Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 15 (Final Explosion)” review

This is the 25th studio LP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. I don’t even have to mention the Dump Gawd: Hyperbolic Time Chamber Rap saga since we’re already 14 entries deep & the 15th one looks to serve as the “season finale”.

“D.Y.O.G. (Dig Your Own Grave)” featuring Jay NiCE was a soulful boom bap intro produced by Nicholas Craven breaking down what it’ll be like in a rap battle against them whereas the self-produced “Order of Pain” ruggedly talks about leaving y’all slumped with the Mossberg pump. “It’s Darkness” goes for a drumless chipmunk soul vibe running hunting bags up top rank with the heavy artillery prior to “Flame Weaver” talks about his name being solidified in stone.

As for “Another Meal”, we have Fahim over a bare organ instrumental hittin’ spears harder than 2-time WWE Intercontinental Champion as well as 2-time NXT Champion & NXT Tag Team Champion Bron Breakker did to iShowSpeed at the Rumble just before the crooning “Don’t Blink” featuring Jay NiCE references 2-time WWE Hall of Famer, former 16-time WWE world champion, WWE Intercontinental Champion, 6-time WWE United States Champion, 6-time WWE tag team champion & 9-time NWA World’s Heavyweight Champion Ric Flair.

“Dead Giveaway” continues the soulful sampling techniques boasting his whole library collection of raw raps & throwing the moon at the last person who wanted to battle him, but then “Break Records” featuring Jay NiCE strips the drums completely for a hardcore chipmunk soul talking about their extraordinary lyricism. Jay NiCE sticks around on “Plant Seed” discussing revenge feeling better than forgiveness to them “Perfect Attendance” featuring Jay NiCE speaks of keeping full clips in the mag.

To get the 3rd & final act of the “season finale” going, “Precise Planning” keeps it drumless weeding out the fake until they get sent to their graves while “Keep Dat” makes MCs catch more shells than the bottom of the sea. “Solid Granite” brings a woodwind into the fold talking about having more guns than Gaston Glock advising to take heed to his warnings & “Bone Cracker” featuring Jay NiCE ends the album blowing .45 ACP mags to make their haters’ comrades sit down.

Said Final Explosion of the inaugural Dump Gawd: Hyperbolic Time Chamber Rap season diverts from the norms of it’s predecessors by having Fahim himself producing almost half of it with the rest being left to Craven as opposed to the others being solely produced by the latter, expanding into a full-length body of work unlike the other 14 entries being EPs & finally 35% of the rhyming throwing it back to his chemistry with Jay NiCE during the 12th chapter capitalizing on the improved schemes of the more recent installments.

Score: 4/5

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Tha God Fahim – “The Dumplorian” review

Atlanta, Georgia emcee/producer Tha God Fahim recruiting Mr. Skip to produce his 63rd EP. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. I don’t even have to mention the Dump Gawd: Hyperbolic Time Chamber Rap saga since the season finale’s coming soon, becoming The Dumplorian this 4th of July.

“No Limit” was a funky choice of an intro advising to stop if you can’t find the rhythm whereas “Mayor” fuses chipmunk soul & boom bap dividing everything into proportions so the whole family can eat. “Temptations” has a lavishly drumless vibe to the beat talking about being afraid of staying the same while “Duck Season” shifts over into chipmunk soul turf again having too many reasons to be killing this many mics.

Continuing the lo-fi sampling, “Giant” talks about being an outcast for pretty much his whole life referencing the Nintendo-owned Super Smash Bros. franchise leading into “Dump Gawd Theme Music” jazzily flexing that his rhyme massacres tend to occur without any reasoning. “Bueller” featuring Mr. Skip himself closes the EP with a remix to their first ever collaboration that Skip breathed new life into.

The Lethal Weapon trilogy has primarily been serving as breathers in the midst of the Dump Gawd: Hyperbolic Time Chamber Rap series & I can say the same with what Fahim does here on top of that. Mr. Skip approaches his production here like he’s a score using murky loops, soulful grit & cinematic energy front to back leaning towards that raw lo-fi aesthetic without sacrificing the musicality or message.

Score: 3.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 14” review

Atlanta, Georgia emcee/producer Tha God Fahim releasing his 62nd EP over a week since the last one. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Continuing the Dump Gawd: Hyperbolic Time Chamber Rap Rap saga, the dumpathon finds no end in sight with the 14th installment.

“Post Apocalyptic” sets off the EP with a laidback boom bap instrumentally talking about the state of the world especially with everything that happened in the Middle East last weekend whereas “No Traffic” heads for a chipmunk soul direction boasting that he’s in his own different lane when he’s not entirely wrong. “Warmonger” hooks up a drumless guitar instrumental to talk about living life like a gladiator while “The Work of 1,000” soulfully uses the element of surprise to fight his mental struggles.

