Brand new collaborative EP from Manhattan, New York emcees The Musalini & Smoke DZA. One of whom has been putting it down for over a decade dating back to when I was in high school & the other has been making waves for the past 6 years, signing to Jamla Records at the beginning of 2022. These guys have crossed paths with each other on a couple of tracks over the years like “Multiple” & “On the Go”, so the idea of them spending an Uptown Saturday Night together & bringing a couple other artists along for the ride didn’t seem too bad on paper.

“Respect Money Power” hops over a luxurious boom bap instrumental to talk about the world being theirs & burning flower whereas “Blues” featuring Fuego Base finds the trio over a jazzier beat so they can discuss counting up $100 bills. “Mack 10” goes for a rap rock vibe instrumentally admitting that all this money on their minds is fucking up their heads just before “Let’s Talk Money” ends the 1st leg of the EP by wanting to discuss finances.

To get the 2nd half going, “Stash House” blends a string sample with some kicks & snares encouraging everyone to peep the scenery while “Bread-Winners” featuring Lord Cartel marks my least favorite guest appearance of the 3 despite the themes & continuation of the previous track’s symphonic spin on the traditional boom bap sound. “Horses & Bourbons” by Mu$ featuring John Dutch finds the pair talking about going on a run & not referring to court when they say that while “Eye of the Storm” concludes with them living by the code since everything has a limit.

Being a fan of Smoke DZA since my adolescence & getting put onto The Musalini when he was wrapping up his tenure at TCF Music Group, the idea of them joining forces for Uptown Saturday Night had me wondering if it could reach the same level of quality the Choose or Lose collab EP that Mu$ did with Wais P & Statik Selektah last fall. And although I prefer the latter, fans of both MCs will get a kick out of this extended play. Could’ve done without a couple of the guests, but DZA & Mu$ do a fine job of flowing off each other well over John Dutch’s production.

Score: 3.5/5

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