Lil Wayne – “Funeral” review

This is the long-awaited 13th full-length album from New Orleans veteran Lil Wayne. Who signed to Cash Money Records at the age of 9; becoming 1/2 of The B.G.’z, 1/4 of the Hot Boy$ & 1/6 of the Cash Money Millionaires. His first 3 solo albums Tha Block is HotLights Out & 500 Degreez were average at best but we then found him improving in the mid 2000’s with Tha CarterTha Carter IIDedicationDedication 2Da Drought 3 & my personal favorite Tha Carter III. He then started his own label Young Money Entertainment & followed his magnum opus up with a God awful “rock” album Rebirth along with the mediocre I Am Not a Human Being. He was able to bounce back in 2011 with Tha Carter IV, but things looked rough once again with the horrendous I Am Not a Human Being II in 2013 & then being entangled in legal issues with Cash Money from 2014-2018. Wayne eventually broke free from Birdman & was able to release Tha Carter V in 2018 to celebrate his 36th birthday. But to end the first month of 2020, Weezy is coming back with Funeral.

The title track that kicks the album off is a proper introduction as Wayne makes numerous references to death over some strings, but then it transitions into a grimy trap beat. The next song “Mahogany” gets braggadocious over a soulful trap beat from Mannie Fresh while the track “Mama Mia” continues to flex over an abrasive beat. The song “I Do It” with Big Sean & Lil Baby sees the 3 describing their work ethics over a bland instrumental while the track “Dreams” talks about his fear of losing it all over an atmospheric instrumental.

The song “Stop Playin’ with Me” speaks for itself over a weary instrumental while the track “Clap for ‘Em” is an ass-shaking anthem with a Jahlil Beats instrumental that sounds vaguely similar to T.I.’s “Ball”, on which he was featured on. The song “Bing James” with Jay Rock sees the 2 showing off over an eerie instrumental as well as a 24-second tribute to the late Kobe Bryant at the start while the track “Not Me” talks about his haters over a somewhat-cloudy StreetRunner beat. The song “Trust Nobody” has a great message about backstabbers & the guitar instrumental is pretty, but Adam Levine’s hook is just ok.

The track “Know You Know” sees ColleGrove getting together to talk about this hoe over a keyboard-inflicted trap beat while the song “Wild Dogs” talks about how much of a savage he is over a luxurious instrumental. The track “Harden” talks about how he isn’t the perfect lover over a grand instrumental while the song “I Don’t Sleep” with Takeoff sees the 2 talks about their grind & I really like the woodwinds in the production.

The track “Sights & Silencers” is an awkward love ballad with The-Dream & a buttery Mike WiLL Made-It instrumental while the song “Ball Hard” with Lil Twist sees the 2 talking about their hustle over an ominous trap beat. The track “Bastard (Satan’s Kid)” reflects about his childhood over a cavernous beat while the song “Get Outta My Head” with the late XXXTENTACION sees the 2 talking about fighting their inner demons & the instrumental has this horror-esque feel that fits in pretty great. Although Wayne’s lyricism gets more annoyingly repetitive on “Piano Trap”, I do like how it lives up to the title as he’s delivering these bars over a trap beat that later switches into a piano instrumental.

The song “Line ‘Em Up” gets confrontational over a Murda Beatz instrumental with an organ & a sample that gets so played out once the joint ends whereas the track “Darkside” talks about going to war over a grim instrumental. The song “Never Mind” compares himself to that of a pimp over a mellow acoustic instrumental & while the penultimate track “T.O. (Terrell Owens)” talks about selling coke over this lifeless trap beat, the O.T. Genesis feature is the most awkward part about it easily. Then the album ends with “Wayne’s World”, where Weezy talks about partying hard over a rubbery instrumental.

I thought Lil Wayne redeemed himself with Dedication 6 & Tha Carter V, but this was SUPER disappointing. He still has his passionate & witty moments on here, but it’s overloaded with filler & the production choices are pretty weak as well. If this is the way he’s going out, then I’d say it’s a mediocre one.

Score: 2/5

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s