BL1GHT – Self-Titled review

BL1GHT is a newly formed duo consisting of HU$H & Tech N9ne. One is a rapper/producer from Los Angeles known for his work in the EDM scene under numerous aliases & the latter being amongst the biggest independent hip hop artists of all-time. Now I’m not really sure exactly how these guys’ paths crossed, but my morbid curiosity for this eponymous debut EP of theirs got the best of me given how much of a N9na fan I’ve been since high school. Especially off the strength of albums like Anghellic, Absolute Power, Everready (The Religion), K.o.D. (King of Darkness), All 6’s & 7’s, Welcome to Strangeland and Special Effects.

”Let Lost Happen” starts the EP by going into a brostep direction as BL1GHT tell the listener that “false starts isn’t how they play” whereas the next joint “Noise Baby” sounds like a rehash of your generic EDM track from 2011 with it’s repetitive structuring. We go into a more glitchier sound on the lyrically aggressive “Move Back Right Now” before fusing elements of dubstep & trap metal with “Smiley”.

Meanwhile on “Wear U Down”, the instrumental for some reason sounds like the theme music you’d hear whenever a Blacklight: Retribution match would end as BL1GHT rap about the way they show love while the penultimate track “41 Days” is much more melodic & the lyrics are more depressing. The closer “Suffering” is a lot similar to “Smiley” in terms of the production with the duo rapping about wanting their opposition to suffer.

I have nothing against dubstep or EDM as an entire genre, but boy was it a struggle for me to sit through this entire EP for 22 minutes. The chemistry between the duo seems to be hamfisted rather than natural because as a performer, Tech N9ne is just washing HU$H on every song. On top of that, the latter’s production isn’t as invigorating as someone like Burial’s

Score: 1/5

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