WTM Solid – “Imagine That” review

Detroit rapper WTM Solid putting out his long-awaited debut studio album. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a couple years ago with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. The most recent EP in his catalog Bigg dropped last spring shortly following Tourmania II & became my favorite of the 4 that Solid has put out. 9 months later, he’s ready to take his career to the next level on Imagine That.

“Nobody” sets the tone of what’s to come with a sample-driven trap opener flexing that no one can fuck with him whereas “Umbrella” maintains a prominent Detroit trap sound instrumentally talking about it being go-time after being pissed off. “Richer Than Them” featuring Warhol.Ss brings the 2 together so they can discuss working too hard to lose everything for nothing while the synth-based “Ballin’ a Bitch” talks about understanding the way shit get sometimes.

As for “Can’t Relate”, we have Solid maintaining the Detroit trap vibes breaking down the fact that nobody around him is fake & getting his shit together just before “Not My Hoe” talks about being a God & assuming that he probably got resurrected. “Joaquin Guzman” uncannily suggests to feed your family instead of that nonsense if you really wanna be gangsta leading into “Lani” confessing he wants to put Rick Owens on his daughter.

“To the Max” featuring Rafa & Samuel Shabazz finds the trio joining forces to dabble with plugg a bit interestingly taking shots at people tryna be them when they can be themselves while “Girls Around the WRLD” puts a heavy chopped & screwed effect on his vocals even with the Detroit trap beat. “Krusty Krab” asks what the fuck $20k is when he’s a trillionare while “Best of You” featuring WTM Re clarifying that they can’t tell you of the shit they involved in.

To get Imagine That’s final leg going, “Now You Get It” wants to know why every song that wins of these muhfuckas be making lately be about a specific opp in mind referring to himself as rightfully being fresher while “No Tomatoes” talks about keeping your shit away from him since he don’t fuck with flukes. “Venom” laughs off the stupidity of people nowadays calling them wack on the mic anyway & “Toast Up” featuring CL4Y ends the album talking about being a different breed.

All 4 of the EPs in WTM Solid’s discography has all been building up to this point & with Bigg showing considerable improvement above its predecessors, I was confident that Imagine That was going to take it even higher & that’s exactly what it does. I find the production to be on par with the EP that came out last spring & lyrically, Solid goes even harder than he did 9 months ago.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Rafa – “R.A.F.A. (Rockstars Are Fucking Awesome)” review

Detroit rapper Rafa is back with his full-length debut studio album. Coming up as a member of the WRLD Tour Mafia a couple years ago, he would also begin a solo career of his own starting on Thanksgiving 2020 with his debut EP Not for Household Use & followed it up earlier this year in the form his debut tape Dog$hit & Ammunition. The eponymous mixtape was a pivotal point in his career & Good Girls Don’t Exist from last spring was a superior EP, so it’s cool for him to breakdown the changing of his moniker from WTM Milt to R.A.F.A. (Rockstars Are Fucking Awesome).

“Diary of a Madman” mixes Detroit trap & rock music admitting that he can’t make up for all the damage since he’s a bandit whereas “Fashionably Late” takes a more psychedelic trap route instrumentally talking about never being early. “Get It Back” turns the psychedelia even higher advising y’all to sit & watch him making this bread while the rage-inducing “U R Special” encourages everyone not to let anyone discredit their worth.

As for “IDGAF”, we have Rafa assuring everyone that he’s seeing the bigger picture lately blending Detroit trap & psychedelic rock leading into “Roller Coaster” playfully boasting that all this shit made him. The bassy “Floatin’” suitably lets us know that’s exactly how he’s feeling while the rock-trap hybrid “Linger” wishes an ex good luck. “R J L” cloudily compares himself to the late John Lennon that is until “WATTB” takes it all in for the final moments.