Ru$h teams up with Fahim on “Megamen” like he did over a week ago for “Twisted Metal” letting it be known that there ain’t no 2nd chances when they make advancements to their styles leading into the atmospherically dusty “Olympic Weightlifters” talking about keeping a pump on him & looking to fulfill his destiny since this is our only opportunity alive. “Versace N Pepper Steak” rounds out the EP by hopping over a funk sample paying homage to the recently departed Sly Stone.

Noticeably less jazzier than the EP we got from him 8 days ago, Dump Gawd: Hyperbolic Time Chamber Rap 14 continues the historically unstoppable run Fahim & Craven have been on together since last fall. The latter’s production carries over the chipmunk soul, boom bap & drumless sounds that a vast majority of the series has been praised for from the get-go & Breadrick Douglas’ lyrics cut deeper than a samurai sword.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 13” review

Another EP from Atlanta, Georgia emcee/producer Tha God Fahim & the 2nd in less than a week, marking the 61st in his discography. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive output that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been releasing amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. He just had Drega33 produce Lethal Weapon 3 this past Friday & returning with the 13th entry in the Dump Gawd: Hyperbolic Time Chamber Rap saga.

“Render Punishment” is this piano-boom bap intro talking about gaining a piece of mind surviving in these current times of protest in Los Angeles whereas the soulful “Twisted Metal” featuring Ru$h homages the video game franchise TV adaption with it’s upcoming 2nd season on the Comcast Corporation subsidiary NBCUniversal-owned peacock & the franchise’s mascot being played by former AEW World Champion & 2-time AEW TNT Champion Samoa Joe of the current AEW World Trios Champions The Opps.

The drums get stripped on “Hold the Throne” catching bodies in the studios & feeling ungodly maintaining a chipmunk soul vibe just before “Smoke in Mirrors” continues the drumless sampling to talk about profit being essential to his mental being. “Brand New” hooks ups a crooning sample chop looking to boomerang interest in his opps leading into the jazzy “It’s Automatic” boasting about his raps being cinematic.

“I’m Leavin with Sum” lastly wraps up the EP leveling up his rhyme schemes a couple notches notable when starts by referencing being wittier than Michael Scofield from Prison Break on the Fox Corporation’s flagship property & leavin’ enemies with their throats slit during the final seconds giving the wisdom of preferring a 9-5 instead of going broke. Couldn’t forget to mention the spoken word outro where he touches on always getting to himself something.

Dump Gawd: Hyperbolic Time Chamber Rap 13 is a lot like the predecessor in terms of the jazzy, boom bap & drumless production except it’s not another Jay NiCE collaborative effort & maybe the most I’ve enjoyed an EP in the series since Dump Gawd: Hyperbolic Time Chamber Rap 10 because of the performances Fahim handles by himself for most of it. Wouldn’t surprise me if he does a collab EP with Ru$h because I’d actually welcome it if that is in fact planned at any point.

Score: 4.5/5

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Tha God Fahim – “Lethal Weapon 3” review

This is the 60th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabularyproduced by Cartune Beatz. He & Jay NiCE linked for their 2nd collab EP Dump Gawd: Hyperbolic Time Chamber Rap 12 last weekend & Drega33’s back to produce Lethal Weapon 3.

“Against the Grain” was a piano-driven boom bap intro talking about contrasting the natural inclination to slay wack rappers by the boatload whereas the soulful “Caught My Eye” became an unexpected yet welcoming turn of things getting in his sensual bag lyrically. “Free Speech” embraces a heavily jazzier sound showing gratitude he’s still alive by the ocean side while “Carnage” gets back on the chipmunk soul tip telling us how he lives.

The song “DNA” gets the ball rollin’ on the final 10 minutes of Lethal Weapon 3 fusing chipmunk soul & jazz rap into 1 talking about being supernatural while “Foot the Bill” talks about watching these chumps squeal in their own blood. “Each Passing Day” heads for a chipmunk soul direction once again suggesting opposites detaching as much as they attract & the crooning outro “Championship Status” talks about the proper steps it takes to become a champion.

Compared to both its predecessor, the trilogy chapter in the Lethal Weapon saga preludes Dump Gawd: Hyperbolic Time Chamber Rap 13with the most detailed entry of the series. Drega33’s production is more jazzier than Lethal Weapon 2, harking back to the original Lethal Weapon except he’s meshing it with chipmunk soul to backdrop a deadlier Fahim.

