This is the 5th full-length album from XP the Marxman. Coming up as 1/3 of the trio Rhyme Addicts. As far as his solo career goes, the dude has a handful of projects under his belt already, with my personal favorite being the Roc Marciano-produced Keep Firing. He just dropped The Marxman at the very beginning of the year & as we finally enter summer, D-Styles & DJ Rhettmatic are being brought in to fully produced Pacific Standard Time
After the “Pst #1” intro, “Get At a God” kicks off the album on a dreary note thanks to D-Styles with XP comparing himself to that of a God whereas “Lil Mijos” takes a jazzy boom bap route talking about growing up in the streets. RhymeStyleTroop tags along for the guitar-driven “Ms. America” embracing their Mexican heritages leading into the spine-tingling “Trunk” getting in his hustler bag.
After the “Pst #2” skit, Sick Jacken comes into the picture for the dusty “Tom Fears” produced by Rhettmatic reminding everyone how they play just before the eerie “Paint Pictures” quenching for blood. “The Kuyas” with Big Twins finds the 2 over a piano-laced boom bap instrumental talking about keeping them open, but then “Ski Mask to Jet Skis” lavishly reflects on his life then & now.
The song “Turn Up the Volume” incorporates some colorless piano melodies so XP can get on his thug shit while the penultimate track “Old to New” talks about being a king & the beat on here is just petrifying to the core. However, “Frost Bitten” is a gully ass way to end the album from the horn-laced production to XP’s malicious lyricism.
I was very excited going into this given that I’ve been a fan of The Beat Junkies for a minute & how much I’ve enjoyed some of XP’s most recent projects. Needless to say: It’s some of the best shit he’s ever done considering how great the chemistry between him, D-Styles & Rhettmatic is. Purely raw penmanship & production from start to finish.
This is the brand new collaborative album from Rasheed Chappell & XP the Marxman, the latter hailing from Los Angeles & the other coming straight outta New York. Both of them have been putting it down for a while in the underground by dropping acclaimed projects like Keep Firing or Sinners & Saints, but I don’t think they’ve ever worked with each other prior to RX so my interest was definitely there going into it given how much I enjoy their solo works.
“Congregate” kicks off the whole thing off with a downtrodden Reckonize Real instrumental reminding everybody they’re from the real whereas the Illwerd-assisted “Hefty Loc” goes into the boom bap direction talking about being the last ones left. Oran Juice II tags along for the drumless “Water to Wine” getting on their kingpin shit just before “Ganji” has a more dustier feel to the production celebrating their lifestyles.
Meanwhile on “Coke Pirouette”, we have Rasheed & XP extravagantly talking about how it seems like the game has changed leading into the tensioning “Mahogany Chips” speaks on being engineered from real life. “Orale” wickedly details the lives that they idolize, but then “Here” with Tim Hall incorporates some jazz influences remembering where they came from.
Jay Royale comes into the picture for the Roc Marciano-produced “Toss the Metal” spitting that fly gangsta shit while the song “Sinful Saints” finds Buckwild working in a soul loop looking back on the choices they made to live so well. The penultimate track “Reminders” works in some solemn horns talking about the days they used to slang dope & “Save a Spot” finishes the album on a more optimistic note by saying they won’t let Satan take their souls as well as trying to vibrate higher.
If anyone reading this is a fan of either one of these guys or both, then you’re really gonna dig what they bring to the table on RX. It’s cool to hear how well both MCs ping off each other detailing the hardships they both had to face from the respective coasts they grew up in with the production being rooted in that traditional old school sound we all know & love.
XP the Marxman is an MC from Los Angeles, California who came up as 1/3 of the trio Rhyme Addicts. As far as his solo career goes, the dude has a few projects under his belt already (most notably the Roc Marciano-produced Keep Firing EP that came out just this past spring). This was followed up 3 months later with Sincere Leader 2 but to cap it off, we’re being treated to another full-length effort before the year is out.
The opener “Double Bubble” talks about hustling’ over a psychedelic instrumental whereas the next song “Wave ‘Til the Grave” talks about switching his lifestyle because he needed much more over a soulful beat. After the titular skit, the track “Losses” talks about how he ain’t taking any over a laidback instrumental while the song “Zooted Shooters” talks defeating the king so he could wear the crown over a boom bap beat with some vocal harmonizing in the background.
“The Conduit” talks about those faking over a cinematic instrumental while the track “True Lies” with MALCOLMSEF sees the 2 trading back & forth with each other nonchalantly over a weepy beat. The song “Suenos” talks about living in a dream over a glistening boom bap instrumental while the penultimate track “Mi Clasa” talks about those who aren’t even on the same level as him over an unhinged beat. The closer “Still Laughin’” then gets on his gangsta shit over a drumless, symphonic instrumental from Roc Marciano.
Overall, this is a good follow-up to Sincere Leader 2. XP continues to reveal himself as one of the most hard working & consistent dudes in the west coast currently as his lyricism remains unmatched & the production choices are well picked out.
XP the Marxman is an MC from Los Angeles, California who came up as 1/3 of the trio Rhyme Addicts. He would eventually branch out for a solo career & has released a few projects since. However as a huge marijuana advocate, he’s celebrating 4/20 with a brand new EP entirely produced by none other than Roc Marciano.
“The Have Nots” that kicks the EP off talks about life in the ghetto over an Italian-flavored instrumental & after the titular interlude, the next song “Get Paid” of course talks about making money over an ominous instrumental. The track “No Idea” shows listeners how it is over a more upbeat instrumental while the song “Who Shot Ghost?” hooks up with Termanology to paint some vividly dark imagery over a supernatural instrumental. The EP finishes off with “Season Eatings”, where XP takes a more predominantly melodic approach over a smooth instrumental.
If you wanna get into XP’s music, I highly recommend starting off this because I think it’s his best release to date. He sounds hungrier than ever, Roc Marciano goes to show that he’s just as much of an incredible producer as he is an MC & it all comes together naturally.