Self-titled & Good Girls Don’t Exist both contain some of my favorite material in Rafa’s whole entire solo catalog, but R.A.F.A. (Rockstars Are Fucking Awesome) takes it to a whole new level by revealing itself to be his boldest work yet. He expand beyond the Motor City’s unique take on trap music in favor of rap rock, cloud rap, rage & psychedelia breaking down the meaning behind his current stage name.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

WTM Miles – “Road Music” review

Here we have the 4th EP from Detroit, Michigan rapper WTM Miles. A member of the WRLD Tour Mafia, he would properly introduce himself at the beginning of this current decade off his first couple EPs I Shoulda Been Dropped & Trapped n L.A. ahead of the full-length debut studio album Crackhouse Mafia. Miles’ previous EP Cross State Lines celebrated its 1-year anniversary this fall & is preluding the upcoming Shortstop mixtape by dropping off some Road Music.

“Shandeur Sanders” is this stellar Detroit trap opener produced by Niketech boasting that he got more bags than Michael Kors whereas “Cup Dirty” puts a morbid flare to the Motor City’s unique take on trap music talking about a woman letting him know she’s worthless by looking for a come-up. “Future Bright” has a dark Detroit trap atmospheric remaining optimistic regarding his future while “Bad Habits” featuring Homealone Drock trades the mic back-&-forth over a Carlo Anthony instrumental. “Racing to Ms” ends with a 1 more Detroit trap joint talking about being on track when it comes to getting closer making millions.

I can only assume that we’re gonna get Shortstop at some point following R.A.F.A. (Rockstars Are Fuckin’ Awesome) in a few weeks until we get to crossing that bridge, Road Music will hold off fans well enough. The production primarily bases itself around the Detroit trap sound that the group he’s a part of made a name for themselves off & giving a taste of what’s to come in the form of a gift before the year ends.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

WTM Scoob – “Peach Wolf” review

This is the 7th EP from Detroit rapper WTM Scoob. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside his last EP Big Heart Small World. 13 months after the “Lil Motivator” single & the “Safety Route” b-side however, Scoob’s coming off the Scoob Wav mixtape from this spring to drop Peach Wolf a couple days before Thanksgiving.

“Greedy” opens with a piano trap instrumental talking about putting feelings into this shit since he can’t carry on & demanding his respect feeling like Birdman in reference to his historic Breakfast Club interview whereas “Loewe” cloudily brushes off the idea of making a relationship work when the other half fucked it all up. “Addict” featuring Taylor Bentley begins the other half of the EP psychedelically addressing shit getting wicked in his city & finally, the closer “LoveTheRealMe” ends it all by talking about his only fear being karma.

Admittedly, I haven’t heard much of Scoob’s solo output since he left WRLD Tour a few years ago. Either way, Peach Wolf for only a 4-track EP clocking in at 8 & a half minutes serves as a palatable prelude to whatever he has coming down in the pipe in 2025 whether it be a sophomore LP or a 4th mixtape. I enjoyed Lo Key P’s production as someone who wasn’t too familiar with him up to this point even with a couple projects under his belt already but most importantly, Scoob’s skills on the mic remain undeniable & I’m happy to hear he’s doing good.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

WRLD Tour Mafia – “Blood, Sweat, Tours” review

Detroit trap outfit the WRLD Tour Mafia consisting of Rafa, WTM Miles, WTM Re, WTM Solid, WTM Amex & WTM Bankroll coming with their official debut album. Originally forming in 2019, they dropped their debut mixtape World Tour Mafia or Die a couple summers later followed by Tourmania the fall after that, the Mob Ties EP. Tourmania II from this spring very much lived up to the predecessor, although founding member DaeMoney was kicked out early this summer due to scamming through Rafa’s independently owned Slam A Slut Records label. They’re however looking to move on by giving it Blood, Sweat, Tours.

“Rehersal” is this Detroit trap opener with some heavy bells flexing they’re still rockin’ trap houses when they should be rockin’ stages whereas “Space Jamz” works in some rattling bass & synthesizers to talk about being the type that always has a plan. “Lawyers (Accountant)” maintains the Motor City’s unique take on trap music making it thunder in the clubs now just before “Graduation” pulls up so the Mafia can get the load.

