Twiztid – “Gylph” review

This is the 16th full-length album from Detroit hip hop/rock duo Twiztid. Consisting of Jamie Madrox & Monoxide, they originally started out as part of the House of Krazees alongside childhood friend The R.O.C. in 1992 before their initial disbandment 5 years later. Almost immediately after, the Insane Clown Posse took Jamie & Mono under their wings by signing them to Psychopathic Records as the demented duo they’re known as today. They would become the label’s 2nd biggest act being their mentors off projects like Mostasteless, Freek Show, Mirror Mirror, The Green Book, W.I.C.K.E.D. (Wish I Could Kill Every Day) & Abominationz. Shortly after the latter was released, Twiztid left Psychopathic to form Majik Ninja Entertainment in 2014. Since then they’ve released 6 albums & 7 EPs on their own label, my favorite of which being Revelashen. Their full-fledged rock debut Unlikely Prescription was a bit mediocre in my opinion but ahead of the follow up produced by Zeuss dropping in the new year containing more rapping & wicked shit, Twiztid’s returning to their hip hop roots on Glyph.

“Keepin’ 1” is an upbeat rap rock opener produced by Str8jaket with Jamie & Mono talking about doing fine & still being here whereas “Stab” takes the trap route thanks to the artist formerly known as Young Wicked himself James Garcia spitting the wicked shit. “Fallin N Love W Some1 Who Hates U” works in some synthesizers courtesy of Fritz the Cat with the title speaking for itself as far as subject matter goes, but then the Eastside Ninjas get together for “360” returning to the trap sound provided by Stir Crazy giving the middle finger to everyone hating on them.

Meanwhile on “Signs of a Villain”, we have Twiztid over a trap metal instrumental from Grady Finch of Oh! The Horror revealing that the red flags of an antagonist are everything you hate never changing leading into one of my favorites on the album Never / Reboot” talking about this shit never stopping despite the beat here being a bit minimal. “Dig Another Hole” has a bit of an industrial flare to it speaking on trying not to lose control while the song “Clown” talks about not being suckers even if their tears amuse you over a somber trap beat. The penultimate track “HD” almost has a Middle Eastern vibe to the instrumental advising to ask someone if you forgot who they are & “Guts” finishes things with a trap metal horrorcore anthem.

It’s already been a decade since these guys have left Psychopathic to start MNE & the fact that they’re still putting out great material like this at the rate they do is astonishing to me because I could argue that Glyph is the 2nd best post-PSY album that Twiztid has done behind /ˌrevəˈlāSH⁽ᵊ⁾n/. Primarily because of them returning to their horrorcore roots for the first time since Mad Season & the experimentation with new sounds like trap metal within the production.

Score: 4/5

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Majik Ninja Entertainment – “Songs of Samhain 3: Cult of Night” review

This is a brand new showcase compilation from Detroit underground label Majik Ninja Entertainment. Founded in 2014 by Twiztid & their manager George Vlahakis only 2 years following the demented duo’s departure from Psychopathic Records, they quickly built an empire of their own from bringing a few other PSY alumni along for the ride to help introduce G-Mo Skee & Alla Xul Elu to a much wider audience. The label’s first showcase comp Year of the Sword is easily the best one they’ve put out so far given the strength of the roster at the time as solid as Songs of Samhain, the Attack of the Ninjas compilation & Songs of Samhain 2: Haunted Record Player all were. But ahead of the 18th annual Fright Fest a month from now, MNE’s warming everyone up in the form of Songs of Samhain 3: Cult of Night.

After the “Moon Glow is Upon Us” intro, the first song “Gospel” by the demented duo themselves Twiztid kicks off the comp by rapping about bringing you back to life over some rap rock production whereas “10-31” by Oh! The Horror & Twiztid is a creepy trap ballad paying tribute to the titular day. “Terrified No Fear” by Venomous 5 finds the quintent spitting the wicked shit over some a boom bap instrumental just before “My Head” by Triple Threat has a more upbeat sound to it talking about what’s inside the heads of I.S.I..

