This is the sophomore album from Vancouver born albeit Compton raised emcee Jay Worthy. Being introduced to him in 2017 after The Alchemist produced his debut EP Fantasy Island from top to bottom, he would go onto drop 5 more EPs & a fantastic collab album with Larry June back in March called 2 P’z in a Pod even though initial plans of putting it out through Griselda Records fell through for whatever reason. Dude just put out his Harry Fraud-produced full-length debut You Take the Credit, We’ll Take the Check a few months back & is now enlisting DJ Muggs of Cypress Hill behind the boards for What They Hittin’ 4.
“We Don’t Die Here” is a calm jazz rap opener talking about “live & let live” along with how you’re supposed to fly if you’re eternal like him whereas “95” takes a more rugged approach declaring himself to be a westside original which accurate considering that the CPT is a here he grew up. “The Gentleman” works in a bare soul sample so Jay can show a more classy side to himself just before “In New York” has a more cheery tone to it talking about his experiences in the Big Apple.
Meanwhile on “Thuggin’ (Psychedelic Ism)”, we have Jay reflects on what happened when he hit a tab of acid on top of a drumless yet synth-heavy instrumental leading into “Sweet Lies (Kiss the Sky)” returning to the boom bap talking about how it feels good inside to be deceived & needing to take his time. T.F tags along for “The Wine Connoisseur” returning to a more jazz-influenced sound expressing their love for wine & after the “Duccky’s Home” skit, MC Eiht comes into the picture for the dusty “A-Wax & O-Dog” talking about how real shit can get.
The song “This is It” with 211 has a spacier groove to it discussing getting anything they want with only a flick of a wrist while the penguin track “I Don’t Wanna Rap” goes into a more sunnier vibe instrumentally talking about wanting to relax. “Bitch I Miss You” however ends the album with a beat that sounds exactly like “No Blood No Sweat” by Mach-Hommy to reflect on a former lover of his that he genuinely misses.
In the 5 years I’ve been following this dude, What They Hittin’ 4 has to be my favorite thing he’s ever done & would absolutely recommend it to those who weren’t feeling his performances on the previous full-length he put out a few months ago. He comes a lot harder on the mic this time around to me personally & the production that Muggs cooks up here is a lot more varied in sound in contrast to the ruggedness of let’s say Rigz’ latest album Gold for example.
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