WTM Solid – “$uper Amazing $uper Rich” review

Detroit, Michigan rapper WTM Solid returning 3 months since his sophomore effort for his 3rd studio LP. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a few years back with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. Bigg as well as the full-length debut Imagine That at the start of this year elevated himself as an individual amongst the rest of WRLD Tour, following up Killa $eason as well as Touropean & Street Gospel to discuss being $uper Amazing $uper Rich.

“It’s a Life$tyle Tour” works in a cinematic Detroit trap instrumental talking about touring being a way of life the way he sees it whereas “Biggest Boss” incorporates some sampling techniques & interesting effects on his voice boasting his lifestyle. “Deadboylife” has a more eerier approach to the Detroit sound rapping his life over these beats leading into “Deadbeat” talking about making money in his city & in Atlanta, Georgia similarly to what his homegirl Rachel did.

Wrapping up the 1st half, “$olid Checkin’ In” produced by WTM Niketech gives a nod to the adlib his WRLD Tour brethren Rafa has become known for whenever he begins to spit verses while “Cross $tate Mafia” featuring Babytron has to be a top 3 track uniting the Cross $tate Boys & the Dog $hit Militia crews. “Livin’ in a Double Cup” was another favorite of mine from the cloudy Detroit trap vibe LulRose & WTM Miles give off instrumentally to the lyrics about his squad having the power of changing the government while “$ubway $urfer” references WWE Hall of Famer, 2-time WWE Intercontinental Champion & 3-time WWE Tag Team Champion Rikishi.

“IDK What Tour Wear” goes for a synth-heavy Detroit sound talking about his indecisiveness of picking out an outfit for the day while the timing of “$ora” makes me laugh considering the recent news regarding the AI app parodied by the Paramount Skydance Corporation subsidiary Comedy Central hit series South Park almost 5 months ago being shut down. He hops over this warmly uplifting beat to describe his position as the “Man with the Plan” & after “5 Stars*” boasts about making $25K in a quick manner, “Kendricky with Kapital” ends the album hitting the road without a driver.

$uper Awesome $uper Rich takes it’s name after a song from Killa $eason last summer baring it’s initials after the Slam A Slut Records label that the WRLD Tour Mafia built together as a family & it’s an exceptionally great follow-up to Street Gospel although I prefer the latter more. The cloudy Detroit trap production’s a little less plugg influenced than it was at the beginning to the year, handling a majority of the verses by himself other than Tron & further embracing the love he’s always had for The Walt Disney Company subsidiary Marvel Entertainment owned Spider-Man franchise. He also announced last night that he’s currently recording Touropean 2 over at the UK, which I’m interested in hearing that considering both “Kash Doll Skirt” & “Support > Hate” are some of his best songs.

Score: 4/5

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DaeMoney – “Slae Season IV” review

Detroit trap star DaeMoney returning for his 4th studio LP. Coming up as the nephew of one of the 2 biggest artists in the city right now Babyface Ray as well as a now former member of the WRLD Tour Mafia collective, he broke out on his own by dropping his debut mixtape Young Sexual Misconduct & his debut EP Slae Season accompanied by his 2nd EP Rockstar Lifestyle & then his previous tape Slae Season 2. Slae went on to sign to EMPIRE Distribution a few summers ago & celebrated in the form of his most recent EP Slayer’s Coming fully produced by Trees shortly after as well as a 3rd installment of the Slae Season trilogy & a sequel to Rockstar Lifestyle. He was surprisingly dismissed from WRLD Tour in 2024 due to scamming through Slam A Slut Records, coming off the last LP The Godson & the Slayer’s Revenge mixtape continuing the Slae Season saga.

“Training Day” begins with a cloudy take on the Detroit sound talking about people coming around with him looking like Ethan Hawke’s character in the classic Denzel Washington crime thriller of the same name whereas “Hero < Villain” works in some bells, synths & 808s flexing that the shit he does is rare compared to anyone else. “Wassup” moves forward talking about having too much sauce & advising not to ask how much it costed him leading into Allstar JR joining Slae to post up “On 7 Mile” although I prefer the latter’s verse over JR’s personally.

