Boogie is a 29 year old MC from Compton, California who first broke out onto the scene in 2014 with his 1st mixtape Thirst 48, eventually following it up with The Reach exactly a year later as well as Thirst 48, Pt. II the year after that. This would eventually catch the attention of Detroit icon Eminem, who signed Boogie to his Interscope Records imprint Shady Records in late 2017. He then gained even more exposure with a pretty great feature on “Dumb” off of Royce da 5’9”’s latest album Book of Ryan but now almost 9 months later, he’s ready to deliver to his full-length debut.
Things kick off with “Tired (Reflections)”, where Boogie talks about what he’s sick of over a mellow beat. The next track “Silent Ride” talks about being detached over a flute-heavy instrumental while the song “Swapmeet” is an pretty, acoustic love ballad. The track “LOL SMH” talks about his baby momma over a smooth beat with a nice switch-up during the 2nd half while the song “Soho” with J.I.D. sees the 2 talking about being sick of people tryin’ to be cool with them now that they’re famous over a banger beat. The track “Skydive” is another acoustic love tune while the song “Live 95” talks about being broke & the beat has a great vintage West Coast vibe to it.
The track “Rainy Days” with Eminem sees the 2 talking about not wanting to be forgotten over a monstrous trap beat from S1 & StreetRunner Kinda sounds like it was made during the sessions of Em’s latest album KAMIKAZƎ, but it’s still enjoyable. The song “Skydive II” is pretty much a reprise of the predecessor & while it’s not bad, but it should’ve been merged together with the first one because it seems so out of place standing by itself. The track “Whose Fault” reflects on the arguments he’s had with his baby mama over a somber beat while the song “No Warning” talks about his toxic attitude over a minimalist beat with some gloomy piano chords. The penultimate track “Self Destruction” talks about his ignorance over a nocturnal trap beat & then the closer “Time” with Snoh Aalegra is a corny duet about Boogie treating Snoh like a side-chick
Overall, this is Boogie’s best work yet. The production’s more refined in comparison to his mixtapes & I feel like we get a greater glimpse of who he is. Definitely a solid beginning for Shady Records’ next big star.