Meanwhile on “Curse of the Jack-O-Lantern” we have Boondox & the House of Krazees linking up over a dusty beat reminding everyone that nobody’s safe when the sun goes down leading into “Unclear” by Oh! The Horror & Twiztid following the “Nursery Rhyme from a Luminescent Time” skit for a trap rock ballad about being broken mentally. “P3.1” by the Axe Murder Boyz, Bukshot, Cody Manson, Insane E & Jamie Madrox sees the sexiest ruggedly confesses the things that they’ve been told that’ve fucked with their heads, but then “Parasite Paradise” by Venomous 5 works in a macabre trap instrumental talking about hating everything.

The song “Unreal” by Boondox & Triple Threat finds the quartet over a rubbery trap beat describing the way they’re feeling as such while the penultimate track “Mother Witch” by the House of Krazees having a more cinematic vibe to the production talking about a poltergeist. The closer “Soggy Pumpkin” is basically a melodic Jamie solo cut getting on his emo shit pretty much.

Of the 3 installments of the Songs of Samhain trilogy, I think Cult of Night has to be my favorite one thus far. I like how they minimized the amount of affiliates featured on here so the whole roster can make one another stand out in their own way providing the soundtrack to a juggalo’s Halloween.

Score: 3.5/5

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Twiztid – “Nickel Bag” review

Twiztid is a hip hop duo from Detroit, Michigan consisting of Jamie Madrox & Monoxide, both of whom originally started out as part of the House of Krazees alongside childhood friend The R.O.C. in 1992 before their initial disbandment 5 years later. Almost immediately after, the Insane Clown Posse took Jamie & Mono under their wings by signing them to Psychopathic Records as the demented duo they’re known as today. They would become the label’s 2nd biggest act being their mentors off projects like Mostasteless, Freek Show, Mirror Mirror, The Green Book, W.I.C.K.E.D. (Wish I Could Kill Every Day) & Abominationz. Shortly after the latter was released, Twiztid left Psychopathic to form Majik Ninja Entertainment in 2014. Since then they’ve released 6 albums & 6 EPs on their own label, my favorite of which being Revelashen. But with the 5th annual Astronomicon going down this weekend, they’re celebrating by dropping their 14th EP limited to only 420 copies.

After the melodic yet chilled out “Smoke” intro which only has Jamie on it, the first song “High Life” starts off the EP with a fun little ode to that good kush whereas the “Hydro” remix is alright even though the main version with Layzie Bone is a highlight off The Green Book & hearing it without the latter’s verse feels kinda weird to me personally. “The Clouds Outside” goes into hazier territory talking about being higher than such & as for the remix of “Come On Let’s Get High” off of The Continuous Evilutions of Life’s ?’s, I actually prefer it over the original. Especially with the horns throughout.

Even though it’s only an intro with 2 new songs & 2 remixes, I still look at Nickel Bag as an acceptable way to hold everyone over until the Unlikely Prescription follow-up produced entirely by Zeuss & their “straight up wicked” album. I can do without the “Hydro” remix but other than that, Twiztid & Fritz reunite to deliver something fresh for all the smokers out there.

Score: 3.5/5

Twiztid – “Unlikely Prescription” review

Twiztid is a hip hop duo from Detroit, Michigan consisting of Jamie Madrox & Monoxide, both of whom originally started out as part of the House of Krazees alongside childhood friend The R.O.C. in 1992 before their initial disbandment 5 years later. Almost immediately after, the Insane Clown Posse took Jamie & Mono under their wings by signing them to Psychopathic Records as the demented duo they’re known as today. They would become the label’s 2nd biggest act being their mentors off projects like Mostasteless, Freek Show, Mirror Mirror, The Green Book, W.I.C.K.E.D. (Wish I Could Kill Every Day) & Abominationz. Shortly after the latter was released, Twiztid left Psychopathic to form Majik Ninja Entertainment in 2014. Since then they’ve released 5 albums & 4 EPs on their own label, my favorite of which being Revelashen. But for their 15th full-length right here, Jamie & Mono are making a complete stylistic departure from the horrorcore sound they became known for.

“Corkscrew” is an electronic rock opener produced by A Danger Within talking about breaking down & asking for God to forgive them whereas “Twist & Shatter” gets on some emo shit talking about pulling apart again. “Broken Heart” goes into industrial rock territory with the help of drummer Drayven Davidson addressing an ex, but then “Confused” has a bit of an airy backdrop during the verses as the guitars dominate the majority of it. Lyrically, they’re talking about going from being hated to being famous.

