KAYTRANADA – “Ain’t No Damn Way!” review

Port-au-Prince, Haiti born albeit Montréal, Québec, Canada raised DJ, producer, singer/songwriter & rapper KAYTRANADA returning for his 4th studio LP. Starting as 1/2 of The Celestics alongside his younger brother Lou Phelps, he’s has been widely recognized as being amongst the most popular & in-demand producers in all of music for the past decade working with everyone from Mobb Deep to Mach-Hommy. KAYTRADAMUS even has 3 solo efforts under his belt in 99.9% through XL Recordings, the RCA Records-backed Bubba, the eponymous debut from KAYTRAMINÉ & more recently Timeless last summer. 13 months have passed since the predecessor & Ain’t No Damn Way! has arrived 4 days after it’s announcement.

“My Life” by Latrelle featuring Kelis gets sampled for the deep house intro with “Space Invader” throwing hints of contemporary R&B in the mix whereas “Championship” continues the house vibes with an 115 second instrumental piece. “Home” sticks out as one of my favorite beats here due to it’s carefree atmosphere just before “Target Joint” pulls inspiration from the funky house subgenre.

Nearing the end of Ain’t No Damn Way!’s first half, “Things” samples “Things Fall Apart” by Steve Monite for a futuristic house composition with some synthesizers leading into “backstABs” getting back in his deep house bag instrumentally. “Good Luck” definitely feels reminiscent to my all-time favorite production duo The Neptunes in terms of sound, but then “Shine Your Light for We” samples “Black Boy” by Cappadonna & makes it into a disco highlight of it’s own.

“Goodbye Bitch!” combines characteristics of both synth funk & funky house for an infectious beat that won’t make you stop nodding your head while the deep house cut “Don’t Worry Babe (I Got U Babe)” makes an irresistibly soulful use of sampling. Speaking of which: The last song “Do It (Again!)” after “Blax” continues to display KAYTRA’s ear for chopping up samples, this time repurposing “Let’s Do It Again” by TLC.

As opposed to having a cast of guests performing over his instrumentals like on all 3 of his predecessors, KAYTRANADA returns out of nowhere 14 months later for Ain’t No Damn Way! as a welcoming return to his electronic roots. Ditching the primary alternative R&B influences of Timeless last summer to emphasize the deep house side of it’s predecessor, he gets to sprinkle additional hints of funky house & synth funk over the 30+ minute course.

Score: 3.5/5

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Lou Phelps – “Chélbé” review

Lou Phelps is a 30 year old rapper & producer from Saint-Hubert, Québéc, Canada notable for being the MC half of the MC/producer duo The Celestics alongside his brother & one of the biggest producers in the past decade KAYTRANADA. He even has 3 EPs & a full-length debut album of his own since they mutually decided to focus more on their solo careers for the past 11 years. Nearly 9 months since the last EP Top Z last summer, Lou’s returning for a sophomore effort.

“Prolly Us” produced by KAYTRANADA who laced Chélbé front-to-back was a funky way to start things off talking about bad bitches & real homies both wanting love whereas “After I” featuring GoldLink finds the 2 asking if you can tell that they know how to have a great time. “4 My Children” keeps the funk/hip hop crossovers going talking about wanting to make millions for his kids & not giving a fuck regarding other’s feelings, but then “I Dunno” take a shot at hip house detailing a woman who keeps coming back to him for more.

As for “What Now”, the hip house vibes carry on referencing the current TNA World Tag Team Champion in his 3rd reign & inaugural 4th Rope World Tag Team Champion Jeff Hardy of The Hardy Boyz while “Under My Skin” featuring Nono Black finds the pair suggesting to let the haters hate & their money continuing to pile up. “Jungle” kinda reminds me of Q-Tip from A Tribe Called Quest & I mean that as a compliment boasting about being sexy & clean because he’s the man leading into “Is My Mic On?” sees him tryna play it right

“2am” blends synth-funk & hip hop telling the woman he has in mind that she’s a gift to him while “Aftaparty” talks about showing this chick how fast them birds go once they finally become an official couple keeping the synthesizers in the fold instrumentally. “Pimp” finishes Lou’s first LP in 7 years with 1 more funky beat to discuss spitting his rhymes because all he wants is the money in his pockets to get bigger & for all the broke ass bitches to take themselves back home.

