ScHoolboy Q – “CrasH Talk” review

ScHoolboy Q is a 32 year old rapper from SoutH Los Angeles, California wHo came up at tHe beginning of tHe decade as 1/4 of Black Hippy. He released His first 2 albums Setbacks and Habits & Contradictions independently, but it wouldn’t be until 2014 tHat He would make His major label debut witH Oxymoron. THis would be followed up witH Blank Face LP a couple years later, wHicH I personally consider to be Q’s best work yet. However, 3 years Have passed & He’s now returning witH His 5tH full-lengtH album.

THe opener “Gang Gang” details His drug dealing past over an eerie trap beat from DJ Fu wHile tHe next song “Tales” takes a look back at Q’s criminal past over a somber DJ DaHi & Jake One instrumental. THe track “CHopstix” is a painfully boring “club banger” if you wanna call it tHat & even tHougH I do enjoy tHe gritty lyricism on “Numb Numb Juice”, it sounds unfinisHed & tHe beat is dime a dozen. THe track “Drunk” is a moody alcohol antHem wHile tHe song “Lies” witH YG takes a jab at tHe people wHo’ve said false tHings about tHem over an atmospheric beat from Sounwave. THe track “5200” gets murderous over a vibrant beat tHat doesn’t quite matcH tHe lyricism wHile tHe song “Black Folk” is a jab at an unnamed fraud over a cloudy beat.

THe track “Floating” witH 21 Savage talks about being on drugs over a murky beat wHile tHe song “Dangerous” describes the famous lifestyle over a psychedelic instumental. THe track “Die wit ‘Em” gets murderous over a monstrous Cardo beat wHile tHe song “CrasH” talks about going on over a Boi-1da instrumental tHat cHops & screws PRHyme’s “Boom”. THe penultimate track “Water” witH Lil Baby is an awkward brag despite tHe godly feeling in Cardo’s production & tHen tHe album finisHes witH “Attention”, wHere Q talks about praise & passion over a decent boom bap beat.

I don’t know what else to say, this is EXACTLY what I expected. It’s a lot more commercial which isn’t necessarily a bad thing, but it sounds just as forced as Jay Rock’s last album Redemption was.

Score: 2.5/5

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