with the latter 2 getting washed in a 3 minute cypher.

This whole trilogy has been some of the ShittyBoyz’ best material & they went on a pretty fun note to complete the TRIF3CTA. Wasn’t too big on the features personally, but the Detroit trap production never fails to interest me as do the charismatic chemistry that the trio have always had. Here’s to the next chapter of the biggest group that the local trap scene has to offer today.

Score: 3.5/5

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ShittyBoyz – “Trifecta 2” review

The ShittyBoyz are a trio from Detroit, Michigan consisting of BabyTron alongside Stanwill & TR Dee. Since putting out their debut mixtape 3-Peat under Lando Bando’s own The Hip Hop Lab Records in the summer of 2019, they would take the motor city by storm & following it up with another tape & 2 full-lengths with the last one being Trifecta during the first quarter of the year. But now with the PunchGod himself Babytron landing a spot on this year’s XXL Freshman Class & his performance at the Gathering of the Juggalos this weekend along with the rap metal band Motown Rage fronted by his father Mr. Sadistic (who were also once signed to Psychopathic Records in the late 2000s), the Boyz are back in town for album #3.

“Win or Lose” is an atmospheric hyphy opener talking about how you either take Ws or Ls in life leading into Tae Retro tagging along for “Zeke & Luther” to stay on the grind over a quasi-tropical beat. “WWE” works in some hi-hats & horns to show off some clever wrestling wordplay referencing those from former 2-time TNA World Tag Team Champion, 6-time WWE Cruiserweight Champion, 3-time WWE tag team champion & former ECW World Heavyweight Champion Chavo Guerrero to former アイアンマンヘビーメタル級王座, TNA World Champion, AAA Mega Campeon, AAA Latinoamericano Campeon, AAA Mundial Cruceropeso Campeon, MLW National Openweight Champion, 6-time WWE Tag Team Champion, 3-time WWE Intercontinental Champion & ECW World Heavyweight Champion John Morrison whereas “V8’s & V12’s” has a more West Coast flare to it cautioning that you may catch them speeding.

Meanwhile on “Senzu Bean”, what’ve the ShittyBoyz over a symphonic trap instrumental calling out some shooters who said they’d pop them similar to the object in Dragon Ball Z that recoups a fighter’s strength & help them recover from incredibly from severe injuries just before “Video Games” samples a wide range of classic from San Andreas to the startup sound of a GameCube to flaunt their lifestyles. “Lion-Hearted” incorporates a muffled sample & hi-hats from Jakesand so they can ball, but then “Going Hyphy” is self-explanatory as far as sound goes except the braggadocious lyricism.

“Slam Dunk Contestants” weaves some keyboards into the fold comparing themselves to the Avengers while the TRL-assisted “Turnt Shit 2” is a decent sequel to a loosie the quartet put out couple years back. “Cheers B!tch” revives the Hi-NRG sound with a chilling switch-up during the last 50 seconds talking about having double cups while the song “Getaway” is a jazz/trap hybrid boasting yet again.

The penultimate track “Most Wanted” mixes some guitar plucks, trumpets, synths & hi-hats together confessing that they feel like they’re on the run with “GGG” finishing off the album with another Hi-NRG hit talking about punching shit online similar to that of Gennady Golovkin.

I’ve made it pretty clear that the ShittyBoyz & Babyface Ray both have Detroit in a chokehold at the moment & Trifecta 2 is just another example of that. The bars that they come up together never fail to grab me in an amusing way & with the production continuing to redefine the group by going with completely different sounds.

Score 3.5/5

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Stanwill – “Big $hitter” review

Detroit, Michigan rapper Stanwill making his full-length studio debut. Coming up as 1/3 of the ShittyBoyz with Babytron & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he eventually branched out on his own during the COVID-19 pandemic as did the rest of the group off the debut EP $camwill as well as it’s successor Gifted & the debut mixtape Van Gundy. However, the Big $hitter of the Dog $hit Militia collective has revealed himself after going Full Auto.

“When You Dropping?” gets the ball rollin’ with him & the rest of his crew making it seem like they’re working out the way they be flexing whereas “Sandlot” talks about how his lil’ bro been swinging the sticks lately. “Rick Grimes” references the main character of the amc series The Walking Dead’s early seasons while “OMG” finds him & the rest of the squad trippin’ out at the Ritz-Carlton.

4-time WWE world champion, 2-time WWE Intercontinental Champion, WWE United States Champion, 6-time WWE Tag Team Champion, PWG World Tag Team Champion, ROH World Champion & 2-time ROH World Tag Team Champion Seth Rollins gets referenced during “On i94” produced by Danny G leading into “Crash the Whip” talks about shopping with no limits, buying an outfit that cost as much as a whole pint.