Babytron helps make things up on “Heat” saving the best Detroit trap collaboration for last continuing the streak of crossovers they’ve had previously like “Earned It” or of course “Mafia & Militia” just before “Sick & Tired” expresses his frustrations towards people throwing lies on his name. “Blessing” starts the 2nd half incorporating some sampling chops talking about how he doesn’t snitch because he was raised differently leading into “Right Now” going for a somewhat tropical approach telling us where his heart’s at currently.

“Ecstasy” blends some piano chords with hi-hats talking about the love of his life while “M.I.L.E.” suggests all of his young homies to get out the streets after learning it’s not worth staying there. “I Meant It” has a more exuberant trap vibe talking about being in the mob for real & once “Yours Truly” spends a couple minutes to spit a verse off the top talking about being WRLD Tour forever despite not appearing on their output these past couple years, the closing track “Pain” sends it all off confessing he went insane after losing his money & people.

Slayer’s Revenge was probably the most conscious that DaeMoney has ever gotten lyrically & although I liked it more than The Godson, I felt like there was no way that Slae Season IV would be worse than either of those considering how beloved the other 3 installments are & thankfully I can say it’s Slae’s since Rockstar Lifestyle 2. The production healthily balances the Detroit sound & cloud rap mixing the signature gangsta raps that he’s become known for with some of the same maturity we got from him a few weeks ago.

Score: 4/5

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WTM Solid – “Street Gospel” review

Sophomore effort from Detroit, Michigan rapper WTM Solid. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a few years back with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. Bigg as well as the full-length studio debut album Imagine That at the start of the previous year elevated himself as an individual amongst the rest of WRLD Tour, following up Killa $eason & Touropean to spit some Street Gospel.

“OMG” starts with a cloudy trap instrumental talking about becoming bigger than his own personal issues whereas “Orange Hearts <3” cautions of how others say his name & making bands daily. “R.I.P. Mac Miller” gives his condolences to the late Pittsburgh recording artist/producer of the same name slathering a chopped & screwed effect throughout his vocals leading into “Happy Face 🙂 Sad Face :(” talking about people going from friends to enemies when that couldn’t be more accurate.

We get a pluggier vibe on “S.W.A.G. (Somebody Who Admires God)” explaining that shit runs deeper than the rap game & getting the bag yourself just before “Free Byrd” cloudily expresses gratitude for his daughter since she brought the best out of him as a person. “Lemme Guess” featuring $amaad produced by LulRose & WTM Niketech finds the 2 addressing the crowd of people who’re down in life because of their own struggles while “Where the Luv?” featuring Rafa atmospherically talks about their hearts getting discarded.

“Keep Grindin’” embraces the Detroit sound boasting of him having the ability to make a Lamborghini out of a minivan prior to suggesting that everyone shuts the fuck up whenever it’s “Black Jesus Talking”. WTM Amex joins Solid on “Here We Go Again” airing out biters who’re trying to steal their respective styles since they’re so unique while “Shame on You, Blame on You” incorporate some sampling talking about thanking himself for overcoming all of his problems.

The song “Unsatisfied 2” kicks off Street Gospel’s last act with a sequel to a track off Originatour continuing to work in more samples while “Alchemist” soulfully takes us back to reality, suggesting kids to put down the guns & addressing our country’s economical issues like a recession nearing closer with each day. “Mental Health Awareness” ends the album talking about seeing the beauty in this because he knows who he is & promising things won’t end until he’s not here anymore.

2025 was by far the biggest year in WTM Solid’s solo career dropping a full-length studio debut & a couple EPs proving why he deserves recognition beyond his output with the WRLD Tour Mafia, beginning 2026 by crafting what I’m convinced to be the most personal collection of material I’ve ever heard from him. Instrumentally, the Detroit sound is being meshed with elements of cloud rap & plugg interestingly spending a half hour putting us inside of his shoes aside from a couple guests joining him occasionally.