Meanwhile on “Zombie Files”, we have WRLD Tour boasting that they’re out here sippin’ ½-dead refusing to back down from a damn thing leading into “Pizza” feeling a little unfinished after letting the beat ride out for the final minute despite the subject matter of staying up late counting money. “No Complaints” hooks up some pianos & 808s offering to show y’all how to hustle rather than dancing ahead of “Primetime” talking about needing something real instead of fake love.

“#9” starts the other half of group’s full-length debut by heading for a cloudy direction marking WTM Bankroll’s sole appearance while “$cam $chool” talks about scamming, which is a topic that’s nothing necessarily new in this specific subgenre. Especially Teejayx6’s stuff. “Saved by the Bell” atmospherically discusses spendin’ $50k on Essence since they don’t fuck with malls while “B-S-T” talks about being really lit & knowing what they signed up for.

The song “I75” named after the major north–south Interstate Highway nears the conclusion of while Blood, Sweat, Tours promising those who can’t say they’re names again that they’ll get it the worst way if they end up doing so the penultimate track “VMA” talks about the idea of “if it ain’t broke, don’t fix it” except that certain people aren’t even doing it right at all on top of running back-&-forth between states. “Caveman Tourmix” ends the LP by declaring they’ll refuse to switch reppin’ the squad until the end.

These guys’ rise in the Detroit trap scene in the last 5 years & although both Tourmania mixtapes will always have a special place in my heart when comes to the group’s discography, their full-length debut overcomes all the highs & lows that come with the game proving that they all can very much hold it down without Slae. You probably already know what you’re getting yourselves into with the production but either way, the 5 remaining members still each have their own exciting characteristics.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

DaeMoney – “The Godson” review

This is the 3rd full-length studio LP from Detroit trap star DaeMoney. Coming up as the nephew of one of the 2 biggest artists in the city right now Babyface Ray as well as a now former member of the WRLD Tour Mafia collective, he broke out on his own by dropping his debut mixtape Young Sexual Misconduct & his debut EP Slae Season accompanied by his 2nd EP Rockstar Lifestyle & Slae Season 2. Slae went on to sign to EMPIRE Distribution couple summers ago & celebrated in the form of his Slayer’s Coming EP fully produced by Trees shortly after as well as the final installment of the Slae Season trilogy & a sequel to Rockstar Lifestyle. He was surprisingly dismissed from WRLD Tour this spring due to scamming through Slam A Slut Records & is returning as The Godson.

The title track sets the tone of what’s to come with this mafioso trap instrumental letting y’all in on the family business & explaining the way he got out of the hood whereas “Snotball” featuring Babytron brings the 2 together for a Detroit trap highlight. “All My Sons” featuring Peezy continues to apply pressure under Detroit trap tip showcasing both the subgenre’s different generations while “Fuck Slae” hooks up pianos & 808s getting smarter with age.

“SpongeBob & Patrick” has this energetic Detroit trap vibe throughout flexing that his naysayers can’t stand it when he be goin’ hard just before the wavy “King of the Hill” talks about coming from the trenches. “Vice City” has a meditative trap atmosphere rockin’ 20 venues straight leading into the cloudy Detroit trap hybrid “07 Melo” compares himself to Carmelo Anthony in his prime.

Rally joins Slae for the slow-tempo “Sam Called Me Billy” talking about how late really far from the millions while the synth-driven “Kurt Cobain” flex is a bitch blowing brains exactly like the iconic Nirvana frontman. “Manifest” pushes further down the 2nd half of The Godson doing everything differently prior to “Painting” explains the streets being dangerous due to the snitches & snakes.

“Can’t Sleep” gets the final leg of the LP going on a psychedelic note boasting that there’s no trading for the WRLD Tour Mafia even after the fact that him & Rafa had fallen out with each other while “Superstar” takes a couple of minutes of our time to show off his current status. “Game Winning Speech” ends by reflecting on going from chillin’ in the projects to where he is now.

