This is the latest EP from East Coast hip hop artists Sutter Kain & Donnie Darko. The first of whom is a producer, DJ & occasionally MC from New York & the latter being an MC from New Jersey. The 2 have been collaborating with one another pretty much since the beginning, with the last time we heard from them being Before the World Got to Us & After the World Got to Us during the pandemic. Almost 2 years later, they’re back in effect with Another Day at the Office.
The EP opens up with the 4th installment of the “Block Game” series accompanied by some soulful boom bap production whereas “Origin Stories” takes a more cinematic route declaring himself as the reaper. “Gut Check” is a short yet visceral riot starter from Black Sunday leading into the piano/trap laced “M.V.J.”, which the duo stick around to talk about being beasts.
Meanwhile on “Skywalker”, we have Donnie coming through with a gritty declaration of being the realest in the game while the song “Summer Vibes” perfectly lives up to it’s name from the chipmunk soul sample to even the lyricism. The penultimate track is the 5th installment of the “Block Game” series picking up where the predecessor left off & “Life’s Battles” ends the EP with some horns talking about some more serious topics.
For this to be their comeback after nearly 2 years, I enjoyed it almost as much as their last 2 EPs. I wish a lot of the cuts on here were a bit longer than a minute, but both parties continue to bring the best out of each other from the traditional East Coast production that Sutter Kain provides to the vividly dark lyricism that Donnie & occasionally his Black Sunday cohort display.
Rev. Fang Gory is an MC from Detroit, Michigan who came up in 2007 off his full-length debut E’ville Dead. This was followed up with The Last Gryndhouse on the Left & A.A.S.K (Afro-American Serial Killer) throughout the previous decade but after a 5-year hiatus, he’s joined Sutter Kain’s independently owned Never So Deep Records & is enlisting him to fully produce a collaborative album between the 2.
After the “Violence” intro, the first song “Let That Bitch Die” is a rock/boom bap crossover to start off the album quenching for blood whereas “Black Nazi” provides some social commentary & the screams in the background of those dusty drums make it sound much more darker. Donnie Darko tags along for the confrontational “Tooth & Nail” weaving in a thrash metal sample in the background just before “Death Poll” comes in with an aggressive riot starter.
Meanwhile on “You’re My Vengence”, we have Black Sunday on top of some pianos calling out the cats biting leading into both of them sticking around for the trap banger “44” talking about being strapped at all times. The song “Death Comes in Many Forms” finds Naymez coming into the picture with Sutter for a pessimistic diss towards the bitch-made dudes out there while the penultimate track “The Killing” weaves in a chipmunk soul sample talking about a serial killer. The album ends with “Tales from the Kabbalah”, which is Fang Gory over a wailing guitar riff about being psycho.
For those who’re fans of both parties, I can argue that it’s some of their best work yet. I felt like the features were a little too much since it takes up about half the album, but the dude is on a whole ‘nother level lyrically as Sutter Kain. As for the production, he says true to his signature ghetto metal sound throughout which just absolutely stellar.
Donnie Darko is an emcee from New Jersey most known for his extensive collaborations with New York producer, DJ & occasional Black Sunday partner-in-rhyme Sutter Kain. They just dropped a fantastic EP back in April called Before the World Got to Us & here we are 4 months later with a sequel project.
The album kicks off with “Tesla”, where Donnie talks about being a veteran over a hard hitting beat. The next song “Dark Noise” talks about how dope he is over a dark boom bap beat while the track “Trigger Music, Pt. 2” of course talks about guns over a beat with an alluring vocal sample. The song “Dark Sounds” talks about his opponents not being built the same as him over an apocalyptic instrumental while the track “Winter Music, Pt. 5” gets violent over a suspenseful boom bap beat.
The song “Death Merchants, Pt. 2” is a bloodthirsty horrorcore posse cut while the track “Dark Moments” with Appollo Valdez sees the 2 coming with the battle bars over a boom bap beat with some choir vocals in the background. The song “Dark Voices” talks about how he’s just doing his thing over an instrumental with a chilling loop while the penultimate track “Death by High Noon” with Danny DieRich & Mike Sanders sees the 3 talking about murder over a boom bap beat with some synths. The closer “Going Through the Motions Pt. 3” with McNastee then finds the 2 talking about what’s on their minds over a bleak instrumental.
As much as I really enjoyed Before the World Got to Us, this new EP is a cut above it. Donnie Darko & Sutter Kain continue to display their ever-so-natural chemistry as their respective lyricism & production on here is a lot darker than it was on the EP we heard just 4 months ago.
This is the latest EP from East Coast hip hop artists Sutter Kain & Donnie Darko. The first of whom is a producer, DJ & occasionally MC from New York & the latter being an MC from New Jersey. The 2 have been collaborating with one another pretty much since the beginning & to kick off the 2nd quarter of 2020, they’re coming together for Before the World Got to Us.
The opener “Gladys” finds Donnie talks about growing up in Newark over a slowed down loop of “Giving Up” by Gladys Knight while the next song “Block Game, Pt. 3” pretty much addresses the current state of the world over a boom bap beat flipping Debbie Taylor’s “Let’s Prove Them Wrong”. The track “Driving My Crazy” addresses how the world today is insane over a flawlessly incorporated soul sample while the song “Life, Pt. 4” is essentially about how rough life is over an instrumental that kinda has an Alchemist influence to it.
The track “Shadows” talks about almost dying twice over a mesmerizing beat while the song “Feelings” goes at those who rap alike over a boom bap beat. The penultimate track “As the Beat Cries, Pt. 2” standing ground despite life being rocky over a flute & some humming then the closer “Loser, Pt. 10 (Before the World Got to Us)” tackles depression over a boom bap beat over a hypnotic vocal sample.
It’s more an EP to me, but still great nonetheless. Sutter Kain’s production has only gotten grimier with time, Donnie Darko’s sounds angrier than ever & the 2 continue to bring the best out of each other after all the extensive collaborating over the years. Really looking forward for the sequel After the World Got to Us next month.