Rick Ross – “Port of Miami 2” review

Rick Ross is a renown 43 year old rapper, entrepreneur & record executive from Carol City, Florida that made his debut on wax in 2000 on Erick Sermon’s 3rd album Erick Onasis. He would eventually make his full-length debut in 2006 with Port of Miami, which was followed up in 2 years later with Trilla. Both of which were just ok, but it wouldn’t be until 2009 that Rozay would really solidify himself as a legend in the game. As Deeper Than Rap, Teflon Don, God Forgives, I Don’t & Mastermind are all rightfully regarded as his best bodies of work. The last time we heard from Ross in a full-length capacity was in 2017 with Rather You Than Me & to commemorate the 13 year anniversary of his debut this month, he’s back with a sequel to the album that started it all.

“Act a Fool” featuring Wale begins bragging over a vibrant trap beat referencing 10-time WWE world champion, 2-time WWE Intercontinental Champion, 5-time WWE Tag Team Champion & $7 Productions co-founder The Rock. The next song “Turnpike Ike” gets luxurious over a beautiful piano instrumental from Jake One while the track “Nobody’s Favorite” with Gunplay sees the 2 talking about their success over a nocturnal trap beat. The song “Summer Reign” gets romantic over a moody beat while the track “White Lines” gets mafioso over an atmospheric beat.

The song “Big Tyme” talks about doing it huge over a lavish Just Blaze instrumental while the track “Bogus Charms” with Meek Mill sees the 2 talking about living on over a beautiful piano instrumental from StreetRunner. The song “Rich N***a Lifestyle” with the late Nipsey Hu$$le needs no further explanation over a blaxploitation-esque instrumental from Cardiak while the track “Born to Kill” with Jeezy sees the 2 talking about death over a dreamy trap beat.

“Fascinated” is a tribute to his friends that’re either dead or in jail over a smooth instrumental & while the track “I Still Pray” with YFN Lucci & Ball Greezy does have one of the most fanciest instrumentals on the entire project provided by DJ Toomp, the lyrics are a vapid diss towards their haters. The song “Running the Streets” with A Boogie wit da Hoodie & Denzel Curry sees the 3 talking about their place in the Florida hip hop scene over a church-esque instrumental while the track “Vegas Residency” is a party anthem with a harmonious instrumental from none other than the J.U.S.T.I.C.E. League.

The song “Maybach Music VI” was probably the most anticipated on the entire album, because it was said to feature both Lil Wayne & Pusha T. However despite Pusha not appearing on the song at all, it still sounds grand both lyrically & sonically. The album then finishes up with “Gold Roses”, which is basically an equally boring sequel to that “Money in the Grave” single that Drake dropped not too long ago.

This could very well be better than the original Port of Miami, in my personal opinion. Not only does Rozay continue to show how amazing his ear for production truly is, but his mob bars are of course a lot sharper than they were on his debut & most of the features on here add to ’em pretty solidly. You can also tell that he really took his time with this one in comparison to rushing out some of his latest projects like Hood Billionaire & Black Market.

Score: 3.5/5

Trippie Redd – “!” review

Trippie Redd is a 20 year old rapper from Canton, Ohio who blew up in 2017 with the release of his debut mixtape A Love Letter to You, which was followed up with a mediocre sequel several months later. He later released his debut album LIFE’S A TRIP last summer as well as A Love Letter to You 3 last November & now, he’s commemorating the 1 year anniversary of LIFE’S A TRIP with his sophomore album.

It all starts off with the title track, where Trippie tells this chick he needs to focus on himself over a Diplo instrumental kin to Avicii’s “Wake Me Up”. The next song “Snake Skin” is an anti-suicide anthem with a dreamy trap beat while the track “Be Yourself” is an self-empowering sequel to “I Know How to Self Destruct” with a cloudy beat. The song “I Try” vents about what’s on his mind over a piano with some hi-hats while the track “They Afraid of You” is more of a Playboi Carti joint since he’s the only person on here with a verse & he uses his signature baby voice to discuss fake love over a mellow trap beat.