Becoming a fan of WRLD Tour about 2 & a half years ago when DaeMoney was still a part of the group, I still look at him as one of the most talented members & will continue to support him on his solo endeavors as is the same with Slam A Slut. What about The Godson? It’s another consistent Detroit trap project that you’d expect from him. He pretty much breaks down his titular position playing a significant role in his success & the production mainly basing itself around the city’s unique take on trap.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

WTM Solid – “Bigg” review

This is the 4th EP from Detroit rapper WTM Solid. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a couple years ago with the debut EP Originatour followed by both Matter of Time & more recently What’s the Difference? from last fall. WRLD Tour themselves collectively are coming off their 3rd mixtape Tourmania II incorporating heavier wrestling themes than its processor, so I was interested in Bigg. Especially considering both DaeMoney & Rafa’s latest solo material Rockstar Lifestyle 2 & Good Girls Don’t Exist respectively.

“FTP (FuckThePolitics)” begins with a mind-altering trap beat wanting his girl to tell him that he’s the hardest whereas “Pledge Allegiance” produced by LulRose turns the psychedelia up a notch needing $1M & looking to cut off any & all bullshit they try to bring his way. “H-Town” brings a Detroit trap vibe instrumentally talking about being his own boss callin’ bluff on those actin’ like they’ve pulled off scams when they really haven’t while “Blessings > Luck” mixes these g-funk like synthesizers & hi-hats expressing his gratitude for his blessings.

The tenser atmosphere throughout “Kapital P” is a nice touch taking shots at everyone out here who stay petty as Hell & that he’s done thinking he’s just gonna do it ahead of the cloudy “Kiss & Tell” talking about refusing to stop until he’s rich. “$treet Gospel” airily admits that he’s infatuated with his lifestyle watering all his swag down leading into “Karrah Blue” sampling Street Fighter throwing orchestral synth melodies & hi-hats into the picture additionally to talk about being all around the world & warning that whoever checks him is a mismatch.

“S.A.S.G. (Slam A Slut Girl)” incorporates icier synthesizers & 808s bragging how fly as fuck he is getting higher than a billboard & representing his squad Slam A Slut Records until the very end, but then the trillwave-laced “Challenges” shows an introspective side to Solid lyrically talking about improving every day & really learning to manage only worrying about the cash a bit rather than a hoe. And finally, “Who’s to Blame?” concludes Bigg calmly asking himself if it’s his fault for certain things in his life.

Regarding the 4 EPs in Solid’s discography so far, I always had Originatour as my personal favorite & he manages to give us a new one days before it’s 2-year anniversary displaying everything that makes him stand out amongst WRLD Tour both individually & collectively. You’re still very much getting the upbeat 808 percussion & dynamic flows synonymous within the Motor City’s trap scene dashed with cloud rap undertones whilst demonstrating his growth in the last 104 weeks.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

WRLD Tour Mafia – “Tourmania II” review

This is the 3rd mixtape from Detroit, Michigan trap group the WRLD Tour Mafia consisting of DaeMoney, Rafa, WTM Miles, WTM Re & WTM Solid. These guys originally formed in 2019 dropping their debut mixtape World Tour Mafia or Die a couple summers later followed by Tourmania the fall after that & most recently the Mob Ties EP from 7 months ago. However with Slae & Rafa coming fresh off Rockstar Lifestyle 2 & Good Girls Don’t Exist respectively, WRLD Tour’s getting back together for an official Tourmafia sequel as a way of celebrating 4/20.

“Tourmania” is a triumphant trap opener to the tape cautioning that trying their shit with them would be worst day flexing that they’re getting cake on a daily basis whereas “Pat Mahomes” gives me a psychedelic vibe instrumentally talking about their pockets looking like Teletubbies since the money coming in different colors. “WUTANG” might be my favorite on the project from the rage-inducing Carlo Anthony beat calling out everyone who be on some childish shit & keeping their heads up staying focused just before the cloudy Detroit trap cut “Citgo” talking about cracking back if you lackin’ in the field.

Luh Tyler joins WRLD Tour for the atmospheric “Money in the Bank” produced by LulRose getting in a different bag from what they had yesterday leading into “Halloween 2” serving as a sequel to a standout from the previous Tourmania almost a year & a half ago. “W.T.M.D.$.M. (WRLD Tour Mafia Dog $hit Militia)” featuring Babytron has a bit of a futuristic beat as WRLD Tour & Tron remind us why they’re amongst the best the D has seen in recent memory, but then “Jansport” fuses cloud rap with Detroit trap talking about grinding for everything you want.