Score: 4.5/5

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Rafa – “Lil Dogshit” review

Detroit, Michigan rapper Rafa commemorating 3 years of his eponymous mixtape by surprise-releasing his 5th EP. Coming up as a member of the WRLD Tour Mafia a few years ago, he would also begin a solo career of his own starting on Thanksgiving 2020 with his debut EP Not for Household Use & followed it up earlier this year in the form his debut tape Dog$hit & Ammunition. Self-titled was a pivotal point in his career & Good Girls Don’t Exist from last spring was a superior EP. R.A.F.A. (Rockstars Are Fucking Awesome) broke down the meaning of his moniker & Madman got a little more reckless, making me curious as to what Lil Dogshit was gonna become.

“More of Us” has a cloudy Detroit trap vibe to it for an intro talking about leveling up on fuckboys & not trusting anyone out here whereas “Left on a Lick” promises to continue repping WRLD Tour in the afterlife. “Heat” produced by WTM Miles returns to a cloudier Detroit sound to talk about seeing through every single one of these pussies while “Uncle Sam” kicks the hoes out of the studio to focus more during sessions.

As for “Hate Me Too”, we have Rafa pointing out how weird it is for this bitch to be hanging out with the opps lately just before the cloudy Detroit trap crossover “Godzilla” talks about piling money to the ceiling these days. “Randy Savage” references the late WWE Hall of Famer, former 6-time WWE world champion & WWE Intercontinental Champion of the same name while “Rick Jeans Zip Weird” criticizes the zippers of Rick Owens jeans.

“We Ok” starts the final leg of Lil Dogshit with an eerier Detroit sound talking about shooting anyone who crosses the line with him while “<3 WTM CSB” cloudily suggests that just because you’re on a run at the moment doesn’t mean you have to stop stacking your bread up. “Paradise” keeps things cloudy instrumentally talking about not wanting any co-signs & “Still Tour” ends the EP by brushing off the desire of wanting to make amends with a couple people he fell out with.

Tough to say if I’d put Lil Dogshit above R.A.F.A. (Rockstars Are Fucking Awesome) because that & self-titled are both my personal favorite entries in Rafa’s solo discography, but what I can tell you is that I enjoyed it more than Madman only 5 months earlier. The production carries over the cloud rap/Detroit sound fusions that the previous EP emphasized this spring & making it a point for 22 minutes that nobody spittin’ like him.

Score: 4/5

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WTM Scoob – “Life’s the Baddest Bitch” review

No sign of Detroit, Michigan rapper WTM Scoob slowing down with his 4th EP of the week & his 12th overall. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his acclaimed debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside Big Heart Small World. I’ll Neva Sell My Soul alongside Yellow Willow & Sydney have all dropped this week, explaining why Life is the Baddest Bitch.

“2 Brothers” works in a flute sample & some 808s talking about having a way to make it out the streets alive whereas “Finger Bowls” replies to those asking where he’s been by answering “in another Benz” bringing a more boisterous vibe. “Let’s Do It” hold up some pianos & hi-hats being down to break bread & shop all day but once “I Got New Money Go Get Sum” flexes his fresh loaf over a cloudy trap instrumental, “Photo” finishes with a Detroit sound outro talking about his life being ferocious.

Sydney remains my favorite extended play of the small handful WTM Scoob has released on SoundCloud this week, but Life is the Baddest Bitch would be a close 2nd without hesitation. Nolo 2000’s production sticks out amongst some of the finest batch of beats compared to it’s predecessors meshing the Detroit sound, cloud rap, trap & some instrument samples for Scoob to warm up for a release party he’s playing in less than 3 weeks as a birthday gift to fans.

