
Jamie xx is a 35 year old musician, DJ, producer & remixer from London, England, United Kingdom notable for being 1/3 of The xx or producing the title track off Drake’s best full-length album Take Care. He even put out a critically acclaimed solo debut In Colour during the summer of 2015 shortly after I graduated high school prominently based around UK bass with elements of future garage, deep house, downtempo & alt-pop included additionally. However, he’s FINALLY returning for a sophomore effort.
“Wanna” is this calming instrumental opener that rightfully sets the tone whereas the 2nd single “Treat Each Other Right” pulls from future garage, UK bass, progressive breaks & chipmunk soul talking about how that’s all we gotta do. “Waited All Night” by Oliver Sim & Romy maintains the future garage & progressive breaks elements throwing a hint of alternative R&B in the mix prior to “Baddy in the Floor” featuring additional vocals provided by Honey Dijon dabbles with garage house, funky house, speed garage & French house telling the baddies to let loose on the dance floor.
The fusion of future garage, UK bass, alternative R&B, neo-psychedelia, Atlanta bass & deconstructed club on “Dafodil” only remembering the lovely sweetness in the air after being with a beautiful female in London for the night while “Still Summer” serves as another instrumental piece for you to play during the final moments of summer itself. “Life” by Robyn borrows from funky house, Latin house, dance-pop & ballroom singing about her man making her feel alive just before “The Feeling I Get From You” lives up to it’s name by incorporating a warmer atmosphere.
“Breather” starts the final leg of In Waves with this epic 6 & a half minute kinda giving off a progressive house vibe while “All You Children” produced with The Avalanches celebrates the joy of community, connection & the transformative power of dance through tech house, melodic house & melodic techno. After the “Every Single Weekend” interlude, “Falling Together” featuring Oona Doherty on spoken word ends with what’s actually the song “Pale Blue Dancer” teased at Coachella almost 2 & a half years ago.
The deluxe run begins with Erykah Badu getting on the house-driven “F.U.” talking about being in the club calling for all the laddies & the brothers to get wild while the repetitive “It’s So Good” was a loose from last January fusing UK funky, funk brasileiro & IDM. “Do Something” dabbles with New Orleans bounce a bit while “Let’s Do It Again” crosses over in favor of progressive house, funky house, future garage & melodic house. “Kill Dem” ends the collection of bonus tracks returning to a UK funky sound 1 more time removing the funk brasileiro & IDM undertones in favor of ragga & stutter house
Almost a decade after his debut solo masterpiece, we get a melancholy paradise of bliss alongside heartbreak & introspection that eclipsed the heights of its predecessor somehow making all supernatural adjectives & analogies seem understated. He replicates the emotional crescendos & thrilling volatility of an almost mystical night out telling the story of a journey where you merge into the divine pulse of shadows, light & dance floor rhythms or a strobe light epiphany about the illimitable possibilities & spiritual capacities of humanity.
Score: 4.5/5
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