Resurrecting the anarchic spirit of post-millennial underground hip hop, The Celestics unofficially reunite for a love letter to the culture’s golden age occasionally charting new territory in contemporary dance-rap. KAYTRANADA boldy fuses hip hop, house & jazz music for the globally minded, fashion-forward listener emphasizing his multicultural background & paying tribute giving himself a pat on the back for his authenticity, self-appreciation & personal style.

Score: 4/5

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KAYTRANADA – “Timeless” review

KAYTRANADA is a 31 year old DJ, producer, singer/songwriter & rapper born in Port-au-Prince, Haiti albeit raised in Montréal, Québec, Canada starting as 1/2 of The Celestics alongside his younger brother Lou Phelps. For the past decade, he’s has been widely recognized as being amongst the most popular & in-demand producers in all of music working with everyone from Mobb Deep to Mach-Hommy. KAYTRA even has 2 solo efforts under his belt in the debut 99.9% through XL Recordings & the RCA Records-backed Bubba as well as the eponymous debut from KAYTRAMINÉ last summer. KAYTRADAMUS gained more exposure after opening for The Weeknd during the After Hours ‘til Dawn Tour & is capitalizing by releasing a 3rd album.

“Pressure” is an instrumental opener to the LP with synthesizers & danceable groove whereas “Spit It Out” by Rochelle Jordan sings about reflecting on what she had with a former partner of hers over a spacious beat. The Celestics team up on the tropical “Call U Up” admitting that they don’t wanna hit up their current romantic interests in fear of falling in love with them, but then the funky “Weird” by Durand Bernarr confronts his lover for acting strange around him.

We get some hip house vibes on “Dance Dance Dance Dance” for a couple minutes prior to Don Toliver poppin’ in for the atmospherically smooth “Feel a Way” confessing to being caught up in his ways & guarding one’s love. “Still” by Charlotte Day Wilson luxuriously & passionately professes the attraction that she still feels towards a man that she cries thinking of while “Video” by Ravyn Lenae brings the synths back into the fold telling her partner to show her which way he wants her to go & recording it.

“Seemingly” nears the end of Timeless’ first half sampling Don Blackmon just before “Drip Sweat” by Channel Tres turns the house music influences back up singing about a man who thinks he can come in the night telling him to jump off the ledge. “Hold On” by Dawn Richard asks if we go back to days when lights use to dance & when love wasn’t scared yet over a house beat ahead of the hypnotically entrancing “Please Babe”.

Meanwhile on “Stepped On”, we have KAYTRA going for a synth-based direction instrumentally so he himself can demonstrate his singing chops addressing something wrong with him while “More Than a Little Bit” by Tinashe has a dreamy alternative R&B flare to it talking about her heart being frozen. “Do 2 Me” by Anderson .Paak & SiR links the pair up for a charming pop rap/R&B hybrid that is until the summery “Witchy” by Childish Gambino sings his heart out about missing something for a while.

“Lover/Friend” by Rochelle Jordan was a solid deep house/R&B single head-on asking if this person really wants a relationship with her while the mellow “Wasted Words” by Thundercat starts the deluxe run encouraging to rise above it all. The song “Snap My Finger” by PinkPantheress is this danceable R&B jam getting an ex of her’s off her mind while the penultimate track “Stuntin’” by Channel Tres goes contemporary R&B feeling the best. “Out of Luck” by Mariah the Scientist ends the album futuristically singing about having no luck left.

Much has changed since Bubba nearly 5 years ago representing a shift in collaborations & his RCA sophomore effort here marks a superior return along with my new 2nd favorite full-length of his behind the debut. Primarily because Timeless has a stronger guest-list, the overall feeling of it takes inspiration from 80s new wave, he’s using newer equipment & expands his house/R&B sound to newer heights.

Score: 4/5

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