The song “Immortal” with The Game of all people sees the 2 talking about feeling invincible over a soulful instrumental while the track “Throw It Away” might be towards Alyek$ & the beat is pretty druggy. The song “Keep Ya Head Up” pretty much speaks for itself over a relaxing instrumental from Murda Beatz & Ging while the track “Riot” gets into fight mode over a beat with some acoustic passages.

The song “Mac 10” sounds like a leftover from Lil Duke’s latest mixtape Blue Devil 2 since there’s little to no Trippie presence whatsoever while the track “Everything BoZ” with Coi Leray sees the 2 getting boastful over a dreary beat. The song “Under Enemy Arms” talks about his wealth & naysayers over a triumphant beat while the penultimate track “Lil Wayne” in no way references back to the legendary Louisiana rapper of the same name whatsoever & the beat on here is bland as Hell. The album then finishes fittingly with “Signing Off”, where Trippie talks about not having time for bullshit over a nondescript instrumental.

Overall, this was just decent. Trippie is definitely one of the best voices in the emo rap trend & the instrumentals sound a lot better than they did on LIFE’S A TRIP, but quite a few tracks really could’ve been fleshed out more.

Score: 3/5

MURS & 9th Wonder – “The Iliad‘s Dead & The Odyssey’s Over” review

MURS & 9th Wonder are an underground super-duo consisting of former Little Brother producer 9th Wonder & former Living Legends wordsmith MURS. The pair made their debut in 2004 with the Definitive Jux backed MURS 3:16: The 9th Edition & followed it up in 2006 with Murray’s Revenge. They continued to show how strong their chemistry was on Sweet Lord, Fornever & were supposed to disband after The Final Adventure in 2012. They eventually reformed in on New Year’s Eve 2015 with Brighter Daze & with the 15 year anniversary of their debut this past March, they’re celebrating with their 7th & supposedly final full-length album.

The album kicks off with “The Hulk”, where MURS reaffirms his rapping prowess over a boom bap beat with a funky bass-line. The next song “Cancun ‘08” with Pookie Blow & $ilk Money sees the 3 recalling a party they went to over a jazzy boom bap beat while the track “My Hero” tells the story of a woman named Alexis over a somberly jazzy beat.

The song “Ga$ Station Gucci Belt” talks about the street life over a venomous beat while the track “Unicorn Glitter” insightfully talks about pussy over a boom bap beat with an acoustic guitar. The song “High Noon” with Rapsody sees the 2 going back & forth nonchalantly about grinding over a mellow instrumental from 9th Wonder’s 15 year old daughter JDEAFBEATS while the song “Night Shift” talks about his live performances over some prominent piano chords.

The song “Give Me a Reason” tries to apologize to an ex over an atmospheric boom bap beat while the track “Super Cojo Bros.” with GQ sees the 2 talking about going at their enemies over an instrumental with some amazing retro video game samples. The song “Fuck Them” tries to console a woman who gets constantly cheated on over a soulful beat while the track “Tony Robbins Pocketbook” talks about searching for God over some strings. The album then finishes with “SIN”, where MURS vividly details relationship drama over a boom bap beat with a beautiful soul sample.

If this truly is the last time we’ll ever hear these 2 in a full-length capacity, then they went out on a high note. The features were mostly ok, but MURS’ storytelling remains on point with 9th Wonder providing a fantastic musical backdrop.

Score: 4/5

Blueface – “Dirt Bag” review

Blueface is a 22 year old rapper from Los Angeles, California who went viral last fall off of the music video for his single “Respect My Crippin’”. This resulted in a contract with Cash Money Records the following month but with him being fresh off the 2019 XXL Freshman Class a couple months ago, he’s continuing all this buzz with his debut EP.

It starts off with the title track, where Blueface talks about being back on his bullshit over a bassy instrumental. The next song “Bussdown” with Offset sees the 2 talking about going from being broke & being successful over a trap beat with some decent piano chords while the track “Disrespectful” talks about getting just that over a hyphy beat with some keys.