Meanwhile on “Neon Vamp”, we have Cradle of Filth frontman Dani Filth joining Twiztid for a blatantly pure industrial hip hop banger encouraging the listener to go crazy leading into the hard rock banger “Comes with an Apology” talking about dealing with life until they’re gone. “Rose Petal” fuses together industrial music & rap metal going at the throats of judgmental people, but then “Dead Instead” has some killer guitar work despite the verses being mixed low & I appreciate the message of metaphorical walls closing in their minds.

“Parasite” has these infectiously catchy riffs as Jamie & Mono say they’ll never conform whereas the ScatteredBrains-produced “Perfect Problem” has to be my favorite on the album, being a straight up rap rock riot starter declaring themselves as such. “If I Get Things Right” asks to stop with the pretending on top of some killer drums & the hook one of the catchiest on the album, but “More Than a Memory” somberly tells the listener to remember their names in the end.

The song “Envy” is basically a mediocre attempt at a radio rock hit even though I can commend the message about how jealously can be the end of someone while the 7-produced penultimate track “No Change” with Matt Brandyberry sounds like a cheesy entrance theme you’d hear on WWE nowadays. “World of Pretend” ends the album on a victorious note, with Twiztid talking about what it feels like when you’re reeled into such.

These guys have ALWAYS had elements of rock in their music but now that they took on that sound for the length of an entire album, I’m on the fence with it. Half of these joints actually sound really good & the other doesn’t do all that much for me personally. That being said: I am looking forward to the album produced by Zeuss because he did a great job on the mastering, so I have a feeling he’s gonna help refine the style of rock Jamie & Mono wanna go into. Hopefully they give us more shit like “Empty”, “Wrong with Me”, “Alone”, “Darkness” & “Familiar”.

Score: 2.5/5

Twiztid – “Electric Lettuce” review

This is the 12th EP from Detroit duo Twiztid. Consisting of Jamie Madrox & Monoxide, the pair originally started out as part of the House of Krazees alongside childhood friend The R.O.C. in 1992 before their initial disbandment 5 years later. Almost immediately after, the Insane Clown Posse took Jamie & Mono under their wings by signing them to Psychopathic Records as the demented duo they’re known as today. They would become the label’s 2nd biggest act being their mentors off projects like Mostasteless, Freek Show, Mirror Mirror, The Green Book, W.I.C.K.E.D. (Wish I Could Kill Every Day) & Abominationz. Shortly after the latter was released, Twiztid left Psychopathic to form Majik Ninja Entertainment in 2014. Since then they’ve released 5 albums, with my favorites being The Darkness at the top of 2015 & then Revelashen from this past Black Friday. But being big stoners for as long as they’ve been around, Jamie & Mono have decided to drop Electric Lettuce just 3 days after Alla Xul Elu’s new album Necronomichron 2: Dead by Bong.

After the “Safe Place” intro, the first song “We All Float” encourages the listeners to “come down here” with them & the trap instrumental Young Wicked cooks up is totally off the wall. After the “Get Matt Nipps” skit, the following song “Light It Up” goes into a more west coast direction I almost wanna say as they talk about “rollin’ rappers up”. After the “Get Blaze” skit, the song “No Smoke” is a MNE posse cut sans Lex the Hex Master & The R.O.C. threatening their opposition with a piano-instrumental from 7 that really helps kick up the grimy tone of it.

The track “High ‘Til I Die” goes back into that trap direction as they talk about always being lifted & Lee Carver just shows why he’s my favorite Alla Xul Elu member. Especially when he said “Breaking up weed on the case of The Green Book”. I’m kinda disappointed that “Right Here Ninja” makes no reference or homage to “Here I Am” off of Blaze’s classic debut 1 Less G n da Hood, but the futuristic sound is fresh. “Feeling Stuck” is a great way to finish the EP, as it’s a guitar-trap driven cut about how COVID has effected everyone.

Despite my expectations not being super high given that this is a holiday-themed EP, I actually like it more than that short Songs of Samhain compilation that MNE put out this past fall. It continues to stray away from the wicked shit in favor of a more traditional hip hop vibe much like Revelashen, except most of the songs are weed-related.

