BROCKHAMPTON is a hip hop boy band that originated in San Marcos, Texas in 2010 via the “KanyeToTheForum under the original name AliveSinceForever. But when things started to look good for them after they released the SATURATION trilogy to universal acclaim in 2017, one of their founding members Ameer Vann was kicked out midway through the following year due to sexual misconduct. The boys’ next 2 albums following iridescence & GINGER were both released to moderate reception & after taking 2020 off, Kevin Abstract & the gang are returning from the shadows by dropping their 6th & allegedly penultimate album.
“BUZZCUT” is a off-the-wall opener as Kevin & Danny Brown come through with some conscious undertones through their lyrics backed by a psychedelic instrumental from Jabari Manwa. The next song “Chain On” goes into a more cloud rap direction as Kevin connects with JPEGMAFIA to speak out against police brutality whereas “Count on Me” is a summery anthem about how everything will be ok regardless of what they say & even though I think Matt Champion & A$AP Rocky both kill their verses, I can’t say the same for SoGoneSoFlexy.
The track “Bankroll” is a hazy trap banger with Merlyn Wood, Jabari & A$AP Ferg to show off their wealth while “The Light” is pretty much JOBA & Kevin venting about something being missing deep inside them over an ominous boom bap instrumental. The song “Windows” everyone reuniting with SoGoneSoFlexy to talk about how crazy they are with an icier instrumental than the previous cut & then “I’ll Take You On” finds Charlie Wilson joining Matt & bearface to cook up an gorgeous alternative R&B joint.
The instrumental on “Old News” kinda reminds me of Baby Bash’s “Suga Suga” for some odd reason as the boys tap in Baird to address the games their lovers put them through, but then Matt & JOBA get together on “What’s the Occasion?” to vent about how “a million little pieces all add up to nothing lately” on top of an acoustic/boom bap instrumental with some occasional synths. Chad Hugo laces the piano ballad “When I Ball” that sees Matt & Dom McLennon looking back on their younger days whereas the chaotically-produced “Don’t Shoot Up the Party” finds Kevin & Matt speaking against the bigotry in America. The track “Dear Lord” is a short, a capella bearface solo cut about his brother needing help & then “The Light, Pt. II” is an optimistic, almost gospel-flavored closer from Kevin & JOBA.
If anyone’s been turned off by these guys given the moderate reception of their last 2 albums, then I highly recommend giving this a shot because this is their most consistent effort since SATURATION III. I really dig how they started to incorporate more outside collaborators even though not all of them stick the landing & the boys do a great job at showing listeners what’s been going on in their world ever since GINGER came out.