Score: 4/5

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Jay NiCE & Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 12” review

This is the 2nd collaborative EP between Atlanta, Georgia emcee Jay NiCE alongside local Dump Gawd himself Tha God Fahim. Both of whom have worked with each other countless times in the past several years, teaming up for the collab album Strictly 4 My D.U.M.P.E.R.Z. during the spring of 2018 & the Bloodspiller EP around Halloween time 2 & a half years ago. Jay was on half of Dump Gawd: Hyperbolic Time Chamber Rap 11 last month hours prior of the Endeavor-owned TKO Group Holdings division WWE acquiring Lucha Libre AAA Worldwide (AAA) from the Peña–Roldán family at the start of WrestleMania XLI weekend in response their Tony Khan-owned competitors All Elite Wrestling (AEW) & Ring of Honor Wrestling (ROH) both being involved with this year’s annual Consejo Mundial de Lucha Libre (CMLL), 新日本プロレス (NJPW) & Revolution Pro Wrestling (RPW) co-promoted event Fantastica Mania on June 20 held at La Catedral de la Lucha Libre Arena México. Little did we know they would make the 12th entry of the saga a full collaborative effort between the pair with Nicholas Craven on production.

“Ultimate Spider” was a drumless 3-minute hardcore intro referencing Dr. Octopus from The Walt Disney Company subsidiary Marvel-owned Spider-Man franchise whereas “Tha Uppercut” continues the strip the drums even more including a line referring to the Discovery Global subsidiary Cartoon Network-owned PowerPuff Girls franchise.

The only Fahim solo cut “Nickleplated Temptations” doesn’t miss by any means soulfully showing off his quintessential pen while “Tha Company” dustily mentions Eric Cartman from the timeless Paramount Skydance Corporation-owned Comedy Central series South Park ahead of the upcoming 27th season finally premiering in July.

“Black Mamba” if you couldn’t tell by the name homages the late Los Angeles Lakers icon & my 2nd favorite basketball player of all-time Kobe Bryant behind Michael Jordan while maintaining a boom bap vibe leading into the darker “Embers” makes the world burn with their respective outlooks on rap & lastly “Alarm” finishing by hopping over horns taking more jabs at their opposition.

Strictly 4 My D.U.M.P.E.R.Z. & Bloodspiller both have their individual standouts such as “B2G$” & “Rock Lava” respectively, but Dump Gawd: Hyperbolic Time Chamber Rap 12 leans heavier between Jay & Fahim’s chemistry as the predecessor last month teased that ends with what’s my new favorite collaborative effort of the 3 they’ve done. Craven’s production draws from drumless, boom bap & chipmunk soul for both Atlanta spotters to lay out hardcore lyricism for approximately 14 minutes.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 11” review

Atlanta, Georgia emcee/producer Tha God Fahim continuing to dump with his 59th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Dump Gawd: Hyperbolic Time Chamber Rap 10 came out a few days ago & the saga is continuing with an 11th installment merely hours before Night 1 of the Endeavor-owned TKO Group Holdings division WWE’s marquee event WrestleMania begins & after WWE CCO Triple H, former 4-time WWE women’s champion Michelle McCool, former 5-time WWE United States Champion Lex Luger, former WWE Tag Team Champions The Natural Disasters, The Ugandan Giant Kamala, Dory Funk Sr. & former WWE Champion Ivan Koloff all got inducted to the WWE Hall of Fame overnight.

“Make Better” is this chipmunk soul intro talking about taking the good & the bad to make improvements on top of flexing the unprecedented run he’s been on whereas “Guardian of Styles” featuring Jay NiCE keeps it drumless to call themselves the keepers of the technique. “Hungry 4 da Market” takes the boom bap route instrumentally likening his fighting style to the iconic Chuck Norris while “Motion” jazzily strips the drums again talking about having movement.

Jay NiCE returns for “No Days Without Dumpin’” getting back on the chipmunk soul vibe again so they can discuss not taking any days off in 2025 dumpin’ on the daily while “What Im Dishin’” featuring Jay NiCE talks about serving nothing but absolute heat on their ends references Homelander from The Boys on the Amazon-owned Prime Video. “Tha Lawbringing Revolver” finishes the EP with 1 more drumless track wanting to live comfortably & fleeing the country after concluding the saga 89 entries from now.

Given that I’ve been highly favorable towards the entire Dump Gawd: Hyperbolic Time Chamber Rap saga up until this point, it might come as a surprise to many to hear me call this the weakest installment of the series so far although it’s still very much enjoyable. Nicholas Craven’s production here prominently centered around the drumless style on here & I appreciate hearing Jay NiCE on nearly half of it, but I hope to see more guests down the line as opposed to solely him or Big Cheeko.

