Quavo – “QUAVO HUNCHO” review

Quavo is a 27 year old rapper, singer, songwriter & producer from Atlanta, Georgia who rose to prominence in 2013 as 1/3 of the Migos with his nephew Takeoff & his cousin Offset. He also formed the duo Huncho Jack in late 2016 with one of the most creative minds in hip hop today: Travis Scott, dropping their debut album Huncho Jack, Jack Huncho at the very end of last year. He then got back with Takeoff & Offset at the beginning of THIS year to drop the Migos’ 3rd full length album C U L T U R E II, which is easily one of the most disappointing hip hop albums of 2018. However, they aren’t stopping there as Quavo is now the very 1st member of the trio to put out a full-length solo effort.

The album kicks off triumphantly with “BIGGEST ALLEY OOP”, where Quavo talks about his place in hip hop over a 30 Roc instrumental with a chilling flute & some female background vocals. The next track “PASS OUT” with 21 Savage sees the 2 getting boastful over a druggy instrumental, but the post-chorus where Quavo repeats his “skrr” ad-lib constantly is very tedious. The song “HUNCHO DREAMS” is a pretty solid response to “Barbie Dreams” off of Nicki Minaj’s latest album Queen backed with an atmospheric Murda Beatz instrumental while the track “FLIP THE SWITCH” with Drake sees the 2 talking about a bad bitch over a vibrant trap beat from Wheezy. The song “GIVE IT TO ‘EM” gets cold blooded over an eerie piano lead while the track “SHINE” is a club anthem with a spacey Tay Keith instrumental.

The song “WORKIN’ ME” talks about his relationship with his girlfriend Saweetie over an airy instrumental from Murda Beatz while the track “HOW ‘BOUT THAT?” talks about how the Migos are running the trap scene over a nondescript instrumental. The song “CHAMPAGNE ROSÉ” with Cardi B is an alcohol anthem over a relaxing woodwind instrumental from Murda Beatz & the Madonna hook was a nice surprise as well. The track “KEEP THAT SHIT” with Takeoff is about how they’re rich & your broke over a murky Dun Deal instrumental while the song “FUCK 12” with Offset disses corrupt cops over a gloomy instrumental.

The track “LOSE IT” with Lil Baby is a mediocre tune about how hot this woman is & the song “RERUN” is an obvious & unfortunately structureless Huncho Jack, Jack Huncho leftover with a beautifully spacious WondaGurl instrumental. The track “GO ALL THE WAY” is very repetitive lyrically,but the electronic instrumental that Pharrell brings to the table kinda reminds me of some of the better cuts that he & his Neptunes cohort Chad Hugo produced together on Common’s Universal Mind Control a decade prior. The song “LAMB TALK” is of course Quavo bragging about his lifestyle over an airy beat while the track “BIG BRO” is a more mature cut as he talks about taking this person under his wing over a cloudy beat. However, that one line at the very beginning about Lil Peep was in horribly bad taste. The song “SWING” is an awkward attempt at going dancehall while the penultimate track “BUBBLE GUM” talks about how this chick has it over a generic instrumental. The album ends with “LOST”, where Quavo & KiD CuDi talk about rising above over a settle beat.

I’ve been waiting on a Quavo solo album & overall, it’s pretty solid. There are a small handful of boring & run of the mill joints but outside of that, the production is more consistent than C U L T U R E II‘s & Quavo himself sounds a lot more focused than he did on that album with his charisma shining brighter even on his own.

Score: 3.5/5

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