Haley Heynderickx & Max García Conover – “What of Our Nature” review

Portland, Oregon singer/songwriter Haley Heynderickx & Portland, Maine singer/songwriter Max García Conover reuniting for their 2nd collaborative project. Originally joining forces in the fall of 2018 for the final chapter of the Among Horses trilogy following Haley’s debut album I Need to Start a Garden, her sophomore effort Seed of a Seed celebrated it’s 1-year anniversary at the very beginning of the month & looks to recapture the late Woody Guthrie’s spirit from opposite corners of the country on What of Our Nature under Fat Possum Records.

“Song for Alicia” begins with a singer/songwriter intro telling the story of Alicia Rodríguez whilst further explaining that the Proud Boys & the Puerto Ricans are the only 2 groups convicted of American sedition. “Mr. Marketer” goes for a folkier vibe singing about Haley being told she was destined to grow a bold-hearted woman she thought she’d never know just before the stripped-back “Boars” feels optimistic of hipping through the cat grass living like the biggest little sluggers on the farm.

As for “Cowboying”, we have Haley & Max carrying the folky singer/songwriter sound over to sing about being unable to get these horses out of their heads & not being so sure as to what they want to eat while “In Bulosan’s Words” remembers the late Carlos Bulosan to end the 1st half. “This Morning, I’m Born Again” kicks off the 2nd leg with more acoustics singing that there’s only this emptiness against them while “Fluorescent Light” explains that the kind of lighting we’re living under is absorbing electromagnetic radiation.

“Buffalo, 1981” starts What of Our Nature’s final moments seeing about how this country hates the poor when that couldn’t be more relevant because of the whole SNAP benefits situation occurring during the new longest government shutdown while “To Each Their Dot” sings about humanity’s best interest being circular & simply making money off of us fighting the good fight. “Red River Dry” finishes by looking at Haley’s lineage like “Buffalo, 1981” did with Max’s.

Spending the last 12 months sharing creative ideas in the midst of reading Woody Gunthrie’s biographies & slowly exploring a patchwork of Americanism to see where their stories fit, Haley Heynderickx & Max García Conover find themselves with this collection of music Woody left behind channeling the union of spontaneity as well as sweetness & defiance that made him one of the most important figures in all of American folk music over guitars & percussion, carrying on his legacy with a singer/songwriter & indie folk LP that raises the stakes of their creative chemistry.

Score: 4/5

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