“Degenerates” works in some guitars & hi-hats boasting that they run this shit while “Feel Like TC” hops over a hypertrap instrumental talking about the squad catching back-to-back dubs as if they’re the Golden State Warriors. The aggressively jumpy production on “SmackDown vs. Raw” named after the 2-main brands of the Endeavor-owned TKO Group Holdings division WWE is really fun admitting to feelin’ like A$AP Rocky as they need them Pesos & that Slam A Slut Records got girls all over the world much like Lloyd & Lil Wayne while the appropriately titled “Life of Tour” gives you an otherworldly look into their lives.

WB Nutty of Los & Nutty appears on “Daisy World” bringing a bassy Detroit trap sound to the table throwing some bells in the picture on top of it bragging that they’ll teach you how to flip it while “Ed Reed” takes a more serious approach generally talking about having to get your own & that you can’t depend on anyone else out here. The sample flip throughout “Cross $tate Brothers” is astounding to get on another fuckin’ level while the operatic/trap crossover “Kill” talks about how this life chose them rather than the WRLD Tour Mafia choosing it themselves.

“Boo Thumper” featuring Brooks goes into a piano-driven direction flat out warning everyone that fuckin’ with them will find you layin’ in the dirt while “B.O.D. (Brothers of Destruction)” named after the 3-time WWE tag team champions serves as an introduction to the greatest gang sampling WWE Hall of Famer Kane’s entrance theme. “Wise Guys” has these cool ass horns throughout showing off their real mob ties while “Bigger Dreams” follows it up with an atmospherical mob meeting. “Trilogy” is another heartfelt moment talking about those not knowing what comes with this shit & “Lenny Kravitz” wraps things up rockin’ out over strings.

In the past couple years of familiarizing myself with the WRLD Tour Mafia, they’ve really been outdoing themselves both from a collective & individual standpoint further solidifying themselves as one of the most exciting groups to emerge from the Detroit trap scene as of lately. Tourmania II much like Rockstar Lifestyle 2 takes it a step above the predecessor. The last one had a tighter guest list but anyway, there are some interesting ideas within the production & there are significantly more wrestling references than last time that I admire as someone who grew up during the Attitude/Ruthless Aggression Era.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Rafa – “Good Girls Don’t Exist” review

Detroit rapper Rafa is back with his 3rd EP. Coming up as a member of the WRLD Tour Mafia a couple years ago, he would also begin a solo career of his own starting on Thanksgiving 2020 with his debut EP Not for Household Use & followed it up in the form his full-length debut Dog$hit & Ammunition. Last we heard from him was almost a year & a half ago when he put out an eponymous EP that I still consider to be his strongest solo effort to this day, but is applying pressure with Good Girl’s Don’t Exist since DaeMoney dropped Rockstar Lifestyle 2 earlier this month.

The title track is a cloudy opener clarifying that there are no such thing as good girls to him whereas “Waste No Time” is an acoustic trap hybrid ripping his heart out & putting it on display. “Luv a Do” dives into the Detroit trap sound throwing some synthesizers into the fold going ape shit like he was hanging around Nigo just before “Money Virus” melancholically admits he don’t know how to live & is unable to trust his homie.

“Cash Rules” fuses rock with trap saying he’s never met another woman like the one he wrote this song for while the “Interlude” takes the atmospheric route hoping to be a billionaire like one of my top 10 producers Ye since making money is a hobby for him. “200 Days (Malala)” talks about coming a long way & previously doing stuff ass-backwards over a dreamy trap instrumental prior to “On Me” featuring Rally & Samuel Shabazz dabbles with plugg being able to tell the love ain’t there.