Score: 4/5

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WTM Scoob – “Sydney” review

Already got the 11th EP from Detroit, Michigan rapper WTM Scoob. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his acclaimed debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside Big Heart Small World. Yellow Willow dropped literally an hour ago & he’s already turning up the pressure with Sydney.

“WYA? I Wanna See U RN!” opens with a cloudy, 108 seconds trap intro talking about wanting to see his lover while the pluggy “U Know U Important to Me” reminds her of how much she means to him. “Girl Ask God 4 Forgiveness” quirkily advises the woman he’s addressing to seek redemption from the higher power & “mo ho’s than santa :(“ talks about having too many hoes.

For those of you who loved the way WTM Scoob heavily embraced the cloud rap/plugg styles all over Peach Wolf almost a year ago, it’s highly plausible that you’re gonna enjoy Sydney the most out of all 3 extended plays we’ve gotten from him these past 60 hours. Production-wise, it’s a lot similar to the previously mentioned EP from last Thanksgiving & the subject matter has a stronger focus around love.

Score: 4/5

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WTM Scoob – “Yellow Willow” review

Another day & another EP from Detroit, Michigan rapper WTM Scoob marking the 10th in his discography. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his acclaimed debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside Big Heart Small World. I covered Peach Wolf around Thanksgiving time last year & 10 months later, Yellow Willow has arrived in time for fall.

“Grimace Shake” was a tropical choice of an intro talking about chopping it up with God to wash away all of his sins while “She Called Me Weird About a Year Ago” takes 39 seconds to recall a woman referring to him as a weirdo 12 months ago. “Tom Izzo” references the iconic Michigan State Spartans basketball coach of the same name over a reversed sample & “Fly Ass Kid Puffing w/ an Angel” experiments with sample drill for almost a minute talks about smoking weed with messengers of God.

Only 48 hours since I’ll Never Sell My Soul dropped, WTM Scoob celebrates the fall by releasing an extended play that’s almost 10 minutes shorter than the predecessor from the end of the weekend coming close to the LP he dropped the summer. The production’s a bit more experimental than I had expected since most of his music’s catered to the Detroit sound, but he nevertheless uses the salix lutea as a briefly enjoyable metaphor for vitality.

Score: 3.5/5

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WTM Scoob – “I’ll Neva Sell My Soul” review

Detroit, Michigan rapper WTM Scoob is back with his 9th EP. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his acclaimed debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside his last EP Big Heart Small World. Didn’t get the chance to cover his sophomore effort Peace of Me this summer, but the concept of I’ll Neva Sell My Soul grabbed me almost immediately.

“Lean” starts with an intro borrowing from the dirty south a bit talking about sippin’ codeine whereas “Scoob Fame” talks about these pussies & hoes being unable to take shit from him. “Kount Up” hazily advises against fixing shit for these lames since they’ve been broke all of his life leading into the “Feel the Love (Bristol Heartbreak)” instrumental interlude.

The song “Training Day” begins the final act of I’ll Neva Sell My Soul with a cloudy trap beat talking about how if it ain’t 1 thing, it’s another while “U” opens up regarding his blowup & having too much to lose. “Scoobyness” finishes the EP by talking about the habits he picked up from growing up in the habitat that he was raised in with his cup being so dark, he could be a black activist.

For an 18 minute EP recorded in 2020 sometime prior to WRLD Tour’s debut mixtape WRLD Tour Mafia or Die the succeeding summer, it would’ve felt fully complete if WTM Scoob had rapped on “Feel the Love (Bristol Heartbreak)” but either way he digs up a small handful of gems made around a time when the world was completely shut down making a promise on wax that he won’t ever sell out.

Score: 3.5/5

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WTM Solid – “Touropean” review

Detroit, Michigan rapper WTM Solid releasing his 6th EP. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a few years back with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. Bigg as well as the full-length studio debut album Imagine That at the start of this year elevated himself as an individual amongst the rest of WRLD Tour, following up Killa $eason by taking us through the day of a life of a Touropean.

