Tunde Adebimpe – “Thee Black Boltz” review

Tunde Adebimpe is a 50 year old musician, singer/songwriter & actor from St. Louis, Missouri known for being the co-frontman of TV on the Radio as well as his roles in the 16th Marvel Cinematic Universe (MCU) film Spider-Man: Homecoming & the brief animated series Lazer Wulf on the Discovery Global-owned Cartoon Network late night block [adult swim]. However, he’s looking to embark on a solo career by signing to Sub Pop Records & putting together a debut album solely under his own name.

After the titular intro, the first song “Magnetic” was a post-punk revival & alternative dance lead single that suits the beginning of the LP rollout singing about thinking of his time & space whereas “Ate the Moon” takes the industrial dance route instrumentally suggesting to call the doctors, preachers & lawyers. “Pinstack” hooks up a prominent electric guitar so he can ask if you’d like to live in a dream, but then “Drop” blends indie pop & neo-soul into 1 singing about rising into the night.

“ILY” gives off a prominent acoustic vibe for a tribute to his wife & French cartoonist Domitille Collardey leading into “The Most” dabbling with synthpop suggesting that the love will live on even if the lover is a liar. “God Knows” delves into the complexities of a bittersweet breakup capturing his vulnerability just before “Blue” might be my least favorite track despite its electronic influences.“Somebody New” throws it back to the 80s bringing indie pop & indietronica together while the minimal “Streetlight Nuevo” wraps it up by riding this rupture until the break of day.

In a lot of ways, the excitement of doing something on his own for the first time ignited a similar spark in him as TV on the Radio’s earlier days. Wilder Zoby’s production prominently goes for an indie rock, art pop & indie pop flare with further influences of indie folk, dance-punk revival, synthpop, indietronica, alternative dance & singer/songwriter addressing themes of the human condition in all its forms under all its stressors both big & small. For this to be his proper introduction as a solo act, Tunde surely desperate grasps onto small moments of joy amidst the dissonance & sadness in any way he could possibly can.

Score: 4/5

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