This is the brand new album from Missouri emcee JL, who started out as a member of the B. Hood crew before signing to Strange Music in 2015. His full-length debut on the label D.I.B.K.I.S. (Do It Big Keep It Strange) that came out a few years ago was a proper introduction to the Strange fanbase & I really liked that Kontra-Band collab effort he did with Stevie Stone in 2018 too. But after teasing new music for quite some time now, JL’s officially back with The Devil Hates Sundays.
After the intro, the first song “Silver” makes numerous references to the titular color over an organ-inflicted boom bap beat from 7 (who produced about half the album) whereas the track “Sunday Morning” with Marley Young finds the 2 comparing them & their significant others to Adam & Eve over a euphoric beat. The song “Means to an End” with Tech N9ne sees both spitters talking about doing anything for better luck over a trap beat with some bells while the track “Ask for It” with LeezoSTG & Maez301 finds the trio talking about giving their significant others anything they want over a rubbery instrumental.
The song “Ahh Haa” talks about being high over a hyphy beat from Wyshmaster while the track “Who Raised You?” talks about how they don’t make ‘em like this over a beat with some bells & a background singer humming. The song “Flashing Out” is filled with clever Hollywood references over a cavernous instrumental from Dominique Sanders while the track “That’s Him” with Joey Cool displays an impeccable chemistry with one another over a monstrous beat.
The song “Sleep on Me” with Krizz Kaliko sees the 2 talking about being underrated over a bleak instrumental while the track “Petty Bop” does a good job of living up to it’s name both lyrically & sonically. The song “Common Sense” talks about him being one of a kind over a cloudy beat while the track “Coming Down” talks about being off of the high over a woodwind-infused beat.
The song “SOS” talks about being too far gone over a dense beat while the track “Voices” with Jehry Robinson sees the 2 talking about the internal conflict within them over a desolate beat. The song “MIA” talks about getting to the money over a woozy instrumental while the track “Moonwalker” links up with Suli4Q & the CES Cru finds the 4 talking about revenge over a somewhat quirky beat.
The song “If I Wasn’t” with Saigon & Starrz finds the 3 painting scenarios of where they’d be if they never made it in the rap game over an intoxicating instrumental while the penultimate track “Bat Shit Crazy” talks about his boo being as wild as him over a sensual beat. The album finishes with “Inner Demons”, where JL apologizes for how he is over an instrumental with some slick guitar-playing.
Overall, I think this is JL’s best work date. There are a couple of features that I personally could’ve done without, but the lyrics on here are at his most introspective with the religious theme only enhancing it & the production fitting each cut like a glove.