Score: 3.5/5

Twiztid – “Revelashen” review

Twiztid is a hip hop duo from Detroit, Michigan consisting of Jamie Madrox & Monoxide, both of whom got their start alongside The R.O.C. as part of the trio House of Krazees throughout the early/mid 90’s. After their initial disbandment in 1997, the Insane Clown Posse almost immediately took Twiztid under their wings & signed them Psychopathic Records. But at the end of 2012, the demented duo decided to branch out on their own & started up their own record label Majik Ninja Entertainment just a couple years after. They’ve released a few outings on their own since, with the latest being Mad Season back in April of this year. However, Jamie & Monoxide have decided to go back-to-back & drop their 14th full-length album.

The album starts off with “Hallelujah”, where Twiztid talks about the game being fake over over bass-heavy trap beat from Young Wicked. The next song “Blueprint” talks about going back to their old ways over an ominous instrumental from Seven while the track “We Just Wanna Be Heard” literally speaks for itself over an apocalyptic beat. The song “Get Through the Day” talks about wanting their pain to be taken away over a ScatteredBrains instrumental with a flute in the background & a heavy guitar during the hook while the track “Come Alive” with Kid Bookie sees the 3 talking about living every day like they don’t see the sunlight over a trap beat with blobby bass.

The song “Clear” takes aim at those biting them over an instrumental with a pots & pans loop while the song “Hold Up” with Young Wicked finds the trio talking about pushing it ‘til the wheels fall off over a tropical trap beat. The song “Separate” would have to be my favorite on the entire album as it talks about escapism over an instrumental that continues to build up while the track “Twinz” gets on their shit-talking tip over a boom bap beat with some chimes.

The song “Laughable” with Lex the Hex Master sees the 3 talking about how “one of us has to go & no it won’t be me” over an instrumental with some angelic background vocals while the penultimate track “Change Me” talks about striving to become the person you want to be over an acoustic instrumental. The closer “Never Be Nothing” talks about being misunderstood over a trap beat with some somber piano chords.

Not only is this better than Mad Season, but I’ll also say that this is Twiztid’s best album post-Psychopathic. It all flows together so well as they distance themselves from their horrorcore roots in favor of showing listeners they still have it lyrically this deep into their career & the production only enhances the emotion behind each joint.

Score: 4/5

Blaze Ya Dead Homie – “Cadaver” review

Blaze Ya Dead Homie is a 44 year old MC from Mt. Clemens, Michigan who came up as a part of the duo 2 Krazy Devils. After their demise, Twiztid brought him onto the Insane Clown Posse’s radar in 1998 & signed him to Psychopathic Records. Eventually, his eponymous debut EP in 2000 & his full-length debut 1 Less G n da Hood the following year would both go on to become some of the greatest releases on the label. He would go on to release 3 more albums on Psychopathic before leaving in 2013 to form his own label Grundy Entertainment & join Majik Ninja Entertainment the year after that. Last we heard from Blaze was in 2016 when he dropped The Casket Factory but on the day of 1 Less G’s 19 year anniversary, he’s back with his 7th full-length album.

The opener “I’m a G” talks about being himself over a nocturnal beat from Godsynth & after the “Unplug” skit, the next song “Tore Down” with Monoxide sees the 2 partying over a lively instrumental from Fritz the Cat. The track “They Say” talks about being a killer on the low over a Young Wicked beat that has a creepy atmosphere to it while the song “Be My Guest” takes you through a mausoleum over an instrumental that almost had a bit of a West Coast feel.

The song “Summer Breeze” gets introspective over a uptempo beat & after the “PSA from Ya Dead Homie” skit, the track “Back Window” talks about staying the same over a boom bap beat with some keys. The song “Get It Lit” with Jamie Madrox sees the 2 taking about getting fucked up over a weary instrumental while the track “Watery Grave” talks about sending his haters to Hell over a chilling beat.

The song “I’m Dead” talks about being a renegade over a spacious instrumental with some sick guitar-playing during the hook while the track “Dead Man Boogie” is a Drive-By reunion talking about popping slugs over a vibrant beat with some strings. The song “Let It Out” talks about not wanting poison in his soul over an electronic instrumental while the penultimate song “God Don’t Like Ugly” with Boondox & Lex the Hex Master finds the 3 talking about hateful people over a rap metal beat. Then after the “Cursed” skit, the closer “The Light” talks about being trapped in darkness over an abrasive instrumental.

The Dead Man has never dropped anything that I disliked, so I was very excited going into this new album over here. And at the end, I’m impressed with what I’ve heard & just shows how consistent he’s bene throughout his career. His pen-game‘s still as strong as it is was 20 years ago on his debut EP, the production bangs & the features all come correct as well.

