Coi Leray – “Trendsetter” review

Coi Leray is a 24 year old rapper & singer/songwriter from Hackensack, New Jersey who started making musical a decade back inspired by father Benzino. Even though I found her debut mixtape Everythingcoz along with her first 2 EPs EC2 & Now or Never to be mediocre, I was curious about her full-length debut over here given that I genuinely liked a couple of the singles she dropped within the last year.

“Hollywood Dreams” is a drumless yet euphoric opener talking about doing this music shit for her whereas “Blick Blick” comes through with a pop rap cut with God awful performances from Coi & Nicki Minaj stealing the show. I would much rather listen to that than “Aye Yai Yai” with Yung Bleu though because it’s a cringey, buttery sex ballad. “Mountains” with Fivio Foreign & Young M.A.comes through with some triumphant lyricism over a somewhat psychedelic instrumental just before G Herbo tags along for the futuristic “Thief in the Night” to play Coi’s “sneaky link”.

Meanwhile on “Overthinking”, we have H.E.R. coming into the picture over an acoustic trap beat from BNYX of Working on Dying to help Coi talk about men not listening while “Clingy” almost has a West Coast groove to it with NAV awkwardly playing Coi’s counterpart much like “Thief in the Night”. That being said, “Heartbreak Kid” works in some fresh guitar riffs getting flirtatious & “TWINNEM” almost made my worst singles of 2021 list because it’s pretty much a ripoff of “Best Friend” by Saweetie & Doja Cat. “No More Parties” with Lil Durk on the other hand impressed me with it’s piano instrumental and the topic of going on to do better things.

After the “Be Me” interlude, “Lonely Fans” has a warm feeling with the production as Coi spits off the dome for a minute & a half while “Heart in a Coffin” is a dreary breakup anthem. “Paranoid” with Polo G finds the 2 delivering a twangy trap banger addressing themes of loyalty, mistrust & fame while “Box & Papers” aggressively talks about how “what’s forgiven is never forgotten”.

“Mission Impossible” with Lil Tecca sees the pair talking about their success with Chief Keef cooking up what’s easily the best beat on the album while the song “Too Far” is a touching dedication to her homie Atkins who’s locked up. The song “Mustard’s Interlude” with A Boogie wit da Hoodie has yet another acoustic trap flare to it with them trading the mic with one another very impressively while the penultimate track “Anxiety” is a rubbery display of how 2021 was for her. “BIG PURR (PRRDD)” with Pooh Shiesty ends the album with an ass kicking drill cut.

Yeah, it’s safe to say that Trendsetter is yet another run of the mill pop rap album with slightly more misses than hits. Coi is most certainly talented & most of the features came correct, but the album just feels all over the place as a whole & a lot of the production choices are very questionable in my opinion.

Score: 2/5

Vanderslice – “Trendsetter” review

This is the 3rd EP from Phoenixville, Pennsylvania veteran Vanderslice. A man that made a name for himself by producing for the Army of the Pharaohs on numerous occasions since the mid/late 2000s & just last spring, he produced Diabolic’s 3rd album Collusion in it’s entirety & that has quickly become my 2nd favorite release of his. But as the 2nd quarter of the year is starting to begin, Vansleazy’s hitting us with Trendsetter.

After the intro, the first song “ Cold Winter” by Vic Spencer is a minute & a half of witty battle bars over a grimy instrumental. The next track “Christmas Night Heist” by Ty Farris talks about being from Detroit over a tense boom bap beat while the song “Barry White Shit” by G Perico talks about ballin’ over an organ. The penultimate track “Puzzles” by Daniel Son gets on the mafioso too over an intoxicating beat & then before the outro, the closer “Shell Casings” by Capo talks about killing his competition over an suspenseful instrumental.

Vanderslice has always been one of the illest underground producers of all-time & this just solidifies it. It’s only 10 minutes long, but the sound on here is like no other & the guests fit in very well on top of his production.

Score: 3.5/5