The song “Daddy” with Ruch the Kid talks about their lavish lives over an instrumental that’s somewhat similar to “Thotiana” while the track “Bussin’” with Lil Pump sees the 2 talking about you slipping & them sliding over a trap beat from Scott Storch with some faint keys. The next cut is a remix of “Stop Cappin’” with a killer feature from The Game while the penultimate track “Gang” with Mozzy sees the 2 repping their respective gangs over an atmospheric beat. The EP then finishes with “Bleed It”, where Blueface talks about his experiences in the Crips over an old school hyphy beat.

Walking away from this, it really wasn’t as bad as I would’ve expected. The features were mostly redundant, but Blueface really steps up his flows on here & the instrumentals have a great vibe to them as well.

Score: 3/5

Flee Lord – “Loyalty & Trust” review

Flee Lord is a 36 year old rapper from New York that first came up in 2017 with the release of his debut EP Loyalty of Death: Lord Talk, which was followed up last year with his debut album I Want Out & his 2nd EP Loyalty of Death: Lord Talk 2. He just released his sophomore album Gets Greater Later this March & now just 3 months after his debut mixtape Later is Now, he’s continuing his hustle with a 9-track project as well as 38 Spesh producing it in it’s entirety.

The titular intro sees Flee pours his heart out over a boom bap beat that suits the vibe & then the next song “Contract Plus a Bag” with RJ Payne & Grafh pretty much speaks for itself over an amazing BADBADNOTGOOD sample. The track “Both Views” with Che Noir gets romantic over a smooth instrumental while the song “Kitchen Talk” of course gets on the drug dealing tip over a minimalist beat.

After the 20 second spoken word piece from Benny the Butcher, we go into the song “Perfect Plate”. Where Flee & Spesh get mafioso over a somewhat psychedelic boom bap beat. The track “Hoody Flee” is filled with gritty street bars over an alluring boom bap beat & while the song “Not for Fashion” with Termanology sees the 2 getting into some vivid storytelling, the instrumental on here might be the weakest on the entire project. The tape then ends with the titular outro, where Flee talks about his success over a haunting beat.

Despite the brevity of this project, it’s easily Flee’s magnum opus thus far. His lyricism is getting sharper & the production that 38 Spesh brings to the table is some of his best yet.

Score: 4/5

Tha Hav Knots – “Tha Low Budget EP” review

Tha Hav Knots are a hip hop duo from Detroit, Michigan consisting of Anybody Killa & Big Hoodoo. Since 2014, the two dropped a couple singles together & they even let Bonez Dubb of the Axe Murder Boyz temporarily join the group for a couple years before going AWOL at the start or 2017. But now with the 20th annual Gathering of the Juggalos officially wrapped up, they’re officially back with their debut EP.

The project kicks off with “Intro / Cruel Intentions”, where Hoodoo & Killa talk about ushering in a brand new era of wicked shit over a perfectly nocturnal beat. The next song “We Gonna Rock” of course brags about their skills over a vicious beat while the EP’s only single thus far “Watch the Evil” gets reckless over a somewhat druggy & ominous instrumental.

The track “Trigga Finga” not only gets murderous over an abrasive trap beat with a cool 2Pac sample for the hook, but Hoodoo’s flow at the beginning could very well be the best on the entire project. The penultimate track “Hard Headed” pretty much speaks for itself over an eerie beat & then the EP finishes with “Take Us Alive”, where Hoodoo & Killa get triumphant over a symphonic trap beat.

For the 5 year wait, it was well worth it & it definitely makes me hope they have a full-length debut album on the way. The production is grimy & Tha Hav Knots compliment each other very well, with Anybody Killa sounding a lot harder than he was on his latest comeback album Tampon Juice as well as Big Hoodoo continuing to step up both his pen game & his flows.