“GoldenEye” named after the timeless Nintendo 64 game of the same name flexes that he’ll turn his entire opps into Ronald McDonald the way he be hittin’ ‘em with the Mac-10 leading into “Chemistry” talking about stealing bitches solely off his chain referencing the Endeavor Group Holdings-owned UFC president Dana White. “Forever Active” featuring TR Dee finds the pair shit-talking over a Danny G beat while “Real Me” shows the most synthetic version of himself.

Meanwhile on “Tag Popper”, we have Stan describing the type of people he & the rest of the D$M are while “Glock on Stage” talks that he be hanging with the killers staying strapped when performing at shows. “Effortless” boasts that he doesn’t have to box because he keeps the Glock by his side daily prior to “Why the Fuck?” asking for the reason people think they’re part of the Dog $hit Militia.

“Fr Doe” featuring TRL trades the mic back-&-forth with each other decently over a Danny G instrumental while “Poetry” references the New England Patriots head coach Bill Belichick the way he draws plays up for bills. “Cooper Kupp” gives a nod to the Los Angeles Rams WR of the same name while “No Lie” talks about him & his crew being sticked up at every single function they pop out at.

We get a cleverly chopped up string sample all over “Violin” looking back on coming from the dirt to the position that he’s in currently with the rest of his D$M family while “Limitless” by Lewis & Clark takes a couple minutes to trade brief verses with one another. “Shit Show” talks about chasing bags being the only thing he knows while “1st Class” explains that he keeps an X on him because he’s an Off-White enthusiast.

“Gladys Knight” winds down the last few minutes of Big $hitter by talking about the idea of becoming broke being exactly like a fish sinking & making the chopper sing while “No Way” featuring Tae Retro wraps up the LP with both parties breaking down the rebel mindset each of them have, refusing to work with anyone who doesn’t have anything to say to them from a financial position.

With 3 EPs & a mixtape under his belt already, Stanwill’s debut album Big $hitter will certainly appeal more tho those who got into him as a solo artist through $camwill or Van Gundy in comparison to the moderate reception of Full Auto although I certainly enjoyed it last fall for what it was. The secondary influences within the production puts an emphasis on more standard trap in addition to the Detroit sound we all know & it’s the most lyrically gangsta he’s been since Gifted.

Score: 4/5

ShittyBoyz – “Trifecta” review

This is the sophomore album from Detroit trio ShittyBoyz. Consisting of Babytron alongside Stanwill & TR Dee, the group dropped off their debut mixtape 3-Peat under Lando Bando’s own The Hip Hop Lab Records in the summer of 2019 & quickly became one of the city’s biggest acts in recent memory. Their full-length debut New Year, Same Scams came out 7 months later & the last we heard from them as a unit was almost a year ago with their 2nd tape 4-Peat. However after taking some short time focusing on their solo careers, the founding Dog $hit Militia members are back in town in the form of Trifecta.

“Red Wings” opens the album with a mystic trap beat from Jakesand talking about shining from out the dark whereas “Gotham City” follows it up with a more darker tone saying they don’t lane switch referencing both 14-time WWE world champion, 4-time WWE tag team champion, WWE Intercontinental Champion & WWE United States Champion Randy Orton followed by 3-time WWE world champion, 5-time WWE Intercontinental Champion, WWE United States Champion, 9-time WWE tag team champion, 3-time WWE Hardcore Champion, 3-time TNA World Champion, 2-time TNA World Tag Team Champion, ROH World Tag Team Champion, HOG Tag Team Champion, ΩCW Heavyweight Champion, ΩCW New Frontiers Champion, 2-time ΩCW Tag Team Champion & The Crash Mundial Parejas Campeon Jeff Hardy. “Big 3” takes a more vibrant route to talk about their star power just before “Soul Bleed” mixes chipmunk soul with trap continuing to flex.

Meanwhile on “Taliban Ties”, we have the ShittyBoyz picking up where the previous cut left off sonically talking about their connections to the mob leading into the flute-laced “Visa Magicians” getting back in their scamming bag. “Red Light, Green Light” is pretty much their own take on the Squid Game concept down to the sample Danny G chops up, but then the instrumental that “Sly Cooper” brings to the table of course pays homage to one of my favorite video game series growing up talking about taking computer’s from internet thugs & dissing the weirdos with no money.

“Night on Collins Ave” almost has a bit of an orchestral quality to it detailing how it is on the titular street here in Detroit while “Ghetto Elegance” returns to chipmunk soul territory to show off their wealth. “Payday” works in some catchy vocal melodies hanging in the background painting pictures of the lives they live while “TMZ” incorporates a sitar to talk about being married to the paper.

Following that, “Bill Nye” goes into a more synth-heavy direction calling out those who ain’t never chased a bag prior to “Blizzard Mode” throwing some bells in the mix talking about how nothing they achieved was luck. “Triple Dog Dare” comes in with a more entrancing tone challenging a fed after pulling up to right & TR Dee making a reference to 16-time WWE world champion, 4-time WWE tag team champion & 5-time WWE United States Champion John Cena while “Supervillain” sinisterly compares themselves to that of.