Score: 3.5/5

Twiztid – “Mad Season” review

This is the surprise 13th full-length album from Detroit hip hop duo Twiztid. Originally starting off as members of the House of Krazees with The R.O.C. before disbanding in 1997, Jamie Madrox & Monoxide were taken eventually under the wings of the Insane Clown Posse & signed to Psychopathic Records shortly after. They ended up staying with them for 15 years, leaving at the end of 2012 to form their own label Majik Ninja Entertainment in 2014. They’ve released 3 full-length albums on their own since & with the 1 year anniversary of their previous one Generation Nightmare coming this weekend, Jamie & Mono decided to hit us with Mad Season out of the blue.

The opener “Off W/ They Heads” finds the demented duo talking about the occult over a nocturnal trap beat from Young Wicked whereas the next song “Do This 1 More Time” talks about being mentally unstable over a bombastic instrumental. The track “Everything’s Cursed” stays on the horrorcore tip over a rubbery, supernatural beat while song “That’s What They Be Telling Me” airs out the things being heard to them over a groggy trap beat from Godsynth.

The track “F Feelings“ tells their opponents to do their worst over a suspenseful instrumental then the song right after is the latest installment of the “Wasted” series of party anthems that Twiztid does & it’s just as decent as the previous 3. The track “Follow Me” with Hyro the Hero sees the trio talking about feeling electrified over some unsettling bells backed by a set of snares & then there’s the “Hungry Like the Wolf” cover, which Jamie & Jimmy Urine both do a great job at surprisingly.

The song “Never Change” finds Monoxide declaring himself a rebel & Jamie addressing the duo’s falling out with ICP over an haunting piano-trap beat from ScatteredBrains while “Fuck Wit Us” is a Triple Threat cut about smoking weed over an instrumental with an uncanny feel to it. The song “My Bible” with Stevie Stone & Young Wicked sees the 4 talking about bringing smoke over a prominent organ loop while the penultimate track “Slo-Mo” talks about being under the influence over a woozy boom bap beat. The album finishes with “4Get U”, where Twiztid hooks up with Ekoh & Young Wicked to fall about being done dirty in the industry over these icy keyboards.

As solid as Generation Nightmare was, this new album is even better in my personal opinion. I really like how the demented duo sound angrier & return to a more hip hop-based sound on here in contrast to the previous effort attempting to appeal to that Warped Tour crowd.

Score: 3.5/5

Twiztid – “Generation Nightmare” review

Twiztid is a horrorcore duo from Detroit, Michigan consisting of Jamie Madrox & Monoxide. The duo started off as members of the House of Krazees with The R.O.C. before splitting off in 1997, eventually being taken under the wings of the Insane Clown Posse & signing to Psychopathic Records shortly after. They ended up staying with them for 15 years, leaving at the end of 2012 to form their own label Majik Ninja Entertainment in 2014. But now coming off the final Vans Warped Tour last summer as well as the 2nd year of their own annual pop culture convention a couple months ago, the demented duo is back on the scene with their 12th full-length album.

After the “Live Forever” intro, we dive into the first song “Phlegm in the Windpipe”. A rap metal fusion where Jamie & Paul pretty much take a jab at society. The track “Speak Of” talks about being unique over an instrumental with some rubbery bass & a quirky synth while the song “Something New” speaks of changing the game over an abrasive beat from 7. The track “Siamese Amazement” is a throwback to the punk sound that they dabbled with on Mutant, Vol. 2 while the song “Sick Mind” talks about being insane over a bass-heavy trap beat from Godsynth. The track “Here with the Dead” vents about their stresses over an empowering instrumental while the song “Disappear” talks about escaping drama & the chaotic beat is perfect. The track “Bring Me Back” serves as an energetic companion to the previous joint while the song “Magic Spellz” is pretty much a refined sequel to Twiztid’s last attempt at going nu metal on “Nothing to You”, which landed on their previous album The Continuous Evilutions of Life’s ?’s. However I don’t know if it’s just me, but Monoxide kinda sounds like he’s impersonating Eddie Vedder on here.