“Black Eminem” opens with some horns & 808s asking if you’re with it or not so can make sure of it whereas “Better Than Yesterday” carries over the Detroit sound to talk about grabbing whatever he wants when he goes shopping. “Emote :p” has a bit of a hazier vibe instrumentally flexing that the gang never goes out of bonds just before “Aggravated <:” vents about how we haven’t seen him at his best yet.

As for “Kash Doll Skirt”, we have Solid going for a cloudier Detroit trap vibe thanks to WTM Niketech talking about having nothing left to prove at this point in his career leading into “Crucified +” advises those hitting the road for the first time to strap up from another country. “Japan in Paris” talks about running out of paper more than hoes & not letting money change you while “‘25 Finals MVP” shows love to Shai Gilgeous-Alexander.

“Support > Hate” winds the clock down regarding the 4th quarter of Touropean with a cloudy Detroit sound courtesy of WTM Miles feeling like Bruce Wayne from the Warner Bros. subsidiary DC Entertainment-owned Batman franchise whenever he logs into his bank account & “Break My Arms, Break My Legs” finishes the EP continuing to shed Blood, Sweat & Tours for this shit.

Inspired by spending the last month overseas, WTM Solid comes over 4 weeks after Money Man Miles saved the rap game & the road once he took up the Shortstop position by cooking up an EP that’s only 8 minutes longer than the last one he put out earlier this summer repping the motor city whilst living the WRLD Tour life over in Europe.

Score: 4/5

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WTM Miles – “Shortstop” review

Detroit, Michigan rapper WTM Miles releasing his long-awaited debut mixtape. A member of the WRLD Tour Mafia, his solo career began in the end of 2020 off his first couple EPs I Shoulda Been Dropped & Trappin’ n L.A. ahead of the full-length debut studio album Crackhouse Mafia. Born of his most recent batch of EPs Cross State Lines & Road Music would individually prelude Shortstop, which has arrived in the midst of what’s already shaping up to be a stacked week musically.

“Brick by Brick” comes out the gate with the Detroit sound to get on his off the planet shit whereas “Who I Am 2” picks up where the Cross State Lines highlight left off on some Detroit trap vibes not needing to say much because of his reputation. Homealone Drock & Prince Jefe join Miles on “Not Enough” with Jefe having my favorite guest appearance of the 2 staying committed to the bills prior to the self-produced “See Me Now” talking about waking people up.

We get another Cross State Lines sequel track, except this time it’s “Forever Hustling” explaining that nothing’s changed since while “Dame Time” blends some horns & 808s together referencing Portland Trailblazers point guard Damian Lillard. “March Madness” speaks on choosing to either go hard or go home just before “No Gimmicks” featuring WTM Solid talks about living the life they rap of.

“Daisy Navy Mafia” featuring Talibando & WB Nutty finds the trio coming together to press down keys without typing leading into “Code Talking” tells those on the consistent grind that their time will come with patience. “Mobsters” featuring Rafa unites both WRLD Tour members discussing turning Slam A Slut Records into a trend together while the Detroit trap/Mobb crossover “4am in the Raq” talks about not resting so he can tour.

Samuel Shabazz joins Miles on “Slow” to flex their own waves without Max B while “1 Strike” introspectively talks about his brother watching over him & trying to do him proud since everything gets bigger to him by the daily. “Fairy Odd Parents” heavily samples the theme song of the original Fairly OddParents, whose sequel series A New Wish is currently preparing for another season on the Paramount Skydance Corporation-owned Nickelodeon.

Money Man’s been teasing Shortstop for the past year at this point & for only a half hour tape, I enjoyed it a tad more than Road Music & it could plausibly rival Crackhouse Mafia if I had to pick a specific favorite or 2 out of the WTM Miles solo discography. He saves both the rap game & the road with tighter production than the last time we heard him, basically solidifying himself as the most recent AL Cy Young Award recipient Tarik Skubal of WRLD Tour stealing all the clientele.

Score: 4/5

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