The amount of beat switches on “Time Travelin’” are completely fuckin’ insane as they let their competition know they ain’t scared of them while “Rob Dyrdek” addresses their hustle referencing UFC Hall of Famer & former UFC Light Heavyweight Champion Forrest Griffin alongside the Justice League franchise owned by the Warner Bros.-owned DC Entertainment. “NFL” of course samples the Twilight Trio’s theme tune for the titular company making a bunch of clever sports references while the song “Kung Fu” over a weepy instrumental talking about being bound to blow. The penultimate track “Pedal Pushin’” has some cloudy undertones to the beat talking about pulling up when the money calls & “On 1” ends the album with an opera sample & talking about working magic.

Between this & the new Babyface Ray album Face, I feel like this is gonna be a great year for the city as far as rising talent goes. It’s always amazing to me how each member of the trio stands out in their own way & their style remains unmatched in comparison to some Detroit trap artists painting themselves in a corner stylistically.

Score: 3.5/5

Stanwill – “Full Auto” review

Here is the 3rd solo EP from Detroit, Michigan rapper Stanwill. Coming up as 1/3 of the ShittyBoyz with Babytron & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he eventually branched out on his own during the COVID-19 pandemic off last summer the debut EP $camwill as well as it’s successor Gifted turning 1 this winter & the debut mixtape Van Gundy earlier this year. However, he’s looking to completely go Full Auto in preparation for a full-length debut studio album.

The self-produced “Slime Ball” starts by talking a whole lot of gang shit whereas “Ándale” flexes that he & the rest of the Dog $hit Militia collective will slide in ア・ベイシング・エイプ, which is one of my favorite clothing brands personally. “Max Payne” references the Rockstar Games-owned franchise of the same name & promising a mugger he’ll get his ass beat if he tries him while “Fast Lane” talks about living in the fast lane.

“Been That” gives a shoutout to Louis Vuitton men’s creator, Off-White founder & RSVP Gallery founder Virgil Abloh for the fit leading into “8 Phones” talking about not giving a fuck regarding the little guns or petty stacks because they got bigger sticks & longer money. “Kick Ass” finishes the Full Auto experience by talking about receiving slow head because the whip’s too fast, spending a total of $400 on 2 steaks.

I wouldn’t rank Full Auto above $camwill or Chosen, but it’s still a worthy Detroit trap solo EP from Stanwill displaying what he’s capable of doing by himself ahead of his inaugural LP whenever he decides to put it out. Production isn’t as interesting as the Van Gundy tape or his first couple EPs, except I like that he holds down the mic by himself as opposed to the guests on Full Auto’s predecessors.

Score: 3.5/5

ShittyBoyz – “4-Peat” review

The ShittyBoyz are a hip hop trio from Detroit, Michigan consisting of Babytron, Stanwill & TR Dee. Breaking out in 2019 off their debut mixtape 3-Peat after Lando Bando signed them to The Hip Hop Lab Records, the 21-year olds would begin to grow in popularity by opening for Danny Brown at his 6th Annual Bruiser Thanksgiving show as well as their No Jumper interview early last year. They dropped their full-length debut New Year, Same Scams pretty much right after that but as the 1 year anniversary of the album came & went over the weekend, the trio are reuniting for their 2nd mixtape.

The title track that starts things off talks about being the coldest group in Michigan over an electronic dance-flavored beat from Helluva whereas the next song “Boss Fight” references the current 2-time WWE Universal Champion Roman Reigns alongside soon-to-be inducted WWE Hall of Famer, former SMW Tag Team Champion, 3-time WWE world champion, 2-time WWE Intercontinental Champion, 12-time WWE tag team champion & WWE Hardcore Champion Kane over some cinematic string-sections laced in the instrumental.

“War Zone” talks about the Dog $hit Militia putting bounties out over a much darker beat while the song “Ryan García” talks about multiplying bitches over a classy instrumental. The track “3-Man Weave” finds the trio going back & forth using the same rhyme schemes for 2-minutes over a glossy beat from Jakesand while the song “Terry Crews” talks about being cocky over what sounds like an animé sample.

The song “Jeez Relax!” talks about their newfound lifestyles over an opulent beat while the song “Rat Trap” claps back at those who try to stop their shine over some foreboding bells. The track “Scam GPS” of course returns to their scamming roots over a leaden beat while the song “10:20 at the Lab” talks about being gifted now over a flute-tinged instrumental.

“Pick & Roll” finds the trio pondering about a number of different things over some snares firing off like rounds while the song “Jack Frost” talks about how there isn’t many like them over a Danny G instrumental with some icy synth melodies. The tape then rounds out with “Metta World Peace”, where the trio get materialistic over a boisterous beat.

Like the ShittyBoyz said at the very beginning of the tape: “We’re the coldest group in the state”. Their production continues to get better & the way they bounce off one another in their verses is still as unique as it was when they first broke out a couple years back.

Score: 3.5/5