The track “Livin’ @ the Bottom” talks about celebrating themselves over a Three 6 Mafia influenced trap beat & after the short but motivating Jamie solo cut “Skit 17”, the song Let It Flow” boasts about their skills over a minimalist beat. The track “Don’t Be Hatin’” with Young Wicked pretty much speaks for itself over a bouncy instrumental while the song “Role Models” makes clever references to all of the celebrities who’ve committed heinous sexual acts lately over a gloomy beat. The track “Wreck” to me sounds like a cliched rock song that you can find in a sports video game while the song “If It Matters What I Think Now” is a dedication to people who have their backs over an acoustic guitar passage with some drums thrown in. The track “4 the Nightmare Children” is a grimy ode to the outcasts & after the “End of the Beginning” outro, the final song “Strike” is a gruesome showcasing of Twiztid’s newly formed supergroup with Alla Xul Elu called the Venomous 5.

To me, this is better than their mentors’ latest album Fearless Fred Fury. Sure they go for that Warped Tour sound on here, but it seems like Twiztid actually took their time in making an album they wanted to rather than just throwing a bunch of songs together at the last minute.

Score: 4/5

Majik Ninja Entertainment – “Twiztid Presents: Year of the Sword” review

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Majik Ninja Entertainment is an underground hip hop label that was founded in 2014 by Detroit hip hop duo Twiztid. The roster has been immensely growing since it’s inception of this year specifically, they’ve dropped 1 great release after another. And now to close out such a great year for them, they’re now giving the fans a compilation featuring new songs from every artist on the label. After a 90 second intro, we then get into the first song “Heads Will Roll” by Gorilla Voltage & Jamie Madrox. Here, they‘re bragging about how their skills will amaze you over a sinister instrumental. The next track “Turn It Up” by Blaze Ya Dead Homie, Bonez Dubb & Lex the Hex Master sees the 3 MCs aggressively getting in your face over a chaotic beat while the track “Fucked” by Boondox, Gorilla Voltage & The R.O.C. talks about how crazy they all are over a haunting instrumental. After a 15 second skit with “Level Up!”, we then get into the next song “Their Fault” by Jamie Madrox & Young Wicked. Here, they’re predominantly singing about those who never gave them a chance & while the vocals during the first half seem nasal, it definitely picks up on the second half. The song “Ignite” by King Gordy, Mr. Grey & Zodiac MPrint talks about how they’re never gonna fall over a killer rap rock instrumental & then “Cut ‘Em Up” by Twiztid & Young Wicked rapidly talk about killing their competition over an abrasive yet eerie instrumental. The song “Lights Out” by G-Mo Skee, Mr. Grey & Twiztid angrily talks about getting murderous on their last day alive & the rap metal instrumental on here fits the vibe like a glove. After the 30-second “Harassment” skit, we then dive into “Don’t Fuck wit Us” by ClocworC, the House of Krazees & Lex the Hex Master. The lyrics are self explanatory, but they’re delivered fantastically over this menacing yet thumping instrumental. The song “Better Than Ever B4” by the Axe Murder Boyz, G-Mo Skee, Lex the Hex Master & Triple Threat talk knowing now than ever before about over some twinkling piano keys & an organ while “Flix ‘n Chill” by ClocworC, Triple Threat & Young Wicked is a predictably decent love song with a wavy instrumental. The song “Get High” by the Axe Murder Boyz, L.A.R.S., Mr. Grey & Triple Threat is self-explanatory weed anthem with a druggy beat while “Galaxy” by G-Mo Skee, Jamie Madrox & King Gordy sees the 3 looking for a challenge over a synthesizer-heavy instrumental. The song “Don’t Tell Me” by Boondox, Gordy & Twiztid tells the haters they’ll never listen to them over a grimy yet thunderous beat & then after the 20 second “Summon the Majik Ninja” skit, we then get into the final song in the standard edition “B.N.U.” (an acronym for Brand New Underground). It’s an explosive posse cut where everyone on the label all talk about their prowess. The “Did You Unplug It?” skit is the final track on here, but there is a bonus disc with 9 tracks. All of which are new solo cuts from each signee on the label, with the exception of Lex the Hex Master’s being previously released on his latest album Beyond Redemption. As a whole, this was a great way for Majik Ninja to end their 2017 & it’s just another example of why they’re one of my favorite labels out right now. The production is gritty as usual & everyone compliments each other fantastically. Can’t wait to see them continue their string of successfully raw releases in 2018

Score: 4/5