Tag: UFO Fev

UFO Fev – “Blood on the Bills” review

UFO Fev is a 38 year old MC from Harlem, New York who came up in 2014 off his full-length debut Around My Way. But wasn’t until 2020 when he saw his biggest year yet by dropping not 1 but 3 well received projects: the Statik Selektah-produced sophomore effort Fresh Air along with the Termanology-produced debut EP From El Barrio, With Love & the Big Ghost Ltd.-produced 3rd album The Ghost of Albizu. This was all followed up with Magnum Opus along with the Vanderslice-produced Enigma of Dalí & 4 EPs: The Most High, Prayer, Weed & Music, E Pluribus Unum & more recently Sunsets in the Ghetto. But for his 6th full-length over here, Fev’s enlisting Finn of the Brown Bag Money collective behind the boards from start to finish.

“A1 Credit” is a gully opener where Fev comes out to admit that he don’t need any credit & that he ain’t slept-on until Pro Dillinger tags along for the jazzy “Drop the Needle” talking about not freezing when the world gets too cold for ya. LRed Inf then comes into the picture for the boom bap-heavy “Check the Balance” going in depth of doing it for the love & doing just that when they wake up whereas “Wash the Bills” takes a more drumless route talking about being a hustler.

However on “Drug Free”, we have Fev over a bare sample explaining how badly the crack epidemic impacted his community leading into the Ty Farris-assisted “Tax Man” returning to the boom bap letting y’all know it’s about respect rather than money. “Caged Birds” has a more mellow sound to it venting about life going on & on, but then “Left vs. Right” goes chipmunk soul detailing a conflict with both hands. The track “Watch What You Say” pretty much says it all over a somber yet dusty beat & prior to the spoken word outro “Words of Wisdom”, the gully “Keep Spending” with Saipher Soze truly sends off the album with the 2 MCs about how drug dealing is essentially an American past time.

Fev’s last 4 EPs have been hit or miss with me personally, but it just goes without saying that Blood on the Bills wipes the floor & will go down as one of his best projects much like Fresh Air or The Ghost of Albizu. Finn continues to cement himself as one of the best underground producers that Canada has to offer in recent memory with his incredible raw sound & Fev himself sounds rejuvenated on the mic.

Score: 4/5

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UFO Fev – “Enigma of Dalí” review

This is the 5th full-length album from Harlem emcee UFO Fev. Coming up in 2014 off his debut album Around My Way., it wasn’t until 2020 when he saw his biggest year yet by dropping not 1 but 3 well received projects: the Statik Selektah-produced sophomore effort Fresh Air along with the Termanology-produced debut EP From El Barrio, With Love & the Big Ghost Ltd.-produced 3rd album The Ghost of Albizu. Dude just dropped Magnum Opus last month & is already enlisting Vanderslice for the follow-up Enigma of Dalí.

After the titular intro, the first song “Crack Shifts” is an eerie boom bap opener with him & Flee Lord talking about that’s exactly what they be workin’ whereas “Moody Bass” has a more rich instrumental & Fev saying he’s gonna take this shit mainstream. Red Inf tags along for the mellow “Pack Flip” talking about a plan to wake up the masses just before advising to keep it off the speakerphone when talking money on “Home Team”, which has some amazing sampling throughout.

Meanwhile with “Artfully Done Street Shit”, we have Red Inf returning over a guitar & some dusty drums calling out those stealing the sauce leading into him saying he’s too far over the top on the dusty albeit piano-laced “Scroll Music”. The song “Jazz Criminals” with SmooVth fittingly has a jazzy beat with both of them getting mafioso while the penultimate track “Scarlett Letters” jumps on top of some violins to state that he’s painting like Salvador Dalí. Then there’s the closer “All That Glitters”, where Fev & Sure Shot come together for a slick romance ballad.

Magnum Opus was cool, but I personally prefer Enigma of Dalí better. Vanderslice’s production is much more consistent than it was on Fev’s last album & the dude continues to reveal himself as one of the illest MCs in the New York underground right now.

Score: 4/5