LINKIN PARK – “1 More Light” review

Given that LINKIN PARK’s last album The Hunting Party was a return to form for them, at first I was pretty excited going into their 7th full-length album over here. However with each & every single that was released for it, I started to worry about it. Despite this, I still gave it a shot with an open mind. The opening track “Nobody Can Save Me” sees Chester Bennington singing about fighting your inner demons, but the dubstep instrumental sounds absolutely God awful. The next track “Good Goodbye” is the only song on the entire album to feature a rap verse from Mike Shinoda & while his verse along with the guest verses from Pusha T & Stormzy about a failed relationship are just ok, the instrumental on here is pretty generic. The song “Talking to Myself” is told from the perspective of Chester’s wife Talinda, but the only good thing about the production is the guitars during the beginning & the hook. The song “Battle Symphony” talks about picking yourself up when you’re down, but it just comes off as really sappy. The song “Invisible” is the one of the only 2 songs on the entire album where Mike is on lead vocals & while he may be sending a heartfelt message to his children, the production just ruins it. The Chester/Kiiara duet “Heavy” addresses holding onto one’s sanity & the instrumental enhances it’s status as THE worst song on the album. Especially how it starts off with a quiet tone, but then we get a crescendo during the hook to make it sound dramatic. The song “Sorry for Now” sees Mike apologizing to his kids for being gone over a wavy instrumental, but I would much rather listen to “Where’d You Go?” from his Fort Minor side-project. The song “Halfway Right” talks about Chester’s drug addiction & the cliché snares throughout most of the track made me genuinely angry. The penultimate track is the title track, where Chester is singing about death over a settle instrumental that lacks any form of progression. Then we have the final song “Sharp Edges”, where Chester is reminiscing about his youth over an acoustic guitar & it’s actually ok. I can honestly say that this is EASILY the worst album that LINKIN PARK has ever done & it’s not simply because of the fact that they ditched their metal/rock sound to go pop on here: it’s because the production is sickeningly sweet & it makes almost every track sound corny. I have no problem with artists experimenting with sounds & the band did come through with a couple ok songs, but they just failed miserably at this outside of that. I’m sorry but as much as I really respect these guys, I don’t see myself coming back to this garbage ever again

Score: 0.5/5

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