Jeezy – “Thug Motivation 104: The Legend of the Snowman” review


Jeezy is a legendary 41 year old rapper from Atlanta, Georgia known for being one of the Big 3 pioneers of trap music alongside T.I. & Gucci Mane. He dropped 2 mediocre albums at the beginning of the 2000s, but it wouldn’t be until 2005 that he made his 1st big break with Thug Motivation 101: Let’s Get It. An album that completely revolutionized trap, spawned 2 sequels that’re both solid in their own rights & just celebrated it’s 14 year anniversary last month. In light of the latter, Jeezy has saw fit to deliver his 11th & allegedly final full-length album.

It all begins with “the enTRAPreneur”, where Jeezy proclaims himself as just that over an orchestral trap beat from MP808. The next song “Big Shit” charismatically brags over a nocturnal trap beat while the track “Look Like” gets confrontational over a rowdy beat. The song “Better Tell ‘Em” flaunts over a generic beat while the track “Mr. Pyrex” speaks for itself over a nondescript beat.

The song “Already Rich” speaks for itself over an infectious J.U.S.T.I.C.E. League instrumental while the track “1 Time” gets celebratory over an unexpected JAY-Z sample. The song “Oh Yea” with Ball Greezy is completely redundant despite the rhythmic beat while the track “White Keys” talks about the drug game over a piano-inflicted trap beat.

The song “MLK BVLD” with Meek Mill sees the 2 boasting over a haunting Lex Luger beat while the track “‘06” with Rick Ross sees the 2 over a luxurious instrumental. The song “Don’t Make Me” talks about designer material over a somewhat jazzy beat while the track “Fake Love” talks about just that over a smooth beat.

The song “All Night” with Gunna sees the 2 flexing over a wavy beat while the track “4Play” is of course a trite sex anthem. The song “Play It Safe” is a sensual follow-up to the previous cut that actually works a lot better while the penultimate track “Don’t Forget” gets reflective over a somber beat. The album then finishes with “The Real MVP”, where Jeezy pays homage to his mother over a beautiful instrumental.

If this truly is the last time we’ll ever hear Jeezy in a full-length capacity, he went out decently. He sounds focused, but the production is hit or miss with me.

Score: 3/5

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