Tag: The Lobby Boyz

Jim Jones – “The Fall Before the Rise” review

The Bronx, New York rapper Jim Jones dropping a brand new extended play a few days succeeding it’s announcement. A member of The Diplomats in the 2000s, his first 5 full-lengths from 2004-2011 had some highlights in them even if they were all average at best as whole albums. However it wouldn’t be until 2018 after dropping Wasted Talent where he would really start putting out his best material ever & then came out with his magnum opus the following year El Capo. El Capo 2 & the Harry Fraud-produced The Fraud Department continued the acclaim up until the Hitmaka-produced Back in My Prime proved to be disappointing & At the Church Steps was ok, coming off Pusha T dissing him on the Clipse single “Ace Trumpets” to present The Fall Before the Rise.

The intro opens up with a genuinely decent instrumental telling the God’s honest truth until “I’m the Best” butchers a sample of “You’re the Best” by Joe Esposito for a little over a minute to stroke his ego after having Fivio Foreign do so not too long ago. The usage of sampling on “Rich Water” isn’t done any better having something for everyone who did him wrong leading into “Move ‘Em” talking about having the city under control like a PlayStaion over some 808s.

“Friday” thunderously speaks of formerly making money by putting yay on the highway just before “Eat Tonight” with an uncredited feature comes through with a mediocre Bonnie & Clyde ballad. “Revolution” talks about us getting increasingly closer to a rebellion of sorts while “Summer Where You Been At?” flips “Summertime” by DJ Jazzy Jeff & The Fresh Prince to address a lost love interest. We’re then treated to a freestyle spit during the 3rd annual Mafiathon, which was merely ok.

Wasted Talent marked a huge turning point in Jim Jones’ career putting out some of his greatest material over the course of the late 2010s/early 2020s but since Back in My Prime, the quality of his music is continuing to steeply decline the bigger his head grows. We still would’ve gotten a better product if you kept both tracks from At the Church Steps (deluxe included), whereas The Fall Before the Risecontains worse production & reminds us all he’s not even close to surpassing Nas as an MC.

Score: 1.5/5

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Jim Jones – “At the Church Steps” review

Here we have the 10th studio LP from Bronx, New York rapper Jim Jones. A member of The Diplomats in the 2000s, his first 5 full-lengths from 2004-2011 had some highlights in them even if they were all average at best as whole albums. However it wouldn’t be until 2018 after dropping Wasted Talent where he would really start putting out his best material ever & then came out with his magnum opus the following year El Capo. El Capo 2 & the Harry Fraud-produced The Fraud Department continued the acclaim up until the Hitmaka-produced Back in My Prime proved to be disappointing. Over 2 decades after his debut, he’s arrived At the Church Steps.

“Jomo” produced by 1982 is actually a great sample-driven opener to get us started reminding everyone who he is 21 years later whereas “Genesis” fuses gospel & trap courtesy of Jim himself talking about half these dudes out here being broke to the point where they can’t pay their debts. “Seen It All” discusses getting it all in & never falling because of his shoes being tied, but then “Make It Out” maintains a trap vibe thanks to Hitmaka talking about him & Cam’ron falling out with each other again a month ago.

Conway the Machine & Keen Streetz join Jimmy for “Walking on Business” working in a boom bap instrumental to follow through with their actions & sticking to their values just before “White Lines” talks about being obsessed with spending money & refusing to back down for anybody. “Call on Me” goes for a solemn trap vibe again with the help of Smatt Sertified feeling like the world’s falling on him leading into “Opp Thot” featuring Fabolous talks about the L only being a loss if you’ve learned your lesson.

“This Shit Still in Harlem” embraces the Brooklyn drill sound representing the Manhattan neighborhood further proving Cam’s point that he isn’t from Harlem at all while “Dope Boy” featuring Keen Streetz ominously suggests to let them do their dance. “Cinema” featuring Fivio Foreign & Keen Streetz takes another shot at the New York Drill sound missing the landing even harder than previously & after the “Ray Ray” skit, “Back in My Bag” returns to the boom bap getting in the mix again.

Dave East appears with Jim on “What’s Going On?” so both of them can break down shit being different nowadays while “Back in the Day” by The Lobby Boyz keeps the traditional boom bap sound in tact getting reflective. “End of Summer” atmospherically asks God to make space in heaven for him & “Church Steps” ends with a gospel-inspired closer that The Heatmakerz cooked up talking about arriving at the steps of a place of worship.

“Outside” starts the deluxe run with Ron Browz going sample drill behind the boards talking about being out here with that shit on while “Shop” offers a weak take on cloud rap pointing out that some like to take out fires & others letting them burn. “Walk with Me” featuring Keen Streetz cavernously talks about their street mentality & legitimacy while the industrial hip hop joint “Fashion Killa” shows off his taste in drip.

Keen Streetz links back up with Jimmy on “Hoodie Season” providing an average anthem for that specific time of year when it starts to get cold out while “Hustlers” featuring Keen Streetz jazzily talks about being go-getters. “Swerv” featuring G Herbo takes another jab at sample drill doing it just as good as “Outside” did earlier while the trap rock hybrid “Civil Rights” shows a more conscious side to the Vamplife Records founder.

“Ring” slickly pleads for someone to call him while the underwhelming “Skin” fails in terms of an attempt at sexy drill. “Deep End” featuring Rick Ross intriguingly shows off their riches while “No Love” featuring YG shows absolutely 0 affection for these bitches while “Vamp Ooter’s” featuring Dilla illa & 34Zeussy doesn’t represent the VL label that well personally. The final bonus track “Flu Game” featuring Trinidad Jame$ is only slightly better, soulfully talking about being ok.

Some of the singles building up to At the Church Steps including the feature-heavy tracklist truly had me a bit torn on the sequel to the ByrdGang leader’s solo debut unlike the high praise I gave to El Capo, El Capo 2 & The Fraud Department. Now that I’ve actually heard the whole entire thing, I’m still a little iffy on it. Jim’s growth in the past 2 decades is there, except a lot of the hooks are cringe & some of the production tends to falter occasionally.

Score: 2.5/5

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