The untitled penultimate song continues to draw near the end of the EP by bringing rage beats into the picture acknowledging that there are so many things for him to figure out, but then “A$AP & Riri” finishes Good Girls Don’t Exist by talking about being too busy getting rich & refusing to let a hoe have his kid going for an entrancing vibe instrumentally. “Matchin’ Tracks” cloudily starts the deluxe advising to stay down until you up while “Understanding” hops over a sample-woven trap beat addressing someone he can’t live life without.

“I Luv WRLD Tour” psychedelically bridges the halfway point of the bonus track run representing the crew that he stay running with while “Rafa Bieber” pulls inspiration from the trillwave scene once more talking about handling the trials & tribulations by his lonely. The final bonus cut “Surf Gang” featuring Rally wraps up the deluxe on some plugg shit bragging over being more lit than propane itself.

It’s only a couple weeks after Slae put out Rockstar Lifestyle 2 & here we have Rafa continuing to elevate the WRLD Tour Mafia by putting out an an EP that I actually believe tops Not for Household Use almost 3 & a half years ago by now. His sound is growing & lyrically, he has to be right behind DaeMoney as my favorite member of what has to be one of the most exciting up-&-coming groups in the Detroit trap scene.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

DaeMoney – “Rockstar Lifestyle 2” review

Detroit trap star DaeMoney back with his 2nd LP over a year after the full-length debut. Coming up as the nephew of one of the 2 biggest artists in the city right now Babyface Ray as well as a member of the WRLD Tour Mafia collective, he broke out on his own by dropping his debut mixtape Young Sexual Misconduct & his debut EP Slae Season accompanied by his 2nd EP Rockstar Lifestyle& then his previous tape Slae Season 2. Slae went on to sign to EMPIRE Distribution couple summers ago & celebrated in the form of his latest EP Slayer’s Coming fully produced by Trees shortly after as well as the final installment of the Slae Season trilogy. However, I was interested in the sequel to Rockstar Lifestyle especially considering the singles.

“Jimmy Neutron” is a spaciously bouncy trap opener referencing former 3-time WWE world champion, 5-time WWE Intercontinental Champion, WWE United States Champion, 3-time TNA World Champion, ΩCW Heavyweight Champion, 9-time WWE Tag Team Champion, 3-time WWE Hardcore Champion, ROH World Tag Team Champion, HoG Tag Team Champion, 2-time ΩCW Tag Team Champion & 2-time TNA World Tag Team Champion Jeff Hardy who made his final AEW appearance last month in a losing bout with former record-tying 3-time AEW TNT Champion, AAA Mixtas Parejas Campeon & AAA Mundial Cruceropeso Campeon Sammy Guevara whereas “Flexin’” takes a cloudier approach instrumentally getting heavy with the braggadocio on the lyrical side of things. “Nun to Prove” gives off this mystical trap flare to the beat talking about never having shit to prove, but then “Earned It” featuring Babyface Ray himself rambunctiously talks about deserving to go as hard as they do.

Babytron joins Dae on “Mafia & Militia” so they can globetrot over synthesizers & hi-hats while “Granny’s Car” continues the atmospheric trap vibes talking about being high as Hell every time you see him. “Pent Talk” featuring KARRAHBOOO puts a bigger emphasis on the synths sounding off their thoughts from the penthouse prior to “Japanese Denim” featuring LUCKI & Veeze hooking up more synths & hi-hats repping the titular brand of jeans.

“Double C’s” featuring Joony goes for a moodier approach talks about doing all the drugs he does to forget reminiscing just before the cloudy Detroit trap fusion “Mini Me” shrugs off those who be ballin’ with him since he’s more worried of the millions he’s trying to stack up. “All Night” hops over hi-hats & minimal synthesizers tells his homies it’s gonna be ok while “Euphoria” is a calming smoker’s ballad. “Different Places” ends the LP in trippy fashion responding to being asked how he’s living.

The original Rockstar Lifestyle is one of the most notable EPs in Slae’s catalog, so for him to recapture that energy nearly 3 years later & close to 13 months since finishing the Slae Season trilogy wasn’t as bad of an it idea. He’s continuing to gradually step up in the ranks as one of the best in the current local trap scene, the guest-list is bigger & the overall sound is more cloudier.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!