Score: 3.5/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 10” review

This is the 58th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. We just got Lethal Weapon 2 over a week ago & Dump Gawd: Hyperbolic Time Chamber Rap 10 has arrived after a week-long delay.

“Rapid Succession” featuring Jay NiCE is this chipmunk soul intro talking about being in a space where everyone around them is eating whereas “Tha Highest Caliber” likens every word he says to a bullet & wack MCs becoming a part of his highlight footage. “Massive Proportions” brings the crooning soul samples back in the fold references Groot from the Guardians of the Galaxy owned by The Walt Disney Company subsidiary Marvel just before the orchestral “Rejuvenation” talks about making up for the slackin’

The song “Lord of Rhyme” gets the 2nd leg of Dump Gawd: Hyperbolic Time Chamber Rap 10 going by shining sublimely & categorizing the techniques he demonstrates as flawless leading into “Flow Sick No Vaccine” making his competition malfunction because of the destruction & corruption he brings forth. “Dark Dojo” gets back on the chipmunk soul tip 1 last time to talk about the pen being forbidden in addition to breaking down why he walks the lonely path he takes.

Craven recently took to Twitter a day or 2 ago hinting that we could potentially get 90 more installments in the Dump Gawd: Hyperbolic Time Chamber Rap saga & since all 10 that’ve seen the light of day maintain a specific level of quality, I wouldn’t mind it at this point. I’m happy that they pushed this back a whole weekend so the proper adjustments could be made whether it be the production showing influences of drumless, chipmunk soul & jazz rap or Fahim focusing on his pen a bit more slowly bringing guests on the mic with him.

Score: 4/5

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Tha God Fahim – “Lethal Weapon 2” review

In front of us is the 57th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Taking another break from the Dump Gawd: Hyperbolic Time Chamber Rap, I totally get why Drega33’s coming back in the picture for a Lethal Weapon sequel.

“ATK on Titan” is this jazzy intro likening his wraps to the dark fantasy anime series 進撃の巨人 whereas “Analytics” featuring Jay NiCE talks about their styles being a mix of the almighty Wu-Tang Clan & It Was Written. “Sacred Tablets” strips the drums creating his own lane & overcoming the rough patches in his life while “Lethal Force” hooks up a pitched vocal sample to talk about specializing in spreading viruses.

The song “Final Justice” starts the 2nd leg of Lethal Weapon 2 by hopping over these prominent horns telling everyone to move out his way unless you want chaos to ensue & him having something to prove just before “Ain’t No Way” blends chipmunk soul & drumless talks about having 0 distractions in his path. “Aura Farming” ends the EP with a jazz rap single he dropped this past weekend referring to himself as hip hop royalty.

Much of the discourse centered around Lethal Weapon a few weeks ago were generally mixed & I can’t be too mad at the successor here being much more well received from what I’ve been seeing across the spectrum. Drega33’s production still relies on samples dabbling with drumless, chipmunk soul & jazz rap this time around on top of the lyrics feeling like a long lost scroll getting deciphered in the middle of the Sahara desert.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 9” review

Atlanta, Georgia emcee/producer Tha God Fahim returning after a week to drop his 56th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. A Dumpathon began exactly 2 weeks ago Thursday & the Dump Gawd: Hyperbolic Time Chamber Rap saga lives on with its 9th entry.

“Fuckin’ Mics Up” breaks the doors down with this boom bap intro referring to his rapping abilities as a different form of telepathic communication whereas “Tha Bane of Unrighteousness” works in a video game sample to talk about everyone knowing he’s the nicest & having a piece of mind being priceless. “Tha Extortion of Gauntlet” promises to make tragic endings become the start of a new age while “True Champ” soulfully talks about making people catch bullets as if it’s the NFL.

The song “Gold Panning” hooks up these prominent piano chords making it clear to everybody what kind of timing he’s been on & comparing this rap shit to diamond mining just before the jazzy “Unlimited Dump” sees him carrying more glocks on him than RoboCop as well as being in the midst of a paper chase. “Hado” finishes up the EP with a horn flip holding weapons in his luggage so he can solve conflict with an iron fist.

Exactly a whole week since Dump Gawd: Hyperbolic Time Chamber Rap 8 came out, Fahim’s 6th EP in couple weeks & the 11th project he’s done with Nicholas Craven since October continues the monumental run they’ve been on for 5 months already. The latter’s production bounces between boom bap, chipmunk soul & jazz rap noticeably lacking the drumless undertones of the last 2 installments dumpin’ lyrical pressure for 16 & a half minutes.

Score: 4.5/5

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