Messa – “The Spin” review

Messa is a doom metal band from Cittadella, Veneto, Italy consisting of guitarist/bassist Marco Zanin, drummer Rocco Toaldo, guitarist Alberto Piccolo aka Little Albert & frontwoman Sara Bianchin. Their debut album Belfry as well as the sophomore effort Feast for Water & Close have become amongst the highest quality traditional doom metal of the past decade with influences of heavy psych thrown in. Metal Blade Records has signed them for their 4th studio LP & one I was highly anticipating.

“Void Meridian” is this heavy psych/doom metal intro asking how far can 1 go whereas “At Races” blends goth rock, psychedelic rock, post-metal & doom metal to sing about being cursed & running. “Fire on the Roof” shows a bit of an industrial metal influence I wasn’t quite expecting admittedly spiraling backwards where Sara feels like she belongs while “Immolation” takes a shot at piano rock with a heavy psych twist asking to be sacrificed or immolated.

We have “The Dress” bringing together doom metal, dark jazz, jazz fusion & heavy psych singing about all Sara’s monsters that’re ready to be fed coming over to feast on her heart with no exception in addition to not even looking at herself at this point anymore while “Reveal” begins with a bluesy guitar until getting heavier & darker in terms of general sound. Last but not least, the closing track “Thicker Blood” finishes up the album with a cinematic 9-minute doom metal epic.

Making another step towards legendary status, Messa invites the metal world on a breathtaking journey across the wide open skies of their creative imagination over a beautiful landscape of moods, twists & styles during the course of their Metal Blade debut. From a basis in the band’s eclectic sound they they call scarlet doom, The Spin rises, falls, broods, bites, comforts & destroys while resounding with both instinctive, compulsive magic & obsessive, concerted hard work.

Score: 4.5/5

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