Score: 3.5/5

Black Milk – “DiVE” review

Black Milk is a 35 year old rapper, songwriter & producer from Detroit, Michigan that came up as a member of the B.R. Gunna production trio. He eventually went solo in 2005 with Sound of the City, which was followed up in 2007 with Popular Demand. The following year, he would dabble with electronic music on Tronic & would later start incorporating live instrumentation on Album of the Year in 2010. His next album No Poison No Paradise eventually became Black Milk’s darkest work yet & it would see a solid sequel If There’s a Hell Below the year after. We saw a comeback form him last year with the politically charged FEVER & a little over a year later, Black Milk’s delivering a sequel with his 4th EP.

It all starts with “Save Yourself”, where Black Milk talks about friendship over a mellow beat. The next song “Black NASA” talks about self-empowerment over an atmospheric beat while the track “If U Say” talks about staying true to yourself over a meditative beat. The song “Relate (Want 2 Know)” with sees Black Milk & his younger brother Mahd talking about depression over a somber instrumental while the track “Blame” gets romantic over a smooth instrumental.

The song “Swimm” is a meditative cut based around the idiom “sink or swim” while the track right after is an Flying Lotus influenced instrumental piece. The song “Don’t Say” talks about fake love over a druggy beat while the track “Out Loud” serves as a psychedelic instrumental interlude. The penultimate track “Tyme” talks about just that over a glitchy beat & then the EP finishes with the synth heavy “Now Begin” instrumental piece.

While only 35 minutes long, I think it’s a fantastic as FEVER. The lyrics are just as smart as the predecessor & the production is equally soothing.

Score: 4/5

Saint Dog – “Bozo” review

Saint Dog is a 43 year old rapper from Chisholm, Minnesota that came up as a member of the trio P.T.B. with D-Loc & Johnny Richter, all 3 of whom would later form the Kottonmouth Kings with Daddy X in 1996. He would eventually leave KMK in 1999, but would remain on Suburban Noize Records & make his solo debut 5 years later with Ghetto Guide. This would be followed up in 2006 with U.S.A. (Unconformable Social Amputees) but after rejoining Kottonmouth recently, he’s coming back with his 3rd full-length album.

The album kicks off with “Sounds of the Underground”, where Saint Dog talks about the things people say about him over a instrumental that’s perfect for the clubs. The title track sings about the things he sees in this person over a laidback instrumental while the song “I’m Living Life (Right Now)” with Danny Diablo & Syniister sees the 3 talking down to their competition over an instrumental that sounds like something Dr. Dre & Scott Storch would’ve made together in the 2000s.

The track ”West Side” with Kung Fu Vampire & Mars of course details the gritty life in California over an eerie beat while the song “Bar Door Sign” with The DRP & Prolifik is of course an alcohol banger with a thumping beat. The track “Same Ol’ Screaming” charismatically brags over an electronic beat with some live drumming while the song “She Be Wifey” talks about how fine this woman is over a trap beat with some plinky keys.

The track “Pixie Girl” is a stripper anthem with an unexpected EDM influenced beat from UnderRated while the song “Gangsta Ways” needs no further explanation over an acoustic instrumental. The track “Bang Bang” with Skribbal sees the 2 getting vicious over an instrumental with a prominent piano & some g-funk synthesizers that pop up during the hook while the song “Already Dude” gets reflective over another instrumental that kinda has a Dr. Dre/Scott Storch influence to it.

The track “Love (Is What I Got)” is a clumsily delivered romance tune with some great acoustic guitar passages while the song “Lay Low” with Big Hoss & Jaysin Logik sends a warning to those who oppose them over some keyboards. The penultimate track “Where I Stay” with Lil Jerry is a dedication to California with a summery beat & then the album ends with “Stir It Up”, which is a killer rap rock cut.

Overall, this was a pretty solid comeback for the O.G. Kottonmouth King who was kicked out of the group after their classic debut album Royal Highness by Daddy X. The production is decent as were most of the features, but Saint Dog sounds very focused & passionate to be back on the mic.

Score: 3.5/5